Life in 17th Century Interiors

Depictions of everyday life in rustic interiors, featuring families and craftsmen, showcasing historical domestic scenes and somber tones in etchings.

In a peasant interior, a man has a child on his lap whom he feeds with a spoon. A woman stands by the fireplace, above which hangs a cooking pot. A child is eating at a low table near the bedstead. Beneath the picture the caption reads: Eet soete kintje eet, je luertjes sijne Reet (Eat sweet child eat, your diapers are ready), Father voedt een kind (Father feeds a child) Copies after Adriaan van Ostade (series title), print maker: Jacob Laurensz. van der Vinne, Adriaen van Ostade, Haarlem, 1699, paper, etching, h 130 mm × w 93 mm

Nicolas Delaunay after Pierre Antoine Baudouin, La Sentinelle en défaut, 1771 La Sentinelle en défaut

The Jailbird, Illustration for 'Königl: Grosbrit anische Genealogischer Kalender auf das 1780 Jahr Lauenberg bey J.G. Berenberg', Daniel Nikolaus Chodowiecki, German, 1726 - 1801, Stipple and line engraving on paper, A prisoner lying on the floor of his cell gazes at the jailer, who enters. The poem says that the jailer does not speak and hurries away. How dreadful that the only man seen shows no sign of commiseration., Germany, 1779, Print, Print

The Embrace (Picturesque Beauties of Boswell, Part the First) May 15, 1786 Thomas Rowlandson. The Embrace (Picturesque Beauties of Boswell, Part the First). Picturesque Beauties of Boswell. Thomas Rowlandson (British, London 1757-1827 London). May 15, 1786. Etching. Elizabeth Jackson (British, active 1785-87). Prints

Print made by Edward Francis Finden, 1791-1857, British, Peter Stuyvesant Rebuking the Cobbler, 1823. Line engraving on medium, slightly textured, cream laid paper.

A Visit to the Uncle December 20, 1794 Thomas Rowlandson. A Visit to the Uncle. Thomas Rowlandson (British, London 1757-1827 London). December 20, 1794. Etching and aquatint. S. W. Fores (London). Prints

The Jew and Morris Bolter begin to understand each other. From the book ""The Adventures of Oliver Twist"" by Charles Dickens, with illustrations by G.Cruikshank. Published by Chapman and Hall, London 1901.

Honoré Daumier (French, 1808 - 1879). Denys le Tyran, 1842. From Histoire Ancienne. Lithograph on white wove paper. Image: 229 mm x 209 mm (9.02 in. x 8.23 in.). Second of three states.

Venice, Cavalli, Nicolo, Italy, Maggiotto, Francesco, Volpato, Giovanni, Le arte per via, Street vendors, Il pentolajo, The pot seller, verso - stamped, A pot seller selling his wares on the street., print, prints, height 375 mm, width 294 mm, Italian, 1740 - 1803, print maker, printmaker, 1743 - 1803, paper, papier, etching, etchings, engraving, engraving (printing process), Work conception, after a design by, Publication (Event), Publication, 1730 - 1822, publisher

Visscher, Cornelis (II), Amsterdam, Haarlem, The Pied Piper with his Servant, verso - stamped, A rat poison seller with his dog and servant. The boy is holding a staff with a rat cage. The seller carries a bag and tools, and a rat runs on his cloak. On a chest that he carries on his hip are the coats of arms of Leiden and Amsterdam., print, prent, prints, height 377 mm, width 316 mm, Noord-Nederlands, 1629 - 1658-01-16, print maker, printmaker, 1655 - 1655, paper, papier, etching, etchings, engraving, engraving (printing process), intermediary draughtsman

The artist in the Alps according to the painting of Franz Defregger. A clip from a Russian magazine. East, Emil Adolf (1846 1932), Defregger, Franz von (1835 1921)

Eugène Delacroix (1798-1863). Mephistopheles presents itself at Marthe (Delteil 66). Lithography. 1827. Museum of Fine Arts of the City of Paris, Petit Palais. LITHOGRAPHY

Plumbers fixing lead pipes on a building site. One man in an apron and hat heats lead in a ladle over a fire, another brings pipes and a ladle, and other climb ladders to fix guttering outside a building. Woodblock engraving from The Book of English Trades, or Library of Useful Arts, F.C.& J. Rivington, London, 1821.

