Intricate Pendant Designs

Detailed engravings of ornamental pendants featuring figures, floral motifs, and elaborate backgrounds, showcasing craftsmanship and design elements from historical crafts.

Hanger Met temperance, Daniel Mignot, 1593 - 1616 print Temperantia, seen on the back, in a frame of arabesks. Leaf from series of hangers with virtues, consisting of a title page and 7 magazines. Three pearls hang on each pendant. Small costumes jewelry are displayed around the hangers. Germany (possibly) paper engraving

Wall panel with two figures of minerva under octagonal table; Livre de Diverses Grotesques, Peintes Dans Le Cabinet de la Reine Régte, Au Palais Royal. List of a landscape, supporting a vase.

Italy, Giardini, Giovanni, Rome, Limpach, Maximilian Joseph, Disegni diversi inventati e delineati da Giovanni Giardini da Forlì, Various church objects, Ornaments with grotesque heads, verso - stamped, Numbered top left: no. 96., print, ornamental print, prints, ornamental prints, height 240 mm, width 156 mm, Czech, print maker, printmaker, 1714 - 1714, paper, papier, etching, etchings, Italian, 1646 - 1722, intermediary draughtsman, after a drawing by, Work conception

Intake of Béthune, 1710, 1712 - 1715 Siege of Béthune by the Allies, starting on July 23, conquered on August 28, 1710. The central representation of the siege grased in a richly decorated ornamental frame with a cartouche with a map of the city at the top. At the bottom a cartouche with the description of the events in German. Leaf in the bound collection of plates released under the title: Repraossentatio Belli ... of the Spanical Successions Krieg Ca. 1720. Augsburg paper etching / engraving Bethune Siege of Béthune by the Allies, starting on July 23, conquered on August 28, 1710. The central representation of the siege grased in a richly decorated ornamental frame with a cartouche with a map of the city at the top. At the bottom a cartouche with the description of the events in German. Leaf in the bound collection of plates released under the title: Repraossentatio Belli ... of the Spanical Successions Krieg Ca. 1720. Augsburg paper etching / engraving Bethune

Cartouche with two winged female Hermen, c. 1670 - c. 1680 print paper etching

Russkoe vooruzhenie c XIV do vtoroi poloviny XVII stoletiia. POKROVETS NA SAADAK Russian arms from the fourteenth to second half of the seventeenth century. Covering for a quiver.. Viskovatov, A. V. (Aleksandr Vasilevich), 1804-1858. text. Prints. 1841. General Research Division. Russia. Armiia , Uniforms , History, Russia. Armiia , Equipment , History, Armor , Russia, Arms & armament , Russia, Russia. Armiia, Russia, Military supplies, Uniforms, Military uniforms

Plate 9, from twenty ornamental designs for goblets and beakers 1604 Germany. Punch engraving in black on ivory laid paper . Master A.P.

Pendant with snail house; Bullarum Inaurium (...). Stick head and tail from the snail house from a dragon. There are a man with a bazuin and a woman. One of 7 partially numbered blades from a series of 10 sheets with hangers. Three pearls hang on each pendant.

Caution in a boat, Bernard Picart (workshop or), After Bernard Picart, 1718 print The personification of caution standing in a boat. She is flanked by horns of abundance, filled with worldly things, such as playing cards, money and musical instruments. Amsterdam paper etching / engraving Prudence, 'Prudentia'; 'Prudenza' (Ripa) ~ one of the Four Cardinal Virtues. 'Cornucopia', Horn of Plenty. foliage, tendrils, branches ~ ornament. ornaments ~ art

Plate 10: a cartouche formed by drapery and topped with two skeletons atop an Ionic entablature, from 'Nouvelles inventions de Cartouches'. Artist: Stefano della Bella (Italian, Florence 1610-1664 Florence). Dimensions: sheet: 6 x 4 9/16 in. (15.2 x 11.6 cm). Series/Portfolio: 'Nouvelles inventions de Cartouches'. Date: ca. 1647. Museum: Metropolitan Museum of Art, New York, USA.

Designs for Locksmiths. Jean Bérain I (French, 1640-1711); after Hugues Bris e Ville (French). Date: 1660-1711. Dimensions: 168 × 119 mm (image/plate); 317 × 213 mm (sheet). Etching on paper. Origin: France. Museum: The Chicago Art Institute, FLORENCIA, USA.

