Idyllic Landscape Studies

Pencil and chalk drawings representing peaceful landscapes, often incorporating trees, bodies of water, and distant structures, reflecting a sense of calm and nature.

John Sell Cotman, A Dry Dock, first half 19th century A Dry Dock

Dalkey Island. Elizabeth Murray; English, c. 1815-1882. Date: 1843. Dimensions: 176 mm × 254 mm. Brush and brown wash highlighted with white gouache, over graphite, on tan wove paper. Origin: England. Museum: The Chicago Art Institute, Chicago, USA.

Design for a Stage Set at the Opéra, Paris. Artist: Eugène Cicéri (French, Paris 1813-1890 Fontainebleau). Dimensions: Irregular sheet: 10 13/16 x 17 1/2 in. (27.4 x 44.4 cm). Date: 1828-90. Museum: Metropolitan Museum of Art, New York, USA.

Silsilis, Edward Lear, 1812-1888, British, 1854, Watercolor, graphite, pen and red ink on moderately thick, rough, beige wove paper, Sheet: 3 1/16 x 6 1/16 inches (7.8 x 15.4 cm), desert, figures (representations), landscape, men, river, river, robes, ruins, structure (single built work), temple, water, Africa, Aswan, Egypt, Nile

Tolertors in Utrecht, Roman times; The tolertors in Utrecht. Toltoren in Utrecht during Roman times in the Netherlands. A galei on the water. Part of the Steel enruges group to the paintings of the historic gallery of the Company Arti et Amicitiae.

The Jaws of Borrowdale, Saturday 27 June 1835, Capt. Thomas Hastings, 1778-1854, British, 1835, Graphite on medium, slightly textured, cream wove paper, Sheet: 9 × 12 3/8 inches (22.9 × 31.4 cm), portrait

Orpheus in the middle of the animals. Perhaps meant as a design for the painting of the lid of a musical instrument with the performance of Orpheus who musically music with the animals.

View of the Appian Way. Artist: August Leopold Venus (German, Dresden 1843-1886 Pirna). Dimensions: sheet: 4 1/2 x 14 1/4 in. (11.4 x 36.2 cm). Date: 1866. Museum: Metropolitan Museum of Art, New York, USA.

Wodospady w okolicach Ramboda na Sri Lance. Hohenzollern, Waldemar von (książę pruski ; 1817-1849), draughtsman, cartoonist

Ericsson, Henry, work, Workshop, drawing, 32.5 cm x 25 cm, Carl August Henry Ericsson, 1898 in St. Michel, Finland - 1933 in Borgå, was a Finnish graphic artist and decorative painter of Finland.

John Varley, 1778-1842, British, From an Album of Sixty-one Topographical Sketches. Graphite.

Steeplechase race. Alken, Henry Thomas, 1784-1851. 1820 - 1830. Drawings. George Arents Collection. Sports , Great Britain, Sports in art, Horses

Drawing, View of the Acropolis from Mount Lycabettus, Athens; Frederic Edwin Church (American, 1826-1900); Greece; brush and oil, graphite on cardboard; 33 x 51.1 cm (13 x 20 1/8 in.) Mat: 16 x 22 cm (6 5/16 x 8 11/16 in.)

Henry Swinburne, 1743-1803, British, Bay of Margals, undated. Pen and brown ink, over graphite on medium, moderately textured, cream, laid paper, mounted on, moderately thick, slightly textured, cream, wove paper.

Miejscowość Pussellawa w środkowej Sri Lance. Hohenzollern, Waldemar von (książę pruski ; 1817-1849), draughtsman, cartoonist

Fig. 1. Ruines de Hindau Qertassi; Fig. 2. Anciens batimens de Taëffa Tafa.. Norden, Frederik Ludvig, 1708-1742. Illustrations, Prints. 1780. General Research Division. Egypt , Description and travel, Egypt , Antiquities, Antiquities , Nubia, vessels , Egypt

Sheet of Architectural and Figure Studies. Dimensions: overall: 20.1 x 26.5 cm (7 15/16 x 10 7/16 in.). Medium: graphite on laid paper. Museum: National Gallery of Art, Washington DC. Author: JOHN FLAXMAN.

