Imaginative Baroque Ornamentation

Elegant prints featuring intricate designs with medallions and allegorical figures, showcasing baroque style in ornamental art and decoration.

Antwerp, Plantijn, Christoffel, Netherlands, Vredeman de Vries, Hans, Hooghe, Cornelis de, Nederland, Doetechum, Johannes of Lucas van, Exercitatio alphabetica nova et utillisima, Cartouche with calligraphy, top left and right a woman with a palm branch and a victory wreath, Sheet XXI. Cartouche with the text Tutte le vie de l'huomo.... A long garland runs along the bottom edge of the cartouche, ending in a fish on either side. From a series of 21 numbered cartouches with calligraphy in a frame of scroll and decorative work with grotesques, garlands and mascarons., print, ornament print, prints, ornament prints, height 214 mm, width 285 mm, print maker, printmaker, 1569 - 1569, third quarter 16th century, paper, engraving, engraving (printing process), Northern Netherlands, 1541 - 1583-03-29, Work conception, Southern Netherlands, 1527 - 1607, after a design by, Publication (Event), Publication, 1514 - 1589-07-01, publisher

1842 (her)

Headfort House, Ireland: Saloon Ceiling, Robert Adam, 1728-1792, British, 1772, Graphite, watercolor, pen and black and brown ink on moderately thick, moderately textured, cream laid paper mounted on linen bar scale given, Sheet: 19 7/16 x 25 3/16 inches (49.3 x 64 cm), architectural subject, ceiling, friezes, Graces (Charites), generally three in number; 'Gratie' (Ripa), Neoclassical, saloon, scale (rule), Headfort House, Ireland, Kells, Leinster, Meath

Ornamental panel, Jean-Siméon Rousseau, 1747 - 1820, Pen and ink, brush and watercolor, graphite on laid paper, The center panel shows an eagle placed upon a thunderbolt between two acanthus scrolls. The lateral one shows a trophy of arrows, a caduceus, a winged helmut, and a wreath. The main panel shows two putti beside flower vases, pairs of swans beside a woman standing atop a classical frieze., France, 1775-1800, Drawing, Drawing

Tapestry with coat of arms of the Polish-Lithuanian Commonwealth and King Stanisław Leszczyński. Warsztat Johana Carla Kletscha (Słonim ; pracownia tapiserska ; 1782-1792), workshop

Della Bella, Stefano (dit Étienne de la Belle) (n.1610-05-18-D.1664-08-22), pleasant diversity of figures, title. First issue of a suite of 13 pieces (A. de Vesme 117. Dutuit 84) (main title), 1642. Etch. Petit Palais, Museum of Fine Arts of the City of Paris.

Title page with saters and women; Farly Niewe Inuentien (...); Flat decorations and grave monuments / Father's Niewe Inventien (...). Cartouche in a role framework in which seven saters and two women are. Belongs to series consisting of a title page, a text sheet and 14 blades with grotesken with rollerwork, saters, garlands, trophies, animals and fantasy stations.

Coat of arms by Christian Pietersz van Essen; Coats of arms for portrait medallions and watch cases. Coat of arms with hell, in an oval with edge text: christianvs.petri.spem.fati.melioris.alor. On the shield a running deer.

Medal on the dedication of the town hall. Design for a print.

Embroidered Picture (France); silk, metallic thread

Double rolling cartouche with coat of arms of Antoine Perrenot, Cardinal of Granvelle; Scenographiae, Sive Perspectivae. Double rolling cartouche with coat of arms of Antoine Perrenot, Cardinal of Granvelle. Putti holds a banderole on either side with its motto. At the bottom of a command to Perrenot. Print is part of an album.