Drawing, Strapwork Design; Italy; charcoal, pen and ink, brush and watercolor on paper

Two putti flanks a monogram; The Sesde part new T 'Saam Name Arts made by Gerrit Visscher also shaves on the Singel at the Schulingsloot to Amsterdam. Two putti flanks a monogram. Between them in a mask. At the bottom of a cartouche with monogram.

Design for a Cartouche with Zoomorphic Mask above and Cornucopia of Fruit and Leaves on the Sides. Artist: Sebastiano Cavina (Italian, documented Bologna, 1780-90s). Dimensions: sheet: 9 1/8 x 6 7/8 in. (23.1 x 17.4 cm). Date: 1790-1800. Museum: Metropolitan Museum of Art, New York, USA.

Beer jug with a landscape in an oval, Anonymous, After Paul Flind (De Jonge), 1594 - 1635 print The oval is surrounded by curl. In the middle of a bunch hangs, left and right is a pot of flowers. Passionate copies of the series mentioned under Orn Cat I-324.a. Title page and 14 partly numbered sheets from a series of 25. after design by: Germany (possibly)publisher: Northern Netherlands (possibly) paper

Drawing (Italy)

Decorative project for a stained glass window: crown, garland, ribbons and fireproof. (Dummy title)

Panel with the Letter 'X' from the 'Newes ABC Büechlein', Lukas Kilian, German, 1579 - 1637, Engraving on off-white laid paper, A boy holds two stems, forming a pointed oval whose base is an 'X' shape., Augsberg, Germany, 1627, Print, Print

Print (France)

Design for Cartouche from 'Cartouches Nouvellement Inventez', Charles-Nicolas Cochin the younger, 1715 - 1790, Jean Bernard Honoré Toro, French, 1661 - 1731, Etching on paper, Empty cartouche decorated with trophies, griffins, and large helmet with plumes, two nude female figures., France, 18th century, ornament, Print, Print

Design for a Knife Handle with the Sermon on the Mount. Artist: Johann Theodor de Bry (Netherlandish, Strasbourg 1561-1623 Bad Schwalbach). Dimensions: Sheet: 4 3/16 × 2 13/16 in. (10.6 × 7.1 cm). Date: 1580-1600.Design for a knife handle with the Sermont on the Mount in a rectangle at center, on a blackwork background with grotesques. Above, a design for a finial with a two horses with fish tails above a putto mask. Flanking the central design, two blades engraved with Biblical texts below alternate finial designs. From a series of twelve plates. Museum: Metropolitan Museum of Art, New York, USA.

Gate for Cemetary Plot. Dated: 1937. Dimensions: overall: 51.2 x 38.5 cm (20 3/16 x 15 3/16 in.). Medium: graphite on paperboard. Museum: National Gallery of Art, Washington DC. Author: Austin L. Davison.

Iron Fence. Dated: c. 1937. Dimensions: overall: 47.2 x 35.5 cm (18 9/16 x 14 in.). Medium: watercolor, graphite, and goauche on paper. Museum: National Gallery of Art, Washington DC. Author: Albert Eyth.

Arabesk of female bodies with bird heads, Anonymous, Jean Baptiste Huet (Le Vieux), 1770 - 1780 print Arabesk of female bodies with bird heads. In the middle a female mask. Publishing number 674. paper ornament ~ arabesque. the (nude) human figure; 'Corpo humano' (Ripa) - AA - female human figure. birds (+ head of an animal)

Bound Volume, Frontispiece for Book 4, in Eight books of Ornament; William Delacour (French, 1741 - 1767); Engraved by François Vivares (French, 1709 - 1782); France; engravings on white laid paper, bound in half-calf and marbled boards; Open: 41.4 x 48.1 x 11.7 cm (16 5/16 x 18 15/16 x 4 5/8 in.)

