Illustrations Of Biblical Events

Engravings depicting biblical stories and figures, illustrating key moments in Christianity with detailed narratives and religious iconography.

Ester for Ahasveros, Robert de Baudous, after Lucas van Leyden, c. 1591 - c. 1659 print Ester is kneeling for King Ahasveros. Ahasveros bends towards her and chooses her as his future wife. paper engraving Ahasuerus touches Esther with the sceptre (Esther 15:12)

The Passion of Christ: Christ showed the people. Eleventh issue of a sequence of 21 pieces. (Passavant 119) Master at the S.. The Passion of Christ: Christ showed the people. Eleventh issue of a sequence of 21 pieces. (Passavant 119). Burin. 1500.

The worship of the Kings, Lucas van Leyden, 1513 print Joseph and Mary with the Christkind, three kings with gifts and large consequences. Low Countries paper engraving adoration of the kings: the Wise Men present their gifts to the Christ-child (gold, frankincense and myrrh)

Mis van Gregorius, anonymous, 1481 - 1531 print Gregorius kneeled for the altar, the figure of Christ has appeared by his hands. God the Father and Angels in the apsis. France paper the mass of St. Gregory the Great: Christ appears above the altar with the instruments of the Passion; maybe blood spouts from Christ's side

Israhel van Meckenem after Hans Holbein the Elder, The Marriage of the Virgin, c 1490 1500 The Marriage of the Virgin

Copper engraving by Hendrick Goltzius depicting Christ presented before Pontius Pilate, showing Roman soldiers and officials, created in 1596.

Antwerp, Aertssens, Hendrik, Cornelisz. van Oostsanen, Jacob, Netherlands, Bolswert, Boëtius Adamsz., Miracle of Amsterdam 1345, Sick man receives host from priest, Cornelisz van Oostsanen, A sick man lies in bed and receives a host from a priest while men and women pray around the bed for his well-being. The event is explained in both Latin and Dutch with a verse., print, book illustration, prints, height 132 mm, width 82 mm, Southern Netherlands, 1580 - 1633-03-25, print maker, printmaker, 1590 - 1633, paper, engraving, engraving (printing process), Work conception, Northern Netherlands, 1475 - 1533, after a design by, Publication (Event), Publication, 1622 - 1663, publisher

Der Schatzbehalter: Christ before Caiaphas (verso), 1491. Michael Wolgemut (German, 1434-1519). Woodcut;

Maria with the child appears on Emperor Augustus. The Tiburtine Sibille predicts to Emperor Augustus the arrival of Christ. The Roman Emperor Augustuses Maria with the child in a vision. He knelt on the ground from respect and put down his crown and scepter.

Visitation, Albrecht Dürer, 1503 - 1504 print Maria and Elizabeth, both just pregnant, meet at a house. A man is in the doorway, a number of women are behind Maria and Elizabeth. A mountain landscape in the background. This print is part of a series of 20 prints, consisting of a title print and 19 prints with scenes from the life of Maria. Nuremberg paper Visitation (possibly Joseph and/or Zacharias present) (Luke 1:39-56)

Christ Taken before Pilate, 1512. Albrecht Dürer (German, 1471-1528). Engraving;

Pilate in debate with the Jews; Passion, death and resurrection of Christ; Passio, Mors et resurrection DN. Noostri Iesu Christ. Christ is brought to Pilatus. Pilate appeals the crowd of Jews and declares Christ innocent (Luc.: 4-5). The print has a Latin caption and is part of a series about the life of Christ.

The worship of the Kings, Martin Schongauer, c. 1470 - 1482 print Maria is sitting on his lap with the Christ child for a derelict building, above which a star shines bright. An ox and a donkey are behind her. The three kings or pointing from the east offer the child gifts, their entourage in their wake. Germany paper engraving adoration of the kings: the Wise Men present their gifts to the Christ-child (gold, frankincense and myrrh)

Potifar's wife accuses Jozef; History of Joseph. Potifar woman, kneeling, shows cloak from Jozef to potifar.