Cartouche with violin playing putto and caratids, Paulus Constantijn La Fargue, 1739 - 1782 print Cartouche with left and right Cararians. Under a violin -playing putto and a listening saterk. On the right a putto with cello. Top rim of rocailles. The Hague paper etching / engraving / writing (processes) rocaille ornament. ornament ~ human parts. violin, fiddle. caryatids ~ architecture

Memorial to Maria Whitfield from Bedfont Church, Daniel Lysons, 1762-1834, British, between 1796 and 1811, Pen and black ink watercolor and gouache over graphite on medium, slightly texture, cream wove paper, Sheet: 14 7/8 × 10 3/4 inches (37.8 × 27.3 cm), architectural subject, church, memorial, Bedfont, Parish Church of St Mary the Virgin, West London

Two Designs for Snuff Boxes: LAmusement enfantin and La Danse enfantine (Infantile Entertainment and the Infantile Dance). Artist: François Étienne Joubert, French, active 1787-1821

Attributed to Daniel Lysons, 1762-1834, British, Memorial to Thomas Clarke and wife Sarah and Thomas Worlidge from Fulham Church, between 1796 and 1811. Pen and black ink, watercolor and gouache over graphite on medium, slightly textured, cream wove paper.

Penning in honor of Petrus Codde, 1705, 1705 print Silver medal from 1705 in honor of Peter Codde with a portrait and on the reverse an allegorical representation in which the Dutch Lion with God's help protects the lamb against the lightning bolts from the Vatican. In the caption two verses of 4 lines in Latin and Dutch. Northern Netherlands paper medal (considered as a piece of sculpture, regardless of its specific function)

Personifications of victory and a river, Charles Louis Simonneau, After Antoine Coypel, 1723 print Medallion over the victory over the Alps, with regard to King Louis XIV. paper engraving / etching Victory. river personified, 'Fiumi' (Ripa) - HH - ideal landscapes

Inauguration of King Willem II, Anonymous, 1840 - 1841 print Inauguration of King Willem II. Part of a Map with a series of twelve prints of the entry of Willem II, the honorary gates founded in the city and the inauguration on November 28, 1840 in the Nieuwe Kerk in Amsterdam. Amsterdam paper new ruler taking the oath Amsterdam. new church

Voillllllllllla le grrrrrrrrrrrrrrand galop Charivarique.... Honoré Daumier (1808-1879). Lithographs

Design for a cup and saucer with Chinese motif, commissioned by the Dutch East India Company. Within a circle containing a six-armed fan shape, three men are sitting on a bench around a table. One of them is holding a fish. On the table there is a large bowl and on the left a peacock is looking up at a bird on the overhanging branch of a tree. The spaces between the six arms are filled with a geometric motif. Above the design, the side view of both the head and the dish is depicted. Except for an edge with a geometric motif, the dish is otherwise blank. On the cup is again the depiction with the three men, The doctor's visit to the emperor., draughtsman: Cornelis Pronk, in or after 1734 - in or before 1736, paper, pen, brush, h 187 mm × w 126 mm

Drawing (Italy)

Title page of 'Rowlandson's Caricature Magazine vol. 5' ,. Thomas Rowlandson (1756-1827). Prints and Drawings

Still life of shells, plants and coral branches on a waterfall, Dubreulié, after Juste Aurèle Meissonnier, 1738 - 1749 print Print from a series of seven ornaments. This print is part of an album. paper etching rocaille ornament. still life of related objects

Adelaar verslaat basilisk en slang / Lauwerkrans; Gectoirs Du Burreau Des Finan. De Lem / Fundatori Quietis; Symbola Divina et Humana Pontificum Imperatorum Regum.An emblem with two performances. Above is a basilisk on its back. There is an eagle on top of him. He has a snake in his leg. Below a laurel wreath with the year 1530. The inventions of Karel V.