Cartouche encadrant un écusson vide. 1646. Della Bella, Stefano, 1610-1664. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

Term ending in woman with grape bunches, anonymous, After Rutger Kasemann, 1622 print The leaf is vertically divided into three courses: on the left half of a pinacle and half of a baluster or term, in the middle a term that ends in a woman with grape bunches and two half terms on the right. Leaf BB from the second edition of Series, consisting of 24 magazines. print maker: Germany (possibly)after design by: Germany (possibly)publisher: Paris paper etching

Cartouche in landscape with colonnade, 1752 print A rocaille cartouche in a landscape with a colonnade and a tree on the left. London paper etching ornament ~ cartouche. colonnade. trees

Visscher, Gerrit, Amsterdam, The fourth part of the new Together, the name letters were made by Gerret Visscher in Amsterdam on the Singel near the Beuling Sluijs, Four cartouches with monograms, verso - stamped, print, ornamental print, prints, height 154 mm, width 196 mm, print maker, printmaker, 1690 - 1710, paper, engraving, engraving (printing process), Work conception, after own design by

Drie ovale cartouches, anonymous, after Johann Leonhard Eisler, 1726 - 1734 print The two upper frames are decorated with arabesks and a rocaille ornament on the top. The frame on the bottom decorated with arabesks and large leaf motifs on top and bottom. Nuremberg paper etching ornament ~ cartouche. acanthus ~ ornament. rocaille ornament. ornament ~ arabesque

Design for a salt barrel, Marco Marchetti (attributed to), c. 1560 - 1580 At the bottom left the drawing a sketch, presumably from later date (early 18th century), Of a part of an altar front. Italy paper. ink. chalk brush / pen salt-cellar, salt-shaker

Arabesken with garden landscape and gazebo, Jean Baptiste Fay, 1784 - 1796 print Two vertical panels with arabesks. Left with thyrsus, arrows and arch, a trophy with torches, shield and arrow sleeve, a tuber landscape with pond, saters and baskets with flowers. On the right with wreaths, birds, a gazebo, masks, grape bunches and a basket with flowers. Paris paper etching / engraving ornament ~ arabesque. garden. garden buildings

Ernest A Towers, Jr, Iron Railing, c 1936 Iron Railing

Decoration of an Oblong Panel and an Escutcheon, Filippo Marchionni, Italian, 1732-1805, Red crayon, brush and brown watercolor and wash on laid paper, Vertical rectangle. Top center: first section of an acanthus rinceau. Bottom left, horizontally: the right half is shown. Two acanthus rinceaux originating from the scrollwork frame of an ovoidal medallion. Bottom right: the left half of a scrollwork escutcheon with a lion mask on top, a fans mark at the bottom. Framing red lines., Rome, Italy, ca. 1725, ornament, Drawing, Drawing

Thirteenth Book of the Work of J. Meissonnier: Church Orfevrie Models: Zesde Blad: Church Lamp; Thirteenth book of the work of J. Meissonnier.sixth Sheet of Treifeème Book of the Work of J.A. Meissonnier: Church Lamp (Fuhring 86)

Design for a Sculptured Coat of Arms; Verso: Sketches of Architectural Designs, Black chalk, pen and ink, brush and watercolor on paper, A scrollwork escutcheon contains two shields with a greyhound rampant and a bear rampant, respectively. Two arms rise from the helmet; the hands hold a book. A scroll with the inscription NOSCE TEMET is on top. At the lower ends of the manteling heavy tassels. Ovoidal molded fram for which an interlacement band is is suggested in its top part. Below at right, pen scratching and written 'Ca...(). Verso: Three sketches referring to volutes, shown obliquely and from the front. Above at left are horizontally drawn two oblique views of an entablature. A circle is drawn below at left., Belgium, 1580-1600, Drawing, Drawing

Jean Rulant's wife's coat of arms; Coats of arms with empty banderoles and empty cartouches.uit of 6 sheets.

Two quarters of ceilings, Susanne Maria von Sandrart, after Jean Lepautre, 1668 - 1716 print Two variants with a round or rectangular middle area with a cloudy air. print maker: Neurenbergafter design by: France (possibly)publisher: Neurenberg paper etching

Theodor de Bry, Ornament Ornament

Vignette with monogram. A monogram caught in ornamental picture frame with leaf raft and dragons.

