Male Nude Studies

A collection of sketches featuring male nudes in various poses. The artworks capture dynamic figures in red chalk, emphasizing form, anatomy, and movement.

Reclining male nude, draughtsman: Willem Doudijns, 1680, paper, h 505 mm × w 280 mm

Venus Receiving from Vulcan the Arms of Aeneas; Francesco Solimena, Italian (Neapolitan), 1657 - 1747; Italy, Europe; 1704; Pen and brown ink and brown wash over black chalk; 21 x 14.3 cm (8 1/4 x 5 5/8 in.)

Half -naked standing woman, guercino, 1601 - 1666 drawing paper. ink pen standing figure - AA - female human figure

Sibylle Cumaea, draughtsman: Jean Honoré Fragonard, (possibly), draughtsman: Robert Ango, (possibly), after: Michelangelo, 1742 - 1806, paper, h 202 mm × w 137 mm

Study of young naked man contorted

School of Titian, Venus Bathing, with Cupid and Psyche, c. 1510-20, pen and brown ink, squared with black chalk on paper.

Standing male nude, draughtsman: Charles-Antoine Coypel, France, 1704 - 1752, paper, h 405 mm × w 290 mm

A Nymph Leaning on a Cornucopia, and Subsidiary Studies of her Hands, one holding an apple. Charles-Joseph Natoire (1700-1777). Black, red and white chalk on light brown paper. Created circa 1741. 33.3 x 23cm.

Cavalier Study, Raphael, Raffaello S.

Lying male nude, with arm behind the head, Daniël Friday, 1792 drawing paper. chalk lying figure

Love couple. Draughtsman: anonymous. Dating: 1600 - 1800. Measurements: h 98 mm × w 120 mm. Museum: Rijksmuseum, Amsterdam.

Lying river god.

Nude Woman Seated by a Stream, Charles Emile Jacque, French, 1813 - 1894, Etching in red ink on cream-colored paper, A nude woman is seated near a stream, leaning against a tree and arranging her hair., France, ca. 1846, Print, Print

Vulcan at His Forge; Francesco Primaticcio (Italian, 1504 - 1570); about 1550; Pen and brown ink and brown wash with white gouache heightening, squared; 25.1 x 14 cm (9 7,8 x 5 1,2 in.)

A chalk drawing by an anonymous artist depicting Saint Ludovica Albertoni in devotional representation.

Drawing (France)

Study by Simone Cantarini da Pesaro showing a flying angel in three versions, executed in red chalk, with the upper right corner incomplete.

Study of a reclining male nude, anonymous, 1587 - 1640, draughtsman: anonymous, draughtsman: Peter Paul Rubens, (rejected attribution), 1587 - 1640, paper, h 235 mm × w 368 mm

Two soldiers, Salvator Rosa, c. 1656 - c. 1657 print Seen a standing soldier on the back, with a feathered hat and a stick in his right hand. On the right a second soldier. Italy paper etching / drypoint the soldier; the soldier's life. walking-stick, staff

Study of a Garden Sculpture: Leda 1727-1804 Giovanni Domenico Tiepolo Italian. Study of a Garden Sculpture: Leda. Giovanni Domenico Tiepolo (Italian, Venice 1727-1804 Venice). 1727-1804. Pen and brown ink, brush and brown wash, over traces of black chalk. Drawings

Studies of a Male Nude. Dated: c. 1550. Dimensions: overall: 27 x 20.4 cm (10 5/8 x 8 1/16 in.). Medium: red chalk on laid paper. Museum: National Gallery of Art, Washington DC. Author: Giovanni Battista Naldini.

Climbing lion. Design for a banner.

Il Bergamasco / 'Mars and Apollo / Mars and Apollo, alternative design'. 1566 - 1569. Wash, Pencil, Grey-brown ink on paper. Museum: Museo del Prado, Madrid, España.

The allegory of Summer. Borch, Gerard ter (ca 1584-1662 ; st.), draughtsman, cartoonist

Peasant and Ass. Dimensions: overall (approximate): 27.3 x 39.5 cm (10 3/4 x 15 9/16 in.). Medium: red chalk. Museum: National Gallery of Art, Washington DC. Author: Alphonse Legros.

