Japanese Stencil Art

A collection of Japanese paper stencils featuring intricate natural designs and motifs, signifying cultural storytelling.

Fantasia, 1902 zinc etching

Sketch of a standing figure, Giacomo Cavedone, 1587 - 1660 drawing paper. chalk standing figure. standing figure

Bag. Dated: 1935/1942. Dimensions: overall: 18.2 x 12.5 cm (7 3/16 x 4 15/16 in.). Medium: graphite and colored pencil on paper. Museum: National Gallery of Art, Washington DC. Author: Mary Berner.

Loose fragments of prints of the Great Hercules, Anonymous, After Hendrick Goltzius, 1589 - 1596 print Fragments of the top left corner of eight prints. Northern Netherlands paper engraving (story of) Hercules (Heracles)

Piece 18th century Japan. Piece 72031

Blanco Signature Leaf with Swans, Reinier Willem Petrus de Vries (1874-1953), 1884 - 1952 drawing Signature sheet with space for five signatures. cardboard. paper. paint (coating). deck paint. pencil brush water-birds: swan

Stencil 19th century Japan. Stencil 69411

MARAÑAS - 1995 - 210x230 - OLEO SOBRE LIENZO. Author: ANTONIO MURADO (1964-). Location: GALERIA SOLEDAD LORENZO. MADRID. SPAIN.

A black and white chalk drawing with blue highlights by Martin von Molitor showing a ruin with resting cows and surrounding trees, emphasizing pastoral landscape and architectural remains, created between 1780 and 1812.

FONG, Chung-ray (n.1933-d.), Painting #2017-12-6 (title given by the author), 2017. Mixed techniques on canvas. Cernuschi Museum, Asia Museum of Asia in the city of Paris. Painting #2017-12-6 (title given by the author)

Wall painting of flowers and birds. Dating from the reign of Akhenaton. Egyptian Museum, Cairo, Egypt. Location: EGYPTIAN MUSEUM. KAIRO. EGYPT.

Gamble. Robert Rauschenberg (American, 1925-2008); published by Universal Limited Art Editions (American, founded 1955). Date: 1968. Dimensions: 920 x 565 mm (image); 1040 x 700 mm (sheet). Color lithograph with graphite and blue ballpoint pen additions, and collage of lithograph in black on acetate, taped to white wove paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Plooistudie, Anthony van Dyck (possibly), 1610 - 1641 drawing paper. chalk Drapery, Draped Garment, 'Course'

SIN TITULO - 2007 - TEMPERA/PAPEL - 50x65. Author: PHILIPP FRÖHLICH (1975-). Location: GALERIA SOLEDAD LORENZO. MADRID. SPAIN.

Stencil 19th century Japan. Stencil 69363

Design for a Leaf Motif ca. 1825-50 Anonymous, French, 19th century French. Design for a Leaf Motif 362196

Capt. Thomas Hastings, 1778-1854, British, 38 Sketches in Cumberland, Westmoreland, etc, 1834 to 1846. Graphite and pen and brown ink on medium, slightly textured, cream wove paper bound in brown leather and marbled boards.

Drawing, Textile Design: Sylvester; Designed by Felice Rix-Ueno (Austrian, 1893-1967, active Japan 1935-1967); Made for Wiener Werkstätte (Austria); brush and gouache on paper; 6.4 × 20.3 cm (2 1/2 in. × 8 in.) Mat: 31.8 × 45.7 cm (12 1/2 in. × 18 in.)

TOILE MARRON TENDE - 1970 - TECNIVA MIXTA. Author: ANTONI TAPIES (1923-2012). Location: IVAM / INSTITUTO VALENCIANO DE ARTE MODERNO. Valencia. SPAIN.

