Illustrative Etchings of Classical Stories

Etchings illustrating various allegorical and historical scenes, filled with intricate details and conveying rich narratives through classical motifs.

Etching by Marcantonio Bellavia from 1668-1670 depicting multiple scenes from the childhood of Jesus with detailed figures and traditional interior settings.

Copper engraving by Abraham de Bruyn depicting the four evangelists, created between 1569 and 1578, showing figures, attributes, and compositional detail.

Lithography by Ferdinand Piloty the Elder showing studies of human figures in various scenes, depicting gestures, postures, and clothing in early 19th-century art.

Copper engraving by Jacques Callot showing selected miracles from the proclamation picture in Sta. Annunziata, Florence, created between 1614 and 1619.

Copper engraving by Conradus Goltzius depicting romantic pairs, created between 1587 and 1595, illustrating late 16th-century European art and courtship scenes.

Etching by Daniel Nikolaus Chodowiecki illustrating Gellert's fables and monument, showing figures, animals, and symbolic scenes, produced in 1776.

Copper engraving by Enea Vico from 1546 depicting a Bacchanal scene with mythological figures, music, and ritual elements.

Etching by Bernhard Rode depicting fables and stories, showing human and animal figures, actions, and allegorical scenes, created in 1763.

Etching by Cornelis Schut depicting children dancing and playing, putting, and engaging in bacchanting, created between 1615 and 1655, showing human figures and playful activity.

A 1635 etching by Jan Georg van Vliet showing a variety of figures including a farmer, seller, laundry worker, beggar, hunter, and flower girl, illustrating everyday seventeenth-century occupations and social roles.

Copper engraving and etching by Theodorus van Merlen, around 1643, depicting a title page for Johannes Bollandus' The Saints with detailed religious figures and iconography.

Copper engravings by Pierre Woeiriot, including Giraldus Lilius' Pinax Iconic Ancient, portraits of Woeiriot, and Clemens Malefacer Abstine, produced between 1555 and 1596, highlighting Renaissance figures and book illustration.

Etching by Salomon Savery showing a title leaf illustrating the five senses with genre scenes, created between 1615 and 1683, depicting figures and symbolic objects representing each sense.

Copper engraving and etching by Johann Sadeler the Elder depicting the Birth of Christ and the Resurrection of Christ, created between 1570 and 1600, illustrating 16th-century European religious art and New Testament events.

Etching by Raffaello Schiaminossi depicting a portrait of Rudolfo Capoferro, a coat of arms, and a city in flames with two men wielding swords in the foreground, created 1610-1632

"Pencil drawing by Louis Marin Bonnet depicting two garments and a shepherd scene, showing figures, animals, landscape elements, and detailed composition between 1760 and 1793."

The 1596 and 1587 copper engravings and etchings by Matthäus Greuter depict the triumph of eternity and the power of Venus, showing allegorical figures, gestures, and symbolic elements in European print.

Copper engraving print by Cornelis Galle the Elder from 1601 depicting the story of Valerian and Saint Cecilia, showing figures, gestures, and narrative composition.

Copper engraving and etching by Jean-Baptiste Tilliard from 1773 illustrating Book XIII of 'The Adventures of Telemachus,' showing mythological narrative in print form.

A copper engraving by Johann Sadeler the Elder depicting a title leaf and the mythological figure Saturn, created in 1585, illustrating classical and symbolic elements.

Copper engraving by Crispin van de Passe featuring Bacchus, Venus, and Ceres, created between 1584 and 1637, illustrating mythological Roman deities associated with wine, love, and agriculture.

Card with four engravings according to the "figurine" cycle (form group studies; in the right, lower corner, the fig LXXXV DISEGNI IN VARIE Grandezze Composze Composze Dal Celebre Pittore Salvator Rosa ... "; Antonini, Carlo (1749-1835), Rosa, Salvator (1615-1673); 1780 (1780-00-00-1780-00-00);

Copper engraving by Theodor Galle depicting the nine Muses, created between 1591 and 1612.

