Literary and Allegorical Prints

Etchings and engravings illustrating narrative and allegorical themes, representing historical and literary events with emotive depictions.

History of Don Quixote According to Charles Antoine Coypel, the Bachelor Samson Carasco is defeated by Don Quixote (eleventh issue of a suite of 31 pieces) Bernard Picart (1673-1733). History of Don Quixote According to Charles Antoine Coypel, the Bachelor Samson Carasco is defeated by Don Quixote (eleventh issue of a suite of 31 pieces). Burin, 1746. Museum of Fine Arts of the City of Paris, Small Palace.

Plate C: The dogs let loose on the bull. Artist: Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746-1828 Bordeaux). Dimensions: Sheet: 9 5/8 x 13 3/4 in. (24.51 x 35cm). Series/Portfolio: La Tauromaquia. Date: ca. 1816. Museum: Metropolitan Museum of Art, New York, USA.

Violin player for an inn, Abraham Lion Zeelander, After Adriaen van Ostade, 1848 print A man with violin and a boy with swingers make music at an inn. Listen adults and children. A woman leans over the lower door. Amsterdam paper etching / engraving one person playing string instrument (bowed). inn, coffee-house, public house, etc.. dog

Man in Tailor's seat with hinged out, Michel Aubert, After Jean Antoine Watteau, 1731 print paper etching / engraving one person playing string instrument (bowed). hurdy-gurdy. Chinese

Copper engraving by Grégoire Huret from 1664 illustrating the capture of Christ, showcasing Baroque engraving style and narrative composition.

Sapientiae Master's Sede; Kilian, Bartholomäus II (1630-1696), Umbach, Jonas (1624-1693); XVII century (1601-00-00-1700-00-00);

Prince Willem walks with wife along Balthasar Gerards, 1584. Prince Willem walks with wife along Balthasar Gerards, 1584.

Benoît Audran's etching (1727-1755) depicts fire, showing allegorical representation with figures, flames, and symbolic elements.

Telemachus leaves Egypt, Jean-Baptiste Tilliard, After Charles Monnet, 1785 print Telemachus and Narbal say goodbye to the waterfront with a boat for them. The whole is framed by a decorative frame with olive branches and a bow at the bottom. Numbered at the top right: No. I. print maker: Francepublisher: Parispublisher: Parispublisher: Parispublisher: Parispublisher: Paris paper etching / engraving (FENELON, Telemachus) specific works of literature (with AUTHOR, Title). non-aggressive, friendly or neutral activities and relationships of Telemachus. ornament ~ festoon, garland

Group Roma with donkey takes a child, F. Green, After Henry Singleton, 1801 print paper etching wandering communities: Romani or Roma. kidnapping. ass, donkey. dog

Allegorical representation with Justitia and De Waarheid, François Nicolas Chifflart, 1866 print print maker: Franceprinter: Parispublisher: Paris paper. etching / drypoint Justitia (justice) as Roman personification. Truth; 'Verití' (Ripa). temple, shrine ~ Greek religion

Galatea En ACIS Gadggles Sainor Polyphemus, Bonoît Audran (I), Aft Franis Marot, 1671 - 1721 print print maker: Francepublisher: Paris paper etching / engraving Polyphemus, the cyclops, beholding Acis and Galatea

Thomas Burkes 1799 etching in punctuation manner, titled 'Happiness,' depicts an allegorical theme with refined linework and engraving precision.

