Humorous Historical Illustrations

A series of satirical artworks reflecting societal norms and interactions, featuring caricatures of men, marriages, and theatrical scenes in monochromatic tones.

The hold-up, second state , Robberies. George Bellows (1882-1925). Prints and Drawings

He would live in the kennel till his children's return.. Woodward, Alice Bolingbroke (English artist, active by 1885, died 1911). Illustrations. 1912. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Picture Collection. Barrie, J. M. (James Matthew), 1860-1937. Peter Pan, Top hats, Sleeping, Children , Clothing & dress , England , 1910-1919

Fulfillment of the promise made to the dead Adrien Marie (1848-1891). "Completion of the promise made to the dead". Gilling retouched to the feather on paper. 1879-1881. Paris, Victor Hugo House.

Artist: Edwin Austin Abbey, American, 1852-1911, M.A., 1897, Petruchio banters Katharina (study for .1058) - Act II, Scene I, Taming of theShrew, Charcoal and white chalks, Brown wove, 35.5 × 53.5 cm (14 × 21 1/16in.), Made in United States, American, 19thcentury, Works on Paper - Drawings andWatercolors

Friar Bacon and His Brazen Head, Richard Newton, 1777-1798, British, 1794, Etching, hand-colored, Sheet: 10 3/4 x 9 7/8in. (27.3 x 25.1cm)

Théophile Alexandre Steinlen, Return from the Wash House (Retour de lavoir), 1912 Return from the Wash House (Retour de lavoir)

Little Red Riding Hood Rackham, Arthur(1867-1939 British) Private Collection

Emilienne d'Alencon et Mariquita. Dated: 1893. Dimensions: image: 30.8 x 23 cm (12 1/8 x 9 1/16 in.) sheet: 43.8 x 31.8 cm (17 1/4 x 12 1/2 in.). Medium: lithograph. Museum: National Gallery of Art, Washington DC. Author: Henri-Gabriel Ibels.

Francisco de Goya (Spanish, 1746-1828). Porque esconderlos (Why hide them), 1796-1797. From Los Caprichos, no. 30. Etching, aquatint, and drypoint. Plate: 215 mm x 151 mm (8.46 in. x 5.94 in.).

Japanese Artist at Work. Dated: 1886. Dimensions: overall (approximate): 37.2 x 51.3 cm (14 5/8 x 20 3/16 in.). Medium: graphite on paperboard. Museum: National Gallery of Art, Washington DC. Author: ADOLPH MENZEL.

'THE WELL-KNOWN KNOCK,' BY R. CARRICK, IN THE EXHIBITION AT THE FRENCH GALLERY, PALL MALL, LONDON, UK, 1869

Portraits of Isabey and Taunay Artist's working dates 1863-1894 France. Etching and drypoint in black on ivory laid paper . Félix Milius

GOYA Y LUCIENTES, Francisco de (1746-1828). The women give courage. 1810-1820. Plate 4 of 'The Disasters of War'. Etching. SPAIN. MADRID (AUTONOMOUS COMMUNITY). Madrid. National Library.

Juan Aguilar Catena (1888-1965). Spanish writer and journalist. Disciplines of love. Edited in 1923. Illustration by Longoria.

Bonne renommée vaut mieux que balcondoré.. Artist: Paul Gavarni, French, 1804-1866

Rosmersholm; Le Gage. Dated: 1897. Dimensions: sheet: 38.6 x 28 cm (15 3/16 x 11 in.). Medium: lithograph in black on wove paper. Museum: National Gallery of Art, Washington DC. Author: Henri de Toulouse-Lautrec.

Honoré Daumier, Un nouveau nez, 1833 Un nouveau nez

It is nicely stretched', 1799 Artist: Francisco Goya. Plate 17 of 'Los Caprichos'. Los Caprichos are a set of 80 prints in aquatint and etching created by the Spanish artist Francisco Goya in 1797 and 1798, and published as an album in 1799.

Francisco de Goya y Lucientes / 'Hilan delgado'. 1797 - 1799. Etching, Aquatint, Drypoint, Japanese chisel on laid paper. Museum: Museo del Prado, Madrid, España.

