Iconic Religious Figures

Artistic renditions of saints and religious figures, featuring vibrant colors and classical techniques, highlighting their significance in spirituality.

Angel With Tambourine Fra Angelico (ca.1395-1455 Italian) Tempera

'Icon: St Paul'. 16th century. Museum: State Hermitage, St. Petersburg.

Saint Stanislas (1030 - 1079) Polish patron saint; Bishop of Cracow (1072); murdered by King Boleslaw II of Poland.

St. Matthew Evangelist, detail of the Triumph of St. Thomas Aquinas, fresco by Andrea di Buonaiuto, Spanish Chapel in Santa Maria Novella Principal Dominican church in Florence, Italy St. Matthew Evangelist, detail of the Triumph of St. Thomas Aquinas, fresco by Andrea di Buonaiuto, Spanish Chapel in Santa Maria Novella Principal Dominican church in Florence, Italy Copyright: xZoonar.com/ZvonimirxAtletix 20713475

Byzantine icon with Saint Pantaleon by anonymous artist, Egg tempera on wood, 15th century, Russia, Moscow, State A. Pushkin Museum of Fine Arts, 52x34

ARQUETA S MILLAN-DET VIDA SANTO-MARFIL S XI. Location: MONASTERIO DE YUSO. Rioja. SPAIN.

Saint Louis of Toulouse (1275-1298). Bishop of Toulouse. Portrait by the Master of Saint Lawrence (active in Cologne around 1415-1430), 1425-1430. Part of an altar.

SAINT AGNES

Ancient Russian Art, Wool, silk, gold and silver threads, circa 1417, Russia, Moscow, State Armoury Chamber in the Kremlin,

Umbria Terni Terni S. Maria del Monumento7. Hutzel, Max 1960-1990 Exterior views: poorly preserved 14th-century church and cloister. Interior views include a romanesque chapel of the previous church. Most views are of the 15th-century frescoes: the Legend of the Golden Apple from the life of St. Clare, St. Leonard, St. Valentine, St. Anastasia, St. Jerome and the Madonna and Child. Object Notes: Hutzel photo campaign date: October 5, 1982. Hutzel developed two prints for 14 of his 18 negatives; hence, there are almost twice as many prints as there are negatives. The prints have been renumbered, but the original numbers that correspond to those in Hutzel's notes are found on those prints with the date 1982 penciled in on the bottom. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up

Monk Holding a Lotus ca. 6th-7th century China (Xinjiang Uyghur Autonomous Region) This wall painting was part of a composition that embellished the interior of a temple cut into the soft rock of the Kizil cliffs. The monk, shown in the pious act of offering a flower, was probably placed near a Parinirvana (death of the Buddha) image. Small details such as his shirt and outer robe provide a rare glimpse of the appearance of a member of the Buddhist community at the time.. Monk Holding a Lotus. China (Xinjiang Uyghur Autonomous Region). ca. 6th-7th century. Pigments on mud plaster. Kizil kingdom. Paintings

Archangel by Gabriel Guariento di Arpo, (circa1338-1378), Italy, Padua, Civic Museum

Jizo - Japanese Mythology

Saint Mark's church, Beograd, Serbia. St Mark icon.

BALI April 2024: Pura Ulun Danu Beratan, or Pura Bratan, Bali, Indonesia (the major Shaivite water temple in Bali, located on the shores of Lake Bratan in the mountains near Bedugul)

Christ in Majesty, 1861. Sir Edward Burne-Jones (d.1898). Design shows Christ, two fingers raised, stars behind, holding an orb and sitting on moon throne.

