Intricate Textile Designs

A collection of textile patterns featuring floral motifs, geometric shapes, and rich colors, showcasing historical design styles and materials.

Ten dogs in and for a doghouse, Dirk Jurriaan Sluyter, 1821 - 1886 copper (metal) engraving

Douglas Cox, Embroidered Undersleeve, 1938 Embroidered Undersleeve

Cartouche with two putti. Draughtsman: Pieter Jansz.. Dating: 1630 - 1672. Measurements: h 52 mm × w 150 mm. Museum: Rijksmuseum, Amsterdam.

Returning Birds and Old Cypress, late 12th - early 13th Century. China, Southern Song dynasty (1127-1279). Album leaf, ink on silk; image: 23.8 x 24.9 cm (9 3/8 x 9 13/16 in.); overall: 33.3 x 40.5 cm (13 1/8 x 15 15/16 in.).

Fresco Fragment. Unknown

Three women, two men and one corpse, Anonymous, in or after 1793 - c. 1830 Square glass plate in a wooden rating. Two naked men lift one wrapped in a cloth. Three naked women are squatting and has their hands in the hair or in front of the face. The background is black. Netherlands (possibly) glass. wood (plant material). oak (wood). oil paint (paint)

Arghan Div Brings the Chest of Armor to Hamza Indian. Arghan Div Brings the Chest of Armor to Hamza, 1562-1577. Opaque watercolor and gold on cotton, sheet: 31 1/8 x 24 15/16 in. (79.1 x 63.3 cm). The Hamzanama recounts the picturesque exploits of Hamza, the uncle of the Prophet Muhammad. The Mughal emperor Akbar (ruled 1556-1605) ordered his artists to prepare an illustrated copy of the Hamzanama on a scale never seen before: 1,400 paintings on sheets of paper backed with cloth. Literary sources record that though more than fifty painters busied themselves with the colossal undertaking, it took fifteen years to complete. Four of the folios are held by the Brooklyn Museum. This painting depicts the demon Arghan bringing a casket of arms to Hamza. Emerging from the water, here rendered by frothy, curling waves, he presents a seemingly ferocious aspect with his spotted skin, flaming eyes, and sharp fangs projecting from a mouth with a rather frozen grimace. On the shore is Hamza, seated

Sarcophagus of Prince Yuan Mi, 524, Black limestone, China, 6th century, This sarcophagus, as well as the epitaph cover and the accompanying tablet, were reportedly recovered from a tomb located in Lijiaao village, northwest of Luoyang in Henan province. Together they document an important stage in the development of the pictorial tradition in Chinese art. Buddhist, Confucian, and Daoist imagery intermingle within a landscape setting that anticipates the later genre of landscape painting in Chinese art. Along each side of the sarcophagus, amid trees and mountains, five scenes illustrate the Confucian virtue of filial piety, or respect for ones parents, elders, and ancestors. Daoist and Buddhist imagery is prominent in the heavenly scene above: immortals riding on dragons, phoenixes, and birds.

Eagle. Ruszczyc, Ferdynand (1870-1936), draughtsman, cartoonist

Sketchbook #40;: early studies and notes on Italianpaintings. Artist: John La Farge, American, 1835-1910, M.A. (HON.) 1896

Gope Board, 20th century, 56 x 10 1/2 in. (142.24 x 26.67 cm), Wood, pigment, Papua New Guinea, 20th century

Charles Sprague Pearce, Study for a Border Design, 1890 1897 Study for a Border Design

Print, Ceiling Design; Designed by Nicolas Pineau (French, 1684-1754); Published by Jean Mariette (1660-1742); France; etching and engraving on laid paper

Sketchbook with 23 magazines, George Hendrik Breitner, 1880 - 1882 Sketchbook consisting of 23 magazines with figure studies, landscapes, cityscapes and cows. The Hague paper. boekband: marbled paper. boekband: cardboard. rug: linen (material). chalk. pencil dune coast. adult man. adult woman. child The Hague

Fragment. Possibly Chancay; Probably central coast, Peru. Date: 1000-1476. Dimensions: 19.1 × 17.8 cm (7 1/2 × 7 in.). Cotton, plain weave with brocading wefts. Origin: Peru. Museum: The Chicago Art Institute, Chicago, USA.

Bookplate of Guillem A Tell y Lafont. Triado, Mayol José (1870-1929), graphic artist

Nameboard from Schooner. Dated: 1935/1942. Dimensions: overall: 50.6 x 73.1 cm (19 15/16 x 28 3/4 in.) Original IAD Object: 74 1/2" long; 8" wide. Medium: watercolor, gouache, pen and ink, and graphite on paperboard. Museum: National Gallery of Art, Washington DC. Author: Beverly Chichester.

