Madonnas and Child Imagery

Engravings of Madonna representations, showcasing tender moments with the child. The artworks highlight maternal themes and religious significance in classical art.

Parmigianino (Italian, 1503-1540), Virgin and Child, etching

Maria with child on the chest and pear.

unknown, Schut, Cornelis (I), Madonna and child, verso lower left - stamped, Mary bends over the Christ child who is sleeping in a crib., print, prints, height 97 mm, width 69 mm, South Netherlands, 1597-05-13 - 1655-04-29, print maker, printmaker, 1618 - 1655, paper, papier, etching, etchings, Work conception, after a design by, granter of privilege

Sleeping woman in bed, Anonymous, 1650 - 1800 print paper bed. sleeping in bed

Copy after a part of a print from Goltzius, the Judgement of Midas, Two richly dressed women, one with trumpet, draughtsman: anonymous, Hendrick Goltzius, Netherlands, c. 1600 - c. 1699, paper, h 254 mm × w 148 mm

A drawing by Ubaldo Gandolfi of the Holy Family, executed in ink and feather, showing the figures and composition.

Three Women, with a Boy Lying Down, Francesco Bartolozzi, Italian, active England, 1727-1815, Giovanni Francesco Barbieri (called Guercino), Italian, 1591 - 1666, Engraving in brown ink on beige paper, The boy lying on a table or bed before a curtain. One woman is moving his covering, two others, to the right, look on. Below, the artists' names and place and date., Italy, England, 1764, Print, Print

'The Madonna and Child'. Germany, 1514. Dimensions: 42,5x24,2 cm. Museum: State Hermitage, St. Petersburg. Author: Albrecht Dürer.

Bliżej Kultury Wagner, Joseph (1706 1780)

Significant family in a garden at a fountain, Jan Baptist Weenix, 1631 - 1660 drawing paper. ink pen / brush garden fountain. family group, especially parents with their child(ren)

Italy, Parmigianino, Zanetti, Anton Maria I, Woman with Two Children, verso inset sheet - handwritten in pencil, A woman seated before a tree holds a standing child in her hands. A second child sits on the ground., print, engraving, prints, engravings, verso inset sheet - stamped, f 220, height 189 mm, width 117 mm, Italian, 1680 - 1757, print maker, printmaker, 1724 - 1724, first quarter 18th century, paper, chiaroscuro woodcut, Work conception, 1503-01-11 - 1540-08-24

Vatican City, Innocent XII, Italy, Maratti, Carlo, Melchiori, Giovanni Paolo, Rome, Frezza, Giovanni Girolamo, Holy Family with the young John the Baptist, verso - stamped, Holy Family with the young John the Baptist in a landscape., print, prints, height 348 mm, width 476 mm, Italian, 1659 - 1748, print maker, printmaker, 1694 - 1694, paper, engraving, engraving (printing process), 1664 - 1745-03-19, intermediary draftsman, after a drawing by, 1625-05-15 - 1713-12-15, after, after a painting by, 1615-06-13 - 1700-09-27, grantor of privilege

Saint Matthew Seated in a Niche 1572-1642 attributed to Fabrizio Boschi Italian. Saint Matthew Seated in a Niche. attributed to Fabrizio Boschi (Italian, Florence 1572-1642 Florence). 1572-1642. Black chalk. Drawings

Mother and two children, Jurriaan Cootwijck, after François Boucher, 1724 - 1798 print A mother sits on the floor next to a basket and holds a baby in her arms. Next to her another child. print maker: Amsterdamafter drawing by: Paris paper mother and baby or young child

Drawing (Italy)

Kuisheid, Heinrich Aldegrever, 1551 drawing Design for a print. paper. ink pen / brush 'Charity', 'Podicitia', 'Shame Honesta' (Ripa)