More ferrules! More donkey cups! MORE MARTINETS! / 1 (registered title) | Lithographic sketch for children by Charlet (set of all)

Germanicus says goodbye to wife and child, François Morel, after Jean Grandjean, 1781 - After 1830 print Numbered at the top right: X. Rome paper etching historical persons

Failed attack on the Prince of Orange, 1572, 1780 print Failed attack on the Prince of Orange, who is sleeping in his army tent near Bergen (Hainaut) by the barking of his dog, 11-12 September 1572. Seventh vocals. Northern Netherlands paper etching attempt, political murder Bergen (Belgium)

Prélude de Lohengrin (1re planche) , Angels, Knights, Trumpets, Religious articles, Swan-knight Legendary character, Wagner, Richard, 1813-1883. Lohengrin. Henri Fantin-Latour (1836-1904). Lithographs and Other Prints

Allegory on the 25th anniversary of society to the usefulness of 't General, 1809; Memorial of the five and twenty anniversary of the society to the usefulness of the general. Allegory on the 25th anniversary of society to the usefulness of 't General, on November 16, 1809. Statue of a young woman surrounded by a partying and sacrificing crowd of adults and children in antique clothing. A temple in the background. See the corresponding statement.

Sketchbook from the years around 1866 OK.1873 card No. 73 (no author's numbering) two drawings/paintings obverse: 1. unidentified scene; Reverse: 2. Sketch of a multi person sculpture Łosik, Tomasz (1848 1896)

Night face with men who transport a coffin, Reinier Vinkeles (I), 1785 print Amsterdam paper etching / engraving night. coffin

Death of Przemysław , from: Jan Matejko's Album with an Explanators Text by Kazimierz Władysław Wójcicki (Part Three) (Card 53) Lewental, Salomon (Franciszek Salezy) (1841 1902), Holewi Ski, Józef (1848 1917), Matejko, Jan (1838 1893)

Title magazine for: Reasoning and party vocals, on the occasion of the Vyf-and-twentieth Verwelling of the founding of the Society under the meaning: Concordia et Libertate, 1773, Reinier Vinkeles (I), After Jacobus Buys, 1773 print Proef pressure for the title page for the edition of the speech and party vocals on the occasion of the 25th anniversary of the Concordia et Libertate Society in 1773. Allegorical vignette on the speech pronounced on 26 October 1773 in the Oude Doelen in Amsterdam. Landscape with pyramid, in the foreground a sitting woman leaning on a broken column with attributes of the arts and sciences, also two angels and a two -way caption. Northern Netherlands paper etching / engraving Amsterdam

Jan Usmoszwiec (hero defeating a bull); Illustration from the magazine: "Zorza polarna", vol. I; Unknown, Ugiumow, Grigory Iwanowicz (1764-1825), F.A. Brockhaus (Amsterdam, Leipzig, Wiesbaden; Publisher; 1808-1953), Henkel, W. E. (St. Petersburg; Publisher; Ca 1860-1870); 1862 (1862-00-00-1862-00-00);

Bliżej Kultury Verlag Gerlach & Schenk in Vienna (1882 1901)

Recording of twelve stones from the Jordaan and the prince appears to Joshua, Simon Fokke, 1791 print Two Biblical performances from Joz. 4 and 5. Numbered below: 34. Amsterdam paper etching the book of Joshua (Josue)

Zambiza attacks Alvarudo with a knife, Reinier Vinkeles (I), 1774 print In a jungle, Zambiza tries to attack Alvarudo with a knife. However, he is stopped. Melinde is fascinated by Alonzo, the chief of the Spanish bodyguards. Amsterdam paper etching slavery; serfs and the enslaved. tools, aids, implements ~ crafts and industries: knife. jungle

Foot servants and Palfrenier with horse in Turkish costume, François Chauueau, 1670 print print maker: Francepublisher: Paris paper etching festivities. tournament. horse

Declaration of the print with the allegory on the preservation of freedom opposite the French enemy, 1793, Nicolaas Cornel (Possible), 1794 text sheet Text sheet with an explanation of the representation of the allegory on the preservation of freedom and religion in the Republic, thanks to the support of God and the coalition groups, through the victory over the French troops in February 1793. Folded leaf with four sides 1- 4. Rotterdam paper letterpress printing

Satirical representation with Catharina II of Russia, Stanislas II, emperor Joseph II and emperor Frederik II with a map of Poland, Noël le Mire, c. 1771 - c. 1775 print print maker: Parispublisher: London paper etching / engraving historical persons - BB - woman. ruler, sovereign - BB - female ruler. maps of separate countries or regions

Etching by Johann Elias Ridinger from 1718-1767 depicting Joseph II, showing the emperor in portrait, attire, and symbolic elements.