Back of the room with the Praalbed of Prince William IV, 1751, Jan Punt, After Pieter de Swart, 1752 Back of the room with the stump bed of Prince William IV. On either side of the bed candlesticks with weapons and skeletons. Part of the series of four records of the Praalbed on which Prince William IV, who died on 22 October, was laid out during November and December of the year 1751. print maker: Amsterdamafter drawing by: The Haguepublisher: AmsterdamThe HagueThe Hague paper etching / engraving Back of the room with the stump bed of Prince William IV. On either side of the bed candlesticks with weapons and skeletons. Part of the series of four records of the Praalbed on which Prince William IV, who died on 22 October, was laid out during November and December of the year 1751. print maker: Amsterdamafter drawing by: The Haguepublisher: AmsterdamThe HagueThe Hague paper etching / engraving

Statement at the print of the departure of Prince Willem V, 1795, Joannes Bemme (attributed to), 1795 print Declaration of the representation of the print with the departure of Prince Willem V from the beach from Scheveningen to England, January 18, 1795. Hung canvas with text with at the top and on the silk garlands with flowers. print maker: Netherlandspublisher: Rotterdam paper etching / engraving ornament ~ festoon, garland. flowers ~ ornament Scheveningen

Homage from Bavarian artists to King Ludwig I 1874 Peter Herwegen German. Homage from Bavarian artists to King Ludwig I 383917 Artist: Peter Herwegen, German, Cologne 18141893 Munich, Homage from Bavarian artists to King Ludwig I, 1874, Brush and grey ink, watercolour, gold paint, sheet: 14 15/16 x 10 1/2 in. (38 x 26.6 cm). The Metropolitan Museum of Art, New York. Purchase, Alain and Marie-Christine van den Broek d'Obrenan Gift, 2008 (2008.621)

Decorated with a cherub, a rabbit, a dog and a mask. Leaf 5 from a series of 14. Third edition.

Della Bella, Stefano (dit Étienne de la Belle) (n.1610-05-18-D.1664-08-22), various figures and scratches. Title. First issue of a suite of 23 pieces. (A. de Vesme 459; Dutuit 123) (main title). Etching. Petit Palais, Museum of Fine Arts of the City of Paris.

Coat of Arms with the mottos 'Honi soit qui mal y pense' and 'Dieu et mon Droit', unknown artist, eighteenth century, ca. 1770

Memorial to Sir Robert Carr from Hampton Church, Daniel Lysons, 1762-1834, British, between 1796 and 1811, Pen and black ink, watercolor and gouache over graphite on medium, slightly textured, cream wove paper, Sheet: 15 1/8 × 10 5/8 inches (38.4 × 27 cm), architectural subject, church, memorial, England, Greater London, Hampton, London, St Mary's Parish Church, United Kingdom

Print (France)

Apollo plays his harp on a cloud. Form from the society Tot Nut en Vermaak in Grave, Form from the society Tot Nut en Vermaak in Grave, print maker: anonymous, Netherlands, 1788 - 1900, paper, engraving, h 139 mm × w 95 mm

Netherlands, Weissenbruch, Isaac, Allegory in honor of Antonie Grevenstuk, Seven medals with portraits and various other representations. On the left sits Minerva with her helmet, her lance and her shield. At her feet a number of allegorical figures and objects., print, prent, prints, prenten, height 168 mm, width 246 mm, 1826-08-27 - 1912-11-13, print maker, prentmaker, 1868 - 1912, paper, papier, houtgravure

Greeting letter with yacht scene. Greeting letter with described cartouche inside a decorative frame with a yacht scene. Handwritten message in calligraphy (Fair letter) by D. Kuijper to her Uncle and Peet. Numbered at the top right: No. 68.

America; America. A cartouche surrounded by weapons and animals such as a monkey with a range and a bird.

. Medal with the portrait of Hendrik II, king of France. On the other side a text in Latin. With an ornamental picture frame.

Giuseppe Maria Saverio Bertini. Etching, 1752, after A. Selvi.

Pent in the death of Pieter Adriaansz. Van der Werff, 1604. Pent in the death of Pieter Adriaansz. Van der Werff, 1604. Front radiant sun over opened book with birth and death of Van der Werff. Reverse: Lans with freedom hat, coat of arms of Leiden and radiant sun. At the top right numbered: 3.

