Life and Society in Historical Prints

Etchings illustrating various aspects of life, including childhood, familial relations, and social gatherings, featuring detailed settings and characters from past eras.

Afternoon, Pieter van den Berge, 1702-1726

. Print at the top right labeled: fol. 228.

Illustrations for 'History of Brandenburg for 1793'

Savery, Salomon, Amsterdam, History of the prodigal son, The dissolute life of the prodigal son, verso - stamped, In the margin a line of text in Latin., print, prints, height 171 mm, width 199 mm, Northern Netherlands, 1594 - 1683-10-16, print maker, printmaker, 1610 - 1665, paper, papier, engraving, engraving (printing process), etching, etchings, Publication (Event), Publication, publisher

Incubation of silkworm eggs; Introduction of the silkworm and silk production in Europe; Vermis seristicus. In an interior, seven women are engaged in the incubation eggs from the silkworm. Left a four-poster bed. At the bottom of two lines in Latin. Third print of a series of six prints about the introduction of the silkworm and silk production in Europe.

. The Prince of Orange in Delft murdered by Balthasar Gerards, July 10, 1584. Willem van Oranje is shot on a staircase at the open door by Balthasar Gerards.

The School Master ca. 1638 Abraham Bosse French. The School Master 390179

Plate Seven, from A Rake's Progress 1735 England. Etching and engraving in black on ivory laid paper . William Hogarth

Boerendans in a barn, Jan de Visscher, After Adriaen van Ostade, 1643 - 1709 print In a shed, under the guidance of the game of a bagpipe player and a violinist, different couples are danced exuberantly. Others watch, smoke their pipe or have a conversation. print maker: Northern Netherlandspublisher: Amsterdam paper etching shed. inn, coffee-house, public house, etc.. dancing. flute, aulos, tibia

Farmer's fair, Jan van Goyen, 1624, draughtsman: Jan van Goyen, 1624, paper, brush, h 138 mm × w 243 mm

The king drinks (three-kings). In a departure, an exuberant company is celebrating Three Kings. Men, women and children eat, drink and sing. In the middle, the 'king', a fat man with paper king's crown, his glass. Above his head on the wall hangs a tablet: Nil Similius Insano Quam Ebrius (so the ancients sang, so the boy squeaked). In addition, a parrot in a bird cage. On the right a woman wipes the buttocks of a child, while an old man grabs her breast. From his mother's lap Places a child on a dog that is at the table. A man has to surrender. In the margin a Bible quote from PR. 31 in Latin.

"Woodcut by Hans Burgkmair the Elder from 1517, Figure 102 of 'Theuerdank', showing Theuerdank defeating his opponent in a sword fight."

B. Vincent infants when exposed / Life and Educational server.

Imprisoning of Egmond and Horne, 1567; Series 5: Dutch events, 1566-1570. Preventing of the graves of Egmond and Horne by Alva at the Court of Culemborg on the Zavel in Brussels, 10 September 1567. Face in the room where in the foreground Alva places in a long cloakes hand on the shoulder of Egmond, turn right Horne Drained. In the background, Alva is on a table of discussions. With caption of 8 rules in German. Numbered: 9. The print is part of an album.

Amsterdam, Ratelband, J., Philips, Jan Caspar, Title page for: A. Lybreghts, Redenerend vertoog over't notaris ampt, 1751, Allegorical title page with Vlijt, verso lower left - stamped, Minerva accompanies Vlijt to an old wise man. He holds up a mirror to her and points to the title. He is accompanied by Eendracht. In the background Mercury at a niche with a statue of Justice., print, text sheet, title page, prints, height 142 mm, width 85 mm, height 149 mm, width 193 mm, Northern Netherlands, 1700 - 1775-04-24, print maker, printmaker, 1733 - 1733, paper, etching, etchings, engraving, engraving (printing process), letterpress printing, Work conception, after own design by, Publication (Event), Publication, publisher

Five people around the fire welcoming the writer Willem Sluiter, Jan Luyken, 1687 print Amsterdam paper etching / letterpress printing saluting. open fire, fire-place, stove (in kitchen)

Lady world and the devil in a smithy; The Booze and the world in a similar Smidse.