Reclining Male Nude. Date/Period: 1710. Black and white chalk. Width: 19.75 in. Height: 15.5 in. Author: Louis Boullongne the Younger.

Cupid Seated on a Cloud and Holding a Palm () 16th century Anonymous, Italian, Emilian, mid-16th century Italian. Cupid Seated on a Cloud and Holding a Palm () 342327

Hercules. Artist: Unknown Artist, possibly by: Girolamo Genga, Italian, 1467-1551 Artist, possibly by: Pseudo Pacchia, Italian, active ca. 1530

Half-naked woman.

. .

A brown pen drawing by Georg Raphael Donner depicting Hercules battling a lion, focusing on figures, anatomy, and dynamic posture.

Mary swooning at the foot of the cross, draughtsman: Gregorio de Ferrari, (attributed to), 1657 - 1687, paper, brush, h 208 mm × w 276 mm

Sketches of different nudes, draughtsman: Parmigianino, (manner of), 1513 - 1620, paper, pen, h 133 mm × w 186 mm

Michelangelo Buonarroti drawing of Mary with the child on her chest (Maria Lactans), executed in brown pen with traces of black chalk, circa 1503.

Study of a mother who carries her child. Draughtsman: Federico Barocci. Dating: 1575 - 1579. Measurements: h 274 mm × w 229 mm. Museum: Rijksmuseum, Amsterdam.

Sepia pen drawing by Heinrich Friedrich Füger showing studies of nude men in various poses and attitudes.

Study for the Wife and Daughters of Brutus (recto); Study of a Male Nude (verso) ca. 1788 Jacques Louis David French. Study for the Wife and Daughters of Brutus (recto); Study of a Male Nude (verso) 380627 Artist: Jacques Louis David, French, Paris 17481825 Brussels, Study for the Wife and Daughters of Brutus (recto); Study of a Male Nude (verso), n.d., Red chalk, Sheet: 9 1/16 x 7 5/16 in. (23 x 18.5 cm). The Metropolitan Museum of Art, New York. Purchase, Robert Gordon Gift, 2007 (2007.450a, b)

Study of a seated male nude, pointing with the right arm. Draughtsman: Louis Fabritius Dubourg. Dating: 1703 - 1775. Measurements: h 317 mm × w 255 mm. Museum: Rijksmuseum, Amsterdam.

Sketches of Half-Length Female Nude, Male Heads, Arms Artist's working dates 1629-1674 France. Black chalk, heightened with white chalk, on blue laid paper, laid down on ivory wove card . Louis de Boullogne, the elder

In a sore, a study to the image; Pankiewicz, Józef (1866-1940); around 1911 (1911-00-00-1911-00-00);Partage Plus, Sobańska, Renata (Fl. 1952-1966), Sobańska, Renata (Fl. 1952-1966)-collection, French (culture), Poland (culture), Polish drawings, studies to paintings, purchase (provenance)

France, Audran, Charles, Four Seasons, Naked Man with Jugs, verso - stamped, print, prent, prints, height 904 mm, width 150 mm, 1594 - 1674, print maker, printmaker, 1634 - 1634, paper, papier, etching

Saint John the Baptist Preaching (recto); Male Nude with Raised Arms and Sketches of Heads (verso) 1642-1705 Italy. Red chalk (recto and verso) on cream laid paper, prepared with a red chalk wash . Luca Giordano

Sabijn Virgin Forgery.

Two studies of the torso of a young man.

Leda and the swan.

Depiction of Saint Andreas leaning on a cross by Francesco Mazzola, drawn with brown and gray ink, washed with brown tones, with white highlights, black pen inscriptions, on prepared paper, circa 1527-1529

Lying naked on the back. Draughtsman: anonymous. Dating: 1600 - 1699. Place: Netherlands. Measurements: h 147 mm × w 206 mm. Museum: Rijksmuseum, Amsterdam.

