Japanese Stencil Patterns

Intricate stencils from Japan featuring delicate floral and geometric designs, showcasing traditional craftsmanship and elegant patterns on paper.

Drawing, Wallpaper Design; Austria; brush and gouache, graphite on white paper; 24.5 x 17.6 cm (9 5/8 x 6 15/16 in.)

Starch paint paper in olive green with pressed rib motif, anonymous, 1700 - 1900 paste paper paper.

Drawing, Textile Design: Zaunkönig (Wren); Designed by Reni Schaschl-Schuster (Austrian, 1895 - 1979); Made for Wiener Werkstätte (Austria); brush and gouache on paper; 4.8 × 20.5 cm (1 7/8 × 8 1/16 in.) Mat: 31.4 × 45.2 cm (12 3/8 × 17 13/16 in.)

Tania Lam, expressionist landscape with trees and lila sky. Her contemporary art tends to abstraction. Painting outdoors she captures the nuance of the landscape.

Anatomy Sketchbook Eastman Johnson (American, 1824-1906). Anatomy Sketchbook, 1849. Graphite on beige, medium weight, slightly textured laid paper, Sketchbook: 17 1/8 x 11 1/16 x 3/8 in. (43.5 x 28.1 x 1 cm). Eastman Johnson used this sketchbook while enrolled in an anatomy class at the Düsseldorf Royal Academy in Germany. The meticulous, almost scientific precision of his skeleton studies reveals the schools emphasis on draftsmanship and anatomical knowledge as fundamental tools for the artist. Many of the drawings include grids and other geometric guidelines, as well as notations about ideal proportions of the human body. Johnson parlayed his academic training into a successful career as a painter of American genre subjects. American Art 1849

Coverlet - Section of Reverse Side. Dated: c. 1937. Dimensions: overall: 35.7 x 28 cm (14 1/16 x 11 in.) Original IAD Object: 96" long, 72" wide. Medium: watercolor and gouache on paper. Museum: National Gallery of Art, Washington DC. Author: Cornelius Christoffels.

Textile (France); silk; Anonymous bequest in memory of Albert and Rebecca Elsberg; 1938-82-204-b

Le Cabinet des Beaux Arts, Ou Recueil des Plus Belles Estampes, Gravées d'Aprés Les Tableaux Originaux, òU LES BEAUX Arts Sont Representez, Avec L'Explication De Ces Mêmes Tableaux; Album with reproductions of ceiling pieces with performances of the free arts. Album with 14 etchings and engravings on 36 album blades. The album contains prints with reproductions of the ceiling pieces from the Cabinet des Beaux Arts in the Hôtel Perrault, Rue Neuve des Bons Enfants, Paris. The ceiling pieces have the free arts as subject. Charles Perrault was the client for the manufacture of this ceiling in his art cabinet. An explanation in French in the prints. This is the second edition of the work of Charles Perrault. This album contains copies of the prints from the first edition of 1690. Halleen band coated with marbled paper with the front and in the back of a bract.

Album of Sketches for The Life of Our Lord Jesus Christ James Tissot (French, 1836-1902). Album of Sketches for The Life of Our Lord Jesus Christ, late 1880s. Graphite and wash drawings on wove paper, leather binding , 9 1/8 x 6 x 5/8 in. (23.2 x 15.2 cm). European Art late 1880s

Sheet with branches with flowers, Paul Reimund, 1783 - 1815 brocade paper Leaf with tendrils with flowers, with decorative framework. Numbered below: no 240. Nuremberg paper. paint (coating) relief printing ornament derived from plant forms

Deraisme, Pierre -Georges (n.1859 - D.1932), pendants (main title), 1905. Graphite, ink, gouache on transparent rives vellum. Petit Palais, Museum of Fine Arts of the City of Paris.

Printing Block (Japan); wood

Design for the decoration of a ceiling with circular medallions 1830-97 Jules-Edmond-Charles Lachaise French. Design for the decoration of a ceiling with circular medallions 384960

Chinese ornament

La industria de la cerámica. Museum: COLECION PARTICULAR / MADRID / ESPAÑA. Author: J. M. MOLINA CIGES.

Drawing, Textile Design: Epos; Designed by Dagobert Peche (Austrian, 1887-1923, active Vienna, 1911-1923); Made for Wiener Werkstätte (Austria); brush and gouache on paper; 20.3 × 5.7 cm (8 in. × 2 1/4 in.) Mat: 55.9 × 40.6 cm (22 × 16 in.)

(TITULO SIN IDENTIFICAR) - SIGLO XXI. Author: JUAN USLE. Location: PRIVATE COLLECTION. MADRID. SPAIN.