The uneven love couple; DUCERET UT VETULAM IUVENIS, FACIT amplacrays; Emblemata Saecularia, 1596. An old woman is in a sober departure, a foot on a stew, a well-stocked money box next to her on the floor. She gets a marriage proposal of a young man who doesn't look at her but to the money pieces in her lap. That it is the young more freer to her money, also turns out to be a statement in the accompanying verse: d'Oude Berroppeld'om t 'Ghelt Sal ick trawen / soo think ick in Cooyen / other vroew.

Winter ca. 1637 Abraham Bosse French. Winter 361830

The Prodigal Son in a House of Ill Repute ca. 1636 Anonymous. The Prodigal Son in a House of Ill Repute 386090

Dassonville, Jacques, France, Scene in an inn, verso - stamped, print, prent, prints, height 94 mm, width 106 mm, French, 1619 - 1670, print maker, printmaker, 1629 - 1670, paper, papier, etching, engraving, engraving (printing process), Work conception, after own design of

Albrecht Dürer (German, 1471 - 1528), Joachim's Offering Rejected, c. 1504-1505, woodcut

Sale of the Prussian delights to Willem V, 1754; Transmission of the Prussian Heerlynings in Holland Aen den Heere Prinsse van Oranje and Nassau (...). Sale and transfer of Prussian delights in the Netherlands to Stadholder Willem V, February 21, 1754.

Betting better hard than mouth burned. Two charlatans for a table on which bottles, pots and coins. One of them blows into a dish with hot liquid. In the margin a caption of two lines in Latin and in Dutch, showing that Charlatan can be better careful to prevent misery.

The bad household, Crispijn van de Passe (I), After Maerten de Vos, 1589 print The imagination of the vice Divine (Discordia): interior with three elegantly dressed pairs that are fighting each other. All kinds of household goods fell on the ground. A dog bites a woman's dress. A child and a cat take a bite of a turkey. In the margin a six -line Bible quote from Spr. 17 and a motto in Latin. Pendant of a print with the good household. Cologne paper engraving Disagreement, Discord; 'Discordia' (Ripa). fighting

Depicts a farmers' feast by Sebald Beham, copper engraving showing seated figures, food, drink, and traditional rural setting.

Hugo de Groot is received in Antwerp by Grevinkhoven, 1621. Hugo de Groot is received after his escape from Loevestein in Antwerp by the former Rotterdam preacher Nicolaas Grevinkhoven, March 23, 1621.

Netherlands, Germany, De Rede maart de kerken tot vertolzaamheid, Reason urges the churches to tolerance. The pope, Luther and Calvin are seated at a table. Two cats are sitting on the shoulders of the pope who is eating porridge, Luther is playing the lute and Calvin is squeezing orange juice onto his veal. On the left a Baptist is kneeling by the fireplace. Above the fireplace a group of statues of Charity. In the foreground is a personification of Reason (Ratio) in the figure of a kitchen maid, on the right by the door another kitchen maid who probably personifies Tolerance with a deer (a reference to Coornhert). Allegory on the Reformation, theme from around 1560. In the depiction several cartouches with texts in German. With a caption of 10 lines in which the depiction is explained in detail. German copy after an unknown Dutch original., print, engraving, prints, engravings, Frederik Muller Historieplaten, height 261 mm, width 345 mm, print maker, prentmaker, 1560 - 1599, third qu

Woodcut by Urs Graf the Elder depicting Mary Magdalene washing the feet, created in 1506.

In a room there is a family to die; The table.

An etching and aquatint from 1782 by Francesco Bartolozzi depicting 'The Game of Hazard,' highlighting figures and gaming scene composition.

Cart players. There are three men and a woman at a table. The man on the other side of the table 'can be in the card'. There is a dog for the table.

The Frenchman and the Dutch, 1673; Franschman Hollander / Le Francois l'Hollandois; Six French cartoons on the Dutch from 1673. The Frenchman and the Dutch, 1673. French cartoon on the Dutch. A Frenchman and a Dutchman at a long table on which cheeses and vegetables are. A group of men and women looks. Under the table 2 verses of 11 lines in Dutch. At the bottom of 4 verses of 4 rules in French.