Italy, Carracci, Annibale, Bartolozzi, Francesco, Virgin and Child with the Young John the Baptist, verso lower left, Virgin and Child standing behind the sleeping Christ Child, gesturing to the young John the Baptist to be quiet., print, prints, verso - stamped, height 421 mm, width 526 mm, Italian, 1727-09-25 - 1815-03-07, print maker, printmaker, 1738 - 1815, paper, papier, etching, etchings, engraving, engraving (printing process), intermediary draughtsman, after a drawing by, 1560-11-03 - 1609-07-15

The Rest on the Flight (lightly etched), 1645, Rembrandt Harmensz. van Rijn, Dutch, 1606-1669, 5 1/8 x 4 1/2 in. (13 x 11.5 cm) (plate), Etching, The Netherlands, 17th century

Girl with Book. Artist: Anonymous, Italian, Bolognese, 18th century. Dimensions: 5 x 4-3/8 in. (12.7 x 11.1 cm). Date: 18th century. Museum: Metropolitan Museum of Art, New York, USA.

Marches Pesaro e Urbino Urbino Museo del Duomo "Albani"34. Hutzel, Max 1960-1990 Post-medieval: Sculpture, paintings, panel painting, triptychs, polyptychs German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Copper engraving by Albrecht Dürer depicting the Holy Family with a dragonfly, showing figures, posture, and composition, dated around 1495.

Maria gives Christ de Borst, Ernst Willem Jan Bagelaar, 1798 - 1837 print paper. pencil etching / brush Christ-child suckling, or beginning to suckle, e.g. Mary uncovering her breast ~ Madonna-representations

A Woman and Children Playing with a Chinese Gong. Artist: After François Boucher (French, Paris 1703-1770 Paris). Dimensions: sheet: 15 9/16 x 11 5/16 in. (39.5 x 28.8 cm). Date: 19th century. Museum: Metropolitan Museum of Art, New York, USA. Author: after François Boucher.

Allegory on transience; Quis Evadet. A putto sits on the floor and leans against a skull, while he holds a pipe in his right hand with which he has blown. In his left hand, he holds a shell, behind him whose smoke vessel from which smell takes off. Numbered in the middle of the stone: 39. Under the show a four-line text in Latin.

Seated putto that blows bubbles., Gilliam van der Gouwen, after Jan Hoogsaat, 1670 - c. 1740 print A vanitas performance. There is a putto on a wall. He blows soap bubbles with a pipe. In the background a sundial, symbol for the time. Amsterdam paper engraving / etching (children or putti) blowing bubbles, 'Homo Bulla' ~ scene symbolizing 'Vanitas'. sundial. cupids: 'amores', 'amoretti', 'putti'

Design for Moxon's Tennyson, Saint Cecilia, 1856-57 Dante Gabriel Rossetti, Victorian, Drawing, Ink, AngelPre-Raphaelite, Illustration, Religion, Saint

Old woman in front of a mirror, with two maids, c. 1660 drawing Zwolle paper. ink. chalk brush

Earth, Pieter van Avont, 1622 - 1652 print A naked boy leaned against a tree, next to him lies a horn of abundance with fruits. Print from a series of four prints that represent the four elements. paper etching / engraving earth (one of the four elements)

The Virgin andChild. Woodcutter: Bartolomeo Coriolano, Italian, ca. 1599-ca. 1676 After: Guido Reni, Italian, Bologna, 1575-1642

Two richly dressed women, one with Bazuin, Anonymous, After Hendrick Goltzius, c. 1600 - c. 1699 drawing Copy to a part from Goltzius print; The judgment of Midas. Netherlands paper. chalk

Bliżej Kultury unknown

Interior with a woman reading a letter sitting in front of her toilet table with three other figures, Gérard Vidal, after Johann Eleazar Schenau, 1770 print print maker: Francepublisher: Paris paper etching / engraving interior of the house. lover with love-letter. clothes, costume

Albrecht Dürer (1471-1528). The holy family in the butterfly (Bartsch 44). 1495-1496. Museum of Fine Arts of the City of Paris, Petit Palais. 77214-6 Chretian art, religious art, bible, Christianity, biblical character, holy character, biblical reward, Christian religion, renaissance, biblical scene, religious scene, life Christ, 15th xve xv 15th 15th 15th century, engraving

