Interior Design Concepts

Drafts and designs for elegant interior spaces, featuring delicate decorations, intricate wall paneling, and detailed furniture sketches of the 18th century.

Furniture designs, Carl von Hasenauer -, draft

The tombstone of Hieronim Stroynowski in the church of St. John in Vilnius; Zawiebłowski, Józef (1805-1878), Wyłybłowski, Józef (Vilnius; Litographic Plant; 1833-1863); 1847-1863 (1847-00-00-1863-00-00);

A lithograph by Anton Laub depicting the fundle for Emperor Franz I of Austria held on March 21, 1835, in the Cathedral of Lemberg, showing ceremonial interior and figures.

List of Ranks and Eikels, Augustin Foin, After Richard de Lalonde, 1784 - 1785 print An ornamented list of acanthus leaves, tendrils with acorns and leaf motifs. Paris paper etching / engraving ornaments ~ art (+ framing decorations). tendrils ~ ornament. fruits: acorn

Design for a Door Frame, for 37 Tavistock Place, London 19th century Anonymous, British, 19th century British. Design for a Door Frame, for 37 Tavistock Place, London 386478

Front entrance group stained glass windows, John C. Wolf, Brush and watercolor on illustration board, Six stained glass window designs with curled vines and red tulips., USA, 1890-1900, glasswares, Drawing, Drawing

Paris, Le Père & Pierre-Michel Avaulez, Charles, Boucher, Juste Nathan François, Blanchon, Jean Guillaume, 19th Cahier, Console table, Table with vase and garlands, verso - stamped, An ornamented console table with vase and garlands. Print number 112., print, ornamental print, prints, ornamental prints, height 200 mm, width 329 mm, 1743, print maker, printmaker, 1772 - 1779, paper, papier, etching, etchings, engraving, engraving (printing process), Work conception, 1736 - 1782-01, after a design by, Publication (Event), Publication, publisher

Grid and lattice railing, sheet 2 from the episode "Neuste Schlosser work in 1776". .

Frisians and a capital on the Roman triumphal arch in Orange, 1639; Corniche du Grand Arc Soustenant Son Timpan / Chapiteau des Colomnes. Different Frisians and a capital on the Roman triumphal arch in Orange. Signature at the bottom right: p. 28. TroisiesMe.

Print (France)

Print (France)

Painted Decoration of a Wall, Pen and ink, brush and watercolor on paper, Laterally over a dado are niches with statues, for which a painted framing and top are suggested, In the middle of the wall is a mirror, flanked by grotesque panels. A frieze and two oblong paintings at top., England, 1830-50, architecture, interiors, Drawing, Drawing

Half Ground Plan and Half Elevation of a Catafalque for Cosimo III dei Medici, Grand Duke of Tuscany (1642-1723). Artist: Giuseppe Galli Bibiena (Italian, Parma 1696-1756 Berlin) (Workshop of ). Dimensions: 19-7/8 x 13-7/8 in. (50.5 x 35.2 cm). Date: 1696-1756. Museum: Metropolitan Museum of Art, New York, USA. Author: Giuseppe Galli Bibiena (workshop of ).

Bound Print (France)

Eight balusters; Colonnes et fuseaux d escaliers. Columns and bars of stairs. Left is a small tipped photo stuck from a balluster in the form of two volutes. Top left is listed: Motifs de Decoration, top right: Sculptures and Menuiserie, Bottom right: N ° 16

Pedestment with portrait in medallion, Jean Pelletier, After Juste Nathan François Boucher, 1772 - 1779 print A pedestal with lion heads with garlands on either side of a rectangular tablet, a portrait and profil in a round medallion. Print number 231. Paris paper etching / engraving pedestal of a piece of sculpture (perhaps in the form of a herm). lion's head ~ ornament. ornament ~ festoon, garland. ornament ~ medallion

Design for an organ. Leaf 29 Verso from a sketchbook with 30 sheets.