Kardinale deugden, Bernard Picart (workshop of), after Bernard Picart, 1717 print The cardinal virtues, caution, strength, justice and moderation, together on the clouds. Amsterdam paper etching / engraving the Four Cardinal Virtues

Meeting of Kiejstut with Biruta "-reproduction of the picture of Karol Rypiński.; Czechowicz, Józef (1818-1888), Rypiński, Karol (1808-1892); before 1881 (1870-00-00-00-1881-00-00); Muse was downloaded from the Muza system National Museum in Warsaw; photographic / photo printing / albumin printing; fiber products / paper / photo paper / albumin paper, fiber products / paper / cardboard; photo printing: height 20.8 cm, width 27.3 cm, width Pange: height 26.5 cm, width 32.8 cm; di 56183 MNW; all rights reserved.Biruta (Duchess - Legend), Halina (Fl. 1947) - collection, Karol (1809-1892) painter, Kiejstut (approx. 1300-1382) - iconography, Lithuania, Rypiński, Stulgińska, Władysław (1858-1927) - collection , Zahorski, Polish painting

Company in the studio of a sculptor, Henri Charles Antoine Baron, 1840 print A company of artists and art lovers is concerned with reading, playing the violin and sculpting. Paris paper artist at work, in his workshop. sculptor at work. circle, club of artists

Sculpture storm in a church, 1566.Sculpture storm in a church, 1566. A group of men draws a saints image of Petrus from a niche in the wall, other images are broken on the ground.

L'Été , Summer, Alphonse Legros (1837-1911)

Si amanece, nos vamos (When Day Breaks We Will Be Off), pl. 71 from the series Loscaprichos. Artist: Francisco Goya, Spanish, 1746-1828

Figure photography:Noah (Bible), Rafael (1483-1520) - reproduction, Raimondi, Marcantonio (Ca 1470/1482 -Ca 1527/1534) - reproduction, photography of the work of art (artist)

Fall, and expulsion from paradise, Simon Fokke, 1722 - 1784 print Scenes from the Old Testament. Upstairs: Adam and Eva are in paradise under the tree of good and evil in which the snake winds between the branches. Eva presents Adam a fruit. Below: Adam and Eva are driven out of paradise by an angel holding a bundle of lightning bolts. Two performances of one plate, marked at the top right: pl. I. Amsterdam paper etching Eve offers the fruit to Adam. expulsion of Adam and Eve from paradise (Genesis 3:22-24)

Lifergraces Emerged, Gill Seasons, Fauneau, Affersauau Brung, 1732 - 1776 print Paris paper etching sheep. goat

Rubens, Peter Paul, Nattier, Jean-Marc, Photographic reproduction of an engraving of Arrival of Maria de'Medici at the Port of Marseille by Jean-Marc Nattier, after the painting by Peter Paul Rubens, photograph, photo, reproduction, page, photos, photographically illustrated books, height 203 mm, width 151 mm, photographer, 1859 - 1864, photographic paper, photo paper, albumen print, albumine print, Work conception, French, 1685-03-17 - 1766-11-07, after a print by, South Netherlandish, 1577-06-28 - 1640-05-30

Iodor fight in Andalusia (IT)

Flight to Egypt, Sébastien Bourdon, 1626 - 1657 print paper etching the flight into Egypt: Mary, Joseph, the child (and sometimes others) on their way; Mary usually riding on an ass

History of Don Quixote According to Charles Antoine Coypel, Don Quixote made by Sancho at the Duchesse permission to see her (sixteenth issue of a suite of 31 pieces) Jakob van der Schley (1715-1779). History of Don Quixote According to Charles Antoine Coypel, Don Quixote made by Sancho at the Duchess the permission to see her (sixteenth issue of a suite of 31 pieces). Burin, 1742.

Alferius after Martin of your Jan Sadeler (1550-1600). Alferius after Martin of your. Burin, 17th century.