Academy of sculptor Baccio Bandinelli. Students are signed in the Baccio Bandinelli workshop. The Florentine sculptor held one of the earliest sign academies in the Cortile del Belvedere in the Vatican. Around a table are students who talk to candlelight a modeling. On the right, Bandinelli is in his hands with another Modello. There are several models and vases in the room, which, like the figures, throwing strong shadows on the walls.

Julius Caesar in a council meeting and Cicero Writing at the rear, Anonymous, Hans Weiditz (II), 1514 - 1531 print Print is part of an album. paper letterpress printing (story of) C. Julius Caesar. (story of) Cicero. counsellor

Monogrammist AS (writer), Sadeler, Raphael (I), Vos, Maerten de, Frankfurt, Cologne, Three virtuous women, Sophronia, Sofronia, verso center bottom - stamped, In a room sits Sofronia, one of the characters from the epic poem 'Jerusalem Delivered' by Torquato Tasso. She is sitting on a chair and holding a knife. On the right a monkey and on the left a treasure chest., print, prints, width 110 mm, height, 155 mm, South Netherlandish, 1560, print maker, printmaker, 1590 - 1590, paper, engraving, engraving (printing process), Work conception, 1532 - 1603-12-04, after a design by, Publication (Event), Publication, publisher, writer

Sight

Veiling, 1756 print Interior with the auctioneer behind a table. In the foreground, a man looks at a folder with prints on a chair. paper etching art sale, auction. art collecting

The Birth and Naming of Saint John the Baptist. Northern Netherlandish. Date: 1520-1530. Dimensions: Panel: 29.2 × 21 cm (11 1/2 × 8 1/4 in.). Glass, vitreous paint, and silver stain. Origin: Netherlands. Museum: The Chicago Art Institute, Chicago, USA.

Case Sombreuil. Massacre at the abbey prison from 2 to 6 September 1792, rue Sainte-Marguerite, Current 137-166, Boulevard Saint-Germain and Gozlin Street, 6th arrondissement. French Revolution. (Factitious title)

Mainoto, Pietro, Italy, Baretta, Francesco, Poche legna, una sega, e paglia e strame, Without molto sudor fatica e stento, Chair maker, spinner and sawing man, verso - stamped, View of a kitchen with a chair maker, a spinner and a sawing man. On the right is a kettle on the fire. In the bottom margin the title., print, prent, prints, prenten, height 338 mm, width 410 mm, Italian, print maker, printmaker, 1700 - 1850, paper, papier, engraving, engraving (printing process), Work conception

Salomé with the head of Johannes de Boper, Lucas van Leyden, 1515 - 1519 print Salomé with the head of John the Baptist on a scale, Herodias and Herodes sat at the table. In the background decapitation of Johannes. Low Countries paper pen Salome gives the head of John the Baptist to her mother

The Presentation in the Temple, from The Fall and Redemption of Man Made 1510-1518 Germany. Woodcut in black on ivory laid paper . Albrecht Altdorfer

Louis XIII (king of France), Paris, Henriet, Israel, Nancy, Callot, Jacques, The prodigal son, The prodigal son receives his share of the inheritance, verso lower left - stamped, In a room full of people sits a older man on the right at a table with some young people who are dividing coins among themselves. Below the representation a two-line French verse. This print is part of a series of prints based on the parable of the prodigal son, consisting of a title print and ten narrative representations., print, prints, height 62 mm, width 83 mm, French, 1592-08-21 - 1635-03-24, print maker, printmaker, 1635 - 1635, second quarter 17th century, paper, etching, etchings, Publication (Event), Publication, 1590 - 1661, publisher, 1601-09-27 - 1643-05-14, granter of privilege

The magic lantern (dl. 1), ca. 1720; The magic lantern inhibits the regacity of the stuff / under the shadow of the lanter's ist to damn it; The large scene of foolishness (extra pieces). The magic lantern. Presentation in two parts. Above an interior in which a show is given with the magic lantern. Under three men on the way each with a magic lantern on the back, they are referred to as: Duydser, Curje and Waaltje in the accompanying verse with a consultation. First print in a series of three consecutive plates about the magic lantern. Belongs to the group of prprans added to the scene of scene of foolishness with cartrents at the 1820 wind trade.