Tiraz Tapestry; warp; linen. wefts; linen, silk

Sheet with tendrils in curls with flowers, anonymous, 1700 - 1750 brocade paper Leaf with tendrils in curls running with flowers. Part of a cover. Germany paper. cardboard. paint (coating) relief printing ornament derived from plant forms

Drawing, Two Studies of Hand for Angel Appearing to St. Peter in "Early Christian Martyrs"; Daniel Huntington (American, 1816-1906); USA; graphite and white chalk on brown wove paper; 44.7 x 32.2 cm (17 5/8 x 12 11/16 in.); Bequest of Erskine Hewitt; 1942-50-71

Tile with blue drawing (folds), tile picture footage fragment ceramics pottery glaze, d 1.4

Fresco Fragment. Unknown

Fresco Fragment. Unknown

Fresco Fragment. Unknown

Writing Desk (Bundai) with Landscape and Geese 17th century Japan Lacquer writing desks were usually created in sets with boxes (suzuribako) to hold paper and writing implements. The earliest forms of the low table are documented in medieval handscroll paintings; most are undecorated and have shorter legs. The size and shape of the writing table became standardized in the Muromachi period (1392-1573) and remained unchanged through the Edo period, as seen in paintings representing Murasaki Shikibu at her desk composing The Tale of Genji. This desk, prepared in homage to earlier examples, has a landscape with a waterfall and geese among waves. The maki-e decoration covers only a small portion of the writing surface, in keeping with the desks function. The style of the sparse decoration recalls Japanese appreciation of Chinese ink paintings introduced by Zen monasteries.. Writing Desk (Bundai) with Landscape and Geese. Japan. 17th century. Lacquered wood with gold and silver takamaki-e a

Album with fish, shells and insects, Anselmus Boëtius de Boodt, 1809 - 1814 album. drawing Album with watercolors of fish, shells and insects. The sixth of twelve albums with watercolors of animals, birds and plants known around 1600, made on behalf of Emperor Rudolf II. With explanation in Dutch, Latin and French. draughtsman: Praagdraughtsman: DelftBruges paper. watercolor (paint). leather brush

Sketch of a standing naked figure. Versose side of an image of Israhel from Meckenem from a series about the life of Mary.

(SIN IDENTIFICAR). Author: CARDENAS MARTA 1944-. Location: GALERIA SOLEDAD LORENZO, MADRID, SPAIN.

Female naked, seen on the back, c. 1891 - c. 1892 zinc etching woman (showing herself) undressed, quasi-nude

Japan, Shunga series, cover sheet - stamped, Brown cover with leaf motif; 6 sheets with 12 plates depicting images of a copulating couple; preserved in blue cassette with pink spider web motif., book, prints, images, Japan (collection), height 91 mm, width 125 mm, print maker, printmaker, 1800 - 1900, paper, gold powder, colour woodcut, blind stamping

Untitled. William Turnbull (English, born Scotland 1922-2012); printed by Bohuslav Horák (American, born Czechoslovakia, 1881-1960); published by Tamarind Lithography Workshop (American, founded 1960). Date: 1961. Dimensions: 570 x 770 mm (image/sheet). Lithograph on ivory wove paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Joseph Mallord William Turner, 1775-1851, British, The Channel Sketchbook, ca. 1845. Watercolor on medium, slightly textured, white wove paper.

Copper engraving by Alart Du Hamel depicting The Last Judgement, created in the late 15th century, showing figures, posture, and symbolic representation.

Album

Mantle 2nd-1st century B.C. Paracas. Mantle. Paracas. 2nd-1st century B.C.. Camelid hair. Peru. Textiles-Woven

Sidewall, Block-printed and flocked on canvas, Portion of single width, giving incomplete repeating pattern of plain and foliate scrolls, with conventional clusters of flowers. Printed in green wool flock on canvas painted in neutral violet, touched with green and orange., England, 1675-99, Wallcoverings, Sidewall

OBRA SIN DOCUMENTAR. Location: PRIVATE COLLECTION. MADRID. SPAIN.

Cup of the Basin of the Canal Saint-Martin, February 6, 1860. Anonymous. Cup of the Basin of the Canal Saint-Martin, February 6, 1860. Feather, black ink, watercolor wash.

Schaapherder leaning on his staff, c. 1886 - c. 1906 Ewijkshoeve copper (metal) etching

Stencil 19th century Japan. Stencil 69925

Album

VIJA CELMINS EN EL ROMPIDO - 2004 - OLEO/TELA - 155x122. Author: SEVILLA SOLEDAD 1944-. Location: GALERIA SOLEDAD LORENZO, MADRID, SPAIN.