Angel Playing a Lute 1605-1672 Italy. Red chalk, on buff laid paper, laid down on ivory wove paper . Jacopo Confortini

Hubert Robert, Seated Male Nude with Arm over Head, Seen from the Side, probably c 1754 1765 Seated Male Nude with Arm over Head, Seen from the Side

Adam and Eve. Draughtsman: Adriaen van der Werff. Dating: 1669 - 1722. Measurements: h 345 mm × w 197 mm. Museum: Rijksmuseum, Amsterdam.

Pencil sketch sheet by Rudolf Weyr showing studies of forms, figures, and compositional elements on paper.

Studies of a mother who carries her child. Draughtsman: Federico Barocci. Dating: 1575 - 1579. Measurements: h 274 mm × w 229 mm. Museum: Rijksmuseum, Amsterdam.

Perseus. Artist: Anonymous, Italian, 16th century; After Marco Pino (Italian, Costa del Pino, Siena ca. 1525-ca. 1587 Naples). Dimensions: Sheet: 14 in. × 9 1/8 in. (35.5 × 23.2 cm). Date: 16th century. Museum: Metropolitan Museum of Art, New York, USA.

Anonymous / 'Two fighters'. XVIII century. White chalk, Red chalk on yellow paper. Museum: Museo del Prado, Madrid, España.

Male Figure with Dog and Pitcher 17th century Anonymous, Italian, 17th century Italian. Male Figure with Dog and Pitcher 389432

Sibylle with a genius under a tree. Draughtsman: anonymous. Draughtsman: Battista Franco (possibly). Dating: 1600 - 1699. Measurements: h 245 mm × w 186 mm. Museum: Rijksmuseum, Amsterdam.

Study of a Male Nude (Althaemenes) in Despair. Artist: Nicolai Abraham Abildgaard (Danish, Copenhangen 1743-1809 Frederiksdal). Dimensions: sheet: 3 5/8 x 3 1/16 in. (9.2 x 7.8 cm). Date: mid-18th-early 19th century. Museum: Metropolitan Museum of Art, New York, USA.

Drawing, Sketch of a Female Nude; Francis Augustus Lathrop (American, 1849 - 1909); USA; graphite on grey-violet paper; 28.9 × 35.8 cm (11 3/8 × 14 1/8 in.); 1914-38-305

Della Bella, Stefano (dit Étienne de la Belle) (n.1610-05-18-D.1664-08-22), child carrying a mask through which he passes an arm (A. de Vesme 97; Dutuit 199 ) (Main title). Etching. Petit Palais, Museum of Fine Arts of the City of Paris.

A Man Lifting a Bundle. Dated: c. 1592. Dimensions: overall: 22.4 × 28.5 cm (8 13/16 × 11 1/4 in.). Medium: charcoal with red and white chalk on blue paper (laid on modern blue paper). Museum: National Gallery of Art, Washington DC. Author: LEANDRO BASSANO.

Francisco Bayeu / 'Beggar'. 1783. White chalk, Black chalk on dark toned paper. Museum: Museo del Prado, Madrid, España.

Male nude, lying, seen on the back, Louis Fabritius Dubourg, 1703 - 1775 drawing paper. chalk the (nude) human figure; 'Corpo humano' (Ripa)

Cupid Flying 1527-85 After Luca Cambiaso Italian. Cupid Flying 338336

Peter Visited by the angel in prison (), Antoine COYPEL, 1671 - 1722 drawing paper. chalk prison, jail. Peter in prison ~ martyrdom and death of Peter

Male nude, sitting on a block, to the right. Draughtsman: anonymous. Dating: 1700 - 1800. Measurements: h 334 mm × w 372 mm. Museum: Rijksmuseum, Amsterdam.

The Sacrifice of Marcus Curtius. Dated: 1640s. Dimensions: Overall: 18.1 x 28.9 cm (7 1/8 x 11 3/8 in.) support: 26 x 37.3 cm (10 1/4 x 14 11/16 in.). Medium: black chalk on laid paper. Museum: National Gallery of Art, Washington DC. Author: Franz Cleyn.