Weefselfragment met sierstrook.Natural linen tissue fragment with woven edge decoration in dark purple of leaf rights curled in half circles, including animals, including, from right to left, a lion, a ram (), A caper, a dog, a hare, a bear ( ) And a lion. The upper strip of natural tissue has three lines formed by woven thicker weft threads.

Two textile fragments. Textile fragments, two embroidery on printed brown silk.

Cotton Print, Fedoseeva, Olga Ivanovna (1903-)

Fragment of pink printed silk with a pattern of corners, Fritzi Löw, Wiener Werkstätte, c. 1910 - c. 1917 Fragment of pink printed silk fabric with a pattern of grain in blue. Design: ähre Vienna silk block printing (relief printing process) Fragment of pink printed silk fabric with a pattern of grain in blue. Design: ähre Vienna silk block printing (relief printing process)

Lazio Frosinone Anagni Chiesa6. Hutzel, Max 1960-1990 Medieval: Architecture, architectural sculpture, cosmati pavement, fresco fragments. Views of the exterior and interior, especially of the (damaged) frescoes and mosaic floors. Owner: chiesa dei cappuccini German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

5th century Roman mosaic from the floor of the bishop's house in Geneva, Switzerland

Panel, c. 1950, 78 x 57 in. (198.12 x 144.78 cm), Cotton, Nigeria, 20th century

Wilhelm I, Deutscher Kaiser, King of Prussia, To incorporate the second assassination attempt on the day of the Schmach - the June , Wilhelm I, German Emperor, To incorporate the second attack on the day of the Schmach - June , newspaper wood stitch from Extraverlage to the home No, Cajetan Schweitzer -, artist

PAYSAGE POUR AVEUGLES SUR FOND AROUGE - 1989 - TECNICA MIXTA SOBRE TELA - 200x325 CM. Author: MIQUEL BARCELO. Location: PRIVATE COLLECTION. MADRID. SPAIN.

Clinique Photographique des Maladies de la Peau. Arthur de Montmeja, photographer (French, born 1841) Alfred Hardy, author (French, 1811 - 1893) 1882 60 illustrations.

Cutout of a colorful fresco in an ancient Roman villa, Southern Italy

Portrait Leopold Czihaczek, Egon Schiele -, artist

Roman artifact, relief sculpture, Arles Museum, Arles, Provence, France

PINTURA. Location: FUNDACION MAPFRE VIDA. MADRID. SPAIN.

Centre , Domes, Murals, Coffers Ceilings

Piece 18th century Japan. Piece. Japan. 18th century. Silk / Compound weave. Edo period (1615-1868). Textiles-Woven

Order of the Golden Fleece, Austria, from the Military Series (N224) issued by Kinney Tobacco Company to promote Sweet Caporal Cigarettes 1888 Issued by Kinney Brothers Tobacco Company Trade cards from the "MIlitary Series" (N224), issued in 1888 by Kinney Tobacco Company to promote Sweet Caporal Cigarettes.. Order of the Golden Fleece, Austria, from the Military Series (N224) issued by Kinney Tobacco Company to promote Sweet Caporal Cigarettes. 1888. Commercial color lithograph. Issued by Kinney Brothers Tobacco Company

Design for a stained glass window, c. 1901 Page 14 Recto from a sketchbook with 79 sheets. chalk work of applied art (+ types of art)

Campania Caserta Casertavecchia S. Michele, Cathedral17. Hutzel, Max 1960-1990 Exterior and interior views of the 12th and 13th-century architecture and architectural sculpture. Exterior details of the portals, portal sculpture, bell tower, dome and cloister. Interior details of the pulpit (c. 1213), the tomb of Giacomo Martono (1360), the tomb of Francesco de la Rath (1359), various sculptural fragments, and the cosmati floor. Antiquities: Re-used Roman columns and capitals line the nave. Object Notes: A composite view of the interior is found in the Italy Oversize box in the Medieval core collection. General Notes: Hutzel probably made two photo campaigns of the site, and thus there is some overlap between the views in the Medieval core collection and the Hutzel collection. Some prints have been renumbered. Hutzel notes which account for 91 on the views date to a photo campaign from December 30, 1983. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy f

'Gravitation XXXVI', 1987-1988, Collage on paper, 30 x 21,5 cm, AS11059. Author: EDUARDO CHILLIDA (1924-2002). Location: MUSEO NACIONAL DE ARTE REINA SOFIA-PINTURA. MADRID. SPAIN.