Twelve performances about loved ones, Theodoor Koning, 1758 - 1829 print Not cut leaf with twelve far -away performances about loved ones, possibly from a theater piece. The images are numbered in the middle of pencil from 1 to 12. Amsterdam paper engraving couple of lovers. hiding, hiding oneself

Etching by Benoist, 18th century, depicting the marriage of a Medici mayor with Henri IV, showing ceremonial figures and courtly celebration in European style.

Woodcut by Jacques Stella (1620-1657) depicting Judith holding the severed head of Holofernes, highlighting figure, expression, and composition.

Pencil drawing by Gilles Demarteau from 1742-1776 depicting Venus, showing figure, gestures, and composition.

Etching and copper engraving by Dirck Volkertszoon Coornhert depicting Passion scenes of Christ, created between 1540 and 1590, showing crucifixion, suffering, and early Northern Renaissance style.

Etching by Stefano della Bella created between 1630 and 1664 depicting landscapes with various scenes in round compositions, showing human activity in natural settings.

Etching by Romeyn de Hooghe from 1665-1802 showing various people in different postures and activities, depicting European attire, gestures, and social interactions.

Copper engravings by Cornelis Galle the Elder from 1629 and 1637 depicting title leaves with decorative elements, lettering, and ornamental design.

Etching by Jean Le Pautre from 1625-1682 showing a series of decorative fireplaces, highlighting carved details, motifs, and symmetrical composition.

Etching by Daniel Hopfer, created between 1518 and 1536, depicting the seven sufferings, showing detailed human figures and narrative scenes in religious context.

Copper engraving and etching by Pieter Tanjé depicting scenes from Virgil, created in 1746.

Copper engraving by an unknown artist depicting the seven virtues. Created between 1590 and 1700, illustrating moral allegories with personifications of each virtue.

A copper engraving by Philippe Thomassin from 1600-1650 showing an ancient Roman statue in a niche, emphasizing sculptural form and architectural setting.

16th-century woodcut by Tobias Stimmer illustrating the fable of the farmer and his donkey, depicting narrative scene and figures in composition.

Copper engraving by Pieter de Jode II depicting portraits of Johann von Reumont and Gerhard Schepeler, created between 1648 and 1660, showing facial features, attire, and composition.

Etching by Jost Amman from the second half of the 16th century depicting rulers with coats of arms, showing figures, regalia, and heraldic elements.

An etching by Jost Amman depicting the Garden of Eden, showing Adam and Eve, animals, and natural scenery, created in the second half of the 16th century.

A 1630-1690 woodcut, copper engraving, and etching by Frederick Bloemaert depicting figure studies on a title leaf, showing human anatomy, poses, and gestures.

Johann Murrer's etching (1660-1713) depicts mythological figures including Minerva, Venus, Bacchus, Alexander, and Diogenes, showing narrative, symbolic gestures, and classical European 17th-18th-century etching style.

Etching by Felix Meyer, 1670-1713, showing landscapes with ruins and rocky terrain, illustrating natural and architectural elements in detailed composition.

Copper engraving and etching by Heinrich Ulrich from 1595-1621 showing various human figures in different postures and attire, including gestures and facial expressions.

86. Extracting of Jeremiah from to the swampy; 87. About a common resurrection in the day and two trees, whose unification means; Kosicki, Ludwik (1793-1846); 1840 (1840-00-00-1840-00-00);

Etching by Odoardo Fialetti created between 1590 and 1638 depicting a title leaf and frieze with trophies, illustrating early seventeenth-century Italian decorative engraving.

Woodcut by Albrecht Dürer after 1508, Mommardian copy, depicting scenes from the Passion of Christ, showing figures, gestures, and architectural elements.

Etching by Daniel Nikolaus Chodowiecki from 1784-1792 showing title leaves for Strange Stories and Wiesiger's poems, with ornamental and illustrative details.