Tafels puts medallion, vazen in garlands, Jean Charles Delafosse, 1771 print Two tables on a leaf. Above a table with a medallion with women's portrait and profil, two rams heads, a vase and garlands. Under a table with a vase, ramskoppen and garlands. Left below 1 numbered. Paris paper etching table. ornament ~ medallion. vase ~ ornament. ornament ~ festoon, garland

Restantten Van de Curia Hostilia Te Rome, Giovanni Battista Piranesi, c. 1756 - c. 1757 print Remnants of the Curia Hostilia in Rome (identified on print as the Menagerie of Emperor Domitian): cornice and part of a column. Title above. Numbered at the top right: LVI/ Tom. Iv. Rome paper etching ruin of a building ~ architecture. column, pillar ~ architecture Court hostile

Drawing (Italy)

Drawing, Corner View of Composite Capital; France; black chalk, pen and ink, brush and bistre on paper

Design for "Orthographia" pl.8. Artist: Johann Daniel Preissler (German, Nuremberg 1666-1737 Nuremberg). Dimensions: 6 1/8 x 11 1/8 in. (15.6 x 28.3 cm). Date: late 17th-mid-18th century. Museum: Metropolitan Museum of Art, New York, USA.

Wrought iron fence with floral motifs; Designs for fences.The Print Belongs to a Series of Four Prints.

Langhans Carl Ferdinand (1782-1869), Stadttheater, Leipzig. (From: Atlas to the magazine for Building, ed. V. G. Erbkam, born 20, 1870.) (1870-1870): View stage, detail ceiling. Stitch on paper, 44 x 28.7 cm (including scan edges) Langhans Carl Ferdinand (1782-1869): Stadttheater, Leipzig. (Aus: Atlas zur Zeitschrift für Bauwesen, hrsg. v. G. Erbkam, Jg. 20, 1870)

Design for the right half of a piano and its left side view, Design for the right half of a piano, draughtsman: Jean-Jacques Feuchère, (attributed to), France, c. 1830 - c. 1840, paper, pen, h 231 mm × w 326 mm

Schnitzler, grave monument to Düsseldorf. (From: Architectural sketchbook, H. 131/2, 1875.) (1875-1875): Views. Stitch on paper, 34.8 x 26.3 cm (including scan edges)

Part of a burial monument in the Camposanto in Pisa, c. 1875 - c. 1900 photograph Italy photographic support albumen print grave-building, monumental tomb. sculpture (+ relief ~ sculpture)

Etching by Alfonso Parigi the Younger showing a garden with the Pegasus fountain, created in 1628, illustrating landscape design, sculpture, and architectural elements.

Partial design for the decoration of a ceiling 1830-97 Jules-Edmond-Charles Lachaise French. Partial design for the decoration of a ceiling 385054

Print (France)

Ionic main frame, five consoles and a pilaster, 1565 Ionian main frame. The Frisian is decorated with rolling, batter, guilandes, birds, dogs and a mascaron on the right. Five consoles and a pilaster. A scale has been indicated on the print four times. Leaf Q. de print is part of an album. Antwerp paper etching Ionian main frame. The Frisian is decorated with rolling, batter, guilandes, birds, dogs and a mascaron on the right. Five consoles and a pilaster. A scale has been indicated on the print four times. Leaf Q. de print is part of an album. Antwerp paper etching

Floorplan and Side View of an Altar, Plate e (2) from 'Unterschiedliche Neu Inventierte Altäre mit darzu gehörigen Profillen u. Grundrißen.' Printed ca. 1750-56 Johann Michael Leüchte Ornament print with the floorplan and side elevatio for the altar design presented in the previous print (altar in late Baroque style, with a large architectural reliquary on the altar table and a representation of the Holy Trinity above). This print is bound in an album containing 27 series with a total of 122 ornament prints from the fund of the prominent Augsburg publisher Martin Engelbrecht.. Floorplan and Side View of an Altar, Plate e (2) from 'Unterschiedliche Neu Inventierte Altäre mit darzu gehörigen Profillen u. Grundrißen.'. Johann Michael Leüchte (German, active Augsburg, died 1759). Printed ca. 1750-56. Etching. Martin Engelbrecht (German, Augsburg 1684-1756 Augsburg)