A peasant covered with a sheet; Norblin de la Gourdaine, Jean Pierre (1745-1830); 1779 (1779-00-00-1779-00-00);

Landscape with a construction site, 54-68 AD, fresco from Villa San Marco, Stabia, Campania, Italy. Roman civilisation, 1st century AD.

Drawing, Design for a Silk Brocade, Fragment; France; brush and gouache on oily tracing paper; (Left and Top edges): 21.7 × 26.3 cm (8 9/16 × 10 3/8 in.) (Right and Bottom edges): 31.1 × 4.9 cm (12 1/4 × 1 15/16 in.)

GRAVITACION - SIGLO XX. Author: EDUARDO CHILLIDA (1924-2002). Location: MUSEO NACIONAL DE ARTE REINA SOFIA-PINTURA. MADRID. SPAIN.

Alfredo Opisso / "Birds", S.XX, Oil, 58 x 41 cm.

Sidewall, Block-printed, a and b are joined together. a): Outlines (incomplete) of a possible medallion, and pin dots, in green. Traces of white scroll work; b): A vertical stripe of dark green set with medallions to one side of which are white wavy grasses. Additional fragment adheres to this; c): Red and green ladder design., possibly USA, ca. 1840, Wallcoverings, Sidewall

polychrome coffered ceiling polychrome coffered ceiling, medieval Mudejar domestic architecture,Archeological Museum. Úbeda, Jaén province, Andalusia, Spain Copyright: xZoonar.com/BartomeuxBalaguerxRotgerx 21702853

Fantasie, 1881 - 1934 wood (plant material)

ANIMAL MARINO - SIGLO XVIII - EXPEDICION MALASPINA. Author: TOMAS SURIA (1761-1844). Location: MUSEO NAVAL / MINISTERIO DE MARINA. MADRID. SPAIN.

Writing Cabinet 1600 (Restored 1800) European style drop front writing cabinet depiction of hunting scene.

Amelina's Harp in the Library, Lacock Abbey. Date/Period: October 16, 1840. Print. Salt, from a photogenic drawing negative. Height: 132 mm (5.19 in); Width: 125 mm (4.92 in). Author: William Henry Fox Talbot.

Relief with fishes on the wall of mud brick, ruins of Chan Chan, Trujillo, region La Liberdad, Peru, South America

Slave Belonging to Mrs. Oyley. Artist: Auguste Edouart (French, 1789-1861). Dimensions: Image: 7 15/16 × 3 1/4 in. (20.1 × 8.2 cm). Date: 1844. Museum: Metropolitan Museum of Art, New York, USA.

Wall Facing (Netherlands); tin-glazed earthenware, underglaze; 5 tiles tall, various wide

Comb. Dated: c. 1939. Dimensions: overall: 36.7 x 28.7 cm (14 7/16 x 11 5/16 in.). Medium: watercolor, graphite, and pen and ink on paper. Museum: National Gallery of Art, Washington DC. Author: John H. Tercuzzi.

Tiles (2) 16th-17th century Spanish, Seville. Tiles (2) 187889 Spanish, Seville, Tiles (2), 16th17th century, No dimensions recorded.. The Metropolitan Museum of Art, New York. Gift of Henry G. Marquand, 1894 (94.4.399a, b)

Hanging 17th-18th century. Hanging 445253

Plate, from Moonstrip Empire News. Sir Eduardo Paolozzi (British, 1924-2005); printed by Kelpra Studio, London. Date: 1967. Dimensions: 380 × 254 mm. Screenprint in white on acetate. Origin: England. Museum: The Chicago Art Institute, Chicago, USA.

Poelzig Hans (1869-1936), exhibition of porcelain Volkstedter models after designs by Poelzig and Moeschke in the Kunsthalle, Mannheim (without year): Kandelaber. Photo on paper, 23.1 x 13.2 cm (including scan edges)

Chinese Coromandel lacquered screen manufactured for a European market 1600-1700

53. Athènes. Temple de Bacchus. Artist: Joseph-Philibert Girault de Prangey (French, 1804-1892). Dimensions: Image: 9 7/16 × 3 3/4 in. (24 × 9.5 cm). Date: 1842. Museum: Metropolitan Museum of Art, New York, USA.