Lluis Ventós / "Rapa Nui", 2006, Oil on canvas, 55 x 81 cm.

Tile with hand holding something, against blue background, tile picture footage fragment ceramics pottery glaze, d 1.5

(SIN TITULO) - SIGLO XX. Location: COMUNIDAD DE MADRID-COLECCION DE ARTE. MADRID. SPAIN.

Parade with elephants, c. 1924 - c. 1932 copper (metal) etching

Unfinished piece, Medium: linen, paper Technique: needle lace, early 17th c. and style Label: linen needle lace couched to paper support, Small piece of unfinished work showing the manner in which punto in aria needle laces are made. Standing female court figure outlined and half-filled, on dark green paper., Spain, 17th century, lace, Unfinished piece

Design for a Stage Set at the Opéra, Paris 1830-90 Eugène Cicéri French. Design for a Stage Set at the Opéra, Paris. Eugène Cicéri (French, Paris 1813-1890 Fontainebleau). 1830-90. Graphite, heightened with white. Drawings

Cubist Head of a Woman; Tete de Femme Cubiste. Henri Laurens (1885-1954). Terracotta Plaque. Concieved in 1921 and cast in an edition of 10. Numbered 8/10. 43.2 x 36.3cm

DIBUJO. Author: PABLO PALAZUELO (1916-2007).

Kesa. Japan. Date: 1801-1833. Dimensions: 204.6 × 115.4 cm (80 1/2 × 45 in.). Silk and gilt-paper; compound satin weave. Origin: Japan. Museum: The Chicago Art Institute, Chicago, USA.

Tuschzeichnung; Tuschzeichnung.. Prints. 1912. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Art & Architecture Collection

Line Construction 1921 Crayon on paper Aleksandr Rodchenko; Russian; 1891-1956

The Shower. Théophile-Alexandre Steinlen; French, born Switzerland, 1859-1923. Date: 1898. Dimensions: 241 × 122 mm (image/plate); 425 × 302 mm (sheet). Aquatint and drypoint from two zinc plates printed à la poupée in 6 colors (black, dark gray, medium gray, brown, blue and pink) on ivory laid paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

SECCION DEL DOSEL O TRONO REGIO DEL SALON DE CORTES - DIBUJO SIGLO XIX. Author: ISIDRO GONZALEZ VELAZQUEZ. Location: MUSEO DE HISTORIA-DIBUJOS. MADRID. SPAIN.

SIN TITULO-1958-. Author: WERBA NADIA. Location: MUSEO NACIONAL DE ARTE REINA SOFIA-PINTURA. MADRID. SPAIN.

Langoustines, Mori Sosen, 1800 - 1825 Three small langoustines with an adult langoustine above it, the back curved and the feelers are excellent. Japan Painting: Ink. Paper. Mounting: Silk Three small langoustines with an adult langoustine above it, the back curved and the feelers are excellent. Japan Painting: Ink. Paper. Mounting: Silk

Tile with blue painting, tile pilaster footage fragment ceramic earthenware glaze, d 1.2

Abklatsch of the chalk drawing on page 89. Page 88 from a sketchbook with 45 sheets made around the Ewijkshoeve.

Map painted on calfskin believed to have been drawn by Christopher Columbus. Christopher Columbus (1451-1506) an Italian explorer, navigator, and colonizer. Dated 15th Century

PINTURA - 1988. Author: MARTA CARDENAS. Location: GALERIA SOLEDAD LORENZO. MADRID. SPAIN.

Fan Leaf Decorated with Caricatures and Reversible Heads early 19th century Anonymous, French, early 19th century French. Fan Leaf Decorated with Caricatures and Reversible Heads 393872

Antoni Clavé / 'Untitle', 1982, Monotip and collage, 29 x 21,5 cm. Museum: COLECCION PRIVADA.

Portrait of Senor Kaposi, 1989; painted in gouache by American artist, William Burroughs , 1914-1997

Catskill Mountain House from Pine Orchard (from Sketchbook). Artist: John William Casilear (American, New York 1811-1893 Saratoga Springs, New York). Dimensions: 7 1/4 x 9 in. (18.4 x 22.9 cm). Date: 1834, 1838. Museum: Metropolitan Museum of Art, New York, USA.