Abraham Bosse (French, 1602 - 1676). Winter (L'Hyver), 17th century. From The Seasons. Etching. Second state

The skeleton of Death, Freund Hans, assisting a man with a flintlock pistol to commit suicide. 18th century man in a room with chest of drawers and clock, inkwell and quill on his desk. Desperation. Der Berzweiflungsvolle. Copperplate engraving by Johan Georg Mansfeld after an original by Johann Rudolf Schellenberg from Johan Kark Musauss Freund Heins Erscheinungen in Holbeins Manier, (Apparitions of Death in the manner of Holbein) Mannheim, 1803.

A man is working at a bench with statues and columns around him. Woodcut.

Conversation between the Rijksgraaf van Werther and the lord of Fuchs, Anonymous, 1729 print The Rijksgraaf van Werther, Chancellor of Poland, and the Fuchs's lifelord are sitting side by side on a stone. In the background a ruin of a castle. Stated at the top: October / 1729. paper etching conversation, dialogue; conversation piece. landscape with ruins

Print, Le Retour du Baptesme (Return from the Baptism), Plate IV, from Le Mariage à la Ville (Marriage in the City); Abraham Bosse (French, 1602-1676); France; etching with engraving on thin white laid paper; 29.9 x 38.6 cm (11 3/4 x 15 3/16 in. )

Peasant woman, seated, and cooking, with three children and a man around her ca. 1640-70 Jacques Dassonville. Peasant woman, seated, and cooking, with three children and a man around her. Jacques Dassonville (French, ca. 1619-ca. 1670). ca. 1640-70. Etching; second state of two. Martinus van den Enden (Flemish, 1605-1673). Prints

In the foreground left Wealth (Divitiae), surrounded by coffers and stock. Dressed as a merchant, he holds a money pouch in his right hand, which he hands to a woman and her family. In the foreground on the right, Avarice (Avaritia). She is dressed as an old woman and is burying her treasures under a tree. In the background on the left the construction of a house with industrious workers everywhere. On the right, a slum with beggars. The print has a Latin, French and Dutch caption in verse. The verses praise wealth as the use of God's gifts, however, they condemn avarice as a grave sin. Avarice, the Danger of Wealth Allegories on Poverty and Wealth , print maker: Hans Collaert (I), (mentioned on object), Crispijn van den Broeck, (mentioned on object), Willem van Haecht (I), (mentioned on object), Antwerp, 1577, paper, engraving, h 221 mm × w 304 mm

Courtship; Facing, marrying and first maternity bed in a decent Dutch household around 1750.From. Interior with right minnent couple and left a cupid with arrow and bow. Print No. 3 in a series of twelve prints with two-legged verses about the Dutch habits at marriage around 1750.

Heyrath Through .. Illustration No. 1 (from 12) to the topic Mostness to Marry and their Consequences reasons for marriages and effects, posted in: Goettinger Taschen Calender from 1789, Bey Joh. Chr. (Copy) Unknown, Chodowiecki, Daniel Nikolaus (1726 1801)

Jewish Oath (From the Laienspiegel, Augsburg) by Tengler, Ulrich (ca 1441-1521) / Private Collection / 1509 / Germany / Woodcut / Genre,History / 27,3x18,7 / Renaissance

Illustration for 'Caroline of Lichtfield'. Daniel Nikolaus Chodowiecki (Germany, Danzig, 1726-1801). Germany, 1786. Prints; etchings. Etching

Ludwig XIII., King of France.

David saves Batseba; Paintings in the Loggia of Rafael; Imagins Veteris AC Novi Testamenti; Rafael Bible. The naked Batseba is bathed. King David spends her from his palace. A crowd of soldiers walks across the street. Bible verse under the show. Print is part of an album.