ECCE GOMO; Passion and resurrection of Christ; Passio et resdrrectio D.n. IESV Christi. Pontius Pilate shows the branched Christ to the Jewish people. The print has a Latin caption

History of Ammon and Thamar N � 5: Absalon invites King David and his brothers (Hollstein 26) Heinrich ALDEGREVER (or ALDEGREVER - 1502-V.1555 / 1561). History of Ammon and Thamar n � 5: Absalon invites King David and his brothers (Hollstein 26). Burin, 1540. Museum of Fine Arts in the city of Paris, small palace.

Christ teachers in Temple, Marcantonio Raimondi, After Albrecht Dürer, 1510 - 1515 print paper engraving Christ's dispute with the doctors in the temple; he counts his arguments on his fingers

The marriage of Aeneas and Lavinia; Speculum Aeneidis Virgilianae. Aeneas marry Lavinia. On the right in the background the wedding party, with a banquet. In the margin a four-line caption, in two columns, in Latin.

. The H. Lucius, the former king of Britain, preached for a crowd in a Bavarian city. On the ground next to him the crown and scepter he has taken. God appears to heaven the father who holds a crucifix and the Holy Spirit as a pigeon. The print has a Latin caption and is the third print of a 60-part series with the saints of Bavaria.

Excavation of the body of Thomas van Aquino, Egbert van Panderen, After Otto van Veen, 1610 print A monk takes Thomas from Aquino from his grave. Other monks watch. At the top left, Thomas van Aquino appears in the dream of an abbot. In the margin a five -line caption in Latin. Seventieth print from a series of thirty prints that depict the life story of Thomas of Aquino. Antwerp paper engraving the Dominican theologian, 'Angelic Doctor' Thomas of Aquino; possible attributes: book, (chain with) sun, dove, girdle of chastity, lily, model of church, monstrance (or chalice), mitre (under feet), star (on breast) - death, deathbed of male saint

Paul in Athens; School of Athens. Paulus preaching in Athens, however, a representation of the 'School of Athens', a philosopher school or agora where famous Greek philosophers and scholars, such as Aristotle, Plato and Socrates, are talking to groups. With various elements of the show are letters. The print is part of an album.

The woodcut 'Christ and the Adulteress in the Temple' (1516) by Meister IS mit der Schaufel depicts Christ confronting the adulteress, emphasizing figure, gesture, and architectural setting.

Joachim's Offering Refused, from The Fall and Redemption of Man Made 1510-1518 Germany. Woodcut in black on ivory laid paper . Albrecht Altdorfer

Triumphant David with the head of Goliat. On the right is David with a large sword. The head of Goliat is a choice on the sword. Some singing and musicing women are standing for him. Under the show a two-key, Latin text with a description of the scene from 1 Samuel 18.

Visitation of Maria at Elisabet, Marcantonio Raimondi, After Albrecht Dürer, 1510 - 1515 print paper engraving Visitation (possibly Joseph and/or Zacharias present) (Luke 1:39-56)

Visitation. Maria's visit to her niece Elisabet. Joseph and Zacharias are also present. Right on a staircase is a woman wearing a bag in her arms and a man wearing a bag on his head.

A priest takes confession. Print no. 14 from the series of 16 representations of The Miracle of Amsterdam, after the events of March 15, 1345. Beneath the image two six-line verses in Latin and Dutch, The confession, 14 The Amsterdam Miracle, 1345 (series title) Amstelredams honour and rise by the thought-provoking miracles aldaer geschied aen en door het H. Sacrament des Altaers Anno 1345 (series title on object), print maker: Boëtius Adamsz. Bolswert, publisher: Hendrik Aertssens (II), Southern Netherlands, 1639, paper, engraving, h 131 mm × w 91 mm

Anna-te Dries with Joseph and two male saints, Anonymous, After Lucas van Leyden, 1560-1570 print Mary with Christ child on her lap, next to her the holy Anna. Joseph behind them, leaning over a balustrade. Left and right of the Holy Family a sitting male figure. Low Countries paper engraving 'Anna selbdritt', i.e. Anna, Mary and Christ-child close together

Christ Appearing to the Disciples. Dated: c. 1465. Medium: engraving. Museum: National Gallery of Art, Washington DC. Author: Israhel van Meckenem.