Reading the Letter, Captain William Baillie (Kilbride,Co. Carlow, Ireland, 1723 - 1792)

Smoking farmers near a fireplace, Anthonie van den Bos, after Adriaen van Ostade, 1778 - 1838 print There are seven farmers by a fire, one of which is with their backs to the fireplace. The farmers smoke pipe and are sagging in their seats. Amsterdam paper etching hotel, hostelry, inn. farmers. pipe ~ tobacco. open hearth, fire-place

The Face, Jacob Gole, After Cornelis Dusart, 1670 - 1724 print Three men look at a woman who holds a candle. One of the men wears glasses. The print is part of a series of five prints with the five senses. print maker: Amsterdamafter print by: Haarlempublisher: Amsterdam paper engraving sight, looking (one of the five senses). eyeglasses, spectacles. candle

The FattedCalf. Artist: James Tissot, French, 1836-1903

Etching and aquatint by Francisco Goya from 'The Disasters of War', titled 'It Exhausted Without Remedy', produced 1812-1815, first edition 1863, depicting human suffering in conflict.

Copper bearing, Anonymous, After Jan Gillisz. van Vliet, 1635 - 1685 print Two buyers in a workshop; One of them insists on a tub, the other cuts a copper plate. paper etching coppersmith, brassworker. industries ~ metal

Illustration for Henry Pestalozzi's 'Leonard and Gertrude or the Village Customs'. Daniel Nikolaus Chodowiecki (Germany, Danzig, 1726-1801). Germany, 1782. Prints; etchings. Etching

Abraham and Isaac, 1645. Rembrandt van Rijn (Dutch, 1606-1669). Etching with drypoint and burin; sheet: 15.6 x 13.1 cm (6 1/8 x 5 3/16 in.).

Why hide them, Francisco de Goya, 1797 - 1799 print One in a dug monk with a bag of money in each hand. He is laughed at by four well -to -do men. Thirtieth print from the Spain paper etching / drypoint Greed, Covetousness, Cupidity; 'Cupidití' (Ripa). monk(s), friar(s)

The Rattencatcher with his servant, Cornelis Visscher (II), 1655 print A rat poison seller with his dog and servant. The boy holds a staff with a rat cage. The seller carries a bag and tools, a rat runs on his cloak. On a chest he wears on his hip are the weapons of Leiden and Amsterdam. Haarlem paper etching / engraving rat exterminator. dog

Mort de Goetz deBerlichingen. After: Eugène Delacroix, French, 1798-1863

Map Playing Buren, Pierre François Basan, After Adriaen van Ostade, 1733 - 1797 print print maker: Francepublisher: Paris paper engraving card games. pipe ~ tobacco. neighbour

Bracquemond, Félix (n.1833-05-22-D.1914-10-29), the part of cards after Meissonier (main title), 1858. Etch and dry point. Petit Palais, Museum of Fine Arts of the City of Paris.

Woman holds dead baby facing upward and family grieves God's providence , print maker: Johannes Christiaan Bendorp, (mentioned on object), Johannes Christiaan Bendorp, (mentioned on object), publisher: Johannes Immerzeel, Netherlands, 1776 - 1847, paper, etching, h 133 mm - w 103 mm

Man shows a chair with wicker seat and a pillow to another man, Jan Luyken, 1711 print Amsterdam paper etching chair. pillow

August; The twelve months of the year, "Les XII Mois de l'Année". In a barn a farmer grain thirsty with a threshing leg. Next to him pours a woman in a bag. Two farmers in the background. The print is part of a series of twelve prints with the twelve months of the year.