Fridden French text with olive branches and mythological figure. Fifteen-line French text, entitled 'Livre X' with an image of a goddess or allegorical figure in the clouds. In her hands she wears a torch and a cornucopia. The whole is chattered by a decorative frame with olive branches and at the bottom of a bow.

Title vignette for the auction catalog of art supplies of Willem Philips Kops. His monogram on a plaque, behind it a painter's palette, mercurial staff, books, prints and drawings. Below the vignette a sketch in pencil, Title vignette with monogram W.P.K., print maker: Jean Bernard, Amsterdam, 1808, paper, etching, h 201 mm × w 132 mm

Letter G, from Baluze's 'Histoire générale de la Maison d'Auvergne', Sebastien Leclerc, French, 1637-1714, Etching with engraving on white wove paper, A shield, bendy of ten pieces, is suspended from the top of the G. Two tiaras, two croziers, a pope's and an archbishop's crosses are shown in the rear., France, 1707-08, ephemera, Print, Print

Ontwerp voor een diploma voor de Tentoonstelling van hulpmiddelen voor den boekhandel, 1881. Eere-diploma tentoonstelling van hulpmiddelen voor den boekhandel (title on object). Draughtsman: anonymous. Dating: 1881. Measurements: h 447 mm × w 570 mm. Museum: Rijksmuseum, Amsterdam.

Photo collage of portraits of Countess of Eglinton, Mrs. Barnard, Mrs. Eleanor Astley, and Sir Henry Ewart. Unknown about 1864 Jewelry was seen as a display of wealth and fashion in the Victorian era, just as it is today. Therefore, its not surprising that upper-class Victorian photocollagists created ornate images of jewelry on the pages of their albums, inserting photographs in place of precious stones. Ones sweetheart, a dear friend, or a familiar couple might fill the center of a pendant. From the earliest days of photography, upper-class Victorian women also wore actual jewelrysuch as lockets, pendants, and broochesthat incorporated photographs. In this way, a woman could keep a concealed or visible image of her loved one close to her heart, whether that person was still living or had passed away. Carolyn Peter, J. Paul Getty Museum, Department of Photographs, 2021 For more information about this album see the extended essay. (Recto, album page) upper left, under corresponding ima

Coat of arms of the Borch family.

Image of the crowned weapon of Philips de Goede and Karel the naughty of Burgundy, surrounded by the chain of the Order of the Golden Fleece.

Group-Reservation The Family Electorale the Saxes

Business card from printer Pierre Vande Steene in Ghent. View of the city of Ghent with a steam train in the foreground, in decorative frame with six putti whose lower two holds the coat of arms of Belgium.

Epitaaf Decorated with Cartouches, Jacob Folkema, After Johannes de Bosch, 1757 print Epitaaf overgrown with leaves and decorated with cartouches. At the top, a cartouche is the image of a burning heart, symbol of the exceptional fiery love. In the middle of the structure the title is shown within a cartouche, below the image of a book that has been surrounded by palm branches. paper etching epitaph

Vignet with the three kings and arms of the city of Haarlem. .

Figures at a hexagonal building in a landscape; Landscapes and ruins; Amoenissimae Aliquot Regiunculae.figures with a Hexagonal Building in a Landscape. First Print from a Series or Eighteen.

Drawing by Albert Flamen featuring a title cartouche, executed with gray and brown pen, showing decorative elements typical of 17th-century European book art.

Spieghel der Schryfkonste...(Mirror of the Art of Writing) 1605 Jan van de Velde I Netherlandish. Spieghel der Schryfkonste...(Mirror of the Art of Writing) 358328

Design for a ceiling painting with the box of Pandora.