Michele Giambono, Saint Peter, c 1445 1450 Saint Peter

The Resurrected Christ Blessing. Unknown maker, English

St George, mounted on a spotted horse, killing the dragon, 19th century. Artist: Anon

fine arts, China, brass rubbing, Bodhisattva playing music with mouth organ, from a group, which playing sphere sounds for Buddha, coloured brass rubbing of a stone gravure from the 10th century / 12th century, British Museum London,

Icon: Saint. Makary monk; unknown provincial workshop (1600-1970); 2nd half 19th century (1851-00-00-1900-00-00);

Serbian Orthodox iconongraphy at Valjevo Church. - May not be used in defamation towards Serbian people, country, past or present

The Annunciation; Ecce Homo. Left Wing of a Triptych Cruger, Samuel

Queen Hedwig Jagiellon praying, according to bas relief on tree at the castle chapel of Burghausen. Lesser, Aleksander (1814-1884), draughtsman, cartoonist

Fresco on outside wall, Sucevita Monastery, Sucevita, Southern Bucovina, Moldavia, Romania

Spain, Andalusia, Seville, Real Alcazar, moorish royal palace, interior

St Isidore, 1886. Artist: Unknown

Saint Jerome. Oil painting.

Assisi, S.Francesco, Maiestas Domini - -

Christ holding the New Testament Lecce. Italy.

Saint Chrysanthus; 1200-1225 Marble Unknown artist Italian (Reggio Emilia)

Germanisches Museum. Stained glass window. Saint-Bernard of Clairveau. 13 th century. Nuremberg. Germany.

An Angel. Unknown maker, English

Saint John the Baptist, 1330-1435

Archangel Gabriel, Pere Terrencs, 1500, tempera on panel, church of Sant Bartomeu, Alaro, Museu de Mallorca, Palma, Majorca, Spain.

Saint Michel terrassant the demon Russia. Saint Michael terrassant the demon. Tempera on wood. 1600-1700.

Saint Barbara, painting at the church altar Saint Barbara, painting at the church altar Copyright: xZoonar.com/ZvonimirxAtleticx 2152816

SAN LORENZO - RETABLO DE SANTA CATALINA, SAN LORENZO Y SAN PRUDENCIO EN LA CAPILLA DE LOS CALVILLO - 1392 - TABLA - GOTICO INTERNACIONAL. Author: JUAN DE LEVI (fl. Location: CATEDRAL DE SANTA MARIA DE LA HUERTA. TARAZONA. Saragossa Zaragoza. SPAIN.

Icon of St. Nicholas, Life of the Saint, 13th Century, tempera, cm 130 x 83

Amida Manifesting in the Dharma-body of Expedient Means 18th century Japan This image of the Buddha Amida (Sanskrit: Amitābha) radiating beams of light was created as a private devotional image, most likely for the home altar of a follower of the True Pure Land School of Japanese Buddhism. Unlike deluxe icons made for major temples, a work like this one would have been attached to a paper backing before it was painteda form of prefabrication. After the image was executed, it would have been mounted on bright silks. Similar examples produced today are sometimes made in sets of three, with Amida at the center; Shinran, the founder of True Pure Land Buddhism, to the right; and Rennyo, the reviver of Honganji Temple, to the left. Alternatively, Amida is flanked by calligraphic inscriptions of ten and nine characters, respectively, known as myōgō. The simplest myōgō used in True Pure Land Buddhism is six characters, and translates to “Hail the name of Amida Buddha.” Although some of the pi

Christ in Majesty; Workshop of Master of the First Prayer Book of Maximilian, Flemish, active about 1475 - 1515; Bruges, Belgium, Europe; about 1510 - 1520; Tempera colors, gold, and ink on parchment; Leaf: 23.2 x 16.7 cm (9 1/8 x 6 9/16 in.), Justification: 10.9 x 7.4 cm (4 5/16 x 2 15/16 in.)

13th century Crucifix with Saint Francis, detail, Bacci Chapel, Cappella Bacci, Cappella Maggiore, 1452-1466, Basilica of St Francis, Basilica di San Francesco, Arezzo, Tuscany, Italy, Europe

Colored woodcut by an anonymous artist around 1470 depicting the holy face of Christ, showing detailed facial features and religious symbolism.