Tsar Peter de Grote in Zaandam, 1697, 1762 - 1833 print Tsar Peter the Great Timmering in his house (Tsar Peterhuisje) in Zaandam. Numbered at the top right: 7. Netherlands paper etching shipbuilding industry Tsar Peter Huisisis

A Woman at her Toilet with a Maid, a Boy, a Dog and a Young Soldier; verso: A Sketch for a Similar Composition 1770 Johann Eleazar Zeissig, called Schenau German. A Woman at her Toilet with a Maid, a Boy, a Dog and a Young Soldier; verso: A Sketch for a Similar Composition 383935

Man who washes his feet and a woman with a kettle, Adriaen Pietersz van de Venne, 1600 - 1800 drawing A man washes his feet in the water; On the right a woman with a kettle on a jetty. paper. ink pen / brush washing one's feet - AA - in the open air. household chores

Wallant Vaillant, after Gerard ter Borch (II), after Jan de Bisschop, 1668 print A messenger, with a trumpet on his back, a woman reaches a letter. She does not seem to want to take the letter, she has crossed her arms. paper letter, envelope. dog

Rijn, Rembrandt van, Christ and the Samaritan woman: in the background ruins, verso top right, print, prints, Rembrandt f. 1634, upper right, height 122 mm, width 108 mm, Northern Netherlands, 1606-07-15 - 1669-10-08, print maker, printmaker, 1634 - 1634, second quarter 17th century, paper, etching, etchings, Work conception, after own design by

The Flight Into Egypt: A Night Piece, Rembrandt van Rijn, 1651 print paper etching / drypoint the flight into Egypt: Mary, Joseph, the child (and sometimes others) on their way; Mary usually riding on an ass

Rijn, Rembrandt van, Denon, Dominique Vivant (baron), Christ returning from the temple with Joseph and Mary, Christ returning from the temple with his parents, verso - stamped, print, prints, verso set-up sheet - stamped, height 93 mm, width 144 mm, Frans, 1747-01-04 - 1825-04-28, print maker, printmaker, 1757 - 1825, paper, papier, etching, etchings, drypoint, dry needle, Work conception, Noord-Nederlands, 1606-07-15 - 1669-10-08

Caricature of five heads of poor people, Louis -Léopold Boilly, in or after 1823 - in or before 1828 print Paris paper caricatures (human types)

Dusart, Cornelis, Violinist in the kapaka, 1685, line etching, graphics, 27.4 cm x 24.6 cm

Poor Little Girls!, plate 22 from Los Caprichos. Francisco José de Goya y Lucientes; Spanish, 1746-1828. Date: 1797-1799. Dimensions: 184 x 130 mm (image); 219 x 153 mm (plate); 301 x 206 mm (sheet). Etching and aquatint on ivory laid paper. Origin: Spain. Museum: The Chicago Art Institute, Chicago, USA.

Juda in Tamar.

Archimedes Siracus. Photogravure by R. Paulussen after N. Barabino.

Satiric illustration by Pierre-Francois Basan, etching, 1723-1797, 18th century, Private Collection

The Young Innkeeper. Cornelis Pietersz Bega; Dutch, 1631/32-1664. Date: 1640-1664. Dimensions: 174 x 156 mm (plate); 182 x 164 mm (sheet). Etching on cream laid paper. Origin: Netherlands. Museum: The Chicago Art Institute, Chicago, USA. Author: Cornelis Pietersz. Bega.

The Lord of the Vineyard Paying His Labourers, Print made by M. A. Picot, 1782-1838, after Rembrandt van Rijn, 1606-1669, Dutch, 1771, Mezzotint on moderately thick, moderately textured, cream, laid paper, Sheet: 17 5/16 × 11 7/8 inches (44 × 30.2 cm), Plate: 14 × 10 inches (35.6 × 25.4 cm), and Image: 11 1/2 × 10 inches (29.2 × 25.4 cm)

Rhine, Rembrandt van, The angel leaves Tobias and his family, lower left, print, prints, Rembrandt f 1641, height 104 mm, width 153 mm, Northern Netherlands, 1606-07-15 - 1669-10-08, print maker, printmaker, 1641 - 1641, second quarter 17th century, paper, etching, etchings, drypoint, dry needle, Work conception, after own design by

There Was No Business ("No encontraron avio") 1807-45 Leonardo Alenza y Nieto Spanish. There Was No Business ("No encontraron avio") 335170

Etend family at the table, Johann Andreas Benjamin Nothnagel (Possible), 1739 - 1804 print paper etching (family) meal

Public scribe working in market place.19th century lithograph by Em. Baerentzen & Co, from the drawing by E. Meyer. From the book ""Figaro. Journal of Literature,Art and Music"" by Georg Garstensen. Published 1841.