The Presentation of the Infant Jesus in the Temple early to mid-16th century Sebald Beham German. The Presentation of the Infant Jesus in the Temple 334784

Besnijdenis van Christ, Virgil, 1552 print Nuremberg paper circumcision of the Christ-child by the priest in the temple (Luke 2:21)

Christ Before the High Priest Caiaphas, c. 1480, Martin Schongauer, German, c. 1440/53-1491, 6 3/8 x 4 1/2 in. (16.19 x 11.43 cm) (image), Engraving, Germany, 15th century

A woodcut by Hans Wechtlin from around 1508, edition 1522, depicting the representation of Christ in the temple, showing figures, gestures, and early 16th-century German printmaking style.

De heilige Gregorius de Grote met vier andere heiligen.Saint Gregory the Great with a Tiara on his head and a book in his hand stands for a bow with the coat of arms of the Roman Empire. Around him are four other sacred and right behind two soldiers.

Circumcision of Christ; Life of Mary. In a temple room, the Christ child is circumcised, in the presence of a group of men and women. This print is part of a series of 20 prints, consisting of a title print and 19 prints with scenes from the life of Mary.

The thorn coronation, David flight for Simi and Apamene takes off the crown of Darius. Upper part of a leaf from a biblia pauperum. Printed of multiple blocks. Links Simi throws stones to David, in the middle the thorn coring of Christ, right apamene takes King Darius the crown of the head. Front frame with four prophets. Text in French among the performances.

Woodcut by Albrecht Dürer around 1509 depicting the crowning of Christ with thorns, showing detailed figures and composition in the Passion series.

Albrecht Dürer (German, 1471 - 1528), Christ Crowned with Thorns, 1512, engraving

Wenceslaus Hollar, Jesus again before Caiaphas Jesus again before Caiaphas

Albrecht Dürer, The Holy Family with Two Angels in a Vaulted Hall, c 1504 The Holy Family with Two Angels in a Vaulted Hall

Catharina asks Pope Gregorius XI to return to Rome, Cornelis Galle (I), 1603 print Catharina and a male Dominican at the court of the Pope in Avignon. They persuade Pope Gregorius XI to return to Italy. Part of a series about Catharina from Siena consisting of a title print, a portrait and 32 numbered scenes from her life. print maker: Southern Netherlandspublisher: Antwerp paper engraving pope Gregory XI returns from Avignon to Rome after a visit from St. Catherine of Siena

Alexandri by Francesheg de Patrignano Acignar Acruciani Pavigano, FrancescU Giovanni Battista Lombardelli, Hotelo John Lombardelli, Hoteljo print Young Antonius is kneeling for the patriarch of Alexandria who blesses him. A group of bystanders watches. Italian and Latin text in two columns in the lower margin. paper etching the hermit Antony Abbot (Antonius Abbas) of Egypt, also called the Great; possible attributes: bell, book, T-shaped staff, flames, pig

The death of Maria, Israhel van Meckenem, After Hans Holbein (I), 1455 - 1503 print Maria is in bed, her hands folded around a burning candle, the apostles around her. In the background you can see some men who carry a coffin. This print is part of a series of twelve prints with scenes from the life of Maria. Bocholt (Germany) paper engraving the Dormition: Mary on her deathbed; the apostles are gathered around her (John the Evangelist may be shown sleeping or dreaming). the funeral procession ~ Mary's death

Triumphant David with the head of Goliat. On the right is David with a large sword. The head of Goliat is a choice on the sword. Some singing and musicing women are standing for him. Under the show a two-key, Latin text with a description of the scene from 1 Samuel 18.