Taste, Abraham Bosse, c. 1635 - c. 1636 print A lady and a gentleman sitting at a set table. A servant is wearing a bowl. In the middle behind a gobelin against the wall. Paris paper etching / engraving taste, tasting (one of the five senses). taste, tasting (one of the five senses). laid table: table-ware, table-decoration, etc.. plants and herbs: artichoke. eating and drinking. dog. tapestry

Minerva verandert Arachne in een spin; Arachne in araneam a Pallade convertitur; Metamorphoseon sive transformationum; Metamorfosen van Ovidius.Minerva changes Arachne in a spider, because Arachne has lost a weave game. Title in Latin in undermarge.

unknown, Heyden, Pieter van der, Bruegel, Pieter (I), Netherlands, Doetechum, Johannes of Lucas van, The lean kitchen, The lean kitchen. Interior in which a group of lean people, including a monk, are eating a table eating mussels. A man stirs a cauldron on the fire, in the foreground a woman gives a child a drink from a drinking horn. Above a fat man who wants to leave is stopped at the door by two thin women. Above a text, on three sides an ornamental border. See pendant., print, prints, Frederik Muller Historieplaten, height 343 mm, width 480 mm, print maker, printmaker, 1587 - 1599, fourth quarter 16th century, paper, papier, engraving, engraving (printing process), South Netherlands, 1525 - 1569-09-05, intermediary draughtsman, after a drawing by, Work conception, 1540 - 1582, after a print by, Publication (Event), Publication, publisher

Narbal says goodbye to Telemachus, Philip Van Gunst, After Gabriël François Louis Debie, 1734 print In the port of Tyros, Narbal says goodbye to Telemachus, who will travel to Cyprus by ship. Narbal embraces the young man. The print has a French caption. Amsterdam paper etching / engraving non-aggressive, friendly or neutral activities and relationships of Telemachus. harbour

Sale of herring Debiting and Selling the Haringh / The Selling of the Herring (title on object) Groote Vissery (series title), A fisher woman sells herring from a ton in the city. The print is part of a 32-part series of prints with representations about the herring catch, sea and coastal fishery, bony fishes: herring, Adolf van der Laan, Amsterdam, 1728 - 1761, paper, etching, h 178 mm × w 207 mm

The Betrothal of Philip and Joanna. Artist: Albrecht Dürer (German, Nuremberg 1471-1528 Nuremberg). Dimensions: sheet: 6 13/16 x 5 3/4 in. (17.3 x 14.5 cm). Date: n.d.. Museum: Metropolitan Museum of Art, New York, USA.

The bagpipe gives no sound, then when he is full, Hendrick Goltzius (attributed to workshop or), after Karel van Mander (I), 1590 - 1594 print A bagpipe player and a drunkard sit together at the table. Behind the table a woman with her hands is lifted. The bagpipe player is sitting on a fallen chair, next to him is a dog. Under the show a explanatory Latin verse by Franco Estius and a Dutch verse. Haarlem paper engraving / letterpress printing bagpipe, musette. drinking. drunkard

Card players, Theodoor Rombouts, 1640 - 1670 print A group of men and women's card is playing at a long table. There are piles of cards and coins on the table. Antwerp paper etching / engraving coin

Hudibras and the Lawyer, plate twelve from Hudibras. William Hogarth; English, 1697-1764. Date: 1725-1726. Dimensions: 245 × 344 mm (image); 270 × 353 mm (plate); 272 × 356 mm (primary support); 368 × 476 mm (secondary support). Etching and engraving in black on cream paper edge, mounted on cream wove paper. Origin: England. Museum: The Chicago Art Institute, Chicago, USA.

Horch, Christoph.

Rachab lets the spies escape through the window, Harmen Jansz Muller, after Gerard van Groeningen, 1579 - 1585 print The Rachab prostitute is in her doorway and sends the soldiers sent to find Joshua's spies in the wrong direction. On the right you can see how Rachab lets the two spies with a rope escape from her window. At the bottom of the margin a reference to the Bible text in Latin. print maker: Amsterdampublisher: Antwerp paper engraving Rahab, questioned by the king's men about the Israelite spies, sends them on a false track. Rahab, whose house was built in the city wall, lets the spies down from the window by means of a red rope

Mirandor's brother employed by a quack, who has stored his stage on a market square, Caspar Luyken, 1695 print Print left and top right marked: 2 part - p. 295. Amsterdam paper etching quack, charlatan, mountebank, 'saltimbanco'

The Parents Bestow Gifts. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: JACQUES CALLOT.