Piotr Stachiewicz (1858-1938), from the series "Dziad i Baba" (III) - illustration for the song by J. I. Kraszewski "Dziad i Baba"; Czernecki, Jan (Wieliczka, Kraków; Publisher; 1905-1939), Angrer C. & Göschl (Vienna; Fotochemigraphic Zak 1870-); 1912 (1912-00-00-1912-00-00);

The Bathers (from "Harper's Weekly," Vol. XVII) August 2, 1873 After Winslow Homer American. The Bathers (from "Harper's Weekly," Vol. XVII). August 2, 1873. Wood engraving. Harper's Weekly (American, 1857-1916). William H. Redding (American, active 1870s). Prints

Kobolds; Duendiecitos; Los Caprichos. Three small people with very large hands and grotesque faces, each with a cup in hand. Nine forty-nine print from the Los Caprichos series.

Francisco de Goya (1746-1828). Spanish painter and printmaker. Los Caprichos. El Vergonzoso (The Shameful). Number 54. Aquatint. 1799. Reproduction by M. Segui i Riera.

Gottlob, Fernand-Louis (n.1873-02-23-D.1935-11-10), lack of experience (title given by the author), 1904. Black Pierre and Blue Prayon on paper. Petit Palais, Museum of Fine Arts of the City of Paris.

"I Call them my Children - To Myself, Susan.", 1869. Winslow Homer (American, 1836-1910). Wood engraving;

Comment on comprend le balcon Espagnol a Paris. Dated: 1847. Medium: lithograph. Museum: National Gallery of Art, Washington DC. Author: HONORÉ DAUMIER.

Craeyvanger, Reinier, Netherlands, Bendorp, Johannes Christiaan, Jan van Speijk shooting the fire into the gunpowder, 1831, verso - stamped, Jan van Speijk shooting his pistol into the supply of gunpowder stored in the cabin room, February 5, 1831., print, picture, history print, prints, Frederik Muller History plates, height 145 mm, width 117 mm, Northern Netherlands, 1766-01-01 - 1849-11-13, print maker, printmaker, 1837 - 1838, paper, papier, etching, etchings, engraving, engraving (printing process), Work conception, 1812-02-29 - 1880-01-10

Auguste Lepère, Escalier de la maison ou etait le Chateau Rouge, published 1901 Escalier de la maison ou etait le Chateau Rouge

Cartoon, The Last Victims. Two hungry tramps look in dustbins for discarded food, but are dismayed to find that the owners of the dustbins are eating every last scrap and throwing nothing away. Date: 1917

William Shakespeare (1564-1616). English writer. Romeo and Juliet. Juliet with Friar Laurence. Engraving by E. Hopmann, 1884.

The Meal (Le repas). Dimensions: 38 cm x 28 cm, 32.5 cm x 25 cm. Museum: Van Gogh Museum, Amsterdam. Author: EDOUARD VUILLARD.

The dead-line , Disasters, Coal mining, Families. George Bellows (1882-1925). Prints and Drawings

Illustration in a series called 'Wine', published in 1907. By Raoul Serres (1881-1971), a French illustrator and printmaker.

Honoré Daumier (French, 1808-1879), Madame Rabourdeau a sa première leçon, 1847, lithograph

Chanteurs des rues, grande pièce 1872 Marcellin-Gilbert Desboutin. Chanteurs des rues, grande pièce. Marcellin-Gilbert Desboutin (French, Cérilly 1823-1902 Nice). 1872. Drypoint. Prints

Retour de permission , Soldiers, War, World War, 1914-1918. Théophile Alexandre Steinlen (1859-1923). Lithographs

The Garden Bench, 1883. James Tissot (French, 1836-1902). Mezzotint; sheet: 54.7 x 72.2 cm (21 9/16 x 28 7/16 in.); platemark: 41.6 x 56.2 cm (16 3/8 x 22 1/8 in.).

Woman for a house and three performances of a police officer, Ernst Maximilian Büttinghausen, 1893 - 1928 drawing paper. pencil. ink. watercolor (paint) pen / brush policeman, constable. standing figure. door

De la neige, de la vraie neige.... Honoré Daumier (France, Marseilles, 1808-1879). France, 1853. Prints; lithographs. Lithograph

Theatre programme for Les soutiens de la société by Henrik Ibsen (Thétre de l'Oeuvre, 23 June 1896). Dimensions: 32.5 cm x 50.1 cm, 32.5 cm x 50.1 cm. Museum: Van Gogh Museum, Amsterdam. Author: EDOUARD VUILLARD.