The Visitation, from The Life of The Virgin 1503-4 Albrecht Dürer German. The Visitation, from The Life of The Virgin 388603

The Holy Philippus admitted to the Servits, Antonio Tempesta, 1591 print Saint Philippus is admitted to the napkets. He is kneeling for three clergymen. Text in Latin in STUDMARGE. Numbered below: 3. Print Maker: Romevatican City paper etching prior general of the Order of the Servites, Philip Benizzi of Florence; possible attributes: book, cross, lily, tiara at his feet

Antwerp, Galle, Theodoor, Sterre, Johannes Chrysostomos van der, Cornelis (I), Episcopal consecration of Saint Norbert, Saint Norbert is consecrated as Archbishop of Magdeburg by the papal nuncio in the name of Pope Honorius II. The print has two Latin inscriptions: one above and one below the image., print, book illustration, prints, height 155 mm, width 93 mm, South Netherlands, 1576 - 1650-03-29, print maker, printmaker, 1622 - 1622, paper, engraving, engraving (printing process), 1591 - 1652, writer, Publication (Event), Publication, 1571 - 1633, publisher

Visitation. .

Adoration of the Magi. Artist: Master IAM of Zwolle (Netherlandish, active ca. 1470-95). Date: late 15th century. Museum: Metropolitan Museum of Art, New York, USA.

The wedding of the Virgin (Bartsch 33, Hollstein 53) Israel van Meckenem (v.1445-1503). The wedding of the Virgin (Bartsch 33, Hollstein 53). Burin, 15th century.

Copper engraving print from the late 15th century depicting Christ standing before Pilate, showing figures, gestures, and architectural elements.

The Presentation in the Temple. Dated: c. 1490/1500. Medium: engraving. Museum: National Gallery of Art, Washington DC. Author: Israhel van Meckenem after Hans Holbein the Elder.

A vain man (Pontius Pilate) at his toilet before and after the trial of Christ. Engraving.

A 1512 woodcut by Hans Schäufelin depicting the Pentecost miracle, showing the apostles receiving the Holy Spirit.

Saints Stephen, Sixtus and Laurence. Albrecht Dürer (German, 1471-1528). Woodcut;

This copper engraving by Hendrick Goltzius depicts 'Behold the Man,' showing the figure of Christ, surrounding figures, and expressive gestures in 1597.

Parable of the Good Shepherd, 1629 print Christ tells the Pharisees about the Good Shepherd: "The sheep listen to his voice, he calls his own sheep by their name and leads them outside." On the facade of the temple medallions with scenes from the parable. There are letters with different elements from the performance. The print is part of an album. paper the good shepherd (Christ) defending his sheep against wolves; 'I am the good shepherd' (John 10:1-16)

Presentation of Christ in the Temple, Justus van den Nijpoort, 1635 - 1692 print The presentation of Christ in the temple. Simeon holds the Christ child in its arms. Maria kneels and holds a basket in her hands with the two pigeons for the sacrifice. Left behind her is Joseph. The Hanna prophetes stands in front of the pillar. At the altar there are a boy with a candle and a boy with an incense barrel. unknown paper etching / engraving Simeon, holding the Christ-child, sings his canticle: 'Nunc dimittis'

Circumcision of Christ, Abraham de Bruyn, 1571.

unknown, Jordaens, Jacob (I), Antwerp, Jode, Pieter de (II), H. Martinus heals a possessed man, verso lower left - stamped, Saint Martin, bishop of Tours, drives the devil out of a possessed man by putting his fingers in his mouth. The possessed man is carried to the saint by four men. Martinus wears his bishop's robes and points to a depiction of the marriage of Mary and Joseph, which is embroidered on his cloak. In a cartouche a caption in Latin., print, prent, prints, height 705 mm, width 480 mm, South Netherlands, 1606-11-22 - 1674, print maker, printmaker, 1628 - 1670, paper, papier, engraving, engraving (printing process), 1593-05-19 - 1678-10-18, after, after painting by, granter of privilege