Print (France)

Lehmmübner Paul (1855-1916), running fountain in Michelstadt from 1575 (1897): Wassersgier. Pencil on the box, 35 x 25 cm (including scan edges) Lehmgrübner Paul (1855-1916): Laufbrunnen von 1575, Michelstadt

Drawing, Designs for Chimney Mantels for the Hôtel de Pomponne, Place des Victoires, Paris; Designed by Gilles-Marie Oppenord (French, 1672-1742); France; pen with brush and black, red ink, graphite on two sheets of joined cream laid paper; 79.1 x 27.4 cm (31 1/8 x 10 13/16 in.)

Cologne, Bussemacher, Johann, Germany, Kramer, Gabriel, Architectura von den funf Seuvlen, Thvscana.III., Seven frames for portals and windows, The sheet is divided vertically into two halves. Page 4 from a series of title page and 28 leaves., print, ornamental print, prints, ornamental prints, height 273 mm, width 186 mm, - 1611, print maker, printmaker, 1610 - 1610, first quarter 17th century, paper, etching, etchings, Work conception, after a design by, Publication (Event), Publication, German - 1627, publisher

Busse Konrad (1835-1888), club house in Berlin. Schinkel competition 1864 (1864): ceiling painting of the ballroom. Tusche watercolor on the box, 51.5 x 72.7 cm (including scan edges) Busse Konrad (1835-1888): Vereinshaus, Berlin. Schinkelwettbewerb 1864

Study of the pillars of the Temple of Juno in Samos, Hendrik van Gimnig, c. 1720 - c. 1780 print Two pillars in side view with scale. Left and right at the top two pillars in diameter with scale. Central at the top of the remains of a classic temple pillar. The pillars are according to the print of the Temple of Juno in Samos. On the right in the top corner numbered plate xlii. Haarlem (possibly) paper engraving (story of) Juno (Hera). temple, shrine ~ Greek religion. column, pillar ~ architecture Greece. Temple of Juno

Six heads with intersed, 1610 print The main acts are numbered: A-f. Page 6 from series of title page and 28 magazines. paper etching

Memorial for Johannes van Miggrode, Abraham Jacobsz. Hulk, After S. van der Loeff, After J. van der Burgt, 1774 print Memorial for church reformer Johannes van Miggrode. In the middle the family crest of the Miggrode family and their motto: Vivendo Migro, including a skull and a Bible. On top of the obelisk a smoking incense till. Below thirteen text rules in Latin. Amsterdam paper etching / engraving grave-building, monumental tomb Veere

Columns of the Doric Order, 1630 - 1685 Four examples of columns of the Doric Order. Three columns are on a foot. Two columns with cannelures. At the bottom of a base, two capitals etc. On the right a few ornaments in lobe style. The print is part of an album. Germany paper engraving Four examples of columns of the Doric Order. Three columns are on a foot. Two columns with cannelures. At the bottom of a base, two capitals etc. On the right a few ornaments in lobe style. The print is part of an album. Germany paper engraving

Kapitele from the Heiligenkreuz Cistercian abbey near Vienna (12th century); Czachórski, Władysław (1850-1911); 1870 (1870-00-00-1870-00-00);

Cuvillies Francois de (1695-1768), role models of the art clasp in the style of the 18th century, Berlin (without date): Views. Stitch on paper, 34 x 51.6 cm (including scan edges)

Chandelier, draughtsman: Gustave Joseph Chéret, (signed by artist), Paris, c. 1870 - c. 1894, paper, h 173 mm × w 89 mm, h 232 mm × w 162 mm

List of leaf and floral motifs; 4th Cahier de l'oeuvre d Cahier de Bordures à l'Usage de la Sculpture & C, Avec Leurs Profils. A list of braid from leaf and floral motifs.