Stencil with Two Carp in Water 19th-early 20th century Japan. Stencil with Two Carp in Water 72674

Collar, Medium: linen Technique: needle lace, Long narrow scarf or collar of Point de France with elaborate floral and scroll designs in a symmetrical arrangement with figures of people scattered throughout. Figures include a woman with a long staff and a fan, boys with baskets of fruit on their heads and dolphins. The design is arranged so that the woman's figure is in the center in a medallion frame. From the center point, on the left and right, design motifs descend in an arrangement vertical with the length. Commonly called 'Point de France.', France, late 17th century, lace, Collar

Fragment, Medium: wool Technique: fancy twill weave, Deep-rust weft-ribbed cloth fragment. One plain cloth selvedge., England or USA, 18th-19th century, woven textiles, Fragment

PINTURA ABSTRACTA- 1996. Author: PABLO PALAZUELO (1916-2007). Location: GALERIA SOLEDAD LORENZO. MADRID. SPAIN.

Painted Trunk Close-Up

Lazio Viterbo Tarquinia S. Maria di Castello. Hutzel, Max 1960-1990 Romanesque church begun in 1121 and consecrated in 1208. Exterior photos of walls and round tower. Interior photos of nave and extensive vaulting. Of architectural interest is an octagonal immersion baptismal font and a marble pulpit, which are both highly decorated. The stone mosaic floor is also notable. The ciborium and pluteus date from 1168. Object Notes: Hutzel photo campaign dates: February 17, 1984 and December 1985. General Notes: See also Marburger index No. 527. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region

Sarape, c. 1890-1900. America, Native North American, Southwest, Mexico, Saltillo, Post-Contact, Early Period. Tapestry weave: cotton and wool and metal thread; overall: 228 x 111.8 cm (89 3/4 x 44 in.).

Textile, Gayet et Montgirod, 1760 - 1761, Medium: linen warp, cotton weft Technique: printed by engraved copper plate using a mordant for madder on plain weave, Peacock, parrot and magpie with foliage and flowers, printed in red on white., Sevres, France, 1760-61, printed, dyed & painted textiles, Textile

Kesa. Japan. Date: 1801-1844. Dimensions: 113.1 x 214.8 cm (44 x 84 5/8 in.)Repeat: 20.5 x 16.3 cm (8 1/8 x 6 1/2 in.). Silk and gold-leaf-over-lacquered-paper strip, satin weave with plain interlacings of secondary binding warp and patterning wefts; lined with silk, plain weave. Origin: Japan. Museum: The Chicago Art Institute, Chicago, USA.

Coverlet. Dated: 1937. Dimensions: overall: 35.6 x 28 cm (14 x 11 in.) Original IAD Object: 62" wide; 89" long. Medium: watercolor and gouache on paper. Museum: National Gallery of Art, Washington DC. Author: J. Howard Iams.

Border (France); Manufactured by Dufour et Leroy (France); block-printed and flocked on handmade paper; 20.5 x 35 cm (8 1/16 x 13 3/4 in.)

Drawing, Textile Design: Menuett (Minuet); Designed by Reni Schaschl-Schuster (Austrian, 1895 - 1979); Made for Wiener Werkstätte (Austria); brush and gouache, graphite on paper; 20.6 x 6.4 cm (8 1/8 x 2 1/2 in. )

Piece 18th century Japan. Piece. Japan. 18th century. Silk / Compound weave. Edo period (1615-1868). Textiles-Woven

Fragment (from Noh Costume) Made 1675-1725 Japan. Brocaded twill (kara ori) silk and gilt paper; 2 1/2 strips to m.m. .

Sketchbook #35;: studies for early paintings and illustrationprojects. Artist: John La Farge, American, 1835-1910, M.A. (HON.) 1896

Blow pattern of flowers, Anonymous, 1900 - 1985 decorated paper Japan Japanese paper (handmade paper). paint (coating) flowers ~ ornament

Hand drawing. Hand drawin background

PALACIO COMARES-SALON EMBAJADORES - ARTESONADO. Location: ALHAMBRA-PALACIO DE COMARES. GRANADA. SPANIEN.

Woven Textile. Dated: 1935/1942. Dimensions: overall: 36.9 x 29.1 cm (14 1/2 x 11 7/16 in.). Medium: watercolor, pen and ink, and graphite on paper. Museum: National Gallery of Art, Washington DC. Author: Cornelius Christoffels.