Bottom of Sword Sheath, Robert Mabon, died 1798, British, undated, Brown wash and graphite with pen and black ink on medium, slightly textured, cream wove paper, Sheet: 3 1/2 × 3 3/8 inches (8.9 × 8.6 cm)

Netherlands, Letter of Wishes with Neptune, verso - stamped, Letter of Wishes with blank cartouche within a decorative frame with representations of putti, sword fighters, a hunting scene and allegorical figures with palm branch and blindfold. The figures consist largely of curls (calligraphy)., print, popular print, letter of wish, prints, popular prints, height 412 mm, width 330 mm, Publication (Event), Publication, publisher, 1700 - 1899, paper, etching, etchings, colours, print maker, printmaker

Cover with a flower and bird motif. Lemercier, Rose Joseph (Paryż ; zakład litograficzny ; 1827-post 1899), lithography atelier, Hauger, E. (fl. ca 1850), graphic artist, Wilczyński, Jan Kazimierz (1806-1885), publisher

Greeting Card 1810 Johannes Endletzberger. Greeting Card. Johannes Endletzberger (Austrian, 1782-1850). 1810. Gouache, metallic paint, metallic foil, embossed and punched paper, and carved and painted mother of pearl on silk. Ephemera

Deer hunt; Parts of edge of octagonal board with yacht scenes.A Lady and a Lord on Horseback, Two Hunters and Four Dogs Chase A Deer.

literature ""Des Knaben Wunderhorn"" by Achim von Arnim & Clemens von Brentano 2nd part Heidelberg 1808 title engraving by Philipp Otto Runge Goethemuseum Frankfurt/Main romaticism German folk poems book 19th century historic historical,

BRIEFHOOFD VOOR HET DEPARTMENT Seine -Inférieur, Barthélémy Joseph Fulcran Roger, after Pierre Prud'hon, 1792 - 1800 print paper etching / engraving letter, envelope. governmental and representative bodies. river personified, 'Fiumi' (Ripa)

Corsica act out. ... 1664 1664. (TI)

Anonymous. "Baton Frères, Lyon". 1855-1870. Chromolithography. Paris, Carnavalet museum. 58877-11 Chromolithography, hat

Two tokens on the initiation of the new town hall of Amsterdam, 1655, 1655 print Two tokens on the initiation of the new town hall of Amsterdam, 1655. Presentation in frame with both sides of the first medal and one side of the second medal. First medal: front: mercury with staff and freedom hat above new town hall; In the foreground Amphion that plays on Lier. Reverside: Amsterdam city stir -out with emperor crown sitting in the garden between two lions, each of whom stuck three coats of arms, in the background face to Amsterdam on the IJ, above it three angels with strings and trumpets protected by celestial light, within the edge of sixty coats of arms. Second medal: The ship Argo, in the background face to Amsterdam aan het IJ within the edge with a change and crowned coat of arms. Marked bottom left: Fig. 86. print maker: Northern Netherlandsafter design by: Amsterdam paper engraving medal (considered as a piece of sculpture, regardless of its specific function). personification o

Daniel Lysons, 1762-1834, British, Memorial to Reverand Joseph Trapp from Harlington Church, between 1796 and 1811. Pen and black ink and watercolor over graphite on medium, slightly textured, cream wove paper.

A Display of the United States ofAmerica. Artist: Amos Doolittle, American, 1754-1832 After: Joseph Wright, American, 1756-1793

Lazio Viterbo Bagnaia Villa Lante61. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Northern Netherlands, Obverse and reverse of a medal on the death of the De Witt brothers, 1672, Obverse and reverse of a medal with the portraits of the brothers Johan and Cornelis de Witt, and an allegorical representation of the death of the brothers Johan and Cornelis de Witt, murdered on 20 August 1672, in which the brothers are attacked by a beast with many heads, symbol of the people who mutilated the bodies. At the bottom of the verses entitled: On the Heroic Images, On the Beastly Anger., print, image, historical object representation, prints, Frederik Muller Historieplaten, height 247 mm, width 200 mm, print maker, printmaker, 1672 - 1699, third quarter 17th century, fourth quarter 17th century, paper, engraving, engraving (printing process), letterpress printing