Man shows a print to a woman, near candlelight, Nicolaas Verkolje, after Arnold Houbraken, 1683 - 1746 print A man shows, with the light of a candle, a print to a woman who looks away from the print. Her cleavage is half bare. There is a sewing cushion and dust on her lap. Amsterdam paper print, e.g.: engraving, etching, lithograph. candlestick. home sewing; repair of clothes

Bartolomeo Coriolano after Guido Reni, Herodias and Salome, 1631 Herodias and Salome

The Astronomer, After Raphael. Date: 1815. Pen and ink, brush and brown watercolor wash on paper. Museum: Cooper Hewitt, Smithsonian Design Museum.

Woman and Boy. Artist: François Boucher (French, Paris 1703-1770 Paris). Dimensions: 10 1/2 x 7 13/16 in. (26.7 x 19.9 cm). Museum: Metropolitan Museum of Art, New York, USA. Author: Francois Boucher.

Bliżej Kultury Verlag of Ferdinand Schenk in Vienna

The Holy Family, after Jacob Jordaens 1871 Jules-Ferdinand Jacquemart. The Holy Family, after Jacob Jordaens. Etchings of Pictures in the Metropolitan Museum New York. Jules-Ferdinand Jacquemart (French, Paris 1837-1880 Paris). 1871. Etching on chine collé. P. & D. Colnaghi & Co.. Prints

The Virgin and Child Crowned by Two Angels above a Landscape (landscape trimmed out). Artist: Albrecht Dürer (German, Nuremberg 1471-1528 Nuremberg). Dimensions: sheet: 3 3/8 in. (8.6 cm) diameter. Date: ca. 1504. Museum: Metropolitan Museum of Art, New York, USA.

The Virgin and Child with Saint John and Three Angels. Cristofano Robetta; Italian, 1462-c.1535. Date: 1500-1520. Dimensions: 250 × 183 mm (image); 253 × 184 mm (sheet). Engraving in black on buff laid paper. Origin: Italy. Museum: The Chicago Art Institute, USA. Author: Cristofano Robetta.

. Venus sitting at a tree in a mountainous landscape. In addition to her, Amor has appeared with his arrow and bow and her chin caresses. On the left in the foreground two brilliant pigeons.

Luigi Schiavonetti, 1765-1810, Italian, Virgin and Child, 1793. Engraving.

Abruzzo, L'Aquila, Pescocostanzo, Basilica, Italy, 20th century, photo, photography, Europe

Madonna on a rock, 1696 Probably a drawing to a print. Leaf 83 Recto from a sketchbook with 91 sheets. paper. ink. watercolor (paint) pen / brush rocks. Madonna: i.e. Mary with the Christ-child

Flora. Giovanni Battista Gaulli; Italian, 1639-1709. Date: 1660-1709. Dimensions: 357 x 193 mm. Pen and iron gall ink, with brush and blue wash, on gray brown laid paper. Origin: Italy. Museum: The Chicago Art Institute, Chicago, USA. Author: Giovanni Battista Gaulli.

A man gropes the breast of a young woman, print maker: Jacob Gole, (mentioned on object), Paulus Moreelse, (mentioned on object), publisher: Nicolaes Visscher (I), (mentioned on object), Amsterdam, 1670 - 1709, paper, engraving, h 196 mm × w 150 mm

Vrouw die een kind de borst geeft. Kunstboek of Studiealbum van Caspar Netscher (series title). Draughtsman: Godfried Schalcken. Dating: 1653 - 1706. Measurements: h 182 mm × w 157 mm. Museum: Rijksmuseum, Amsterdam.

Joseph and Child (recto), 16th century. Italy, 16th century. Red chalk; sheet: 12 x 9.1 cm (4 3/4 x 3 9/16 in.); image: 11.3 x 8.5 cm (4 7/16 x 3 3/8 in.).