Fragment (Japan)

Blossoms on a grid, Mulberry paper (kozo washi) treated with fermented persimmon tannin (kakishibu), and silk threads (itoire), Breaking up the geometric lattice pattern are blossoms, stems, and leaves. Silk threads have been added to support the stencil structure., Japan, mid 18th - early 19th century, textile designs, Katagami, Katagami

(SIN TITULO) - SIGLO XX. Author: PABLO PALAZUELO (1916-2007). Location: GALERIA SOLEDAD LORENZO. MADRID. SPAIN.

Drawing, Textile Design: Merkur (Mercury); Designed by Dagobert Peche (Austrian, 1887-1923, active Vienna, 1911-1923); Made for Wiener Werkstätte (Austria); Austria; brush and gouache, watercolor on paper; 15.9 x 13.3 cm (6 1/4 x 5 1/4 in. )

Textile Design with Alternating Horizontal Rows of Rosettes with Pearls as Pistils Framed by Interlacing Garlands of Branches with Pearls over an Abstract Honeycomb Pattern 1840 Anonymous, Alsatian, 19th century Rectangular sheet of paper with a textile design from a group, dated 1840, made in Mulhouse, Alsace, which was an important nineteenth-century center for textile production in the Haut-Rhin region of France. The design is made up of alternating horizontal rows of rosettes of eight petals with four pearls as pistils framed by interlacing garlands of branches of light tan color with pearls over an abstract honeycomb pattern rendered with stipples of dark reddish-brown color over a light tan base. The rosettes are colored alternatingly with orange and purple; the pearls are colored with white.. Textile Design with Alternating Horizontal Rows of Rosettes with Pearls as Pistils Framed by Interlacing Garlands of Branches with Pearls over an Abstract Honeycomb Pattern. Anonymous, Alsa

Stencil Japan. Stencil. Japan. Paper. Edo period (1615-1868). Stencils

Sidewall, Leather, gilded, embossed, painted, Floral pattern painted on gilded embossed leather., 1750-1800, Wallcoverings, Sidewall

Tuscany Grosseto Massa Marittima S. Cerbono (Duomo)63. Hutzel, Max 1960-1990 Medieval: Architecture, architectural sculpture (13th-early 14th century); Fresco (14th century); Panels/Crucifix (14th century); pascal candle; sculpture including the Arca di S. Cerbone; architectural relief (c. 1267); Tabernacle (mid-14th century). Post-medieval: Paintings, fresco (14th century), sculpture Antiquities: Relief German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Edith Magnette, Patchwork Quilt, 1935 1942 Patchwork Quilt

Fragment, Medium: linen Technique: block printed on plain weave, Fragment printed in red on white with a design of an allover floral vine., England or France, 18th century, printed, dyed & painted textiles, Fragment

Textile Design with Alternating Rows of Hexagons and Ovals Flanked by Pearls Framed by a Network of Stiff Branches 1840 Anonymous, Alsatian, 19th century Rectangular sheet of paper with a textile design from a group, dated 1840, made in Mulhouse, Alsace which was an important nineteenth-century center for textile production in the Haut-Rhin region of France. The design is made up of alternating rows of hexagons and ovals flanked by groups of five pearls, framed by a network of stiff branches of light tan color with branch offsets of dark reddish-brown color over a ground of light tan color with dark reddish-bround stipples. The hexagon is colored with orange and outlined in red and the ovals are colored with purple and outlined in red. The pearls are of white color.. Textile Design with Alternating Rows of Hexagons and Ovals Flanked by Pearls Framed by a Network of Stiff Branches. Anonymous, Alsatian, 19th century. 1840. Gouache

The original dugre from the architecture of the FEU PUREERVAGE of the daughter of the daughter Ferdinande De Courldande ", Buchdeckel, inns

Fragment blauw fluweelbrokaat met granaatappelmotieven.Fragment blue silk velvet brocade with a pattern of wavy tendrils, rose hips and large pomegranates. For comparable fragments, see a TM E.

Stencil Japan. Stencil 70024

Untitled. Donald Judd; American, 1928-1994. Date: 1982-1985. Dimensions: 80 x 623 mm (plate); 1,051 x 750 mm (sheet). Etching on white wove paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Stencil 19th century Japan. Stencil. Japan. 19th century. Paper. Stencils

MEXICO BAJO LA LLUVIA - SIGLO XX. Author: VICENTE ROJO ALMAZAN.

The Open Window, c. 1914. Edward Alexander Wadsworth (British, 1889-1949). Color woodcut;

UNTITLED - 1990. Author: ROSS BLECKNER (1949-).