Cover shell, leaf 5 from the episode "Gantz Neue inventions of different types of services of the Goldsmith art added to special benefit". Cover shell with foliage and tape mechanism in a frame made of foliage and tape mechanism, leaf 5 from the episode "Gantz Neue inventions of different types of services of the Goldsmith art ZUGANES for special benefit with Kayserl. All-annoying Freyhood to the day, and brought to sale by Johann Erhard Heiglen citizens, and gold forging in salvation. Reichs instead of Augspurge. Züfunden Bey Johan Jacob Baumgartner.

Hek met variant, anonymous, after Jean Lepautre, 1750 - 1765 print From series of 6 magazines with Dutch opposite copies to sheets from the Liure de Serurerie series, designed by Jean Lepautre, and magazines from another series. Second edition. print maker: Netherlands (possibly)after design by: France (possibly)publisher: Amsterdampublisher: Amsterdampublisher: Amsterdam paper etching

Fantasy ornaments. Leaf 5 Recto from a sketchbook with 9 sheets.

Cabinet Design with a Central Urn Ornament. Artist: Anonymous, British, 19th century. Dimensions: sheet: 4 15/16 x 4 1/8 in. (12.5 x 10.4 cm). Date: 19th century. Museum: Metropolitan Museum of Art, New York, USA.

Schouw with chandelier, Anonymous, After Richard de Lalonde, in or after 1784 - 1806 print An ornamented fireplace with a four -armed chandelier and two helmets. At the top a figure with a helmet, a laurel wreath, shields, flags and ranks. Augsburg paper etching / engraving open hearth, fire-place. chandelier, candelabrum

Wilkinson Tracing, Design for three pedestals, 1820. Ink on tracing paper. Designer: George Bullock. Draughtsman: Thomas Wilkinson

Limoges Enamel Casket. Charles Thurston Thompson (English, 1816 - 1868)

Pieces D'eaux à compagniee d'orangeriée et despalliers, magnifique (Fountain in Garden Design), in Nouveaux Livre de Parterres contenant 24 pensséz diferantes (New Book Containing 24 Different Variations for Garden Beds), Daniel Marot, French, active in the Netherlands and England, 1661-1752, Etching and engraving on white laid paper, Landscape architecture design for garden with fountains., Netherlands, ca. 1700, architecture, Print, Print

Family Keibel family and the Franz family on the St. Nicolai and St. Marien-Friedhof, Berlin-Prenzlauer Berg: tomb Franz: Upper, vertical cut

Fragment of the grandmother of the chamber of the canopy and curtains from the front and on the sides; unknown, Marot, Daniel (1661-1752; st.); around 1702 (1663-00-00-1752-00-00);Magdalenaea (collection), Schlesisches Museum der Bildenden Künste (Wrocław - 1880-1945) - collection, canopies, decorations, French (culture), chambers, curtains, furniture, ornaments, designs, fabrics, interiors, beds, beds, beds

Schinkel Karl Friedrich (1781-1841), pavilion, Glienicke. (From: Architectural sketchbook, H. 43, 1859.) (1859-1859): Details. Lithograph on paper, 25.7 x 34.9 cm (including scan edges)

Augsburg, Hertel, Johann Georg (I), Habermann, Franz Xaver, unknown, Frames, Two rocaille frames with leaf motifs. Publisher number 175., print, ornamental print, prints, ornamental prints, height 197 mm, width 301 mm, print maker, printmaker, 1731 - 1775, paper, papier, etching, etchings, Work conception, German, 1721 - 1796, after a design by, Publication (Event), Publication, 1695 - 1775, publisher

Design for a chandelier made of gilded bronze and cut glass, Design for a chandelier, draughtsman: Firma Feuchère, France, c. 1830 - c. 1840, paper, pen, brush, h 274 mm × w 206 mm

Three balustrades with leaf motifs, Anonymous, After Jean Pelletier, 1759 - 1784 print paper etching balcony. balustrade

Two fireplaces. Designs for two ornamented fireplaces. Publisher number 29.