Design for the decoration of a ceiling cove and moulding 1830-97 Jules-Edmond-Charles Lachaise French. Design for the decoration of a ceiling cove and moulding. Jules-Edmond-Charles Lachaise (French, died 1897). 1830-97. watercolor, gouache, and gold paint over graphite on wove paper; mounted on wove paper. Drawings

tile of the Alcazar of Nájera, 15th century, Museo Histórico Arqueológico Najerillense, Nájera, La Rioja, Spain.

Rugs and Carpets: China - 19th century - Ningsia carpet

Four heads from Putti, c. 1751 Page 61 from a sketchbook with 158 pages. paper. chalk Cupids: 'Amores', 'Amoretti', 'Putti'. Head (Human)

Drawing, Festival à Venise (Festival in Venice), Illustration for Eolus (V, No. 1, January 1926, p. 18); Designed by Witold Gordon (American, b. Poland, 1885-1968); pen and black ink, brush and white gouache, graphite on paperboard

Frisian with snake in the middle, 1645 print The following figures can be seen between the leaf vines: a monkey on the head of a ram, a saat with a child in his arms, a lion, a snake, a saterkon, a putto and a female sater. Leaf from series consisting of a title page and nine unnumbered magazines. print maker: England (possibly)after own design by: England (possibly)publisher: London paper etching

No. 18 (Brown and Black on Plum) by Rothko, Mark (1903-1970) Private Collection 1958 The United States Oil on canvas Painting Abstract Art

'Eclipses', 2006, Was and oil on wood, 100 x 100 cm. Author: JOSE MARIA SICILIA. Location: GALERIA SOLEDAD LORENZO. MADRID. SPAIN.

Two acts in the landscape; Makowski, Tadeusz (1882-1932); 1914 (1914-00-00-1914-00-00);

Textile, Schwartz-Huguenin, Medium: cotton Technique: printed by engraved roller on plain weave, A) Wide stripe of solid pink with molette-printed moire pattern of darker pink adjoins wide white stripe divided into squares outlined by grey. Each square contains a pink rosebud with green leaves. B) Same pattern with blue stripe., 1851-63, printed, dyed & painted textiles, Textile

Schulchan with dedication inscription from 1896/97, Franconian, Museum, Tuechersfeld, Upper Franconia, Bavaria, Germany, Europe

Regspleging Oldenbarnevelt. Draughtsman: anonymous. Dating: 1708 - 1795. Place: Netherlands. Measurements: h 35.5 cm × w 31.5 cm × t 5 cm; h 23.5 cm × w 19 cm. Museum: Rijksmuseum, Amsterdam.

Frieze, Maxwell & Co., S.A., Chicago, Illinois, USA, Machine-printed paper, A repeating art nouveau design of geometric cartouches containing a linear flower abstraction. Connected by elongated frets to a smaller complementary cartouche alternately framed on the bottom and top by vine on a ground that becomes darker towards the base with a linear overall design between horizontal banded borders. Printed in olive green, taupe, beige, bronze, gold and dark brown., USA, 1905-1915, Wallcoverings, Frieze

Detalle del hierro forjado de las barandillas del patio de la Casa Milà (La Pedrera) de Barcelona. Author: ANTONI GAUDI.

Carton Amenhotep; III century BC ; Ptolemean period (-300-00-00--201-00-00);

Frieze, Machine-printed paper, liquid mica, Borders printed two across the width. Waving floral scrolls with foliate scrolling and foliate motif underneath. Ground is pink. Printed in light pink mica, cream, and dark pink., USA, 1905-1915, Wallcoverings, Frieze

Greek Red-figured Kylix, (Drinking Cup), c440-430 BC. Artist: Codrus Painter.

PERFIL-228X195 CM. Author: RODRIGUEZ SANTA CRUZ J.

CDK NISHIGAKI KAMPEI, SZKO A higo, nishigaki

Eleven rectangular cut stones and a round stone, Jan Dam Steuerwald, 1839 - 1863 print Netherlands paper piece of sculpture, reproduction of a piece of sculpture

Detalle techo, Casa Milà (La Pedrera) de Barcelona. Author: ANTONI GAUDI.

PINTURA - 1954. Author: LUIS FEITO LOPEZ (1929-2021). Location: PRIVATE COLLECTION. MADRID. SPAIN.

Portrait Of An Artist #2 1982 GG Kopilak (b.1942/American) Oil on canvas Private Collection

Quilt. Dated: 1935/1942. Dimensions: overall: 26.8 x 35.8 cm (10 9/16 x 14 1/8 in.). Medium: watercolor, graphite, and gouache on paper. Museum: National Gallery of Art, Washington DC. Author: Cornelius Frazier.