Germany, Birckenhultz, Paul, Ornaments for goldsmith's work, Reverse copies after prints with decoration for rims and cups, Rim with a crown in the middle, Leaf tendrils protrude through the crown. A cherub hangs at the bottom. One of 6 partly numbered sheets. Reverse-sided copies of the prints of the series described under Orn Cat I-317., print, ornament print, prints, ornament prints, height 95 mm, width 148 mm, print maker, printmaker, 1571 - 1639, third quarter 16th century, fourth quarter 16th century, first quarter 17th century, second quarter 17th century, paper, engraving, engraving (printing process), Work conception, 1561 - 1639, after a design by, Publication (Event), Publication, publisher

Design for an Altar Cross, Juste-Aurèle Meissonnier, French, b. Italy, 1695-1750, Gabriel Huquier, French, 1695-1772, Engraving on paper, Altar cross., Europe, France, 1695-1750, Print, Print

Horlogehaken, anonymous, after Jeremias Wachsmuth, 1721 - 1756 print Three ornamented watch hooks. Left with a man and woman with laurel wreath. In the middle with father time and a woman with globe, passer and square. Right with Minerva and a putto. Print number 159. Augsburg paper etching Father Time, man with wings and scythe. (story of) Minerva (Pallas, Athena)

Ornament with precious stones., 1597 - 1667 print The print is part of an album. paper letterpress printing ornamental decoration ~ printed matter, book

Plate 10, from twenty ornamental designs for goblets and beakers 1604 Germany. Punch engraving in black on ivory laid paper . Master A.P.

Cartouche with a hunter on both sides, Pieter Jansz, 1644 - 1649 drawing Design for a print. paper. ink pen / brush hunt ~ other mammals (+ objects to be thrown or shot). whale fishery, whaling. swimming mammals: whale. beasts of prey, predatory animals: bear. ornament ~ cartouche

Sheet from series with cartouches. Sixth print from a series of twelve with copies to a series with cartouches. Double cartouche sprouting from a mountain and decorated with ribbons. Upper cartouche has been awarded by mask with banderol between his teeth.

Decoration for the marriage of Prince Paluzzo Altieri., Giuseppe Barberi, Italian, 1746-1809, Pen and brown ink, brush and brown wash on off-white laid paper, lined, Left row: the three frames are surrounded by two crossed branches. The curtains hang from a pole. Center: in the general shape of an altar with gaines having masks in capitals supporting the entablature. A flower bowl and spirals are on top. The three portraits are supported by crossed branches. Bottom: the portraits hang in front of the tent-curtain. They are connected by ropes or garlands. The lower ones are supported by half-figures standing with their fishtail legs upon a pedestal. Only the left figure is shown. At right the left side is shown. A curtain is suspended in front of an angular niche. In front of it is in the center above an ovoidal frame which two winged half-figures of putti support who spring from the ends of rinceaux. Festoons hang from the frame to blossoms at the ends of spirals. From the blossoms han

Hans Collaert, Jewelry Design, 1582 Jewelry Design

Ornamental Frame with Garlands 18th century Anonymous, 18th century. Ornamental Frame with Garlands 380430 Artist: Anonymous, 18th century, Ornamental Frame with Garlands, 18th century, Etching, sheet: 4 1/8 x 3 3/16 in. (10.5 x 8.1 cm). The Metropolitan Museum of Art, New York. Purchase, Jean A. Bonna Gift, 2007 (2007.223.57)

Drawing (Italy)

Twee panels met arabes, anonymous, Jean Baptists (Le Vieux), 1770 - 1780 print Two panels with arabesks. On the right a flowerpot from which leaf vines with medallion with figures. On the left a winged figure above which two cartouches and leaf vines. paper ornament ~ arabesque

Cartouche with a weapon, resting on slat above a niche, 1558 - 1630 print The slat work is supported by two caratives that flank the niche. In the middle of the back two men are chained to the rolling work. Belongs to series of 6 magazines. Netherlands (possibly) paper etching

Letter P, anonymous, c. 1600 - c. 1699 print From series of 24 Gothic letters with braid work: A-I, K-T and V-Z. Netherlands (possibly)

Cartouche with lobe ornament with hunting trophies, Michiel Mosijn, after Gerbrand van den Eeckhout, 1640 - 1655 print Amsterdam paper engraving / etching

Drawing, Design for a Clock Case; Gilles-Marie Oppenord (French, 1672-1742); France; black chalk, pen and black ink, brush and watercolor on off-white laid paper, framing lines in black ink; 29.1 x 17.7 cm (11 7/16 x 6 15/16 in.)