Design for a Chimneypiece late 18th-early 19th century John Yenn British. Design for a Chimneypiece 362951

A pencil sketch sheet by Rudolf Weyr on transparent paper, showing figure or architectural studies with focus on line and composition.

Furniture design, Carl von Hasenauer -, draft

Vitruvian Tuscan Order 1845-70 Alfred Henry Forrester Alfred Crowquill British. Vitruvian Tuscan Order 394875

. Two pillars in side view with scale. Left and right at the top of two pillars in diameter with a scale. Centrally at the top of the remains of a classic temple paddle. The pillars are according to the print of the Temple of Juno in Samos. Right in the top corner numbered plate XLII.

Gottgetreu Moritz Wilhelm (1813-1885), Fontainebau in Sanssouci, Potsdam. (From: Atlas to the magazine for Building, ed. V. G. Erbkam, born 3, 1853): Fountain on the top terrace: view, floor plan, cut. Stitch on paper, 42.7 x 27.8 cm (including scan edges)

Zuil en Pedigem, Nicolas Dupin, After Juste Nathan François Boucher, 1772 - 1779 print On the left an ornamented pedestal with tablet and garland. On the right an ornamented column with medallion, garlands and masks. Print number 70. Paris paper etching / engraving pedestal of a piece of sculpture (perhaps in the form of a herm). column, pillar ~ architecture. ornament ~ festoon, garland. mask, mascaron ~ ornament

Floorplan and Side View of an Altar, Plate h (2) from 'Unterschiedliche Neu Inventierte Altäre mit darzu gehörigen Profillen u. Grundrißen.'. Artist: Johann Michael Leüchte (German, active Augsburg, died 1759). Dimensions: Overall: 8 7/16 × 13 3/4 in. (21.5 × 35 cm). Publisher: Martin Engelbrecht (German, Augsburg 1684-1756 Augsburg). Date: Printed ca. 1750-56.Ornament print with the side elevation and the floorplan for the design for an altar presented in the previous print (altar in a late Baroque style, with a large architectural reliquary crowned by a crucifix and flanked by the figure of Mozes and a priest (Levi) from the Old Testament). This print is bound in an album containing 27 series with a total of 122 ornament prints from the fund of the prominent Augsburg publisher Martin Engelbrecht. Museum: Metropolitan Museum of Art, New York, USA.

Three cornices, Anonymous, 1500 - 1599 drawing Italy paper. ink pen / brush

Details of a Corinthian Order, Possibly from Mylasa, Giovanni Battista Borra, 1713-1770, Italian, ca. 1750, Black ink with gray wash over graphite on moderately thick, moderately textured, beige laid paper, Sheet: 21 1/8 x 15 3/16 inches (53.7 x 38.5 cm) and Image: 12 5/16 x 7 7/8 inches (31.3 x 20 cm), architectural subject, capitals, columns, Corinthian order, entablature, moldings, piers (foundation components), Asia, Ege kiyilari, Mils, Mugla Ili, Turkey

Bremer Fritz, monument to Walther von der Birdweide. (From: Prints of seminar works by the Royal Technical University of Berlin, Vol. III) (1904): View, floor plan. Print on paper, 31.5 x 23.6 cm (including scan edges) Bremer Fritz : Denkmal für Walther von der Vogelweide. (Aus: Drucke von Seminararbeiten der Königlich Technischen Hochschule Berlin, Bd. III)

Candle Mold. Dated: 1935/1942. Dimensions: overall: 30.5 x 22.9 cm (12 x 9 in.). Medium: graphite on paper. Museum: National Gallery of Art, Washington DC. Author: Edith Magnette.