Cartouche with lobe ornament, a female torso on both sides, Michiel Mosijn, after Gerbrand van den Eeckhout, 1640 - 1655 print At the top both left and right a dog. Amsterdam paper engraving / etching

Recto, above: David receives the holy bread and sword of Goliath; Below: Dragon Hunt in India; Verso: Jonathan eats honey on the day of fasting; Below: Inscription, Jan van der Straet, called Stradanus, Flemish, 1523-1605, pen and ink, brush and gray wash, over black chalk on laid paper paper, Recto: two scenes. Above: under an architectural canopy, David receives the holy bread and sword of Goliath from the priest Ahimelech. Below: Dragon Hunt.Verso: Above: Jonathan eats honey on the day of fasting; Below: four lines of inscription., Netherlands, 1595, figures, Drawing, Drawing

Stephan IV., papa .

Biography Page from Oeuvres de J B Huet 1796-1799 France. Etching on paper . Jean Baptiste Huet

Vignette de la maison Beljambe, marchand coutelier, Au dauphin couronné, à Rouen

Print, The End, plate 20, from an unknown publication; engraving on off-white laid paper; 1947-125-5

New York.. 1765 - 1888. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. New York (N.Y.)

Memorial to James Clitherow and his daughters Philippa, Martha and Elizabeth from Brentford Church, Attributed to Daniel Lysons, 1762-1834, British, between 1796 and 1811, Pen and black ink, watercolor and gouache over graphite on medium, slightly textured, cream wove paper, Sheet: 15 × 10 7/8 inches (38.1 × 27.6 cm), architectural subject, church, memorial, Brentford Church, England, Greater London, London, Middlesex, United Kingdom

Family tree of the House Oranje-Nassau. Family tree of the House Oranje-Nassau, from Willem I to Willem III. On the branches of an orange tree leaves, blossoms and fruits with names and titles. Several weapons, allegorical objects and figures. In the middle of a weapon with a crown and two lions. Five lines of Dutch text on a banderole. On the pot the dates '1849-12 May 1874'. In a frame a rule Dutch text. Made on the occasion of the 25th anniversary of Willem III in 1874.

Political adaptability of Talleyrand

Etching by Charles Nicolas Cochin the Younger from the 18th century depicting the shield of Achilles, showing decorative motifs and symbolic scenes.

Portraits in medallion of Josephine and Napoleon on corner coat background and ornaments

Hogarth's Shop Card. Artist: After William Hogarth (British, London 1697-1764 London). Dimensions: plate: 3 7/8 x 5 in. (9.9 x 12.7 cm)sheet: 5 1/4 x 6 5/8 in. (13.4 x 16.9 cm). Engraver: Samuel Ireland (British, active from ca. 1760, died London 1800). Date: 1790s. Museum: Metropolitan Museum of Art, New York, USA.

Coat of arms of the Right Honourable Robert Petre, Lord Petre, 8th Baron Petre, 1713-1742. Copperplate engraving by Andrew Johnston after C. Gardiner from Notitia Anglicana, Shewing the Achievements of all the English Nobility, Andrew Johnson, the Strand, London, 1724.

Silhouette portrait of Willem V, Prince of Orange-Nassau. Silhouette portrait of Willem V in an oval with peripheral. Dutch text rules eight in the undermarge.

Weapons by Johan Willem Friso, Prince of Oranje-Nassau, and Maria Louisa van Hessen-Kassel, Anonymous, 1750-1849 print Weapons by Johan Willem Friso and Maria Louisa. Seven lines of Dutch text in a cartouche. Low Countries paper engraving

Memorial sheet , on the glorious days of Austria , March th and th, Franz Wolf -, Lithographer, Johann Rauh -, printer

Valentine - As the convolvolus that rose entwines

Escutcheon with a Landscape; Jacques Bailly (French, 1634 - 1679); Paris, France; about 1663 - 1668; Gouache, gold, and ink on parchment; Leaf: 37.8 x 25.2 cm (14 7,8 x 9 15,16 in.)