Isaac Weld, 1774-1856, Irish, Sorrento, ca. 1818. Graphite and brown wash on moderately thick, moderately textured, beige, wove paper.

Furniture Designs 19th century Anonymous, French, 19th century French. Furniture Designs 392410

The Prodigal Son: Back Cover, 1895. Henri Rivière (French, 1864-1951). 15 color lithographs in a bound volume illustrating the poetry and music of Georges Fragerolle: color lithograph; book: 24.5 x 32.2 cm (9 5/8 x 12 11/16 in.).

Design for a Stage Set 1830-90 Eugène Cicéri French. Design for a Stage Set 387354

Street in Geulhem. Leaf 11 Recto from a sketchbook with 58 sheets.

Port of Zakynthos, Greece, Sir Robert Smirke the younger, 1781-1867, British, 1802-1804, Graphite on thin, moderately textured, beige, wove paper, Sheet: 7 11/16 × 9 5/8 inches (19.5 × 24.4 cm)

Remains of an Ancient Amphitheatre Near Corinth, Sir Robert Smirke the younger, 1781-1867, British, 1803, Watercolor, graphite, pen and gray ink on moderately thick, moderately textured, beige, wove paper, Sheet: 11 1/2 × 16 7/8 inches (29.2 × 42.9 cm)

Edward Lear, 1812-1888, British, San Leo from San Marino, 1867. Watercolor, graphite, pen and brown ink on medium, slightly textured, cream wove paper.

Hobb's Hawth no. 2, 1923, by Sir Frank Short. Gift of Sir John Ilott, 1967.

Gathering Seaweed at Omori Japan. Ink and red pigment on paper . Utagawa Kuniyoshi

Recueil de morceaux d'architecture et de divers fragmens de monumens antiques fait en Italie par Marie Joseph Peyre architecte du Roy ancien pensionnaire de Sa Majesté à Rome, Peyre, Marie-Joseph, 1730-1785, pencil, ink, pen, wash, black and red chalk, watercolor, 1786, Album of architectural drawings with sketches and some fully realized drawings includes drawings of architectural fragments and details (some with measurements), two views, ancient and Baroque sculpture, urns and coffers, and designs for fountains and buildings.

The Cabin Boy Fishing or Line Fishing 1862 Charles-François Daubigny. The Cabin Boy Fishing or Line Fishing. Charles-François Daubigny (French, Paris 1817-1878 Paris). 1862. Pen and ink on tracing paper, redrawn in graphite on verso. Drawings

Istakhr. Vue du palais; Topographie des monuments. Plan topographique et vue.. Coste, Pascal, 1787-1879. Flandin, Eugène (1809-1876). Prints. 1851 - 1854. General Research Division. Iran, Iran , Antiquities

Interior of the Redan. James Robertson; Scottish, c. 1813-d. after 1881. Date: 1855. Dimensions: 24.5 x 29.4 cm (image/paper); 32.2 x 40.5 cm (mount/page). Albumen print. Origin: Scotland. Museum: The Chicago Art Institute, Chicago, USA.

Dendera. Date/Period: 1867. Watercolor with pen in brown ink, over graphite on medium, slightly textured, wove paper, mounted on thick, slightly textured, cream wove paper. Width: 17.3 cm. Height: 7 cm. Author: Edward Lear.

Sultan Baz Bahadur of Malwa (r. 1555-61) and Rani Rupmati Hunting. India, Rajasthan, Bikaner, circa 1700. Drawings. Ink and opaque watercolor on paper

Study of Ivy on a Wall, 1858. Artist: Frederick Sandys. Pencil, Touched With White Chalk, On Pale Grey Paper

Edward Lear, 1812-1888, British, Benihassan, 1867. Watercolor, graphite, pen and brown ink on medium, moderately textured, cream, wove paper, mounted on thick, moderately textured cream, wove paper.