Bacchus Zangers, Anonymous, After Jan Verbeeck, 1580 print A group of eight foolish people, the Bacchus singers, sings and makes music around a table in an inn. A woman blows on an animal leg, a man blows on a long drinking glass. On the right a fool, a puke man squats on the left. On the table an open music book with musical notes in the form of food and drink. With caption of 6 lines in French and 6 lines in Dutch. Above the first three lines of the song with nut bar. Low Countries paper engraving vocal music, singing. inn, coffee-house, public house, etc.. fool, simpleton, numskull

Murder of the Prince of Orange, 1584, 1678 - 1680 print The Prince of Orange in Delft murdered by Balthasar Gerards, July 10, 1584. Willem van Oranje is shot on a staircase near the open door by Balthasar Gerards. Northern Netherlands paper etching attempt, political murder Prinsenhof

Willem Jansz. Climb the stake in Amsterdam, 1569, Jan Luyken, 1685 print Amsterdam paper etching persecution of heretics. violent death by burning at the stake; pyre City Hall of Amsterdam (14th century-1652). Dam

The years of a man's life from 90 to 100: death. Engraving by Gerard van Groeningen, 1572.

Direct transfusion: wrist to wrist Date: 1679

The skeleton of Death, Freund Hans, feeds a baby in swaddling clothes with a spoon, 18th century. The mother watches with horror, and a cat licks milk from a bowl next to the crib. Death and the baby in swaddling clothes. Unwelcome zeal. Unwillfommene Diestbeflissenheit. Copperplate engraving by Johan Georg Mansfeld after an original by Johann Rudolf Schellenberg from Johan Kark Musauss Freund Heins Erscheinungen in Holbeins Manier, (Apparitions of Death in the manner of Holbein) Mannheim, 1803.

Whoever litigates has sleepless nights, Hendrick Goltzius, 1597 print The litigating person (litigator) is writing in bed, kept awake by a rooster and anxiety (with ratchet). Anxious care drives back soft sleep. Extensive caption in Dutch, German and Latin. This print is part of a series of eight prints about greed, deception and litigation. print maker: Haarlempublisher: Low Countries paper engraving litigation, legal proceedings, lawsuit. fowl (cock, hen, chicken, etc.)

France (1666). Louis XIV and Colbert visiting the Academy of Sciences of Paris. Etching. FRANCE. LE-DE-FRANCE. Paris. National Library.

Two performances from Herrmann Lange from August Lafontaine, Daniel Nikolaus Chodowiecki, 1800 print Different figures are etched in the margin in a sketchy way. Berlin paper etching family, relationship, descent. letter, envelope

An Election Entertainment, plate one from Four Prints of an Election. William Hogarth; English, 1697-1764. Date: 1757-1758. Dimensions: 400 × 540 mm (image); 437 × 559 mm (plate); 449 × 580 mm (sheet). Engraving in black on cream laid paper. Origin: England. Museum: The Chicago Art Institute, USA.

Print, Le Barbier, from Les Metiers series The Barber, from The Trades series; Abraham Bosse (French, 1602-1676); etching on thin cream paper; 25.6 x 33.2 cm (10 1/16 x 13 in.), plate 29.9 x 45 cm (11 3/4 x 17 11/16 in. ), sheet

Feeling; The five senses. A man is tied to a chair, while a man with a tongs pulls one of his teeth. Under the show a two-legged fresh in Dutch. The print is part of a series of five prints with the five senses.

Marriage A-la-Mode, Plate III. Artist: After William Hogarth (British, London 1697-1764 London). Dimensions: Sheet: 15 1/4 x 16 in. (38.7 x 40.7 cm). Engraver: Bernard Baron (French, Paris 1696-1762 London). Date: April 1, 1745. Museum: Metropolitan Museum of Art, New York, USA.