Ornamented frame with eight depictions of New Testament stories, including the annunciation, worship by the shepherds, and flight into Egypt. Bottom right 'No. I.', Framed with New Testament representations, print maker: Hendrik Numan, publisher: Erven de Weduwe Jacobus van Egmont, (mentioned on object), print maker: Haarlem, publisher: Amsterdam, 1761 - 1804, paper, h 416 mm × w 330 mm

Design for a pendulum clock, draughtsman: Charles François Hutin, (signed by artist), Dresden, c. 1750 - c. 1760, paper, pen, brush, h 370 mm × w 280 mm, h 395 mm × w 305 mm

Design for the Decoration of an Arched Ceiling 17th century Anonymous, Italian, 17th century Italian. Design for the Decoration of an Arched Ceiling. Anonymous, Italian, 17th century. 17th century. Pen and brown ink, washed and tinted

Cartouche with lobe ornament with big ears; Voorshande Niewe Compartemente.

Cartouche with animals; C Troisime Livre the cartouches. A cartouche surrounded by weapons and animals such as a monkey with a range and a bird.

Both the lower right and left under a sea god blowing on a sea shell, print maker: Michiel Mosijn, Dating 1640 - 1655

Leaf with two forks with ornamental crowns of Grotesken, 1571 - 1623 print In the middle two separate croses. print maker: Netherlands (possibly)after design by: Germany paper engraving

Designs for Parts of Frames and an Amphora 1700-1780 Anonymous, Italian, Piedmontese, 18th century Italian. Designs for Parts of Frames and an Amphora 340344

Ornament with bird and vase Ornaments with cherubs and bunches of fruit (series title), Ornament with a bird and a vase with flowers and fruits. Numbered bottom right: 6. The print is part of an album, ornaments, art, birds, vase, ornament, anonymous, 1601 - 1650, paper, etching, h 85 mm × w 58 mm

Ornamental frame with eagle and two figures 18th century Attributed to Anonymous, German, 18th century German. Ornamental frame with eagle and two figures. Attributed to Anonymous, German, 18th century. 18th century. Graphite, pen and black ink, minor shading in pen and brown ink. Drawings

France, French crown, Paris, Langlois, François, Bella, Stefano della, Raccolta di varii cappricii, Cartouches, Cartouche with lion's head, two shields and two trumpet-blowing angels supporting a helmet, verso - stamped, print, ornament print, prints, height 250 mm, width 187 mm, Italian, 1610-05-18 - 1664-07-27, print maker, printmaker, 1646 - 1646, paper, papier, etching, etchings, Work conception, after own design by, Publication (Event), Publication, French, 1589-05-12 - 1647-01-14, publisher, uitgever van privilege

Nuremberg, Weigel, Johann Christoph, Schübler, Johann Jakob, Neu Inventirte Modillons und Consoles, Console with crowning, verso - stamped, A console with ornaments, leaf motifs and a crowning., print, ornamental print, prints, ornamental prints, height 211 mm, width 146 mm, print maker, printmaker, 1699 - 1726, paper, papier, etching, etchings, engraving, engraving (printing process), German, 1689 - 1741, intermediary draughtsman, after a drawing by, Publication (Event), Publication, 1661-07-15 - 1726, publisher

Capital Letters R, S, T and U, Israhel van Meckenem, 1455 - 1503 print Capital letters R, S, T and U, decorated with leaf vines. This print is part of a series of six magazines with four capitals each. Bocholt (Germany) paper engraving letters, alphabet, script. initial

Augsburg, Wolf, Jeremias, Hafner, Johann Christoph, Vier cartouches, verso - stamped, Vier geornamenteerde cartouches. Top left with two angels on either side of a radiated monstrance. Right with four angels around a cross and Mary, Joseph and the Christuskund. Bottom left with two half-portrayed women and a basket with flowers. Right with a winged head with a helmet, flags and weapons., print, ornament print, prints, ornament prints, height 252 mm, width 158 mm, 1668 - 1754, print maker, printmaker, 1678 - 1724, paper, papier, etching, etchings, engraving, engraving (printing process), Publication (Event), Publication, German, 1673 - 1724, publisher