Stonehenge, 1830-1855, John Constable; Maker: David Lucas, British, 1776-1837, 7 x 10 in. (17.78 x 25.4 cm) (plate), Mezzotint, England, 19th century

Widok na Dolinę Katmandu. Hohenzollern, Waldemar von (książę pruski ; 1817-1849), draughtsman, cartoonist

Early Morning, 1878. Artist: James A McNeill Whistler. Printer: Thomas Robert Way

A drawing by Eugène Deshayes from around 1869 showing fishing boats, executed in black chalk with brush and laved, highlighting vessel structure and water textures.

The New Fort of Corfu. Coast of Albania in the Distance, Sir Robert Smirke the younger, 1781-1867, British, 1802-1804, Graphite on moderately thick, moderately textured, beige, wove paper, Sheet: 4 11/16 × 7 5/8 inches (11.9 × 19.4 cm)

Pencil studies by Ferdinand Georg Waldmüller showing a variety of subjects including human figures, animals, and landscapes.

Godfrey Thomas Vigne, 1801-1863, British, Cerco de Paro, Lima, ca. 1855. Watercolor over graphite on moderately thick, slightly textured, cream wove paper.

Halcyon Hill. Artist: Childe Hassam (American, Dorchester, Massachusetts 1859-1935 East Hampton, New York). Dimensions: Plate: 8 7/8 x 11 3/16 in. (22.5 x 28.4 cm)Sheet: 11 1/4 x 14 in. (28.5 x 35.6 cm). Date: 1916. Museum: Metropolitan Museum of Art, New York, USA.

Worker with Scythe (Ouvrier avec faux). Dimensions: 30.5 cm x 43.6 cm, 17 cm x 28 cm. Museum: Van Gogh Museum, Amsterdam. Author: HENRI GABRIEL IBELS.

Wild West, Buffalo Bill. Dated: 1887. Medium: etching and drypoint. Museum: National Gallery of Art, Washington DC. Author: JAMES ABBOTT MCNEILL WHISTLER.

Landscape with a Goat 1500-1511 Titian (Tiziano Vecellio) Italian Drawings by Titian are exceedingly rare, and this splendid study is one of the very few sheets that can plausibly be attributed to him. Although it has been trimmed (the fragment at the upper left has been interpreted in various ways but surely represents the lower half of the head of a bearded man), the sketch is a fine example of Titian's powerful and evocative drawing style. The poetic treatment of the landscape reflects the influence of Giorgione; the sheet may therefore date from relatively early in the artist's career, perhaps about 1511.Acquired by the Museum in 1991, the present sketch is a fairly recent discovery and constitutes an important addition to the small corpus of the artist's known drawings. The sheet is close in style to several others that may be among Titians earliest extant works: a "Landscape with a Goat" in the Musée du Louvre (Départment des Arts Graphiques, inv. no. 5539) and a sketch in the G

Drawing, Continuation of - 909; Frederic Edwin Church (American, 1826-1900); USA

View of Schoonhoven. Draughtsman: Adolf le Comte. Dating: 1860 - 1921. Measurements: h 185 mm × w 352 mm. Museum: Rijksmuseum, Amsterdam.

Gate of Posillipo - Naples, Sir Robert Smirke the younger, 1781-1867, British, 1802-1804, Brown wash, graphite, pen and brown ink on medium, slightly textured, beige, wove paper, Sheet: 9 1/2 × 6 3/8 inches (24.1 × 16.2 cm)

François Louis Thomas Francia, 1772-1839, French, active in Britain, Nearing Port in a Stormy Sea, undated. Brown wash and brown and black ink with gouache on moderately thick, rough, gray wove paper, pasted on thick, smooth, cream card.

Design for a Stage Set. Artist: Eugène Cicéri (French, Paris 1813-1890 Fontainebleau). Date: 1825-90. Museum: Metropolitan Museum of Art, New York, USA.