Tapestry fragment, c. 1800, 16 9/16 x 18 in. (42.07 x 45.72 cm) (irregular), Wool, Sweden, 18th-19th century

Design for announcement and order card with Pauwen, Theo van Hoytema, 1878 - 1894 print On the left a peacock on a branch; On the right a showing up peacock. paper ornamental birds: peacock

Greek Ornament

Celtic ornament

Return to Go. Bruce Conner (American, 1933-2008); published by Collectors Press (American, 1967-1972). Date: 1967. Dimensions: 761 x 563 mm (sheet). Lithograph in orange-red and black on white wove paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Calico Print. Dated: 1935/1942. Dimensions: overall: 26.8 x 21.6 cm (10 9/16 x 8 1/2 in.). Medium: watercolor and graphite on paper. Museum: National Gallery of Art, Washington DC. Author: Ralph N. Morgan.

Abstract painting in Paris France

Four excerpts wallpaper, anonymous, c. 1785 - c. 1800 Four fragments in oil paint on linen painted wallpaper. Above a panel of broken white with blue -gray frames, gray -blue vertical vertical stripes have been applied to a broken white stock, alternately decorated with sprinkled twigs with berries and a flower drink in red and blue. The seven fragments can be completed to three jobs. Northern NetherlandsNetherlands linen (material). oil paint (paint) Four fragments in oil paint on linen painted wallpaper. Above a panel of broken white with blue -gray frames, gray -blue vertical vertical stripes have been applied to a broken white stock, alternately decorated with sprinkled twigs with berries and a flower drink in red and blue. The seven fragments can be completed to three jobs. Northern NetherlandsNetherlands linen (material). oil paint (paint)

Piece 18th-19th century Japan. Piece. Japan. 18th-19th century. Silk. Edo (1615-1868). Textiles-Woven

Fragment (Japan)

Print sample Unknown, Wiener Werkstätte

Border, Block-printed paper, Narrow chevron and bead borders, printed eight across. Printed in brown and red against a black background., France, 1800-1825, Wallcoverings, Border

Man's Tunic. Peru, South Coast, Wari, 600-850. Costumes; principal attire (upper body). Camelid fiber and cotton, interlocked tapestry

Piece 18th-19th century Japan. Piece 67698

Plate, from Moonstrip Empire News. Sir Eduardo Paolozzi (British, 1924-2005); printed by Kelpra Studio, London. Date: 1967. Dimensions: 380 × 254 mm. Screenprint on paper. Origin: England. Museum: The Chicago Art Institute, Chicago, USA.

CUADRANTE "NOVUS"DE AHMAD IBN ABD AL-RAHMAN AL DUHMANI-MARRUECOS-RADIO 173 MM. Location: MUSEO ARQUEOLOGICO NACIONAL-COLECCION. MADRID. SPAIN.

Wholecloth whitework quilt. Culture: American. Dimensions: 100 x 102 3/4 in. (254 x 261 cm). Maker: J. Wright. Date: ca. 1815. Museum: Metropolitan Museum of Art, New York, USA.

Sheet with overall dot pattern late 18th-mid-19th century Anonymous. Sheet with overall dot pattern. Anonymous , Italian, late 18th-mid 19th century. late 18th-mid-19th century. Relief print (wood or metal). Prints

Assyrian and Persian Ornament

Untitled. Donald Judd; American, 1928-1994. Date: 1982-1985. Dimensions: 890 x 622 mm (plate); 1,050 x 750 mm (sheet). Etching on white wove paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Fragment (Japan)

Emily Kam Ngwarray, Untitled , 1990, acrylic paint on canvas, Australian Indigenous artist from the Utopia community, located in the Northern Territory.

Inside of front cover, with the bookplate of Samuel Putnam Avery.. Goya, Francisco (1746-1828). 1815. Avery, Samuel Putnam, 1822-1904. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. Bulls , Spain

Sidewall, Block printed on handmade paper, Square of paper printed with basketwork or basket weave pattern in grisaille. Vertical rods and the use of light and shadow create a strong sense of relief or trompe l'oeil., Paris, France, ca. 1785, Wallcoverings, Sidewall

Drawing, Textile Design: Merkur (Mercury); Designed by Dagobert Peche (Austrian, 1887-1923, active Vienna, 1911-1923); Made for Wiener Werkstätte (Austria); Austria; brush and gouache, watercolor on paper; 15.9 x 13.5 cm (6 1/4 x 5 5/16 in. )

Piece. Culture: French. Dimensions: 13 1/8 x 8 3/4 inches (33.3 x 22.2 cm). Date: late 18th-early 19th century. Museum: Metropolitan Museum of Art, New York, USA.