Hagar and Ishmael, Print made by William Say, 1768-1834, British, 1812, Mezzotint (proof before all letters) on medium, slightly textured, cream wove paper, Sheet: 25 7/8 × 19 5/8 inches (65.7 × 49.8 cm), Plate: 20 1/8 × 15 3/4 inches (51.1 × 40 cm), and Image: 16 1/8 × 11 3/4 inches (41 × 29.8 cm), angels, baby, Christianity, cloak, drinking, headscarf, holding, Judaism, mother, Old Testament, religious and mythological subject, son, stream, trees

Poelzig Hans (1869-1936): Sketchbook F1

Shown in three-quarter length, turned toward left, bent forward and holding a bowl. Date: 1600-1650. Pen and ink, brush and bistre wash on paper, mounted on folded paper. Museum: Cooper Hewitt, Smithsonian Design Museum.

Maria sat in a throne surrounded by musician angels. The throne has a late-gothic canopy rusetnd on two columns and the pilasters of the rear wall. The virgin is sitting with the child on her lap. The child holds an apple in his right hand. The throne is built in a niche; Only the right side of the canopy and the supporting columns are shown, on which various details of architecture and ornamentics are visible

Sitting woman, used to the right and looking back. Draughtsman: Giovanni Antonio da Pesaro. Dating: 1560 - 1600. Measurements: h 265 mm × w 217 mm. Museum: Rijksmuseum, Amsterdam.

Thomas Hudson, 1701-1779, British, Two Girls in a Landscape, One Riding a Lamb, undated. Black chalk and white chalk on medium, moderately textured, beige laid paper.

Della Bella, Stefano (dit Étienne de la Belle) (n.1610-05-18-D.1664-08-22), flight to Egypt. (A. de Vesme 11; Dutuit 159) (main title). Etching. Petit Palais, Museum of Fine Arts of the City of Paris.

Etching by Sebald Beham from 1521 depicting the Christ Child, showing the infant Jesus with detailed anatomy and symbolic gestures.

Christkind with Rijksappel, Paulus Pontius, After Anthony Van Dyck, 1616 - 1657 print The Christ child, leaning on a rich apple. He tramples the snake with his right foot. In the margin a four -line caption in Latin. Antwerp paper engraving Christ-child (with attributes). snakes

Bacchus surrounded by Putti, a statue of Priapus at right. Artist: Master of the Die (Italian, active Rome, ca. 1530-60). Dimensions: sheet: 7 5/16 x 11 in. (18.5 x 28 cm)plate: 4 3/4 x 7 5/16 in. (12 x 18.5 cm). Publisher: Antonio Salamanca (Salamanca 1478-1562 Rome). Date: 1530-60. Museum: Metropolitan Museum of Art, New York, USA. Author: Master of the Die.

Luitspeelster and child. Luitspelenser and her child. The woman is possible Maria calm, the wife of Gerard de Lairesse.

Cimon in but.

Herodias and Salome. Dated: 1631. Dimensions: sheet: 16.7 x 19.2 cm (6 9/16 x 7 9/16 in.). Medium: chiaroscuro woodcut printed in ochre, brown, and black on laid paper. Museum: National Gallery of Art, Washington DC. Author: Bartolomeo Coriolano after Guido Reni.

Rommelpot player. .

Anonymous drawing of the Madonna from Alba, shown in a standing oval format, executed in pen with brown and gray wash, heightened with white, later retouched in places.

Arthur-Joseph Guéniot (1866-1951). Study for pedestal. Graphite pencil. Museum of Fine Arts of the City of Paris, Petit Palais. Drawing, 19th XIXth 19th 19th 19th 19th century, 20th XXth XX 20th 20th 20th century

Mary Magdalene. Attributed to Bartolomeo Biscaino; Italian, 1632-1657. Date: 1642-1657. Dimensions: 117 x 121 mm. Pen and brown ink, with brush and brown wash, heightened with lead white (discolored), over red chalk, on cream laid paper, tipped onto ivory wove paper. Origin: Italy. Museum: The Chicago Art Institute, Chicago, USA.