Also studies of a rider and a horse. Sheet 1 recto from a sketchbook with 37 pages, Prior of the Trappist monastery Meirsel., draughtsman: Johannes Tavenraat, Ginneken, (possibly), 1839, paper, pen

Campania Salerno Teggiano Chiesa della Pieta. Hutzel, Max 1960-1990 Exterior views: church portal (1475); lunette relief of the Pieta; cloister with columns of various styles (13th-15th centuries); arcades with damaged frescoes; well in garden. Views of gothic interior: wood and ceramic tile ceiling, frescoes, altar painting of St. Diego, painting of the patron saint of Teggiano with saints Paul and Peter. In the school gymnasium (formerly the refectory of the convent), a large fresco (1487) of the Road to Calvary with clusters of saints present (painted in the style of Pieter Brueghel). German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque mon

Picture Book of the Pleasures of the East 1799 Katsushika Hokusai Japanese. Picture Book of the Pleasures of the East. Katsushika Hokusai (Japanese, Tokyo (Edo) 1760-1849 Tokyo (Edo)). Japan. 1799. Woodblock printed book; ink on paper. Edo period (1615-1868). Illustrated Books

William Payne, active 1850s, British, Sheet of Figure Sketches, undated. Brush and gray and black wash and graphite on medium, slightly textured, cream wove paper.

Beautiful fountain te Neurenberg, c. 1850 In the background the Onze-Lieve-Vrouwekerk. In the foreground figures. Page 16 Verso from a sketchbook with 37 sheets. paper. pencil. watercolor (paint) brush ornamental fountain. street (+ city(-scape) with figures, staffage). church (exterior) Schöner Brunnen. Onze-Lieve-Vrouwekerk

Wangchuan Villa dated 1711 Wang Yuanqi Chinese The elegant Wangchuan Villa situated in the picturesque hills on the outskirts of the Tang dynasty (618-907) capital, Chang'an (modern Xi'an), is one of the most famous gardens of ancient China. The rambling estate with spectacular scenery was the retreat of the poet, musician, and landscape painter Wang Wei (699-759). Almost one thousand years later, Wang Yuanqi used a rubbing of a Wangchuan composition etched into stone in 1617 for the general outlines of his painting and referred to Wang Wei's poems to guide his inspiration. In a colophon appended to the painting, Wang Yuanqi expresses satisfaction that he has captured some of Wang Wei's idea of "painting in poetry and poetry in painting."Tutored in painting by his grandfather Wang Shimin (1592-1680), Wang Yuanqi followed the lead of Dong Qichang (1555-1636), the first artist to transform landscape structure in painting by means of abstract compositional movements known as "breath force

View of Osnabrck, from the Musenburg. Draughtsman: Jan Striening. Dating: 10-Aug-1864. Measurements: h 189 mm × w 505 mm. Museum: Rijksmuseum, Amsterdam.

Francis Danby, 1793-1861, Irish, Study for "The Golden Age", 1827. Graphite and gouache on medium, slightly textured, gray laid paper.

Lundberg, Gustaf, work, Lady Ulrica Fredrika Cedercreutz, ca. 1770, pastel on paper, special class: pastel, 68.5 cm x 53.3 cm

Finch, Alfred William, work, Hamnarbetare, som lossa en ångbåt, black chalk, drawing, 28 cm x 37.5 cm

Painted glass plate for perspective box, background plate with ice face, glass plate perspective box glass paint, handpainted Rectangular glass plate with black top border handpainted landscape with ice face in triptych optics perspective winter skating small ice age

Pijnacker, Adam, Josi, Christiaan, Forest landscape with animal, verso cardboard and verso print - stamped, Forest landscape with a bull in the foreground, along a rapid., print, prints, height 168 mm, width 255 mm, Dutch, 1768 - 1828-11, print maker, printmaker, 1795 - 1821, paper, paper drawing, etching, etchings, transfer, Northern Netherlands, 1622-02-15 - 1673-03-28, intermediary draughtsman

Istakhr. Vue des inscriptions. Monument de Cheyk-Ali Cheikh-Ali.. Coste, Pascal, 1787-1879. Flandin, Eugène (1809-1876). Prints. 1851 - 1854. General Research Division. Iran, Iran , Antiquities

Stage design for the theatre play A Feast During the Plague by A. Pushkin by Tyshler, Alexander Grigoryevich (1898-1980) A. Pushkin Memorial Museum, St. Petersburg 1945 Watercolour on paper Russia Theatrical scenic painting Opera, Ballet, Theatre

Sketches G. Hayter, Hayter, Sir George, 1792-1871, graphite, ink, watercolor, 1816

Eduard Grenzner i Fellner / 'Islandia', siglo XIX.