Two vertical p Yciny with a grotesque ornament, left decorated with a presentation of the cerebish - personification of summer under a canopy, right character right Bacchus-Jesieni; Berain, Jean (1640-1711; st.), Unknown; before 1710 (1663-00-00-1752-00-00);Bachus (mitol.), Ceres (Mitol.), Autumn (Personification), Summer (Personification), Magdalenaea (collection), Schlesisches Museum der Bildenden Künste (Wrocław - 1880-1945) - collection, canopy, decorations, French (culture) , grotesque (ornament), ornamentations, personifications (iconogr.), Projects

An etching by Jean Le Pautre from 1660-1661 showing decorative trophy leaves with detailed foliage and ornamental arrangement.

Etching by Jacques Callot around 1620 showing Saint Francis, the frontispiece for the statutes of the Cavalieri di Santo Stefano, and a portrait of Cosimo II de Medici, highlighting figures and ornamental design.

. Not cutting leaf with twelve narrative performances about an impossible love, possibly from a theater piece. The images are numbered in the middle of I to XII.

Copper engraving print showing groups of figures in the Sistine Chapel by an unidentified engraver, created between the mid-16th and 17th century.

Copper engraving by Boëtius Adamsz. Bolswert depicting a male hermit for a book illustration, dated around 1612.

Etching by Giovanni Domenico Tiepolo depicting Maria, Saint Antonius, Saint George, and the Virtues, created in the 18th century, illustrating religious and allegorical figures.

Etching by François Perrier from 1638 depicting Roman statues, illustrating classical sculpture forms, drapery, and proportions in a detailed composition.

Copper engraving and etching by Michel Dorigny depicting a frieze with a deity of water, created between 1635 and 1665.

Copper engraving by Jan Pietersz. Saenredam, 1600-1607, showing Moritz of Orange-Nassau on horseback in military attire, symbolizing leadership and noble rank.

Copper engraving by Johann Theodor de Bry depicting various scenes, created between 1580 and 1600, showing human figures, activities, landscape elements, and late sixteenth-century European print style.

Etching by an unidentified monogrammist depicting multiple figures, created in the 19th century, illustrating human figure composition and etching technique.

Woodcut book illustration by Sebastian Brant from 1508 depicting Hexastichon Sebastiani, showing detailed text and figures.

Copper engraving by Conradus Goltzius depicting eight ancient gods from classical mythology. Created around 1600, illustrating deities and ancient rituals.

A 1502 woodcut illustrating scenes from the lives of saints, showing figures, gestures, architecture, and symbolic religious elements.

122. Henryk KSI Wroclaw; 123. Kurtana island; 124. Turks of the Turks for King Wac Wacawa in the Ruckie land; 125. Wild inhabitants on the island of Crucis Tent from trees; 126. Wild people (self -man); Kosicki, Ludwik (1793-1846); 1840 (1840-00-00-1840-00-00);

Etching by Pietro Santo Bartoli depicting figures from classical antiquity, produced between 1650 and 1700.

A copper engraving by Jan van der Straet from 1578-1580 depicting hunting and animal scenes, showing hunters, dogs, and game in forest and countryside settings.

15. Izreal's army passes through the Red Sea; 16. Sons of Israel in the Forest God sent mann; Kosicki, Ludwik (1793-1846); 1840 (1840-00-00-1840-00-00);

A series of etchings by Wenzel Hollar depicting the Dance of Death, created between 1627 and 1677. The works emphasize skeleton figures, human mortality, and allegorical representation.

Copper engraving and etching by Johann Sadeler the Elder depicting Mary Magdalene and Christ in a group scene, created between 1570 and 1600, showing interaction and religious context.

Copper engraving and etching depicting the twelve apostles, created by Virgil Solis the Elder between 1529 and 1562.

Copper engraving depicting the birth of Mary, created by Nicolas Beatrizet between 1530 and 1565, showing the infant in a domestic and religious setting.

Catalogue raisonne et figure de ses tableaux, La Galerie Électorale de Düsseldorf, Pigage, Nicolas de, 1723-1796, Red crayon, or pen, ink and watercolor, 1770-1778

"Etching by Jean Guillaume Moitte depicting Fries with various scenes in the Dotier manner, showing figures, architectural elements, and compositional details in the mid-18th to early 19th century."