Saint Agnes. Engraving by R. Strange, 1759, after D. Zampieri, il Domenichino.

Virgin and Child 1500-1599 Italy. Pen and brown ink, and brush and brown wash, on blue laid paper, edge mounted to cream wove card . Giovanni Bellini

. Minover-lasting young man and woman in interior (an inn or brothel). The man touches to the blissed breast of the woman. On the table on the left is a songbook next to a glass of wine and a bottle with wicker shell. On the left in the doorway a young page is diagnosed with a beret with feathers that warning his finger. In the French-language caption, the three characters are stated with increasingly four lines of text.

Putto with sphere, 1520-1526, Germany, by Albrecht Altdorfer. Gift of Bishop Monrad, 1869.

Madonna and Child. Artist: Anonymous, Italian, Roman-Bolognese, 17th century. Dimensions: 6-7/8 x 6-1/8 in. (17.4 x 15.6 cm). Date: 17th century. Museum: Metropolitan Museum of Art, New York, USA.

Sitting woman with two putti with floral guirland. Design for a print.

Laughing boy with Kat, Anonymous, After Lambert Visscher, After Jacob van Loo, 1643 - 1740 print A smiling boy with a cat on his arm. He stands for a wall and wears a hat. In the background a rolling landscape with a village. paper engraving / etching cat. head-gear. village

Edelfelt, Albert, work, Sketchbook, sketchbook 1874-75, drawing, 22x30; 68 pages, 2 cut out, Edelfelt, Albert, sketchbook 1874-75, Albert Gustaf Aristides Edelfelt 1854 - 1905, Finnish painter. Painting in a naturalistic style and with a Realist approach to art. He lived in Finland

Putto on dolphin. Copy to the print of Hans Sebald

Seated Woman with a Child on her Lap (Study for a Mystic Marriage of St. Catherine of Alexandria) 18th century Etienne Parrocel French. Seated Woman with a Child on her Lap (Study for a Mystic Marriage of St. Catherine of Alexandria) 338193

A young woman stands with a sheep by her side. Crayon manner print by Gilles Demarteau after F. Boucher.

De caution, Romeyn de Hooghe (Possible), 1655 - 1708 drawing paper. ink pen / brush dog. Prudence, 'Prudentia'; 'Prudenza' (Ripa) ~ one of the Four Cardinal Virtues

A Domestic Scene: Woman Warming Clothes and Children in Front of a Fire 1738 or 1744-98 Vincenzio Vangelisti Italian. A Domestic Scene: Woman Warming Clothes and Children in Front of a Fire 340578

Mother and Three Children. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: after Jacques Callot.

Augusto Guglielmi (Lithographer) (The original work, according to inscriptions, attributed to Not identified); Bernard van Orley (After); José de Madrazo y Agudo (Director); Real Establecimiento Litográfico de Madrid (Printer) / 'The Virgin and Child with the Infant Saint John the Baptist'. 1832 - 1837. Lithographic aquatint, Crayon lithography, Pen lithography, Printing on japon, Scraper on wove paper; 1832 - 1837. Lithographic aquatint, Crayon lithography, Pen lithography, Printing on japon, Scraper on wove paper. Museum: Museo del Prado, Madrid, España.

Almanac de Gotha for the year 1782: Vier Dameskapsels, 1782 Four women's hairstyles with hat or hat in a frame, numbered one to four: 1. A l'Eltienne, 2. Palestine, 3. Modeste, 4. Outrageant. The print is part of the Almanak Almanac de Gotha Pour l'Année 1782. The title of the print has been cut off, but is: Berlinoises. paper etching fashion plates. styles of hairdress - AA - ~ women. calendar, almanac. neck-gear ~ clothing (+ women's clothes). head-gear: cap (+ women's clothes). head-gear: hat (+ women's clothes)

Alonso Cano / 'Young Saint John and the Christ Child'. 1666 - 1667. Grey-brown wash, Pencil, Pencil ground on yellow laid paper. Museum: Museo del Prado, Madrid, España.