Print, The Blindness of Tobit: The Larger Plate, 1651; Rembrandt Harmensz van Rijn (Dutch, 1606-1669); Netherlands; etching with drypoint on laid paper; 15.9 × 12.6 cm (6 1/4 × 4 15/16 in.); Bequest of George Campbell Cooper; 1896-3-149

Rijn, Rembrandt van, Christ and the Samaritan Woman: plate with curved top edge, verso lower left - stamped, print, prints, Rembrandt f. 1657, lower left, height 204 mm, width 160 mm, Northern Netherlands, 1606-07-15 - 1669-10-08, print maker, printmaker, 1657 - 1657, third quarter 17th century, Oriental paper, etching, etchings, drypoint, dry needle, plate tone, Work conception, after own design by

This is a scene from what Alice saw once she went through the Looking Glass and into the Looking Glass room in Lewis Carroll's "Through the Looking Glass." Here we see Alice rowing a boat and with her is a Sheep who is calmly knitting. Lewis Carroll (Charles Lutwidge Dodgson) wrote the novel "Through the Looking-Glass and What Alice Found There" in 1871 as a sequel to "Alice's Adventures in Wonderland.".

The Breakfast (Le Gourmet en Compagne). Artist: Adriaen van Ostade (Dutch, Haarlem 1610-1685 Haarlem). Dimensions: Sheet: 8 1/2 × 10 3/16 in. (21.6 × 25.9 cm). Date: 17th century. Museum: Metropolitan Museum of Art, New York, USA.

Frontispiece to Tobias Smollett's "Roderick Random" 1748 Charles Grignion, I. Frontispiece to Tobias Smollett's "Roderick Random". After Francis Hayman (British, Exeter () 1707/08-1776 London). 1748. Etching. Charles Grignion, I (British, London baptised 1721-1810 London). Prints

Rijn, Rembrandt van, Denon, Dominique Vivant (baron), Christ returning from the temple with Joseph and Mary, Christ returning from the temple with his parents, verso set-up sheet - stamped, print, prints, height 93 mm, width 145 mm, Frans, 1747-01-04 - 1825-04-28, print maker, printmaker, 1757 - 1825, paper, papier, etching, etchings, Work conception, Noord-Nederlands, 1606-07-15 - 1669-10-08

Men in an inn, Jan van Somer, after Cornelis Pietersz. Bega, 1671 print A few men play and drink around a table in an inn. On the floor a tricky board and a violin on the table. Amsterdam paper inn, coffee-house, public house, etc.. backgammon, tric-trac. violin, fiddle

Peter and John Healing the Cripple at the Gate of the Temple, 1659. Rembrandt van Rijn (Dutch, 1606-1669). Etching and drypoint; sheet: 18.9 x 22.3 cm (7 7/16 x 8 3/4 in.); platemark: 18 x 21.3 cm (7 1/16 x 8 3/8 in.).

Petrus released from prison, draughtsman: Benjamin Gerritsz Cuyp, draughtsman: anonymous, intermediary draughtsman: Benjamin Gerritsz Cuyp, (possibly), 1632 - 1652, paper, h 321 mm × w 267 mm

Rhine, Rembrandt van, De Goudweger, Jan Wtenbogaert, verso lower left - stamped, print, prints, Rembrandt f. 1639, lower left, height 250 mm, width 204 mm, Northern Netherlands, 1606-07-15 - 1669-10-08, print maker, printmaker, 1639 - 1639, second quarter 17th century, paper, chalk, crayon, etching, etchings, drypoint, dry needle, Work conception, after own design by

An old man in a top hat sitting in a wooden cart with wheels that resembles a coffin, pointing at a passage in the book he is reading. Etching by J.T. Smith.