Mouse caught in a trap, painting by Antonio Rotta (1828-1903) was an Italian painter born in Gorizia. Old 19th century engraved illustration from La Ilustración Artística 1882

Jan Claasz or the croped maid: the declaration of love of Reinier Adriaansz. Night face. Reinier Adriaansz declares Saartje Jansz love and is rejected. She is in the doorway with a candle. The print depicts a scene from the comedy 'Jan Claasz or the committed service after Thomas Asselyn.

An engraving depicting the collection of holly and evergreen for Christmas decoration. Illustrated by Mary Ellen Edwards (1838-1934) an English artist and illustrator of children's books. Dated 19th century

Ah! Ma chère, quand on a un chien ... Dated: 19th century. Medium: lithograph. Museum: National Gallery of Art, Washington DC. Author: HONORÉ DAUMIER.

A festive scale; Piotrowski, Antoni (1853-1924); around 1900 (1890-00-00-1910-00-00);Witke-Jeżewski, Dominik (1862-1944)-collection, fairy tale, illustration, peasants, for reproduction, study, illustration, design, collection stamp, feast, purchase (provenance)

Honoré Daumier, Pierre Leroux Osant apostrophe , 19th century Pierre Leroux Osant apostrophe ...

The Fluoroscope,' 1926, etching by John Sloan (1871-1951).

Le Banc deJardin. Artist: James Tissot, French, 1836-1903

Un Monsieur Qui Veut Se Donner la Satisfaction Honoré Daumier (French, 1808-1879). , August 10, 1846. Lithograph on newsprint, Sheet: 14 7/16 x 9 7/16 in. (36.7 x 24 cm). European Art August 10, 1846

The First Needlework, 1884. Seymour Joseph Guy (American, 1824-1910). Etching;

Honoré Daumier, Vue prise a la buvette d'un bain, 19th century Vue prise a la buvette d'un bain

Farmer's room with woman in front of fireplace, Emanuel Samson van Beever, 1886 - 1909 print The woman wears a headscarf. A broom leans against the fireplace. paper etching open hearth, fire-place. farm (building) - AA - civic architecture: inside

The 1897 caption for this illustration reads: The Wheel of Today, at the Michaux Club in New York.

Graphic by Randolph Caldecott (1846-1886) a British artist and illustrator. Dated 19th Century

For Ibels, Henri Gabriel (1867 1936)

Nicolaas Verkolje after Gerrit Dou, Maid with a Mousetrap Maid with a Mousetrap

Caricature portrait of Jozef Israels and Salomon van Witsen. Draughtsman: Elchanon Verveer (mentioned on object). Dating: 1850 - 1899. Measurements: h 760 mm × w 628 mm. Museum: Rijksmuseum, Amsterdam.

Tantalus (Tantalo) Francisco de Goya y Lucientes (Spanish, 1746-1828). Tantalus (Tantalo), 1797-1798. Etching and aquatint on laid paper, Sheet (Uneven): 11 7/8 x 7 15/16 in. (30.2 x 20.2 cm). European Art 1797-1798

Ferdinand Huyck in the BOCKENTAKTJE, Aunt in the Bedstee and the head of Susanna between the curtains, David Bles, 1831 - 1899 drawing Design for a painting for 'Ferdinand Huyck' by Jacob van Lennep. paper. pencil. deck paint brush (scenes from) specific works of literature (with AUTHOR, Title). built-in bedstead (Dutch: 'bedstee')

'The Adventure of the Musgrave Ritual'. Reginald Musgrave, seeing a light under the Library door in the middle of the night, is surprised to discover Brunton, his butler, not the burglar he expected. From The Adventures of Sherlock Holmes by Conan Doyle from The Strand Magazine (London, 1893). Illustration by Sidney E Paget, the first artist to draw Sherlock Holmes. Engraving.

My Family, Second Stone. Artist: George Bellows (American, Columbus, Ohio 1882-1925 New York). Dimensions: image: 10 1/8 x 8 in. (25.7 x 20.3 cm)sheet: 11 7/16 x 9 1/4 in. (29 x 23.5 cm). Printer: Bolton Brown (American, Dresden, New York 1864/65-1936 Woodstock, New York). Publisher: George Bellows (American, Columbus, Ohio 1882-1925 New York). Date: 1921. Museum: Metropolitan Museum of Art, New York, USA.