Battle in a forest, Anonymous, 1600 - 1699 print. fragment paper etching battle (+ land forces)

Shaker Dress Material. Dated: 1935/1942. Dimensions: overall: 20.2 x 28.4 cm (7 15/16 x 11 3/16 in.). Medium: watercolor and graphite on paper. Museum: National Gallery of Art, Washington DC. Author: American 20th Century.

Sketch of Mountains, Peaks, and Terrain (from Sketchbook). Artist: Albert Bierstadt (American, Solingen 1830-1902 New York). Dimensions: 4 3/4 x 7 3/4 in. (12.1 x 19.7 cm). Date: 1890. Museum: Metropolitan Museum of Art, New York, USA.

(SIN TITULO) - SIGLO XX. Author: PABLO PALAZUELO (1916-2007). Location: GALERIA SOLEDAD LORENZO. MADRID. SPAIN.

Design for a hanging church lamp, c. 1650 - c. 1675 Florence paper. ink. chalk pen lighting; lamps. (liturgical) equipment of church

Fragments; silk, linen

Female, Drapery Study for Lower Half of Figure, 1865-1866 Artist: Sir Edward Burne-Jones, Art Movement, Pre-Raphaelite, Drawing, Chalk, Women, Works on Paper

Stencil with Pattern of Battle Fans and Arrows on Waves 19th century Japan. Stencil with Pattern of Battle Fans and Arrows on Waves. Japan. 19th century. Paper reinforced with silk. Stencils

Untitled. Artist: František Kupka, Czech, 1871-1957

Lion. Oval presentation of a lion lying in a skull. To the show a Latin peripheral. Reconstructed from five fragments.

IDEA-ESPACIO DE LOS SUEÑOS - 1988 - 100X245 - TRIPTICO - PARTE C. Author: GUILLERMO PEREZ VILLALTA. Location: GALERIA SOLEDAD LORENZO. MADRID. SPAIN.

INTERIOR-PLANTA SEGUNDA-DET CUADRO EXPUESTO-ARTE MODERNO S XX. Location: GUGGENHEIM MUSEUM. Bilbao. Biscay. SPAIN.

Sidney Liswood, Printed Textile, c 1938 Printed Textile

Reclining Tahitian (fragment). Paul Gauguin; French, 1848-1903. Date: 1894. Dimensions: 204 × 117 mm (image/primary/secondary support). Pastel monotype, with touches of pastel, on cream wove Japanese paper, laid down on cream wove Japanese paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Mount for Last Poppies 1897-1899 England. Rousselís Scarab, Grecian Key, and Fly Pattern Mount was printed in different ink color combinations for five of his nine color prints. There were two variants for The Sea at Bognor, with the cartouche, or ìscarabîóin opaque white or rose ink; it was printed in green and gold for Last Poppies, and a white and gold variation was used for a small landscape entitled The Thames, Evening. The mount was also produced in shades of red and gold for Chelsea Palaces and in black and gold for Anemonies. The latter is placed on a drawing for the mount with a black printed cartouche. The remaining color subjects were accompanied by Rousselís Shell Pattern Mount, which was likewise printed in a variety of color combinations.. Drypoint, aquatint, softground and lavis in blue-green and yellow-brown metallic on ivory Japanese paper . Theodore Roussel

Landscape (from Sketchbook X). Artist: William Trost Richards (American, Philadelphia, Pennsylvania 1833-1905 Newport, Rhode Island). Dimensions: 5 x 7 1/2 in. (12.7 x 19.1 cm). Date: 1885.This sketchbook contains fifty-one drawings in graphite and ink, primarily of Pacific Northwest landscape and marine subjects. The addition to the Museum's collection of this and one other sketchbook (1992.2.1) of New England and Pennsylvania landscape and marine subjects by Richards virtually completes a representation of the range of the artist's graphic achievement. The books are remarkable for both highly finished compositions and for pages of rapid notes probably taken during strolls through the countryside. The pages testify to Richard's tireless pleasure in observing nature, to the sketchbooks utility as a rehearsal place for his hand, and to the vivid impressions he could produce with the simplest of means. Not least of all, they offer a key understanding to the artist's uncanny facility in

Album, Album of Prints: Designs for the Carriage of the Duke of Ossuna by Bernard Picart; Designed by Bernard Picart (1673-1733); black ink, engravings on paper

Obra Sin documentar. Author: JUAN USLE. Location: GALERIA SOLEDAD LORENZO. MADRID. SPAIN.