Their recommendation Illustration No. 3 (from 12) to the play of G. F. Grossmann No more than six bowls Not more than six cups Posted in: Lauenburger Genealogisches Calender for 1792 Chodowiecki, Daniel Nikolaus (1726 1801)

King Henry II of France on his deathbed, with members of the royal family and the royal household in attendance. Process print after a woodcut.

Jan Kruyze and Willem van Deutichem around turns punished in the Wassenaarskooi in Hattem, 1520. Jan Kruyze, steward of Salland and Willem van Deutichem, Schout van Deventer are trimmed in the Wassenaar cage, the cage of Jan van Wassenaar, in Hattem , 1520. Scene takes place in prison.

The Family Concert (As the old sing, so the young twitter). Dimensions: sheet (trimmed to plate mark): 32.2 x 44.1 cm (12 11/16 x 17 3/8 in.). Medium: engraving. Museum: National Gallery of Art, Washington DC. Author: Schelte Adams Bolswert after Jacob Jordaens.

Northern Netherlands, Scene of a Strangest, Unnatural and Cruel Event in the Netherlands, Occurring at the Noble House Nettelhorst in the County of Zutphen 1784, Assault on the preacher Langerak, 1784, verso - stamped, Assault on the preacher Langerak from Laren at the Huis Nettelhorst near Lochem by Baron van Heeckeren, mayor De Wolff of Lochem and Mr. Sölner because the preacher refused to drink to the health of the Duke of Brunswick, July 1784. In the doorway, the Lochem preacher Abbink looks on approvingly. On the sheet below the plate a verse in three columns., print, prent, prints, Frederik Muller Historieplaten, height 226 mm, width 240 mm, print maker, printmaker, 1784 - 1784, paper, papier, etching, etchings, engraving, engraving (printing process), letterpress printing

The Industrious 'Prentice performing the Dutyof a Christian. Dated: 1747. Medium: etching and engraving. Museum: National Gallery of Art, Washington DC. Author: William Hogarth.

Print, Discord: The Good and the Bad Household; Designed by Crispijn de Passe the Elder (Dutch, ca. 1565 - 1637); After Marten de Vos (Flemish, 1532-1603); Netherlands; engraving with black ink on paper

A man is selling a large bundle to a merchant. Woodcut.

Dircksz, Barend, Northern Netherlands, Execution of the Anabaptists on the scaffold on the Dam, 1535, Torture and execution of the Anabaptists on the scaffold in front of the old town hall on the Dam, 28 July 1535. Judges watch from the windows of the town hall, a large crowd on the Dam. Under the scaffold the mutilated bodies of those already executed. Image cut out of the book. Without the verse below the representation., print, picture, historical print, prints, Frederik Muller Historical plates, height 213 mm, width 170 mm, print maker, printmaker, 1612 - 1614, first quarter 17th century, paper, engraving, engraving (printing process), 1500 - 1566

William Humphrey, 1745-1810, British, The Pantheon, 1772.

Hudibras in Tribulation (Twelve Large Illustrations for Saumel Butler's Hudibras, Plate 6) February 1725-26 William Hogarth British. Hudibras in Tribulation (Twelve Large Illustrations for Saumel Butler's Hudibras, Plate 6) 396785

Preparation to consult the Oracle of Delphi, Romeyn de Hooghe (Attributed to), After Romeyn de Hooghe, 1687 print Preparation to consult the Oracle of Delphi. With numbers at elements in the show that refer to text in book. Netherlands paper etching Delphic oracle Delphi

Wealthy woman by Anonymous artist, print, Private Collection 17, 5x22, 5

Two men with an anvil; The image.

Woodcut by Leonhard Beck, Image 8 from Theuerdank (1517), showing a messenger presenting an invitation letter from Queen Ehrenreich.

Abraham Bosse, A Sculptor in His Atelier, 1642 A Sculptor in His Atelier

A drawing by Abraham van Diepenbeeck showing several men seated around a table, created with brown pen, gray brush, and graphite pencil.

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