Decorative Frame; verso: Frieze with Pageant, Charcoal, pen and ink on paper, Frame with grotesque decoration. At top center, child and lion masks flanked by half figures of armless mermaids with acanthus tails. Below, escutcheons, trophies, and birds. Blank central panel. Double framing lines. Verso: A figure seated below a canopy in a wagon drawn by cows., Italy, early 17th century, ornament, Drawing, Drawing

Drawing, Design for a Doorknocker; Italy; pen and ink, brush and wash on paper

Drawing, Acanthus Ornament; Italy; pen and gray ink, gray wash support: white laid paper; 43.8 x 17.5 cm (17 1/4 x 6 7/8 in.) Mat: 55.9 x 40.6 cm (22 x 16 in.)

Cartouche with two putti with a drapery. Draughtsman: Jan de Bray (rejected attribution). Draughtsman: Pieter Jansz.. Dating: 1630 - 1672. Measurements: h 154 mm × w 114 mm. Museum: Rijksmuseum, Amsterdam.

Cartouche on a wall station; Cartouches. On top of the cartouche is a putto that holds up a cloth. Sheet from series of 24 cartouches and wall decorations.

Frontispiece, from Bussy-Rabutin's 'Histoire amoureuse des Gaules' 1754 Pierre Philippe Choffard. Frontispiece, from Bussy-Rabutin's 'Histoire amoureuse des Gaules'. Pierre Philippe Choffard (French, Paris 1730-1809 Paris). 1754. Etching and engraving. Prints

Drawing of 17th century silver belonging to an album, Anonymous, c. 1725 - c. 1728 album Amsterdam paper drawing

Cartouche with lobe ornament, at the top two samples; Voorshande Niewe Compartemente. The samples are nagged on a mask.

Bound Print, La Théorie et la Pratique du Jardinage (The Theory and Practice of Gardening), 1711; Pierre Máriete (French, 1660-1742); Written by Antoine-Joseph Dézallier d'Argenville (French, 1680-1765); Published by Pierre Husson; France; etching on paper; 1984-87-1-2

Bound Print, "La Théorie et la Pratique du Jardinage (The Theory and Practice of Gardening), 1711; Pierre Máriete (French, 1660-1742); Written by Antoine-Joseph Dézallier d'Argenville (French, 1680-1765); Published by Pierre Husson; France; etching on paper; 1984-87-1-15

Bound Print, La Théorie et la Pratique du Jardinage (The Theory and Practice of Gardening), 1711; Pierre Máriete (French, 1660-1742); Written by Antoine-Joseph Dézallier d'Argenville (French, 1680-1765); Published by Pierre Husson; France; etching on paper; 1984-87-1-5

Bound Print, La Théorie et la Pratique du Jardinage (The Theory and Practice of Gardening); Pierre Máriete (French, 1660-1742); Written by Antoine-Joseph Dézallier d'Argenville (French, 1680-1765); Published by Pierre Husson; France; etching on paper; 1984-87-1-1

Three Strapwork Pendants, The Lower Ones Triangular and Oval. Medium: engraving. Museum: National Gallery of Art, Washington DC. Author: Daniel Mignot.

Drawing, Design of a Console Table with a Mirror; France; pen with greyish, black ink, brush with black washes, black chalk on paper; 32.6 × 16.3 cm (12 13/16 × 6 7/16 in.)

Design for a Frame Surmounted by a Lamp, Showing Two Alternative Ideas 17th-18th century Anonymous, Italian, 17th or 18th century Italian. Design for a Frame Surmounted by a Lamp, Showing Two Alternative Ideas 389930

Wish letter with Neptunus, c. 1700 - c. 1899 print Wish letter with unwritten cartouche within a decorative framework with performances of Neptune standing on his car drawn by hippocampuses and from Putti with different attributes. The figures largely consist of curls (calligraphy). Netherlands paper etching sea-horse, hippocamp, 'hippocampus', (horse/fish) (mythological hybrid monster). (story of) Neptune (Poseidon). cupids: 'amores', 'amoretti', 'putti'

Design for Pendant with Oval Diamond, Pen and sepia ink, brush and wash on paper, Design for a pendant. An escutcheon containing an oval diamond at center; at the sides, two palm branches. Below, a pear-like pearl is hanging. A ring above., Italy, 16th century, jewelry, Drawing, Drawing

Print, Plate 37, from Neüw Grotteßken Buch (New Grotesque Book); Designed by Christoph Jamnitzer (German, 1563 - 1618); Germany; engraving on laid paper; Platemark: 14.3 × 18.4 cm (5 5/8 × 7 1/4 in.) 18.5 × 23 cm (7 5/16 × 9 1/16 in.) Mat: 35.6 × 45.7 cm (14 × 18 in.)