Ice cutters unknown, lithography: from Lasteyrie Charles

Little Red Riding Hood, / Opera Fairy.

Galant company near a swing, Pierre Filloeul, after Jean Baptiste François Father, c. 1738 - c. 1739 print publisher: ParisFrance paper etching / engraving garden of Love, court of Love, 'fíªte galante'. swing

Hunter dragged into the precipice by a mermaid. Halm, Peter von (1854-1923), graphic artist, Bode, Leopold (1831-1906), painter

Engel with trumpet on a cloud with books, Bernard Picart (Possible), After Bernard Picart, 1715 - c. 1717 print paper etching angels. book. clouds. horn, trumpet, cornet, trombone, tuba

So you, German, Triumph! 1813-1819 Germany. Tint lithograph on ivory wove paper . Marie Electrine Stuntz

A thirst for art, by John Sloan. Gift of the Wilmington society of Fine Arts, United States, 1965.

Retorica, Jacques -Antoine Friquet de Vauroze, After Sébastien Bourdon, 1663 - 1716 print Two men in a statue of Mercury. paper engraving / etching Rhetoric ',' eloquence '(~ trivium); "Rettorica '(Ripa). Specific aspects, allegorical aspects of mercury; Mercury as Patron

Noël Le Mire after Jean Michel Moreau, Courons vîte l'astronomie est bonne à quelque chose, 1778 Courons vîte: l'astronomie est bonne à quelque chose

Historical Gallery of Versailles / André de Hungary Associated with the Order of Saint Jean de Jerusalem (1208). (IT)

This sheet was raised with the greatest precaution by the only hand / doctor and the whole body of Napoleon seemed on October 15, 1840 (IT)

The Adoration of the Shepherds, Ernst Willem Jan Bagelaar, After Peter Paul Rubens, 1798 - 1837 print paper etching / counterproof adoration of the Christ-child by the shepherds; Mary and Joseph present

The Armoire 1778 France. The Rococo taste for narrative led the great painter and printmaker Jean-HonorÈ Fragonard to devote his largest etching to a risquÈ domestic drama. A young woman and her paramour have been interrupted in a compromising position by her parents. The rumpled state of the bedclothes alone would have roused their ire, but they have also discovered the young man hiding in their daughterís closet. The mortified young manís strategically positioned hat leaves both the parents and viewers in little doubt of his dishonorable intentions. The girl stands barefoot and weeping in the corner out of modesty and fear, unable to meet her furious parentsí gaze.. Etching on ivory laid paper . Jean Honoré Fragonard

Nobody knows himself, plate six from Los Caprichos 1797-1799 Spain. Etching and aquatint on ivory laid paper . Francisco José de Goya y Lucientes

Cartoon on Napoleon, 1815 print An angel with a trumpet backwards on a wild boar, therefore all kinds of figures in strange postures and a pooping dog. Between the figures texts such as "HU! C'est faux!" and "Ca M'ennuit". paper etching political caricatures and satires

Photograph of print: Marcantonio Raimondi (c. 1470 or 1482 - 1527 or 1534) according to Raphael (1483-1520), Hercule et Anthée ; sheet from: Notice sur la vie de Marc Antoine Raimondi Graveur Bolonais accompagnée de reproductions photographiques de quelqu. Blanquart-Évrard, Louis-Désiré (1802-1872), printing house, Delessert, Benjamin (1817-1868), photographer, Goupil & Cie (Paryż ; firma wydawniczo-fotograficzna ; 1850-1884), publisher, Colnaghi, D. & Co. (Londyn ; galeria sztuki ; 1760- ), publisher

French Revolution: Representation of the National Cocade. December 1789. (dummy title)

Edmond Morin (1824-1882). "The Saint-Hubert. The shot demon". Bois, 1862. Museum of Fine Arts of the city of Paris, Petit Palais. Hunting, hunter, demon, game, Saint-Hubert, dog, engraving