Saint Jerome (C. 347-419/420) Latin Church Father Artist Unknown Illustration

Black Prince, Costume & Decorations of the Middle Ages

Sant'Elpidio a Mare (Italia, Marche - provincia di Fermo), Pinacoteca Civica Vittore Crivelli. Vittore Crivelli, Polittico dell'Incoronazione, fine XV secolo (anni 80), proveniente dalla chiesa dei Minori Osservanti. Ordine inferiore, da sinistra a destra, San Bonaventura da Bagnoregio, San Giovanni Battista, Incoronazione della Vergine, San Francesco, San Ludovico da Tolosa, nell'ordine superiore Sant'Antonio da Padova, Sant'Elpidio, Vergine Addolorata, Cristo Morto, San Giovan ni Evangelista, Santa Maria Maddelena, San Bernardino da Siena. Nella predella storie di San Giovanni Battista

Saint Jerome (347-419), Latin Church Father

Lazio Viterbo Tarquinia S. Giovanni Battista5. Hutzel, Max 1960-1990 The church was built in the 13th century, and was connected to the Knights of Malta. The main portal is flanked by two other portals using fronts of sarcophagi for architraves. Photos show the exterior generally, the details of the portals and some side walls. Interior photos show the nave, altar and absidal chapels with their gothic vaulting. There are several photos of capitals with vegetal, animal and human motifs, the baptismal font and miscellaneous architectural details. The paintings include a Deposition (1400s), and two from the 18th cent. of a bishop and of S. Carlo Borromeo. There is a large crucifix over the altar (1310) and a ciborium behind the altar. Object Notes: Hutzel photo campaign dates: February 20, 1984 and December, 1985. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto

An Apostle Battista da Vicenza (15th C./Italian) Tempera on Wood Panel Cummer Museum of Art & Gardens, Jacksonville, Florida, USA

family chapel with oil painting of the virgin of Montserrat, Casa Olivar, 1633, Ciutadella, Menorca, balearic islands, Spain

St Boris and St Gleb. Date/Period: Mid-14th century. Icon painting. Tempera on wood Tempera on wood. Height: 1,425 mm (56.10 in); Width: 943 mm (37.12 in). Author: UNKNOW.

CUADRO "SAN AGUSTIN". AUTOR: DOMENIKOS THEOTHOKOPOULOS, EL GRECO. OLEO SOBRE LIENZO. HACIA 1590. Nº INV.: 1276. (MUSEO DE SANTA CRUZ).

Album # 2; Window, Figure of St Louis in his edictule Gsell-Laurent workshop. Album # 2; Window, Figure of St Louis in his edicule. Chromolithography.

The Crucifixion and Saints, by Guido di Pietro (Piero) known as Beato Angelico, 1438 - 1446, 15th Century, fresco. Italy, Tuscany, Florence, San Marco Convent, Capitular Room, northern wall. Detail. Nape of Mary Magdalene hair veil draping: drapery fabric: tissue halo: aureole.

Painting in Notre Dame of Bayeux cathedral

Fragment of an aurifries with embroidery of silk and gold thread, anonymous, c. 1500 - c. 1525 Fragment of an aurifries with embroidery. The embroidery has an image of a canopy, including the holy Philippus (barefoot, gesture, with cross staff and pointed hat). The fragment includes two fragments with invnrs. BK-NM-4165-A-2 and BK-NM-4165-A-3. England (possibly) silk embroidering Fragment of an aurifries with embroidery. The embroidery has an image of a canopy, including the holy Philippus (barefoot, gesture, with cross staff and pointed hat). The fragment includes two fragments with invnrs. BK-NM-4165-A-2 and BK-NM-4165-A-3. England (possibly) silk embroidering

Abruzzo, L'Aquila, Bominaco, S. Pellegrino, Oratory, Italy, 20th century, photo, photography, Europe

St. Michael and the Dragon. Painting. Tempera on panel Tempera on panel. Height: 405 mm (15.94 in); Width: 190 mm (7.48 in). Author: Sienese School.

Image of a saint, St. Theresa, Teresa of Avila, Teresa Sanchez de Cepeda y Ahumada, Historical, digitally restored reproduction of an original from th...