Pentecost: Exit of the Holy Spirit, Boëtius Adamsz. Bolswert, 1622 print Holy Spirit descends on Mary and the apostles. They start to speak in foreign languages and the Jews who hear their native languages get confused. paper engraving Pentecost: the Holy Ghost descends upon (Mary and) the apostles, sometimes Paul and/or representatives of the nations present (Acts 2:1-4)

Decapitation of James the multiple. The apostle James The multiple is executed in Jerusalem. Apostle Petrus is arrested in the background and locked up in prison. With various elements of the show are letters. The print is part of an album.

Pentecost: outpouring of the Holy Spirit; The Missione Spiritus Sancti; Vitae Passionis et Mortis Jesu Christ. Hospital is falling down on Mary and the apostles. They start to speak in foreign languages and the Jews who hear their native languages become confused.

Antwerp, Galle, Theodoor, Poland, Galaminio, Augustino, Nys, Joannes, Jode, Pieter de (I), Vita et miracula SP Dominici, Life and miracles of Saint Dominic, Resurrection of a mason, verso bottom center - stamped, A mason who was repairing a church wall dies after falling from his ladder. Saint Dominic takes his hand and prays for him. The mason is thus brought back to life. The print has a Latin inscription and caption and is part of a series of prints for a book about the life of Saint Dominic., print, book illustration, prints, width 90 mm, height, 150 mm, South Netherlandish, 1571 - 1633, print maker, printmaker, 1611 - 1611, paper, engraving, engraving (printing process), 1570 - 1634-08-09, intermediary draughtsman, after a drawing by, Work conception, after a design by, 1552 - 1639, writer, Publication (Event), Publication, publisher

Antwerp, Aertssens, Hendrik, Cornelisz. van Oostsanen, Jacob, Netherlands, Bolswert, Boëtius Adamsz., Miracle of Amsterdam 1345, Priest hears confession, Cornelisz van Oostsanen, A priest hears confession in a confessional. Upon the forgiveness of sins, heaven opens, according to the two verses in Latin and Dutch., print, book illustration, prints, height 133 mm, width 85 mm, Southern Netherlands, 1580 - 1633-03-25, print maker, printmaker, 1590 - 1633, paper, engraving, engraving (printing process), Work conception, Northern Netherlands, 1475 - 1533, after a design by, Publication (Event), Publication, 1622 - 1663, publisher

The Reformers Luther and Hus at the Last Supper for the Princes of the House of Saxony, painting by Lucas Cranach the Elder, 4 October 1472, 16 October 1553, one of the most important German painters, graphic artists and letterpress printers of the Renaissance, Historical, digitally restored reproduction of a historical original

Prophecy of Zechariah, 1645 - 1646 print Zechariah says on behalf of the Lord to the people that they have to return to him. In the background there are prophecy of the king in Jerusalem. The print is part of an album. paper Zechariah is called by the Lord to prophesy (Zechariah 1:1). prophecy of the King coming to Jerusalem, riding on an ass (Zechariah 9:9). entry into Jerusalem: people spreading their clothes before Christ on the ass, and waving palm branches (Matthew 21:1-11, 21:14-16; Mark 11:1-11; Luke 19:28-40; John 12:12-19)

Lot welcomes the angels, Heinrich Aldeglever, 1555 print Lot at the city gate of Sodom, in conversation with two angels. He invites them to eat and spend the night with him. First print from a series of four with the story of Lot (Genesis 19). Germany paper engraving the angels find Lot sitting at the gateway of the city; he arises and kneels before them