The 16th century. A courtier depicting the hostess of the house animals. (Drawing taken from the mirror Reja), from: Tygodnik Ilustrowany, 2.04.1864, No. 236 Fryk, Ludwik (N.N.), Kossak, Juliusz (1824 1899)

. Thomas Rowlandson

The Family, 1647. Adriaen van Ostade (Dutch, 1610-1684). Etching;

'Le Grand Pardon: Le Kippour a la Campagne', 19th century. Artist: Alphonse Levy.

La Sentinelle en défaut. Dated: 1771. Medium: etching and engraving. Museum: National Gallery of Art, Washington DC. Author: Nicolas Delaunay after Pierre-Antoine Baudouin.

Allegorical representation, produced for a book edition of the plays of Paul Scarron. Aeneas, flanked by his son and wife, rescues his father from burning Troy, Aeneas rescues his father from burning Troy Le Virgile Travesti , print maker: Jacob Folkema, (mentioned on object), Louis Fabritius Dubourg, (mentioned on object), 1703 - 1767, paper, etching, h 120 mm × w 67 mm

Inn with a flute woman. In an inn is a woman next to a farmer to play a flute table. In the background three drinking farmers by the fireplace. Above the fireplace hangs a print or drawing with a man's bust.

Stephen James Ferris, Aolphe Mouilleron, Devils Way, Algiers, 1879 Devils Way, Algiers

The Visit of the Lover (La visite de l'amant) 1782 Engraving by Pierre-Philippe Choffard, from Original 1767 Painting by Pierre-Antoine Baudouin, from the series Paris, Salon of 1767

Faust ca. 1652 Rembrandt (Rembrandt van Rijn) Dutch. Faust 391966

Rijn, Rembrandt van, The Raising of Lazarus: large plate, verso lower left - stamped, print, prints, RHL. v Rijn f., central, height 368 mm, width 259 mm, Northern Netherlands, 1606-07-15 - 1669-10-08, print maker, printmaker, 1630 - 1634, second quarter 17th century, paper, etching, etchings, burin, Work conception, after own design by

Exposition universelle: L'Inspection des photographies aux tourniquets. Dated: 1867. Medium: wood engraving. Museum: National Gallery of Art, Washington DC. Author: Charles Maurand after Honoré Daumier.

Etching and copper engraving by Rembrandt from 1659 depicting Peter and Johannes at the gate of the temple, revised with mezzotint technique, showing figures in architectural setting.

A gold beater's workshop for Diderot's Encyclopedie, Louis-Jacques Goussier, French, 1722 - 1799, Pen and Chinese ink, brush and watercolor on paper, France, 1763, Drawing, Drawing

April, Print made by Jacob Gole, 1660-1737, Dutch, after Cornelis Dusart, 1660-1704, Dutch, undated, Mezzotint on medium, moderately textured, beige laid paper, Sheet: 8 × 6 1/8 inches (20.3 × 15.6 cm) and Image: 7 13/16 x 6 1/8 inches (19.8 x 15.5 cm), alcohol, bench, dog (animal), drinking, drinking glass, drunk, fireplace, food, game (hunted animal), genre subject, humor, interior, kitchen, man, peasants, pouring, reaching, satire, woman

'Alfred in the Neat-Herd's Cottage', 1776. Artist: I Hall

Genre scene two young men at the table. (according to Gerard Terborch) Borch, Gerard ter (1617 1681), Payne, Albert Henry (1812 1902)

William Hogarth, 1697-1764, British, The Four Times of Day, Plate IV: Night, 1738. Engraving.

Cart players. Four men play card around a table. A fifth figure is lying in the corner while he has a chat with another man.

Saint Luke at His Easel and Four Expressive Heads. Dated: 1775. Dimensions: sheet (trimmed within plate mark): 18.3 x 13.1 cm (7 3/16 x 5 3/16 in.). Medium: etching counterproof reworked in brown wash on laid paper. Museum: National Gallery of Art, Washington DC. Author: Jean Claude Richard de Saint-Non after Jean-Honoré Fragonard after Andrea Celesti.