Justice, sitting between Faith and Love, Jacques Jordaens, 1643 - 1647, draughtsman: Jacob Jordaens (I), 1643 - 1647, paper, brush, h 224 mm × w 183 mm

On the left the calculator of the Court of Holland, Johannes Hallinck, holding a glass. On the right a woman breast-feeding a child, Johannes Hallinck and a woman with child., draughtsman: Jacob de Gheyn (II), 1599, paper, pen, h 156 mm × w 204 mm

Della Bella, Stefano (dit Étienne de la Belle) (n.1610-05-18-D.1664-08-22), rest in the flight to Egypt. (A. de Vesme 15; Dutuit 154) (main title). Etching. Petit Palais, Museum of Fine Arts of the City of Paris.

Venus and Amor; Lasciva Venus Blandusque Cupid. Venus and Amor are in a bed together.

Composition of portraits of various artists, Jacob Houbraken, 1708 - 1780, Design for a print., draughtsman: Jacob Houbraken, 1708 - 1780, paper, pen, brush, h 152 mm × w 94 mm

Drawing titled 'The Head of an Angel' by Andrea del Verrocchio. Andrea del Verrocchio (1435-1488) an Italian painter, sculptor, and goldsmith.

Virgin and Christ Child, an octagonal composition ca. 1649 Stefano della Bella Italian. Virgin and Christ Child, an octagonal composition 373772

Heinrich Aldegrever, Intemperance, 1528 Intemperance

Mother and Child. Dimensions: Overall: 8.5 x 8.2 cm (3 3/8 x 3 1/4 in.) support: 16.7 x 16.1 cm (6 9/16 x 6 5/16 in.). Medium: reed pen and brown ink. Museum: National Gallery of Art, Washington DC. Author: after Rembrandt van Rijn.

Two Girls in a Landscape, One Riding a Lamb, Thomas Hudson, 1701-1779, British, Formerly attributed to John Vanderbank, 1694-1739, British, undated, Black chalk and white chalk on medium, moderately textured, beige laid paper, Sheet: 12 1/2 × 11 1/2 inches (31.8 × 29.2 cm), children, girls, lamb, riding, youth

The smell; The five senses. The female personification of the smell lets the man smelling her a flower. The head of a dog shot at her.

Wijngaerde, Frans van den, Rubens, Peter Paul, Antwerp, Panneels, Willem, H. Cecilia, verso lower left - stamped, St. Cecilia playing an organ. She is accompanied by two angels., print, prints, height 149 mm, width 144 mm, South Netherlandish, 1600 - 1632, print maker, printmaker, 1610 - 1634, paper, papier, etching, etchings, engraving, engraving (printing process), Work conception, 1577-06-28 - 1640-05-30, after a design by, Publication (Event), Publication, 1614-07-08 - 1679-03-17, publisher

. A child sitting on a baseboard in a landscape, plays on a tambourine. For him an hourglass where a snake winds around.

Oil on paper by Otho van Veen depicting the soul receiving Amor Divinus from a heavenly treasure chest, featuring figures in a celestial setting.

Ksiądz Karol Antoniewicz.

Martin Schonguer. "B 32 - The Virgin and Child in a courtyard". Froz, between 1475 and 1480. Museum of Fine Arts of the City of Paris, Petit Palais. 37423-5 Bible, chisel, Catholic, Christian, Christ, child, joyful mystery, nativitis, new will, biblical scene, virgin

Venus, from 'Game of Mythology' (Jeu de la Mythologie) 1644 Stefano della Bella Italian. Venus, from 'Game of Mythology' (Jeu de la Mythologie) 412356

Bliżej Kultury Łukaszewicz, Tadeusz (1802 1842)

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