Woodcut by an unknown artist, 16th-19th century, showing a scholar interacting physically with different people in a narrative scene.

Copper engraving and etching by Bernard Baron depicting Achilles being discovered by the daughters of Lycomedes, created in 1724, showing mythological figures and narrative scene.

Heilige Flavianus van Acquapendente, Heilige Victoria van Rome, Heilige Servulus van Rome, Heilige Tarsilla van Rome (22-24 december); Alle heiligen en de Christelijke feestdagen van het jaar.Leaf with four oval performances, each with inscription and date in Latin: Above the holy Flavian of Acquapende that is branded, at the top right the sacred Victoria of Rome who sacrifices a holy woman (Mary) In heaven, at the bottom left of the holy servulus of Rome Lying on the street and angels in heaven sighting, at the bottom right of the holy Tarsilla of Rome lying on a bed and saints in heaven. This print is part of a series of prints with representations of the saints and the Christian holidays of the year. There are always four scenes of one plate printed on one sheet. Including associated title page and frontispiece it goes in total to 124 plates (490 performances). The three plates with the last 12 scenes (the variable Christian holidays) have been cut into 12 small pictures in the thi

Targhe ed altri ornati di varie e capricciose invenzioni (Cartouches and other ornaments of various and capricious invention, page 51) 1773 After Georges Reverdy Page from an album with 54 prints, 40 of which come from a series published by Carlo Losi in Rome in 1773. For some reason often overlooked, these prints actually reproduce16th-century designs attributed to the enigmatic French artist Georges Reverdy and the better-known Netherlandish artist Jacob Floris. All copies are in reverse. In some cases they are combined with the originals in this album. Several pages in the album are empty, indicating that some prints may have been taken out at some point.. Targhe ed altri ornati di varie e capricciose invenzioni (Cartouches and other ornaments of various and capricious invention, page 51). After Georges Reverdy (French, active Lyon, 1529-57). 1773. Etching and engraving. Carlo Losi (Italian, 1757- after 1805)

Photo production of an engraving by Venus and Cupido by Marcantonio Raimondi, Benjamin Delessert, after Marcantonio Raimondi, After Rafaël, c. 1848 - in or before 1853 photograph photographic support salted paper print Venus and Cupid (Cupid not being mere attribute)

Saint Sulpicius, Holy Aldegondis, Saint Sabina, Translation of Marcus' remains (January 29, January), Jacques Callot, 1632 - 1636 print Sheet with four oval representations, each with inscription and date in Latin: in the top left of the Sacred Sulpicius on the sickbed of a man, at the top right the Holy Aldegondis who flees a building, below the Holy Sabina that falls into swimming, below the box with material Remains of Saint Marcus in front of the gates of Venice. This print is part of a series of prints with representations of the saints and the Christian holidays of the year. Four scenes of one plate are always printed on one leaf. Including accompanying title page and frontispiece, it concerns a total of 124 plates (490 performances). The three plates with the last 12 scenes (the changeable Christian holidays) were cut into 12 small pictures in the third state, and with a separate title page. print maker: Nancypublisher: Paris paper etching male saints (with NAME). female saints

Copper engraving by Paulus Pontius showing portraits of Abel de Servien and Claudius de Mesmes, created between 1648 and 1660, illustrating facial features and attire.

Copper engraving by Jan van der Straet depicting inventions and discoveries, produced around 1591.

A woodcut created in 1587 by Monogrammist IN showing Christophe de Savigny presenting Ludovico Gonzaga his work 'Les Tableaux Accomplis,' depicting figures in a formal presentation.

Etching by Therese Holbein von Holbeinsberg titled Trauma, depicting a scene with figures and expressive gestures, created in 1716.