Abraham Casting out Hagar and Ishmael, 1637. Rembrandt van Rijn (Dutch, 1606-1669). Etching and drypoint; sheet: 12.7 x 9.7 cm (5 x 3 13/16 in.); platemark: 12.5 x 9.6 cm (4 15/16 x 3 3/4 in.).

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Soap Bubbles. Artist: Jean Jacques de Boissieu (French, Lyons 1736-1810 Lyons). Dimensions: Sheet: 11 3/4 × 15 7/8 in. (29.8 × 40.4 cm). Date: 1799. Museum: Metropolitan Museum of Art, New York, USA. Author: Jean Jacques de Boissieu.

St Jerome Jan Joris van Vliet (Delft, Netherlands, c.1610 - 1668) 1671 Lion, Male

Caridad de una muger (A Womans Charity), Plate 49 from Los desastres de la guerra (The Disasters of War). Artist: Francisco Goya, Spanish, 1746-1828

Dienstmeid works at candlelight, Valentin Daniel Preissler, 1727 - 1765 print With caption in German. paper oil-lamp. maid ~ house personnel

News "PL.139, say we v'la Paris! .. Honor� Daumier (1808-1879). "" News "PL.139, say that we v'l� Parisians! ...". Lithograph in black.

The 16th century. A bachelor teaching children. (Drawing taken from old woodcuts in the mirror Reja), from: Tygodnik Ilustrowany, 28.02.1863, No. 179 Unknown, Kossak, Juliusz (1824 1899)

Poor painter with his family in studio. .

Etching by Rembrandt depicting the biblical story of the blind Tobias, created in 1651 using a cold needle and flat tone, emphasizing figures, expression, and composition.

Bliżej Kultury Kiebisiński, Kajetan Wincenty (1808 1849), Jaroczyński, Marian Jakub Ignacy (1819 1901), Żupański, Jan Konstanty (1804 1883)

Newmarket: A Shot at a Pigeon August 1, 1801 James Bretherton. Newmarket: A Shot at a Pigeon. After Henry William Bunbury (British, Mildenhall, Suffolk 1750-1811 Keswick, Cumberland). August 1, 1801. Etching. S. W. Fores (London). Prints

BECQUER, VALERIANO DOMINGUEZ. PÌNTOR ESPAÑOL. SEVILLA 1833 - 1870. SALIDA DE LA ESCUELA. GRABADO DEL AÑO 1860 EN LA REVISTA " EL MUSEO UNIVERSAL ".

Four Flemish men smoke and drink in a dingy smoke den, a man leans on the wall behind. Engraving by L. Lempereur, late 18th century, after a painting by D. Teniers, the younger.

Interior with card players and a servant. Draughtsman: Gesina ter Borch. Dating: c. 1657 - c. 1658. Place: Zwolle. Measurements: h 127 mm × w 193 mm. Museum: Rijksmuseum, Amsterdam.

An 1855 etching by Jean-François Millet titled 'La Barattuse', depicting a woman churning butter, highlighting rural life, detailed figure work, and 19th-century printmaking technique.

An artist and his client before a painting of Bacchus. Wood engraving, 1877, after J.L.E. Meissonier.

Wille, Johann Georg, inventor: Godfried Schalcken, work, Le jeune Joueur d'instrumenti - The little player, 1762, copper engraving, graphics, leaf width 23 cm, leaf height 28.2 cm, image width 20.2 cm, image height 22.2 cm

Illustration for Gellert's 'Six Fables and Six Stories'. Daniel Nikolaus Chodowiecki (Germany, Danzig, 1726-1801). Germany, 1775. Prints; etchings. Etching, laid down

Wszyscy Święci w MNK Wenzel, Giovanni (1791 1880), Bigioli, Filippo (1798 1878)

The last thin according to the image of Aleksander Kotsis. A clipping of ears 1872 (1) 4 Zajkowski, Andrzej (1851 1914), Kotsis, Aleksander (1836 1877)

Boer and farmer's wife as a love couple in door opening, Adriaen van Ostade, 1650 - 1654 print Haarlem paper etching couple of lovers

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