Soap bubbles according to the image of Zygmunt Papal. A clipping of ears 1882 (2) 352 Nich, Edward (1851 1916), papal, Zygmunt (1852 1919)

Il a le cauchemar... Dimensions: overall: 34.4 x 25.2 cm (13 9/16 x 9 15/16 in.). Medium: lithograph on wove paper. Museum: National Gallery of Art, Washington DC. Author: Edouard de Beaumont.

Honoré Daumier, Le Jour de sortie Le Jour de sortie

Bliżej Kultury Cassell and Company Ltd., London, Paris, New York and Melbourne, Hunt, William Holman (1827 1910)

THE SANCTUM INVADED. BY E.J. GREGORY

After Winslow Homer, On the Beach Two are Company, Three are None, published 1872 On the Beach - Two are Company, Three are None

Carl Peter Theodor Rothweiler (1821-1881); Johan Thomas Lundbye (1818-1848), for Uglplay as a child, sleeping in his cradle, (1841)

Illustration for 'Le Trésor d'Arlatan' 1897 Edition, of the novel by Daudet. Illustrations by H.T. LAURENT-DESROUSSEAUX. Alphonse Daudet (French; 13 May 1840 - 16 December 1897) was a French novelist.

Honoré Daumier (French, 1808 - 1879), Ah! très bien j'en suis sur! malheureuse, 1841, lithograph

Intérieur d'un omnibus. Dated: 1864. Medium: wood engraving. Museum: National Gallery of Art, Washington DC. Author: Charles Maurand after Honoré Daumier.

Wood Cut The Plague Pit Black Death London England 1347-1350

Honoré Daumier, Grand escalier du Palais de justice Vue de face, 1848 Grand escalier du Palais de justice. Vue de face

From the graphic novel Une semaine de bonte (A Week of Kindness) by Ernst, Max (1891-1976) / Daniel Filipacchi, Isidore Ducasse Foundation, New York / Surrealism / 1933 / Germany / Collage / Mythology, Allegory and Literature /

Historical illustration from the 19th Century, Charles John Huffam Dickens or Boz, 1812 - 1870, an English writer, with his wife and sister-in-law

End of a serenade, Spain. Europe. Old 19th century engraved illustration from El Mundo Ilustrado 1879

Those Out of Luck (Les malchanceux). Dimensions: 35 cm x 27.5 cm, 27.5 cm x 17.8 cm. Museum: Van Gogh Museum, Amsterdam. Author: HENRI GABRIEL IBELS.

J.M. Conde illustrated the tales of the legendary Greek fablist Aesop, including the story of the Mischievous Dog, with its moral "Notoriety is often mistaken for fame." Conde published his drawings in 1905 in New York. Aesop was a sixth-century B.C. legendary composer of Greek fables, whose characters were animals. Each fable had a moral. It was said that Aesop was a slave and had been freed by his master.

Symbolic of alcohol abuse, The Angry Alcoholic, around 1910, France, authentic, digitally restored reproduction from a 19th-century model, exact date of depiction unknown, historical

Une Visite du 1er Janvier. Dated: 1846. Medium: lithograph. Museum: National Gallery of Art, Washington DC. Author: HONORÉ DAUMIER.

La Rafle. Dated: 1893. Dimensions: overall: 53.3 x 35.3 cm (21 x 13 7/8 in.). Medium: brush and black ink and colored crayon. Museum: National Gallery of Art, Washington DC. Author: TEOPHILE STEINLEN.