Allegorie Op de Battle of Waterloo, 1815, Noah van der Meer (II), After Adrianus Gerardus van Schoone, 1817 print Allegory over the victory of the allies in the Battle of Waterloo on June 18, 1815. Four soldiers are at the Altar of Peace, they are a Prussia and a Dutchman, also a Brit or Scot and a Hannoveraan or Brunswijker. The Dutchman points to a column on the right on which the weapons of the allies stand and a representation of conquering Napoleon's travel carriage. From the clouds, peace with a horn of abundance looks. In the foreground symbols of trade and the arts. A four -line verse in the caption. See also the drawing and the pendant. print maker: Netherlandspublisher: Amsterdam paper etching / engraving PEACE AND PROSPERITY, 'PAX ET ABUNDANTIA' Altar. Symbols, allegories of peace, 'pax'; 'Pace' (RIPA) Waterloo

Brussels, Muquardt, C., Steen, Jan Havicksz., Fierlants, Edmond, Photo reproduction of Simson insulted by the Philistines by Jan Havicksz. Steen, photograph, photo, reproduction, page, photos, photographically illustrated books, height 281 mm, width 354 mm, Belgian, 1819-06-20 - 1869-12-21, photographer, 1856 - 1861, photographic paper, photo paper, albumen print, albumine print, Northern Netherlands, 1626 - 1679-02, after, after painting by, Publication (Event), Publication, publisher

Caricature of an inspection in the Soldatenkamer, H. Berthier, 1870 - 1909 print paper etching the soldier; the soldier's life. bedroom. review, inspection (of company, unit, troop)

Robagijs receives forgiveness, Johann Wilhelm Kaiser (I), 1840 - 1884 print For an army hut, Radigis, King of Warmond, received forgiveness from his rejected Anglo -Saxon bride in the year 534, after she had overcome and captured him with her army. He repented about his misstep and promised to marry her. paper steel engraving names of literary characters. granting mercy; free pardon. land forces

Izebel's body devoured by dogs, Abraham Bosse, 1635 print paper etching / engraving dogs eat Jezebel's body. dog

Hamlet contemplant le crne dYorick (Hamlet Contemplating Yoricks Skull). Artist: Eugène Delacroix, French, 1798-1863

UN EPISODE AU BAL MASQUE.. Artist: Paul Gavarni, French, 1804-1866

Figures in worship for Justitia, Michel Dorigny, after Simon Vouet, 1640 print France paper engraving / etching Justitia (justice) as Roman personification

Night face with two women who look at the broken heaven, Reinier Vinkeles (I), after Jacques Kuyper, 1807 print Amsterdam paper etching / engraving firmament, sky. night ~ landscape (sometimes titled 'Nox'). sailing-ship, sailing-boat. serpent Ouroboros

You see Austerlitz at the time of the trembling! ... / 12 (title registered) | Lithographic album by Charlet. 1827. (Title of the whole)

Business card for Boekhandel Scheltema and Holkema. Six putti playing in a bookstore. The name of the store is on the topper of the bookcases, the address of the store on the band of a book.

Sculpture storm, 1566. Images storm in the Oude Kerk in Amsterdam, 1566. The Wife Weyn Ockers throws her slipper to a crucifix.

Death of the dolphin of France, Monseigneur Louis Joseph Xavier François (1781-1789), June 4, 1789. French Revolution (TF)

Etching by Bernhard Rode, 1781, depicting the Köhler defending a Saxon prince against a robber, illustrating historical conflict and human figures.

Allegory on the death of Joan Melchior Kemper, 1824. Allegorical grave monument for Jhr. Joan Melchior Kemper, died on July 20, 1824. The Dutch Virgin and the Virgin of the University of Leiden mourning at the grave monument on which an urn state. In the foreground a genius with the portrait of the deceased professor in the rights. Three putti in the clouds.