Canada, Newfoundland and Labrador, L'Anse Aux Meadows.

Wood carving with grapes at the historic Amthof in Bad Camberg, Hesse, Germany, Europe

British, Palladian frame, Unknown framemaker, 3rd quarter of 18th century, Carved wood, partially regilded and bronze painted over original oil and water gilding and sanded frieze, Frame: 43 × 52 3/4 × 2 3/4 inches (109.2 × 134 × 7 cm)

Design for a banknote. Draughtsman: Antoon Derkinderen. Dating: 1912. Measurements: h 392 mm × w 656 mm. Museum: Rijksmuseum, Amsterdam.

Big house happily Mathildenhöhe Darmstadt The Art Nouveau Ensemble of the Mathildenhöhe in Darmstadt with park, sculptures and fountain served as an exhibition site between 1899 and 1914 and was the center of the artist colony. This was founded by Grand Duke Ernst Ludwig. Many buildings were built by the architect Joseph Maria Olbrich. Mathildenhöhe has been a UNESCO World Heritage Site since 2021.

Venus and Adonis. Attributed to Joachim Antonisz. Wtewael; Dutch, c. 1566-1638. Date: 1550-1599. Dimensions: 143 x 143 mm. Pen and brown ink, with brush and brown wash, on tan laid paper, laid down on ivory wove paper. Origin: Netherlands. Museum: The Chicago Art Institute, Chicago, USA. Author: Joachim Antonisz. Wtewael.

The expedition against Ilu-khiti of Rure.. Birch, Samuel (1813-1885). Photographs, Illustrations. 1880 - 1902. General Research Division. Gates , Assyria, Bas-reliefs , Assyria, Shalmaneser III, King of Assyria, active 9th century B.C. , Palaces

Panel from the Palace of Westminster ca. 1847 Designed by Augustus Welby Northmore Pugin These decorative oak panels exemplify the designs of A.W.N Pugin, who was the leading exponent of the Gothic Revival style in England. Pugins work is central to the transformation in British design that began in the mid-nineteenth century. He admired what he saw as the honesty and purity of medieval art, and deplored the meaningless repetition of historical motifs. Pugin coined the phrase “Brumagen Gothic,” referring to “those inexhaustible mines of bad taste, Birmingham.” The carved oak panels for the Palace of Westminster were made for both the House of Lords and House of Commons and are just one component of a larger, Pugin-designed interior program, including brasswork (grill panels, large doors, candelabra and other light fixtures, hardware, and gallery railings), stained glass, tiles, and furniture. These panels are executed in Pugins interpretation of the Gothic Revival and feature several

Stamping of a bronze ". Paper. China, 19th century, Cernuschi museum. 72198-46 Anse, Chinese art, bronze, stamping, paper, container, 19th century

Josep Puig i Cadafalch / Decorative embossing of the Baron de Quadras palace (detail), 1904-1906, Barcelona, Barcelona, Catalonia.

VENENO ESCOCES - 1995 - 56x41 - AGLUTINANTE VINICLO Y PIGMENTOS SOBRE LIENZO. Author: JUAN USLE. Location: GALERIA SOLEDAD LORENZO. MADRID. SPAIN.

Opening of the building of the Association for the Effectenhandel in Amsterdam 1913, Johannes Cornelis Wienecke, 1913 history medal Rectangular bronze plaquette, on the front Mercury standing with staff, in the background a wreath, the year in cut, depicted on the reverse the interior of the building including nine lines of text on deepened lines, with edge -in -case. Utrecht bronze (metal) striking (metalworking)

Copper engraving by Johann Israel de Bry depicting a vignette with grotesque elements, created between 1585 and 1609, illustrating ornamental designs.

Design for a vignette for the Royal Paketvaart Maatschappij, Carel Adolph Lion Cachet, 1874 - 1945 drawing prepared paper. pencil brush / brush ships (in general). names of organizations, companies, trade unions, etc.

Textile, Medium: cotton Technique: e-gasuri (warp and weft ikat) on plain weave, Narrow vertical panel with a design of a drawstring pouch in weft ikat alternating with a geometric form in warp and weft ikat., Japan, 1850-1900, printed, dyed & painted textiles, Textile

Design for a decorative edge, Mathieu Lauweriks, 1910 drawing pencil. ink pen

Eagle. Dated: c. 1940. Dimensions: overall: 36.7 x 53.8 cm (14 7/16 x 21 3/16 in.). Medium: graphite on paperboard. Museum: National Gallery of Art, Washington DC. Author: Milton Grubstein.

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