Christ for Kajafas, Anonymous, After Johann Sadeler (I), After Maerten de Vos, 1590 - 1638 print Christ is led in front of the throne of high priest Kajafas (right). The print has a Latin caption with a text from the Bible and is the fourth print of a fourteen -part series about the passion of Christ. after print by: Antwerppublisher: Southern Netherlands paper engraving Christ before the Sanhedrin with Caiaphas as high priest, and possibly Annas; maybe a soldier about to strike Christ because he keeps silent (Matthew 26:57-66; Mark 14:53-64; Luke 22:54, 22:66-71)

Christ and the mother of the sons of Zebede. The mother of the sons of Zebedüs kneels with her sons before Christ. The woman asks Christ or her sons in his kingdom may sit next to him. The students of Christ watch. With various elements from the show are letters. At D James will be beheaded on behalf of Herodus Agrippa, e shows the crucifixion of Christ and John is in a boiler with boiling oil. The print is part of an album.

Zacharias at Herodes; Life of John the Baptist; Vita b. Ioannis Baptistae Graphicè Descript (...). Zacharias stands with tied hands for Herod, which is on a throne. On either side of Him stand soldiers who are about to kill the children in their hands. In the distance a man is captured by a soldier. Under the performance there is a three-legged, Latin text with the description of the scene.

The Annunciation, from The Life of the Virgin Israhel van Meckenem German. The Annunciation, from The Life of the Virgin 636651

Alkmaar, Schabaelje, Jan Philipsz, Amsterdam, Visscher, Claes Jansz. (II), Straet, Jan van der, Galle, Cornelis (I), Den Grooten Figuer-Bibel, Jeugd van Christus, 'tgeneratie Marie en d'onfanckenisse Iesu, Aanvangiging van de geboorte van Johannes aan Zacharias, lower right - handwritten in brown ink, View of an altar in a round temple. Zacharias kneels before the altar and waves an incense burner. On the left stands an angel announcing the birth of John the Baptist. Many bystanders are watching the scene. Below the scene is a reference in Latin to the Bible text in Luke 1:11. This print is part of an album., print, album sheet, prints, 8, height 211 mm, width 260 mm, Southern Netherlands, 1576 - 1650-03-29, print maker, printmaker, 1638 - 1642, paper, engraving, engraving (printing process), hand colouring, Work conception, 1523 - 1605-11-02, after a design by, Publication (Event), Publication, Northern Netherlands, 1586 - 1652-06-19, publisher, 1592 - 1656-04

Maria is looking for her son in the synagogue, Albrecht Altdorfer, c. 1506 - 1538 print Maria standing and leaning on a kind of altar, with one arm around a column in the courtyard of the synagogue. She is looking for her son Christ. Germany paper engraving Mary and Joseph searching for their child

. The interior of a house. The Pharisee Nikodemus is in conversation with Christ in the middle of the night (John 3: 1-21). The print has a Latin caption and is part of a series about the life of Christ.

Debate with the Sadducees and the Pharisees, Wierix (Rejected Attribution), After Bernardino Passeri, 1593 print The Sadducees debate with Christ in the temple about the resurrection. Various elements from the performance are letters that correspond with the legend in the margin. paper engraving Pharisees and Sadducees opposing Christ

Presentation of Christ in the Temple, 1643 print Joseph, with two pigeons on her arm, and Mary, present Christ in the temple. The just Simeon holds the child for the altar. Left in the background the praying prophetes Hanna. Print is part of a series about the eight Blessig talks of Christ and illustrates the blessing: Blessed whose hunger and thirst for righteousness. In the lower left corner this text from matt. 5: 6 in Latin. At the bottom of the margin a verse in Latin over Simeon, whose hunger and thirst were satisfied with justice when he saw and held Christ. This print is part of an album. Amsterdam paper engraving presentation of the Christ-child in the temple, usually Simeon (and Anna) present (Luke 2:22-39). blessed are those who hunger and thirst after righteousness