Storm at sea with a two-master. Draughtsman: Andreas Schelfhout. Dating: 1797 - 1870. Measurements: h 57 mm × w 83 mm. Museum: Rijksmuseum, Amsterdam.

Design for a Stage Set at the Opéra, Paris 1830-90 Eugène Cicéri French. Design for a Stage Set at the Opéra, Paris 358554

'Eclipses', 2006, Was and oil on wood, 100 x 100 cm. Author: JOSE MARIA SICILIA. Location: GALERIA SOLEDAD LORENZO. MADRID. SPAIN.

George Romney, 1734-1802, British, Plans for the House to be Built at Hampstead, 1794. Various media, including: graphite; pen and brown ink over graphite.

Poelzig Hans (1869-1936), path chapel for the Majolika Manufaktur in Karlsruhe (1921-1922): View without lace of variant 1. Coal on transparent, 61 x 43.3 cm (including scan edges) Poelzig Hans (1869-1936): Wegkapelle für die Majolika-Manufaktur, Karlsruhe

Victor Hugo. Chinese lounge, decor from Juliette Drouet's house in Guernsey (East Wall). Singing door decorated with Chinese painting "with golden pheasants and peonies". Polychrome engraved wood. 1857-1864. Paris, house of Victor Hugo. 77933-7 Grave wood, green wood, Chinese cannia, decor, decoration, eastern wall, songwriter, painting, phenix, polychrome, Chinese living room, 19th 19th 19th 19th 19th 19th century

Ontwerp voor een hoekstuk van plafond met personificatie van de Voorzichtigheid. Vier delen van een plafondontwerp met personificaties (series title). Draughtsman: Mattheus Terwesten. Intermediary draughtsman: Augustinus Terwesten (I). Dating: 1680 - 1757. Measurements: h 474 mm × w 460 mm. Museum: Rijksmuseum, Amsterdam.

PASEO DE SAN JUAN 161 - 1989 - 160X160 - TECNICA MIXTA/LIENZO. Author: VICENTE ROJO ALMAZAN. Location: GALERIA SOLEDAD LORENZO. MADRID. SPAIN.

Human eye study; after 1800 (1801-00-00-1840-00-00);

Textile with Brocade. Culture: Spanish. Dimensions: Overall: 15 3/8 × 5 5/8 in. (39.1 × 14.3 cm)Storage (Mat with 17.121.4): 27 × 17 in. (68.6 × 43.2 cm). Date: ca. 1200. Museum: Metropolitan Museum of Art, New York, USA.

Verona Sketchbook: Drapery study (page 48), 1760. Francesco Lorenzi (Italian, 1723-1787). Black chalk with white heightening ; sheet: 32 x 23 cm (12 5/8 x 9 1/16 in.).

Frost Work.. Benjamin West Kilburn (American, 1827 - 1909)

Landscape with Asian hunters, Anonymous, 1751 - 1850 Asian hunters in a landscape. In the background is a man on an elephant. Before that, a man with possibly a tiger fights. The bear is attacked in the back by a man with a spear. Another man pulls his knife. The Calque is loose in the back of an album. Amsterdam tracing paper. chalk trunked animals: elephant. Asiatic races and peoples. hunting, chase

Achrome. Piero Manzoni (1933-1963). Kaolin on canvas. Executed in 1959. 89.5 x 70.5cm.

Blue tile with ear of corn, of chimney pilaster with 39 tiles, tile pilaster footage fragment ceramic pottery glaze, Eight blue tiles with mating swans ear of corn leaf butterfly and dragonfly on vine and bird in flight of chimney pilaster with 39 tiles in black paint C-number written Rotterdam war Second World War bombardment Given fire remains possibly from demolition crew who collected tiles after the bombing of Rotterdam.

SIN TITULO - TECNICA MIXTA SOBRE PAPEL JAPONES - 50x50 cm. Author: JOSE MARIA SICILIA. Location: PRIVATE COLLECTION.

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