Print, Two Panel Designs; Designed by Bellay (French, active from 1734); Print Maker: Gabriel Huquier (French, 1695-1772); France; etching and engraving on laid paper

Catalogue raisonne et figure de ses tableaux, La Galerie Électorale de Düsseldorf, Pigage, Nicolas de, 1723-1796, Red crayon, or pen, ink and watercolor, 1770-1778

Etching from around 1600 depicting monthly representations with symbols, activities, and seasonal motifs.

Six performances from the newer history and six performances from Blumauers Aeneid, Daniel Nikolaus Chodowiecki, 1792 print The prints are numbered at the top right. With caption and page reference in German. Small sketchy figures are etched in the margins. Berlin paper etching History. Literature. ruler, sovereign. death of human being. voting, election. meeting. revolution, revolt. (story of) Aeneas. Venus asks Vulcan to forge Aeneas' armour. the Trojans with King Latinus. the Cyclopes. (story of) Turnus

Copper engraving by Theodor de Bry depicting a series of portrait busts within ornamental frames, created in 1596, showing facial details and decorative elements.

Holy Genovefa, Holy Titus, Holy Simon de Styliet, Worship by the Wise (three -kings) (3-6 January), Jacques Callot, 1632 - 1636 print Sheet with four oval representations, each with inscription and date in Latin: in the top left of the Holy Genovefa whose candle is blown out by a devil and is lit by an angel, right above the Holy Titus who addresses his churchgoers from a pulpit, below Simon de Styliet Standing on a pillar, bottom left the three sages from the East that the newborn Christ can offer gifts. This print is part of a series of prints with representations of the saints and the Christian holidays of the year. Four scenes of one plate are always printed on one leaf. Including accompanying title page and frontispiece, it concerns a total of 124 plates (490 performances). The three plates with the last 12 scenes (the changeable Christian holidays) were cut into 12 small pictures in the third state, and with a separate title page. print maker: Nancypublisher: Paris paper etching

Amsterdam, Covens & Mortier, Bruyn, Nicolaes de, Antwerp, Maes, Joseph, Entourages, XVIe Siècle, Reproduction of three prints of a portrait surrounded by grotesques by Nicolaes de Bruyn, depicting Charlemagne, Godfrey of Bouillon and Judas Maccabeus, recto - stamped, photomechanical print, page, reproduction, photographs, photographically illustrated books, ENTOURAGES composed, engraved, recto - printed, LITT. E. - PL. 35, JJvY, height 344 mm, width 232 mm, photographer, 1875 - 1880, paper, photolithography, Belgian, 1838 - 1908, cliché maker, Work conception, South Dutch, 1571 - 1656-10, after a print by, Dutch

Copper engraving and etching depicting couples, created by Heinrich Ulrich between 1595 and 1621.

An etching by Johann Georg Bergmüller from 1708-1762 illustrating the four seasons with figures and landscape elements, representing seasonal changes in nature.

Depiction by Baron Theodor Caspar von Fürstenberg from 1630-1675 showing Salome with the head of John and a man in pain, illustrating figures and narrative scene.

A copper engraving by Pierre Woeiriot between 1550 and 1596 depicting a portrait of John Calvin, the theologian, along with various other figures.

Etching by Salvator Rosa showing male and female figures, produced between 1653 and 1658, illustrating human anatomy, clothing, and gestures in formal composition.

Bas-relief with two angels showing a portrait; Galleria Giustiniana del Marchese Vincenzo Giustiniani II. Bas-relief with two angels showing a portrait. Probably a fragment of a sacrcophagus. In the middle of Vincenzo Giustiniani coat of arms. Print is part of an album with a series of prints to the sculptures in the collection in the Galleria Giustiniani in Rome.

Colored woodcut from 1473 illustrating 'The Woman Claris' from Giovanni Boccaccio's book, showing a female figure, drapery, gesture, and decorative details.

Copper engraving by Philipp Galle, 1585-1590, illustrating personifications with figures and symbolic elements in allegorical compositions.

Woodcut by Lucas Cranach the Younger, 16th century, depicting portraits of a Saxon prince, showing detailed facial features, attire, posture, and composition.

Etching by Gabriel Huquier from 1737, titled 'Left,' showing a decorative printed design element.

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