Ornament with winged siren.

Louis XV (king of France), Paris, Huquier, Gabriel, Meissonnier, Juste Aurèle, Oeuvre de Juste Aurele Meissonnier, Lampe d'eglise, Ontwerp voor een olielamp voor in een kerk, This print is part of an album., print, albumblad, ornamentprent, prints, height 392 mm, width 195 mm, French, 1695 - 1772-06-11, print maker, printmaker, 1738 - 1749, paper, papier, etching, etchings, Work conception, 1693 - 1750-07-31, after a design by, Publication (Event), Publication, publisher, 1710-02-15 - 1774-05-10, granter of privilege

Cup (Kupza). Part of a cup ornament with tail and fruits, in the middle of a putto. Leaf of the episode of 19 sheets of fungal vessels "Verung Buch Hirines Siben and Dreissich Stuck made by Paulum Flinten Printed to Vienna Bei Andre Luning Printed and Ade's specimen edited AO 1593".

Degenschaft. .

Bound Volume, Frontispiece for Book 4, in Eight books of Ornament; William Delacour (French, 1741 - 1767); Engraved by François Vivares (French, 1709 - 1782); France; engravings on white laid paper, bound in half-calf and marbled boards; Open: 41.4 x 48.1 x 11.7 cm (16 5/16 x 18 15/16 x 4 5/8 in.)

Strapwork Pendant with Two Square Tablestonesas Earrings at Left and Right. Medium: engraving. Museum: National Gallery of Art, Washington DC. Author: Daniel Mignot.

Candlestick with vase and mask, Jean Pelletier, After Juste Nathan François Boucher, 1772 - 1779 print A two -armed wall candlestick with a third candle in a vase, a mask and garlands. Print number 317. Paris paper etching / engraving sconce, wall lamp. vase ~ ornament. mask, mascaron ~ ornament. ornament ~ festoon, garland

Six award-winning cartouches with letter monograms (ACD-ACI), c. 1690 - c. 1691 print From series of 29 partially numbered sheets with number monograms. Amsterdam (possibly) paper engraving letters, alphabet, script

Venster ornaments Met putto Met Stok, Anonymous, after Franz Xaver Habermann, 1731 - 1775 print Two rocaille windows in which rocaille ornaments. In the middle a putto with a stick on a rocaille ornament. Publishing number 87. Augsburg paper etching Rocaille Ornament. Window. Cupids: 'Amores', 'Amoretti', 'Putti'

Augsburg, Carmine, Josef, Gleich, Joseph, 1er Cahier d'Arabesques et Bordures, Designs of arabesques, Arabesques with fountain, verso - stamped, Three pilasters with arabesque designs with spears, a fountain and a fan surrounded by floral motifs and animals., print, ornament print, title print, prints, ornament prints, height 297 mm, width 186 mm, print maker, printmaker, 1780 - 1830, paper, papier, etching, etchings, Publication (Event), Publication, German, 1770 - 1830, publisher

Drawing, Project for a Brooch; Italy; pen and ink, brush and watercolor, sepia on paper

Print, Ornament Design with Two Dead Birds lying on Acanthus Branch, from Livre de Legumes Series of Vegetable Ornament, pl. 19 in Oeuvre de Juste-Aurèle Meissonnier; Designed by Juste-Aurèle Meissonnier (French, b. Italy, 1695-1750); Engraved by Pierre-Quentin Chedel (1705 - 1763); Published by Gabriel Huquier (French, 1695-1772); France; etching on off-white laid paper; 16 x 11.4 cm (6 5/16 x 4 1/2 in.)

Letter P; Libellus Novus Elementorum Latinorum Cum Aeneis Picturis Usui Aurifabrorum Inservientib. Bottom right is a dragon. Leaf with the letter P out of 26 sheets with letters from the alphabet.

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