The Channel Sketchbook. Date/Period: Ca. 1845. Painting. Watercolor. Height: 95 mm (3.74 in); Width: 159 mm (6.25 in). Author: J. M. W. Turner.

William Brockedon, 1787-1854, British, Cromlech At Drewsteignton. Graphite.

Zaunstudie, Tina Blau , Artist

Emilia-Romagna Ravenna Bagnacavallo Museo Civico8. Hutzel, Max 1960-1990 Post-medieval: Paintings on canvas; manuscripts Antiquities: cippi (Gracchi), cippi fragments, bipedal bricks, terracotta amphorae German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Hut on a rock by the sea; The old hut by the sea..Drawing in a frame. Leaf 9 Recto from a sketchbook with 54 Sheets.

Duinpan, Jan Willem van Borselen, 1835 - 1892 drawing cardboard. oil paint (paint) brush

A Meet in the grounds of Raby Castle. Drawing. Black and white chalk and graphite on medium, gray, slightly textured wove paper. Height: 203 mm (7.99 in); Width: 305 mm (12 in). Author: Peter DeWint.

Dendera. Date/Period: 1867. Landscape. Watercolor with pen in brown ink, over graphite on moderately thick, moderately textured, wove paper, mounted on moderately thick, moderately textured, cream wove paper. Height: 90 mm (3.54 in); Width: 202 mm (7.95 in). Author: Edward Lear.

Edelfelt, Albert, work, Sketch book, drawing, 9.5 cm x 17.5 cm, Edelfelt, Albert, Albert Gustaf Aristides Edelfelt 1854 - 1905, Finnish painter. Painting in a naturalistic style and with a Realist approach to art. He lived in Finland

View of Péronne, Anonymous, After Jan Peeters (I), 1656 print This print is part of an album. publisher: Frankfurt am MainThe Hague paper engraving / etching city-view in general; 'veduta' Péronne

Drawing, Partial View of Guaranda, Ecuador; Frederic Edwin Church (American, 1826-1900); Ecuador; graphite, brush and white gouache on cream-colored paper; Sheet: 28.7 x 45.7 cm (11 5/16 x 18 in.)

Haram el Ketab. Date/Period: 1867. Landscape. Watercolor with pen in brown ink over graphite on medium, slightly textured, white wove paper. Height: 40 mm (1.57 in); Width: 152 mm (5.98 in). Author: Edward Lear.

Skeleton with scythe drinks blood in a village with burning houses, Armand Rassenfosse, 1916 print paper drypoint Death as skeleton. village. on fire, ablaze

Feth-Ali-Châh. Bas-relief. (Téhérân). Flandin, Eugène (1809-1876). Prints. 1851 - 1854. General Research Division. Iran, Iran , Antiquities

Jerusalem, Israel. Date: 1844. watercolor on paper mounted on paper. Museum: Smithsonian American Art Museum.

John Martin, The Courts of God, Paradise Lost, Book 3, Line 365, 1824/25, mezzotint on laid paper.

The Freedom Hunting Jean Ignace Isidore Gérard Grandville (1803-1847). Press cartoon. "Freedom hunting". Board published in "caricature" of November 1, 1832. Lithography. Paris, House of Balzac.

Sir Richard Colt Hoare, 1758-1838, British, At Tivoli, near Rome, 1786 to 1819. Graphite, pen and brown ink, and brown wash on medium, slightly textured, cream laid paper.

The Hague, Beeck, Anna, Beaulieu, Sébastien de Pontault de, Flix and Catalogne, View of the place Flix in Catalonia, View of the place Flix in Catalonia. In the foreground the fortress and on the right the Spanish army. The print is part of an album., print, picture, book illustration, album page, prints, height 403 mm, width 503 mm, height 531 mm, width 630 mm, print maker, printmaker, 1659 - 1659, paper, papier, etching, hand colouring, tearing, 1612 - 1674-08-10, cartographer, Dutch, 1657 - 1717, colourist

Gaspard Le Marchant Tupper, 1862-1906, The Harbour of Sebastopol, 1854. Watercolor, white gouache on moderately thick, slightly textured, light blue, wove paper.