Plate 20 from 'The Disasters of War' (Los Desastres de la Guerra): 'Get them well, and on to the next.' (Curarlos y á otra.) 1810 (published 1863) Goya (Francisco de Goya y Lucientes) Spanish. Plate 20 from 'The Disasters of War' (Los Desastres de la Guerra): 'Get them well, and on to the next.' (Curarlos y á otra.) 381299 Artist: Goya (Francisco de Goya y Lucientes), Spanish, Fuendetodos 17461828 Bordeaux, Plate 20 from 'The Disasters of War' (Los Desastres de la Guerra): 'Get them well, and on to the next.' (Curarlos y otra.), 1810 (published 1863), Etching, lavis, burin and burnisher, Plate: 6 5/16 9 1/4 in. (16 23.5 cm) Sheet: 9 7/8 13 7/8 in. (25.1 35.3 cm). The Metropolitan Museum of Art, New York. Purchase, Rogers Fund and Jacob H. Schiff Bequest, 1922 (22.60.25(20))

The clash of the people and the Parisian women led by Maillard and the Queen Audus, with the bodyguards of the house of the king, on October 5th and 6th, 1789, in Versailles. PL. For the Museum of Revolution, Perrotin, 1834. (Title Title)

Title page with shepherds, Nicolas Tanché, 1769 print On the left two men on a horse and a donkey, and two fighting dogs. On the right two shepherds sitting with a rock. In the distance a shepherd with a herd of cows. paper etching title-page. herding, herdsman, herdswoman, shepherd, shepherdess, cowherd, etc.

Drawing, The Sun, the Hours, and the Seasons, for Palazzo Gessi, Faenza; Designed by Felice Giani (Italian, 1758-1823); Italy; pen and ink, graphite on light blue paper; 34.9 x 32.4 cm (13 3/4 x 12 3/4 in.)

Music figures sitting around a table, Michel Aubert, After Jean Antoine Watteau, 1731 print print maker: Franceafter painting by: Francepublisher: Parispublisher: ParisParis paper etching / engraving more than one musician with instrument. Chinese

Scene U La Gerusalem Messa is Free, Infra Baldel ,FRE AREN Giovanni Battista Piazzetta, 1745 print Ornament edge with flowers, plants, cupidos and a fountain. paper etching (scenes from) specific works of literature: Tasso, Gerusalemme Liberata. fruits and vegetables ~ ornament. armorial bearing, heraldry

Bound Print, Le Tambourin (The Tabor), Singeries ou différentes actions de la vie humaine représentées par des singes (Monkey Antics or Different Actions of Human Life Represented by Monkeys), ca. 1743; Designed by Christophe Huet (French, 1700-1759); Etched by Jean-Baptiste-Antoine Guelard (French, 1719-ca. 1755); Published by Charpentier; France; etching on laid paper; 26 × 31.8 cm (10 1/4 × 12 1/2 in.)

The Climb, from the series Hunting Scenes 1829 Alexandre-Gabriel Decamps French. The Climb, from the series Hunting Scenes. Sujets de Chasse. Alexandre-Gabriel Decamps (French, Paris 1803-1860 Fontainebleau). 1829. Lithograph. Gihaut Frères (Paris). Prints

Raphaël, Sainte Cécile. Bologne. gravure. Probably James Anderson (British, 1813 - 1877)

In a garden a man kneel for his loved one. .

Hamlet Attempts to Slay the King, plate 8 from Hamlet 1843 France. Lithograph in black on off-white China paper laid down on white wove paper . Eugène Delacroix

Soldiers Marching. Artist: After Thomas Rowlandson (British, London 1757-1827 London); Heinrich Joseph Schutz (German, Frankfurt 1760-1822 Frankfurt). Dimensions: Sheet: 12 13/16 × 15 1/16 in. (32.6 × 38.3 cm)Plate: 11 5/16 × 13 13/16 in. (28.8 × 35.1 cm). Publisher: Rudolph Ackermann, London (active 1794-1829). Date: April 1, 1798. Museum: Metropolitan Museum of Art, New York, USA.