Three Children with a Tray. Artist: Stefano della Bella (Italian, Florence 1610-1664 Florence); After Guido Reni (Italian, Bologna 1575-1642 Bologna). Dimensions: Mount: 7 3/8 in. × 5 15/16 in. (18.7 × 15.1 cm). Date: ca. 1638. Museum: Metropolitan Museum of Art, New York, USA.

Foreshortened Putto. After Antonio Allegri, called Correggio; Italian, 1489-1534. Date: 1522-1530. Dimensions: 210 x 188 mm. Red chalk on buff laid paper, laid down on buff laid paper. Origin: Italy. Museum: The Chicago Art Institute, Chicago, USA.

Studies of Arms, Shoulders and Hands 1548-1628 Giacomo Franco Traditionally attributed to Jacopo Palma the Younger (ca. 1548-1628), this sheet was conceived by Jacopo Franco as a design for an illustration his popular drawing manuals "De excellentia and nobilitate delineationis libri duo" (The excellency and nobility of the line, where it appears on plate 24) and "Regole per imparar a disegnar il corpo humano" (Rules to Learn How to Draw the Human Body), both published in Venice in 1611. It presents a series of anatomical studies of gesticulating hands, arms, and shoulders, likely drawn from a live male model, to be used in preparation for paintings or for drawing exercise. A successful publisher and engraver, Franco was also a talented designer, as proven by this tour de force of draftsmanship that combines hybrid, undulating motifs against a warmly washed background.. Studies of Arms, Shoulders and Hands. Giacomo Franco (Italian, Venice 1550-1620 Venice). 1548-1628. Pen and brown ink

Anatomical Studies: Nudes in Combat. Sir Peter Paul Rubens (1577-1640). Pen and brown ink, 279 x 189mm.

Anonymous (Copy Perino del Vaga) / 'Seated Allegorical Female Figure Holding a Three-faced Effigy'. Second half of the XVI century. Black chalk, Red chalk on yellow paper. Museum: Museo del Prado, Madrid, España.

Red chalk drawing by Raffaello Santi depicting a boy's posture and attitude over lead handle design on white paper, around 1518-1520.

Anatomical study of three figures with stretched arms, Paulus Pontius, after Peter Paul Rubens, 1616 - 1657 print Antwerp paper engraving parts of the human body (skeleton excepted)

The beheading body of John the Baptist.

Male nude, lying, the arms on the back. Draughtsman: Louis Fabritius Dubourg. Dating: 1726. Measurements: h 313 mm × w 460 mm. Museum: Rijksmuseum, Amsterdam.

Rafaël, The Formation of Eve, Philip Henry Delamotte, 1855 - 1858 Photo production of drawing in 'The Reveley Collection of Drawings at Brynygwin', Fig. 33. paper. photographic support. cardboard albumen print Photo production of drawing in 'The Reveley Collection of Drawings at Brynygwin', Fig. 33. paper. photographic support. cardboard albumen print

At left, a seated male nude reaching toward a seated female holding a child. At far right, a crowned figure. Pen and ink, brush and wash on paper. Date: ca. 1650. Museum: Cooper Hewitt, Smithsonian Design Museum.

The Dead Christ Mourned by the Magdalen Who Venerates the Wounds on His Feet. Artist: Fortunato Duranti (Italian, 1787-1863). Dimensions: 8 3/4 × 12 1/4 in. (22.2 × 31.1 cm). Date: 1787-1863. Museum: Metropolitan Museum of Art, New York, USA.

Drawing of Male Nude Figure Studies by Raphael; Roger Fenton (English, 1819 - 1869); London, England; 1858; Salted paper print; 21.4 × 16.5 cm (8 7,16 × 6 1,2 in.)

Male nudes, by Luca Signorelli (ca 1445-1523), drawing.

Anonymous (Circle of Parmigianino. Girolamo Francesco Maria Mazzola) / 'Studies for the Head and Body of a Warrior'. Early XVI century. Pencil, Pencil ground, Grey-brown ink on yellow paper. Museum: Museo del Prado, Madrid, España.