Crespi, Giuseppe Maria, Italy, Mattioli, Lodovico, Historie van Bertoldo, Bertoldino en Cacasenno, Bertoldo laten zich in een oven, verso lower right - stamped, Bertoldo zit laten in een steen houtoven. Beneath the image a three-line rhyme in Italian. Print from a series of six with the adventures of Bertoldo, part of a series of twenty prints., print, prent, prints, prenten, height 227 mm, width 154 mm, 1665 - 1747-07-16, print maker, prentmaker, 1710 - 1715, first quarter 18th century, first quarter of the 18th century, paper, papier, etching, etchings, Italian, 1662-01-02 - 1747-10-20, printmaker, Work conception

He plays the bone according to the image of Eduard Charlemont. Cleastle from Tygodnik Powszechny 1884 (1) 120 121 Baude, Charles (1853 1935), Charlemont, Eduard (1848 1906)

Sculptor making a statuette of a naked dancer in a Roman interior. Colour printed illustration by Auguste Leroux from Felicien Champsaur's novel L'Orgie Latine (Roman Orgy), Fasquelle, Paris, 1903.

The Adventure of the Musgrave Ritual'. Reginald Musgrave, seeing a light under the Library door in the middle of the night, is surprised to discover Brunton, his butler, not the burglar he expected. From 'The Adventures of Sherlock Holmes' by Conan Doyle from 'The Strand Magazine' (London, 1893). Illustration by Sidney E Paget, the first artist to draw Sherlock Holmes. Engraving.

Roman inn. Holewiński, Józef (1848-1917), graphic artist, Gierymski, Aleksander (1850-1901), painter

Card evening at Lochner. Draughtsman: Jan Brandes. Dating: 22-Jan-1787. Place: Kaapprovincie. Measurements: h 155 mm × w 195 mm. Museum: Rijksmuseum, Amsterdam.

Cartoon - Laurier Honoured Rostap (1866-1949)

Sakata Kintoki Drinking Sake Wine 18th-19th century Attributed to Katsushika Hokusai Japanese. Sakata Kintoki Drinking Sake Wine. Attributed to Katsushika Hokusai (Japanese, Tokyo (Edo) 1760-1849 Tokyo (Edo)). Japan. 18th-19th century. Ink and color on paper. Edo period (1615-1868). Paintings

Ulysse et Pénélope. Dated: 1842. Medium: lithograph. Museum: National Gallery of Art, Washington DC. Author: HONORÉ DAUMIER.

Bed-time.. Smith, Jessie Willcox (1863-1935). Illustrations. 1890. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Picture Collection. Stairways, Sleeping, Mothers & children , United States , 1800-1899, Palladian windows, Domestic life , 1890-1899

Perrault, Charles (Paris 1628-Paris, 1703). French writer. Little Red Riding Hood. Engraving by Gustave Dore.

Love among the Ruins 1900 After: Sir Edward Burne-Jones (d.1898) Publisher: Berlin Photographic Company, 19th CenturyPre-Raphaelite, Photographic print, Photogravure, Female, Male, Plant

Unidentified representation: Rembrandt and Christ (). Measurements: h 512 mm × w 383 mm. Museum: Rijksmuseum, Amsterdam.

Illustration for the novel The Republic of ShKID by L. Panteleyev and Grigori Belykh, Tyrsa, Nikolai Andreyevich (1887-1942)

Teddy Roosevelt's Bears: The Frenchman, Roosevelt Bears

Le Marchand allant à Rialto (The Merchant at the Rialto). Dated: 1775. Dimensions: plate: 24.2 × 16.9 cm (9 1/2 × 6 5/8 in.) sheet: 38.1 × 27.1 cm (15 × 10 11/16 in.) (irregular). Medium: etching with aquatint, printed in dark brown on laid paper. Museum: National Gallery of Art, Washington DC. Author: Giovanni David.

Louis XVII in the Temple, Oertel, Kaspar (1840-)

The Dinner Horn (from "Harper's Weekly," Vol. XIV) June 11, 1870 After Winslow Homer American. The Dinner Horn (from "Harper's Weekly," Vol. XIV). After Winslow Homer (American, Boston, Massachusetts 1836-1910 Prouts Neck, Maine). June 11, 1870. Wood engraving. Harper's Weekly (American, 1857-1916). Prints

Elisabetta di baviera meets luigi lucheni, geneva, 1898

Engraving depicting a scene from Wilkie Collins' 'Moonstone' - Repeat of Dr Candy's experiment. Ezra Jennings observing Franklin Blake under the influence of Laudanum sleepwalking, taking the false diamond from Rachel's dressing room. Illustrated by Francis Arthur Fraser (1846-1924) an English painter and cartoonist. Wilkie Collin's (1824-1889) an English novelist, playwright, and short story writer. Dated 19th century

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