Seated Youth Leaning Against an Urn, from Capricci 1740-1750 Italy. Etching on paper . Giambattista Tiepolo

Aeneas de Sibille Van Cumae, Jacob Folkema, after Louis Fabritna Dubourg, 1703 - 1767 print Aeneas visits, accompanied by his friend Achates, the Sibille of Cumae to ask her to see his father's face once more. In the background, seven bulls and sheep are offered on behalf of the Sibille so that she could start with her predictions. On the same plate is a decorated initial S with the image of Aeneas that draws a branch of a tree on the left. The Sibille van Cumae commissioned Aeneas to find a gold branch if he wanted to descend into the underworld. Thanks to two pigeons, Aeneas found this branch. paper etching the arrival at Cumae and the visit to the underworld (Virgil, Aeneid VI)

Cartoon on rejection of the Plan of Constitution, 1797, 1797 - 1798 print Cartoon in which the people mock the rejecting of the Plan of Constitution on 8 August 1797. The plan is stuck on a wall that is read and assessed the common people and the bourgeoisie. On the left a viewing box where a flap paper that can be lifted and read under which you can read: 189th Plan v. Constitution, in 1961. With two -way caption. Illustration in Pieter van Woensels Almanak 'De Lantaarn for 1798'. paper etching other kinds of amusement. political caricatures and satires

Robert Smirke, 1752-1845, British, Rokeby, 1813. Etching and line engraving on chine collé laid down on wove paper..

Napolitan city of city sitting between two saters, Louis Pierre Henriquel -Dupont, after Marie Charles Louis d'bert Luynnes, 1807 - 1892 print paper etching personification of a city, town-patron(ess). satyr(s) (in general)

Rochefort is dying! Rochefort is dead! 1898 France. Lithograph in black on cream wove paper . Théophile-Alexandre Pierre Steinlen

Death of Prince Józef Poniatowski in Elster unknown

Disasters of War: That's Tough, 1810-1820. Francisco de Goya (Spanish, 1746-1828). Etching, aquatint, and drypoint; sheet: 24 x 33.5 cm (9 7/16 x 13 3/16 in.); image: 13.8 x 19 cm (5 7/16 x 7 1/2 in.); platemark: 15.3 x 20.5 cm (6 x 8 1/16 in.).

Titelpagina voor L. Seneca, tragedy, Delft, 1728, Balthasar Bernards, after Louis Fabritn Dubourg, 1728 print A woman gets up and elevation and gives a speech, perhaps she proposes the personification of the tragedy. Characters from Seneca's tragedies have been collected around her. A city burns in the background. A portrait medallion of the writer hangs above the scene and there are 10 medallions on either side: one for each tragedy. paper etching 'Tragedy' (Ripa)

The Devil confuses the yarn, 1652, 1652 print The devil confuses the yarn, 1652. A sitting woman spins yarn who are injured by a man of a coil on a reel, behind him is the devil who pulls the yarn and confuses it. Numbered below: 1 and no. 29. Part of a series of prints of beggars and farmers. Northern Netherlands paper etching / engraving spinning (manufacture of yarn)

Telemachus ceases Pygmalion by order of Asterbé, Jean-Baptiste Tilliard, After Charles Monnet, 1785 print Telemachus, standing in a temple at the top of a staircase looks to the right where a man whispers in the ear of Narbal. The whole is framed by a decorative frame with olive branches and a bow at the bottom. Numbered at the top right: No. I. Numbered at the top right: No. III. print maker: Franceafter drawing by: Francepublisher: Parispublisher: Parispublisher: Parispublisher: Parispublisher: Paris paper etching / engraving (FENELON, Telemachus) specific works of literature (with AUTHOR, Title). (story of) Telemachus. ornament ~ festoon, garland

Storming of the Burgemeesterskamer in the town hall of Amsterdam, 1747, Reinier Vinkeles (I), After Jacobus Buys, 1786 print Urban people break the mayor's room in the town hall of Amsterdam Open, November 9, 1747. marked at the top right: III. Dl. pl. Iv. Amsterdam paper etching / engraving plundering ~ riot City Hall of Amsterdam (1655-1808)

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