Design for Gothic Tracery and Paneling early 19th century Anonymous, British, 19th century British. Design for Gothic Tracery and Paneling 386927

Nohl Maximilian (1830-1863), the choir chairs in the chapter hall of the cathedral in Mainz, ed. M. Nohl u. R. Bogler, Glogau 1863 (1863-1863): View, detail. Lithograph on paper, 44.3 x 28.6 cm (including scan edges)

Doric head frame and seven consoles; The first Boeck Ghemaeckt on the two Colomba Dorica and Ionica. Doric head frame. The metopes in the Frisian are decorated with batter. Seven consoles. A scale has been indicated four times on the print. Leaf I. The print is part of an album.

Decorative pattern, c. 1916 - c. 1945 Leaf 12 Verso from a sketchbook with 60 sheets. paper. pencil

Design for a Gothic Cabinet 1841-84 Charles Hindley and Sons British. Design for a Gothic Cabinet 367430

Sandwich Glass. Dated: 1936. Dimensions: overall: 28.3 x 22.7 cm (11 1/8 x 8 15/16 in.). Medium: graphite and gouache on paperboard. Museum: National Gallery of Art, Washington DC. Author: Marie Famularo.

Franse kroon, Parijs, Chéreau, Jacques-François, Lalonde, Richard de, Le Meunnié, C., VIIe Cahier de l'Oeuvre G Cahier de Portes, Corniches et Entablements decorés, aves les profils, Corniche d'Appartement à Angle rentrant, Cornice, Paris, verso - stamped, An ornamented cornice with acanthus leaves on consoles, floral motifs and an egg-and-dart border., print, ornamental print, prints, ornamental prints, height 216 mm, width 343 mm, print maker, printmaker, 1784 - 1785, paper, papier, etching, etchings, engraving, engraving (printing process), intermediary draughtsman, after a drawing by, Publication (Event), Publication, French, 1742-10-14 - 1794-05-16, publisher, uitgever van privilege

Salle du théatre; 1 - encadrement du rideau; 2 - œils de bœuf; 3 - galerie; 4 - console soutenant la galerie; 5 - candélabre d'avant-scène. Auditorium; 1 - curtain frame; 2 - bullseye; 3 - gallery; 4 - console supporting the gallery; 5 - candelabra in front of the stage.. Favier, Paul. Photographs. 1899. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Art & Architecture Collection. Architecture, French , 17th century, Decoration and ornament, Architectural, in interior decoration, Auditoriums

Fire Bock with Vase, Anonymous, After Jean Charles Delafosse, 1771 - 1800 drawing An ornamented firebok with a vase with figures and a garland. paper. ink. pencil pen / brush andiron, fire-dog. vase ~ ornament

Wall paintings of the upper division of the ABSI in the chapel of the Tyrol Castle , Merano, Tirol Castle, chapel, detail wall painting, view, details, Victor Luntz -, artist

Print (France)

Design for a Surtout de Table (Centerpiece), Pen and black ink, brush and grey wash on paper; Verso: graphite, pen and ink, Design for a centerpiece or surtout de table showing the left side. The central piece represents a pavilion with the statue of Diana of Ephesos. Laterally are four major and three minor objects. The latter are, from right to left: a bowl supported by a column and two chimaerae; two vases upon pedestals. They are separated from each other by a bowl upon a column; a rostrum column with a winged figure with a sword on top; a bowl supported by a column and two storks; and at the end, an urn upon a column, with two women sitting upon its pedestal. Pairs of posts are intended, each connected by a chain. Supported by a stand with feet formed by two toes and a leaf. A scale appears underneath the design, with the inscriptions 'Palmo' on the left and 'Romano' on the right in pen and black ink directly below. Below the scale is the plan of the left half. Verso: Drawn in gra

Two Tables Console table and table leg in lobe style Verscheyde Aerdige Compartementen (series title), print maker: Pieter Hendricksz. Schut, Gerbrand van den Eeckhout, publisher: Nicolaes Visscher (I), print maker: Netherlands, publisher: Amsterdam, (possibly), 1655, paper, etching, h 253 mm × w 198 mm

Design for a mustard pot, c. 1780 - c. 1790 Design for a glass of glass with a frame of silver, containing a spoon, graphite. Rome paper. graphite (mineral) spice-box

Romanesque Style Font. Artist: Anonymous, British, 19th century. Date: mid-19th century. Museum: Metropolitan Museum of Art, New York, USA.