The entertaining Harlekein game. Board game with a harlequin in the middle of the playing field that holds a bag in its opened hands with the figure 7. Around him a garland to which medallions hang with the numbers 2 to 12. At the top in the middle a shield. Under the show the rules in two columns. A children's drawing in pencil on Verso. Numbered at the top right: No. 104.

Portrait of Emperor Franz I of Austria with his decorative framed and circumferential oval chest image (after paintings by Natale Schiavoni). Dedicated top color painting by Josef Neverch (probably dilettant).

Exlibris Paweł Henckel, 1810 1875 unknown

Front and back of a medal with portrait of Hendrik II, on the occasion of the siege of Metz.front and back of a Medal With Portrait of Henry II, King of France, on the occasion of the Siege of Metz in 1552. Design for A Print.

Etching - Book plate of the Hon.ble James Cuthbert, d. 1798 Anonymous

Emblem with the weapon of William IV in the Oranjeboom, 1747, 1747 print Heart -shaped emblem with the crowned weapon of Stadholder William IV in the Oranjeboom with order of the garter, April 1747. On the leaf under the plate a verse in two columns. print maker: Northern Netherlandsprinter: Utrecht paper engraving

Portrait of Inverizzi, (Opera Dancer in 1870) Portrait of Inverizzi, (Opera Dancer in 1870). Business card (verso) .Tire on albuminum paper. Between 1860-1890. Ferdinand Mulner (1817-1891).

Two windows with arabesken, anonymous, 1500 - 1600 print At the top left and top right a window with arabesks. In the middle of a speckled trapezoidal ornament. The decorations are white on a black stock. One of 3 sheets, each with six ornaments. Netherlands (possibly) paper engraving

Sheet of Monogram Designs 19th century Anonymous, French, 19th century French. Sheet of Monogram Designs 355507

Fancy & Windsor Chair Manufactory, Wholesale & Retail, Thomas Ash, No. 33 John Street, New York 1817 Asher Brown Durand American. Fancy & Windsor Chair Manufactory, Wholesale & Retail, Thomas Ash, No. 33 John Street, New York 380794 Artist: Asher Brown Durand, American, Jefferson, New Jersey 17961886 Maplewood, New Jersey, Artist: Peter Maverick, American, New York 17801831 New York, Artist: P. Maverick, Durand & Co., American, 18171820, Fancy & Windsor Chair Manufactory, Wholesale & Retail, Thomas Ash, No. 33 John Street, New York, 1817, Engraving, plate: 3 3/16 x 4 13/16 in. (8.1 x 12.2 cm) sheet: 3 3/4 x 5 1/2 in. (9.5 x 14 cm). The Metropolitan Museum of Art, New York. The Edward W. C. Arnold Collection of New York Prints, Maps and Pictures, Bequest of Edward W. C. Arnold, 1954 (54.90.706)

Flowers frame; Recueil de Nouvelles Fleurs de Goût; Pour La Manufacture des Etoffes de Perse. A frame of flowers around the series title.

Two putti spread a canvas, Albert Flamen, 1648 - 1692 print Behind a weapon with two lions, two putti keep a large white cloth open. On the canvas a French text with, among other things, the serial title. A landscape in the background. Title print for a series of landscapes with different bird species. print maker: Parisafter own design by: ParisParisFrance paper etching rodents: squirrel (+ heraldic animals)

Two Costume Designs or Portrait Types ca. 1785-90 Anonymous, French, 18th century French Page with two round portraits. The portrait on the left shows a woman in green and blue tones. Her body is turned towards the right and she looks back over her right shoulder. She is wearing a striped fichu over a corseted bodice with ruffle trimmings at the elbows. She has a large bonnet-style hat with feather and bow. The portrait on the right is a frontal view of a woman gazing towards the left. She wears a white fichu with a flower attached, and corseted jacket with a striped bodice underneath. She has a large bonnet-style hat with ribbons and a veil.. Two Costume Designs or Portrait Types 415340

Vignette with a weapon. .

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