Judaskus and Arrest of Christ, Crispijn van de Passe (I), 1600 print Judas kisses Christ on the cheek. The soldiers surround and arrest him. Peter is about to cut off the ear of one of the soldiers. The show is caught in an oval frame with an edge writing in Latin. Print from a series with the passion of Christ. Cologne paper engraving the kiss of Judas: accompanied by soldiers with torches and lanterns, he kisses Christ. Peter draws his sword and cuts off Malchus' ear

Clergy at an altar, anonymous, 1490 - 1536 print Print is part of an album. paper letterpress printing Holy Mass (divine service, especially of Roman Catholic Church). censer

Emperor and death; Dance dance. The emperor is together with death on the edge of a grave, death points to the grave. Hofdames accompany the empress. In the margin above the print is the text Daniel IIII.

Three people praying around the bed of a sick man, one is a priest. Line engraving by I. Taylor.

"Woodcut by Albrecht Dürer from around 1510 depicting the manifestation of the Holy Spirit, showing figures, gestures, and architectural elements within the small passion series."

The aged Anne, mother of the Virgin Mary, meets Joachim by the Golden Gate at Jerusalem. Engraving.

Vatican City, Papal Court, Rome, Tempesta, Antonio, Vita B. Philippi Benicii Florent. ord. servor B. Mariae virginis, The Life of Philippus Benitius, The miraculous well of Saint Philip, verso - stamped, Saint Philip performs a miracle at a miraculous well. A group of bystanders look on. Text in Latin in bottom margin. Numbered lower right: 10., print, prent, prints, prenten, height 115 mm, width 80 mm, Italian, 1555 - 1630-08-05, print maker, printmaker, 1591 - 1591, paper, papier, etching, etchings, grantor of privilege

Antwerp, Galle, Theodor, Miracula et Beneficia SS. Rosario, Fifteen miracles of the rosary, Vsvrarivs ad poenitentiam et veniam admittitvr, Miracle of the usurer, verso center bottom - stamped, An Italian usurer prays to Mary with a rosary. In the background he has a vision shortly before his death. He sees the archangel Michael with a pair of scales. Mary places her rosary in it, while devils on the other side put the usurer's evil deeds in the balance. By adding the rosary, his virtues weigh more heavily than his sins. The print has a Latin caption with legend and is part of a fifteen-part series on the miracles of the rosary., print, prints, height 150 mm, width 89 mm, South Netherlands, 1571 - 1633, print maker, printmaker, 1610 - 1610, paper, engraving, engraving (printing process), Publication (Event), Publication, publisher

The Presentation of the Virgin in the Temple, from The Life of the Virgin Made 1503-1504 Germany. Woodcut in black on tan laid paper . Albrecht Dürer

Antwerp, Jode, widow Gerard de, Vos, Maerten de, Thesaurus novi Testamenti elegantissimis iconibus expressus continens historias atque miracula doni nostri Iesu Christi, Acts of the Apostles, Peter and John healing a lame man, Peter and John standing before the Beautiful Gate of the temple. Peter makes a gesture of blessing towards the paralyzed man sitting on the ground in front of him. Behind them are several figures. Below the depiction is a two-line text in Latin. This print is part of an album., print, album sheet, prints, height 192 mm, width 131 mm, Work conception, Southern Netherlands, 1532 - 1603-12-04, after a design by, 1585 - 1585, fourth quarter 16th century, paper, engraving, engraving (printing process), print maker, printmaker, Publication (Event), Publication, publisher

This 1513 copper engraving by Albrecht Dürer depicts Peter and Johannes healing the lame, showing figures, clothing, and religious iconography in the Passion series.

The presentation of Christ in the temple; Maria's life. Maria presents the Christ child to the high priest, which is ready to receive it with a cloth over the hands. In the background on the right the circumcision of Christ. This print is part of a series of twelve prints with scenes from the life of Mary.