Romanesque Style Font mid-19th century Anonymous, British, 19th century British. Romanesque Style Font 386544

Strack Johann Heinrich (1805-1880), cover decoration (without dat.): View. Pencil watercolor on the box, 11.8 x 7.2 cm (including scan edges) Strack Johann Heinrich (1805-1880): Deckendekoration

Doric head frame and six consoles; The first Boeck Ghemaeckt on the two Colomba Dorica and Ionica. Doric head frame. The metopes in the Frisian are decorated with rollerwork, fruit guide sands and mascarons. In addition to six consoles. A scale has been indicated four times on the print. Leaf P. The print is part of an album.

Paris, Le Père & Pierre-Michel Avaulez, Charles, Boucher, Juste Nathan François, Bichard, Jean-Baptiste, 28e Cahier, Corner cabinets and bookcases, Armoires and Encoignure, Two corner cabinets, verso - stamped, On the left an open corner cabinet, on the right a corner cabinet with leaf motifs in a diamond-shaped panel. Print number 164., print, ornamental print, prints, ornamental prints, height 203 mm, width 325 mm, 1722 - 1769, print maker, printmaker, 1772 - 1779, paper, papier, etching, etchings, engraving, engraving (printing process), Work conception, 1736 - 1782-01, after a design by, Publication (Event), Publication, publisher

Metal candelabra in the Kircherian Museum 1, Greek metal candelabra 2 and another metal candelabra in the Museo Portici or Portici Museum 3. Copperplate engraving by Pietro Ruga after an illustration by Lorenzo Rocceggiani from his own 100 Plates of Costumes Religious, Civil and Military of the Ancient Egyptians, Etruscans, Greeks and Romans, Franzetti, Rome, 1802.

Cornice, C. le Meunnié, after Richard de Lalonde, 1784 - 1785 print A cornice with egg list, leaf motifs and braid. Paris paper etching / engraving other architectural details (CORNICE)

Design for a column in Roman order 1844-76 Maximilian Hardmuth Austrian. Design for a column in Roman order 383357

Paris, Le Père & Pierre-Michel Avaulez, Charles, Boucher, Juste Nathan François, Pelletier, Jean, 36e Cahier, Hoofdgesteln, Corniche pour gallerie et vestibule, Twee kroonlijsten, verso - stamped, Two ornamented cornices, the upper cornice with leaf motifs. Print number 216., print, ornamental print, prints, ornamental prints, height 329 mm, width 205 mm, 1736 - 1780, print maker, printmaker, 1772 - 1779, fourth quarter 18th century, first quarter 19th century, second quarter 19th century, paper, etching, etchings, engraving, engraving (printing process), Work conception, 1736 - 1782-01, after a design by, Publication (Event), Publication, publisher

Rohscan

Choir Stalls. Artist: Anonymous, Italian, 16th century (Italian, active Central Italy, ca. 1550-1580). Dimensions: 10-7/8 x 21 in. (27.6 x 53.3 cm). Date: 16th century. Museum: Metropolitan Museum of Art, New York, USA.

American 20th Century, Clock, 1935 1942 Clock

Monnier, Jules Eugène (n.1839-02-17-D.1892-04-24), interior decoration. (Faithful title), 1877. Carnavalet Museum, History of Paris.

Section of a "Galerie dans le palais d'un souverain". Artist: Charles Pierre Joseph Normand (French, Goyencourt 1765-1840 Paris). Dimensions: 9 3/4 x 17 13/16 in. (24.8 x 45.2 cm). Date: ca. 1791. Museum: Metropolitan Museum of Art, New York, USA.

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