Arthur G Merkley, Striped Stair Carpet, 1935 1942 Striped Stair Carpet

Stencil, Waves, Fishing Nets, and Pine Leaves; Japan; mulberry paper (kozo washi) treated with fermented persimmon juice (kakishibu), silk threads (itoire); 59.8 × 40.3 cm (23 9/16 × 15 7/8 in.) Mat: 71.1 × 55.9 cm (28 × 22 in.)

Africa, South Africa, Mpumalanga Province, KwaNdebele, Ndebele tribe, Mabhoko village, King Palace, detail of Ndebele paintings decorating the palace

EXPOSICON ARTE AUSTRALIA -EMU-. Location: ATENEO-COLECCION. MADRID. SPANIEN.

A New Book of Ornaments, P. Baretti, 1766 Album with 16 ornamental designs by P. Baretti. Bound in a later band. band: leather. band: marbled paper. albumblad: paper engraving ornaments ~ art

arab mosaic agadir city morocco medina landmark arab mosaic detail Copyright: xZoonar.com/tudorxantonelxadrianx 7379633

Cornelius Christoffels, Coverlet (Section), c 1940 Coverlet (Section)

Lazio Roma Rome S. Croce in Gerusalemme. Hutzel, Max 1960-1990 Medieval: Cosmati pavement, architecture (facade). Post-medieval: Architecture, architectural sculpture, sculpture, frescoes: "Leggenda della Santa Croce," Antoniazzo Romano (attr) & "S. Elena sale al cielo," Corrado Giaquinto; mosaic ceiling in Cappella di S. Elena; coats-of-arms German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

PINTURA EN CERA. Author: JOSE MARIA SICILIA. Location: PRIVATE COLLECTION. MADRID. SPAIN.

Two Panels (Design No. 105). Designed by Frank Lloyd Wright (American, 1867-1959); Produced by F. Schumacher & Co., founded 1889; United States. Date: 1956. Dimensions: 64.6 x 58.7 cm (25 3/8 x 23 1/8 in.). Linen, plain weave; screen printed. Origin: New York City. Museum: The Chicago Art Institute, Chicago, USA.

XILOGRAFIA. Author: JOSE HURTUNA Y GIRALT (1913-1978).

Ring Roiebelmarmer in Blue and Orange, Anonymous, 1700 - 1900 marbled paper Ring pebble marble in blue and orange. Used as a cover. paper. shell marbled paper

Lucio Fontana (Rosario de Santa Fe, 1899-Comabbio, 1968). Venice Was All in Gold (1961). Alkyd on canvas. 149 x 149 cm. Museum: Museo Nacional Thyssen-Bornemisza, Madrid.

Watercolor illustration of portuguese ceramic tiles pattern. Single square tile.

Pieces from a Kosode with Plum Blossoms and Other Flowers Japan. Pieces from a Kosode with Plum Blossoms and Other Flowers. Japan. Resist-dyed silk satin damask (rinzu), embroidered with silk. Edo period (1615-1868). Textiles-Dyed and Embroidered

Ceiling Painting from the Tomb Chapel of Senenmut ca. 1479-1458 B.C. New Kingdom During the 1922-1923 excavation season, members of the Museum's Egyptian Expedition began work in the tomb chapel of Senenmut, one of Hatshepsut's best-known officials. The chapel had been carved into a layer of very poor quality limestone on the northeast slope of Sheikh Abd el-Qurna hill in Western Thebes and portions of the ceiling had caved in, including thick layers of painted plaster. Senenmut's offering chapel consisted of two rooms forming a T. The chapel faces almost due east and the entrance leads into a broad, transverse hall extending to the right and left (north/south). The long axial hall extends straight ahead (west). The ceilings of these two rooms were painted with a variety of geometric patterns and bands of text recording offering prayers and the name and titles of Senenmut. At the end of the excavation season, the Museum was awarded several pieces of the painted ceiling plaster. This fr

Design with flags, banners and a crowned w and B..

Piece. Culture: French. Dimensions: L. 21 1/2 x W. 9 3/4 inches54.6 x 24.8 cm. Date: 18th century. Museum: Metropolitan Museum of Art, New York, USA.

Round Segmentum from a Tunic, 300s - 400s. Egypt, Byzantine period, 4th - 5th century. Tapestry (probably inwoven in tabby ground); wool, linen, and gold foil around silk core; overall: 4.5 x 4.7 cm (1 3/4 x 1 7/8 in.).

Beautiful abstract art of Ebru marbling painting techniques on water with paints

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