Abruzzo, Aquila, Rocca di Cambio, S. Lucia, Abbey church, Italy, 20th century, photo, photography, Europe

Easter chandelier with Romanesque sculptures, elaborate gold mosaics with episodes from the Old and New Testatment, Norman Palace with the Cappella Palatina, Palermo, Sicily, Palermo, Sicily, Italy, Europe

The Maesta, front, by Duccio di Buoninsegna, 1308 - 1311, 14th Century, tempera on panel. Italy. Tuscany. Siena. Cathedral. Back, upper fascia, detail sixth panel up of The Three Maries at the Tomb, sarcophagus on which a white dressed angel is sitting, on the golden background rocks stand out

Sao Francisco de Assis Church, Unesco site Pampulha Modern Ensemble, Belo Horizonte, Minas Gerais, Brazil, South America

American 20th Century, Plate 13 Design with Cross From Portfolio Spanish Colonial Designs of New Mexico, 1935 1942 Plate 13: Design with Cross: From Portfolio Spanish Colonial Designs of New Mexico

Saints Peter and Paul, circa 1470 - Carlo Crivelli

Mark, the Evangelist, fresco inside the rock church Daniel Qorqor, Gheralta Region, Tigray, Ethiopia, Africa

Greek Orthodox icon detail, Thessaloniki, Macedonia, Greece, Europe

Saints: Antoni and Theodozy (icon) unknown

Table of Saint Dominic by Anonymous. Dated 14th Century

St. Adalbert in bishop attire with pax board in hand, according to a carpet from Pirna found at a museum in Dresden. Lesser, Aleksander (1814-1884), draughtsman, cartoonist

CALIZ DE SAN SEGUNDO - DETALLE DEL ESMALTE DE LA BASE - SIGLO XIV. Author: PETRUCCI ANDREA-ORFEBRE (SIGLO XIV). Location: CATEDRAL-INTERIOR. AVILA. SPAIN.

Saint Catherine and DeaconSaint. Artist: Martino di Bartolomeo di Biagio, Italian, Florence, act. 1389-1434

Autumn Festival (Aki Matsuri), Meiji Shrine, Tokyo, Japan

BERNARDO, San (Reus, 1180-Vic, 1243). Prelado y religioso cisterciense. Obispo de Vic. Anónimo. Finales siglo XIII. Tabla central de un retablo del Santo en actitud mayestática. Retablo de origen catalán. Tamaño del retablo: 1,53 m. alt. x 2,25 m. ancho. Procede de la Capilla de los Templarios de La Amudayna de Gumara de Palma. Museo de Mallorca. Palma de Mallorca. Islas Baleares.

Madonna with Child, Icon on wood, San Salvatore Monastery, Decani, (UNESCO World Heritage Site, 2004), Serbia and Kosovo, 14th Century.

Buddha Offering Protection (Abhaya Mudra), Leaf from a dispersed Ashtasahasrika Prajnaparamita (Perfection of Wisdom) Manuscript 12th century India (Bihar or West Bengal) Buddha offering protection (abhaya mudra).. Buddha Offering Protection (Abhaya Mudra), Leaf from a dispersed Ashtasahasrika Prajnaparamita (Perfection of Wisdom) Manuscript. India (Bihar or West Bengal). 12th century. Ink and color on palm leaf. Pala period. Paintings

Ancient church icon Ancient church icon. One of attributes of religion Copyright: xZoonar.com/ValeryxxSibrikovx 2473750

Saint Mark, miniature from the Ebbo Gospels, manuscript from the Benedictine abbey of Hautvillers, 820-830, France.

Saint Michael and the Dragon by Anonymous / National Museum of Western Art, Tokyo / Gothic / 14th century / Italy, School of Siena / Tempera on panel / Bible / 40,5x19

Fresco in the Cathedral dedicated to the Blessed Virgin Mary under the designation Santa Maria Matricolare in Verona, Italy Fresco in the Cathedral dedicated to the Blessed Virgin Mary under the designation Santa Maria Matricolare in Verona, Italy Copyright: xZoonar.com/ZvonimirxAtletix 20626671

DETALLE DEL PANTOCRATOR CON EL TETRAMORFOS REPRESENTADO EN EL ABSIDE - SIGLO XII/XIII - ROMANICO ESPAÑOL. Location: IGLESIA DE LA ASUNCION. VALDEOLIVAS. CUENCA. SPAIN. CRISTO EN MAJESTAD.