Study of male nudity, kneeling, arms up, draughtsman: Fernand Piestre Cormon, France, 1855 - 1924, paper, h 187 mm × w 116 mm

Allegorical group (Amor and Psyche). Carrier-Belleuse, Albert Ernst (1824-1887), draughtsman, cartoonist

Study for a Female Figure. Date/Period: 1645. Coloured chalks in shades of red, black, ochre and pink, heightened with white chalk, on blue paper. Farbige Kreiden in Rot, Schwarz, Ocker und Rosétönen, mit weißer Kreide gehöht, auf blauem Papier. Height: 418 mm (16.45 in); Width: 274 mm (10.78 in). Author: Guillaume Courtois.

Ubaldo Gandolfi / 'Life study'. XVIII century. White chalk, Red chalk on brown paper. Museum: Museo del Prado, Madrid, España.

Della Bella, Stefano (dit Étienne de la Belle) (n.1610-05-18-D.1664-08-22), three children with a saucer after Guido Reni (A. de Vesme 101. Dutuit 64) ( Main title). Etching. Petit Palais, Museum of Fine Arts of the City of Paris.

Three men digging; folio 51 from the Images of Spain Album 'F'. Artist: Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746-1828 Bordeaux). Dimensions: Sheet: 8-1/8 x 5-5/8 in. (20.6 x 14.3cm). Date: ca. 1812-20. Museum: Metropolitan Museum of Art, New York, USA.

Lazio Viterbo Bolsena Palazzo del Drago05. Hutzel, Max 1960-1990 Post-medieval: frescoes, tapestries, paintings on canvas. Extensive coverage of exterior, including views of portals and portal details, terrace, and collection of antiquities displayed on terrace. Detailed coverage of palazzo interior, including views of frescoes, statuary, paintings, and architectural details. Antiquities: cippi, inscriptions, portraits (Trajan), architectural fragments German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Two Sketches Man with Dog, Group of Figures Artist's working dates 1614-1749 Italy. Red chalk, with brush and red chalk wash, on tan laid paper, laid down on cream card . School of Alessandro Magnasco

A Seated Nude with a Staff, a Relief with Putti to the Left. Francois Boucher (1703-1770). Red chalk and wash, white chalk on buff paper. Dated 1738. 48.9 x 37.3cm.

Drawing by Heinrich Friedrich Füger depicting a figure observing a floating tree trunk with a rabbit, executed in sepia with feather and white highlights.

Study sheet with arms and legs.

Sleeping Woman, 1636 - 1647 print Image of a lying sleeping woman. On the pedestal the coat of arms of Vincenzo Giustiniani. Print is part of an album with a series of prints to the sculptures in the collection in the Galleria Giustiniani in Rome. paper engraving female persons from classical history (+ full length). piece of sculpture, reproduction of a piece of sculpture

Lower body of naked boy. Draughtsman: Jac van Looij. Dating: 1865 - 1930. Measurements: h 147 mm × w 91 mm. Museum: Rijksmuseum, Amsterdam.

Luigi Sabatelli I, Cavalryman Mounting a Horse Cavalryman Mounting a Horse

Ascending Male Nude 1550-1559 Italy. Black chalk on tan laid paper . Michelangelo Buonarroti

Two Sketches: Man with Dog, Group of Figures. School of Alessandro Magnasco (Italian, 1667-1749); or Nicolas Poussin (French, 1594-1665). Date: 1613-1749. Dimensions: 130 x 189 mm. Red chalk, with brush and red chalk wash, on tan laid paper, laid down on cream card. Origin: Italy. Museum: The Chicago Art Institute, Chicago, USA.

Seated Female Nude, Augustinus Terwesten (I), 1659 - 1711 drawing paper. chalk sitting figure - AA - female human figure

Standing male nude, in spread position, Jan Willem Pieneman, 1789 - 1853 drawing paper. chalk

Auguste Rodin (French, 1840 - 1917). Allegory of Spring (Le Printemps), ca. 1883. Drypoint on laid paper. Plate: 148 mm x 99 mm (5.83 in. x 3.9 in.). Only state.

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