Gaspar van Wittel, Lago Maggiore, c 1700 Lago Maggiore

Waterfall, Eagle and Monkey ca. 1887 Kawanabe Kyōsai Japanese. Waterfall, Eagle and Monkey 54620

Design for a ceiling with trompe l'oeil balustrade and sky. Artist: Jules-Edmond-Charles Lachaise (French, died 1897); Eugène-Pierre Gourdet (French, born Paris, 1820-1889). Dimensions: Overall: 13 3/8 x 19 5/8 in. (33.9 x 49.9 cm). Date: second half 19th century. Museum: Metropolitan Museum of Art, New York, USA.

Amsterdam, Ploos van Amstel, Cornelis, Bakhuysen, Ludolf, Schreuder, Bernhard, Warship on the IJ, verso cardboard and verso print - stamped, A warship on the IJ in front of Amsterdam. On the left a sailing ship, on the right a rowing boat with fishermen., print, prints, height 97 mm, width 190 mm, - 1780-10-16, print maker, printmaker, 1768 - 1768, paper, print drawing, etching, etchings, roulette, 1631 - 1708-11-17, intermediary draughtsman, after a drawing by, Northern Netherlands, 1726-01-04 - 1798-12-20, supervision

Castle Garden, Block-printed paper, wood support, varnish, Partial bandbox side covered with wallpaper, 'Castle Garden.' Building, figures in white, tan, olive, on yellow background, title in brown letters., USA, ca. 1835, Wallcoverings, Bandbox, Bandbox

Eliza B. Jumel Estate. Dated: c. 1936. Dimensions: overall: 53.4 x 39.7 cm (21 x 15 5/8 in.). Medium: watercolor and graphite on paperboard. Museum: National Gallery of Art, Washington DC. Author: Virginia Richards.

Farmyard. Edward Bawden (1903-1989). Watercolour, pen and black ink. 10 1/4 x 22 1/2in

Colored woodcut depicting the siege of Greek Weissenburg, created by Sebald Beham in 1522.

Polish banner in the Kremlin; Noakowski, Stanis AW (1867-1928); 1913 (1913-00-00-1913-00-00);National Culture Fund - collection, Kremlin (Moscow), Moscow (Russia), young Poland (style), Noakowski, Stanisław (1867-1928). Entrance to Moscow, 1913, White Eagle (coat of arms), partage plus, Russia, 17th century (history), architecture, banners, gift (provenance), architectural fantasies, coats of arms, Polish (culture), Russian (culture), Polish drawings , banners, wars, Polish-Russian wars (1558-1686), purchase (provenance)

Entrance to the Harbor of La Rochelle. Artist: Paul Signac (French, Paris 1863-1935 Paris). Dimensions: 10 3/4 x 16 3/8 in. (27.3 x 41.6 cm). Date: ca. 1920-28. Museum: Metropolitan Museum of Art, New York, USA.

Albany.. 1880. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. Hudson River (N.Y. and N.J.), Albany (N.Y.), Steamboats , New York (State)

Photo production of a print of a face on Rolandseck, Anonymous, 1860 - 1900 Photograph. visit card This photo is part of an album. cardboard. photographic support albumen print city-view in general; 'veduta'. river Rolandseck

Pencil drawing by Josef von Führich depicting Vesuvibles, executed on light green paper, 1827-1829

Beach Scene 1883 Auguste Renoir French This tiny watercolor was made on the southeast coast of Guernsey, an island in the English Channel. Renoir took great delight in Guernsey, as he remarked in a letter to his dealer Paul Durand-Ruel. There is no better sight than this mixture of women and men crowded together on these rocks. You would think you were in a landscape by Watteau rather than in real life. I will therefore have a source of real, graceful subjects of which I’ll be able to make use.”. Beach Scene. Auguste Renoir (French, Limoges 1841-1919 Cagnes-sur-Mer). 1883. Pen and brown ink with watercolor wash on buff paper, darkened. Drawings

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