Lazio Viterbo Viterbo S. Lorenzo, Cathedral8. Hutzel, Max 1960-1990 Views of 16th c. facade, with detail views of portal, windows, campanile (attached). Interior views of cupola, baptistery, sculpture, chapels, tabernacle. Many views of paintings and apse frescoes. Nave views in negatives only. Object Notes: A composite view of the exterior in found in the Italy Oversize box in the Medieval Core Collection. Hutzel views (H-230) MED and (H-231) MED General Notes: Views 118 to 184, processed by previous cataloguer, have no matching prints, though negative jackets indicate they should. All prints have been renumbered. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic,

Christ, Saviour of the world, with map of world at his feet

600 year old murals in St. George Orthodox Church in Cheppad Valiya Pally near Alapuzha or Aleppey, Kerala, India, Asia. A pilgrim centre of Malankara Orthodox Church. Painting, Wall, Jesus, Cross, Asia

Painting of Virgin Mary with Jesus Christ in a church, Monastery of St Ipaty, Kostroma, Russia

Mission San Juan Capistrano, San Juan Capistrano, California, USA

The archangel Michael weighing souls, ca 1354, by Guariento (active 1338-1367 or 1370), tempera on panel.

Cross of the Cross of the Command and Pokrzywna captured in 1410, according to the illustration of Stanis Aawa Durinka from Krakow from the priest of Jan D Zegosz, "Banderia Prutenorum" from 1448; Lesser, Aleksander (1814-1884), Durink, Stanis Aw (ante 1430-ante 1492); 1830-1884 (1830-00-00-1884-00-00);Battle of Grunwald (1410), Długosz, Jan (1415-1480). Bandera Prutenorum ... (Baron - 1853-1935) - collection, Pokrzywno (Kuyavian -Pomeranian Voivodeship), banners, city banners, gift (provenance), commander, copies, military, lenses, banners, fabrics, military

The Hermit Ammonios. unknown, author

Saint VINCENT of Saragossa, d. 304, patron saint of wine growers, 19th century engraving

San Lorenzo (210-258), diácono de Roma martirizado en una parrilla. Grabado popular pintado a la trepa en 1870.

Altarpiece of Sant Ponc_ by Pere Garcia de Benavarri (1445-1485). Gothic. Size: 150 x 135 cm. Deatil. Uncertain origin: Bishopric of Lleida. Diocesan and Regional Museum of Lleida, Catalonia, Spain.

Altarpiece at St. Kazimierz Roman Catholic church in Warsaw's New Town, Warsaw Poland. In 1688-92 the Kotowski residence was transformed into a church-cum-cloister, to a design by the leading Polish-Dutch architect Tylman Gamerski, in Palladian style. In World War II, during the Warsaw Uprising, St. Kazimierz was used as a hospital. the German military targeted the church and the cloister for heavy bombing. The church was reconstructed in 1947-53, but the Kotowski Palace was never restored.

Saint Francis de Sales 18th century Anonymous, 18th century In the seventeenth and eighteenth centuries, devotional images composed of cut and reassembled prints elaborately adorned with paint, fabric, and other materials found a ready market throughout Catholic Europe. Vividly colored and multitextured, these works stimulated spiritual devotion through their alluring optical and tactile qualities. Long thought to be the products of amateur practitioners, devotional assemblages were more often professionally made, with dedicated industries concentrated in Antwerp and Southern Germany. These works belong to a well-established practice of altering, combining, and repurposing printed images, and they exhibit a sophisticated handling of materials.. Saint Francis de Sales. Anonymous, 18th century. 18th century. Mixed media with hand-colored engraving, fabric, lace, and paint on paper

Luther Epitaph in the Castle Church Wittenberg Luther Epitaph in the castle church Wittenberg

Leyser, Polycarp .

Our Lady of Sorrows

The Vatopedi monastery, Greece , 1918 - Greece - Fernand Cuville - (September) (French - Le monastère de Vatopedi , Grèce). Christianity, monastery, decorative arts, saint, mosaic, Religion , Art

Bulgaria, Southern Mountains, Rila, Rila Monastery, UNESCO-listed wall frescoes, Archangel Michael

Abruzzo, Pescara, Loreto Aprutino, S. Maria in Piano, Italy, 20th century, photo, photography, Europe

Image of a stained glass window designed by J. H. E. Schilling in the Leeuwenberghkerk (Servaasbolwerk 1) in Utrecht: the Christ Raam.

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