Chapel in the Dominican Church of Toulouse with the tomb of Thomas Aquinas. In the foreground several praying figures. In the margin a five-line caption in Latin. Thirtieth print in a series of thirty prints depicting the life story of Thomas Aquinas., Tomb of Thomas Aquinas in Toulouse The Life of St. Thomas Aquinas (series title), print maker: Egbert van Panderen, (mentioned on object), Otto van Veen, publisher: Otto van Veen, Antwerp, 1610, paper, engraving, h 210 mm × w 150 mm

Feather drawing by Lodovico Cardi depicting Peter baptizing Saint Prisca of Rome, with brown and blue washes.

Jacques Callot, The Marriage of the Virgin, in or after 1630 The Marriage of the Virgin

Bethe Van Niobe Aanbeden, Giovanni Battista Galestruzzi, After Polidoro da Caravaggio, 1656 print A crowd adores a picture of Niobe on an altar in a niche. There is a priest next to the altar. print maker: Italyafter painting by: Rome paper etching statues, paintings, etc. ~ objects of worship (non-Christian religions). (story of) Niobe

A priest during consecration, Vicente Salvador Gómez (Attributed to), 1650 - 1700 drawing A priest to the altar during consecration. The mass is attended by a notable with heavy wig; Angels in heaven with a banderole. paper. ink pen ritual consecration ~ Christian religion

Saint Bibiana. Etching by G.B. Mercati after P. da Cortona.

The five foolish virgins dancing and making music, Crispijn van de Passe (I), After Maerten de Vos, 1589 - 1611 print Departure with an elegant company consisting of the five silly virgins and some men who dance and make music. A loving pair in the background. In the margin a four -line caption, in two columns, in Latin that refers to the vice of the foolish virgins. Cologne paper engraving the wise and the foolish virgins ~ parable of Christ (Matthew 25:1-13). private festivities, merry company. one pair dancing; man and woman dancing as a couple. more than one musician with instrument. lovers; courting, flirting. dress, gown (+ women's clothes). bed with tester. neck-gear ~ clothing (with NAME) (+ men's clothes). trousers, breeches, etc. (BREECHES) (+ men's clothes). neck-gear: collar (+ women's clothes). sleeves (+ women's clothes). sleeves

Christ is led by soldiers before the high priest Caiaphas. The priest sits on a throne and tears his clothes while accusing Christ of blasphemy., Christ Before Caiaphas The Passion (series title), print maker: Nicolaes de Bruyn, (mentioned on object), Nicolaes de Bruyn, Hendrick Goltzius, Netherlands, 1618, paper, engraving, h 187 mm × w 139 mm

Christ Tells His Disciples of the Last Judgment. Dated: published 1630. Dimensions: sheet: 10.7 x 14.7 cm (4 3/16 x 5 13/16 in.). Medium: woodcut on laid paper. Museum: National Gallery of Art, Washington DC. Author: Christoph Murer.

Tomb van Thomas van Aquino in Toulouse, Egbert van Panderen, after Otto van Veen, 1610 print Chapel in the Dominican Church of Toulouse with the Tomb van Aquino. In the foreground various praying figures. In the margin a five -line caption in Latin. Thirtieth print from a series of thirty prints that depict the life story of Thomas of Aquino. Antwerp paper engraving the Dominican theologian, 'Angelic Doctor' Thomas of Aquino; possible attributes: book, (chain with) sun, dove, girdle of chastity, lily, model of church, monstrance (or chalice), mitre (under feet), star (on breast) - death, deathbed of male saint

Maria's death. Mary is in a large four-poster bed surrounded by the twelve apostles. In the foreground a candle on a large standard.

The Abbess, from the Dance of Death 1651 late 18th century printing Wenceslaus Hollar Bohemian Death drags an Abbess from her convent; at left a nun throws her arms up in alarm. The Abbess, from the Dance of Death 361659

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