Maritime Prints of Sailing Ships

Etchings and engravings illustrate various sailing vessels on turbulent seas, highlighting ship details and coastal views from the 17th to 18th centuries.

Eight sailing ships on a rough sea. On the right side in the sea is a piece of a fence. The large ship is flying three different flags. This print is part of a series of six prints depicting different sailing ships at sea. Below in the margin on the right: 2., Eight sailing ships on rough water Seascapes with ships (series title), print maker: Gerrit Groenewegen, (mentioned on object), intermediary draughtsman: Gerrit Groenewegen, (mentioned on object), Rotterdam, 1786, paper, etching, engraving, h 120 mm × w 155 mm

Seascape. Draughtsman: Jacobus Buys. Dating: 1780. Measurements: h 124 mm × w 82 mm. Museum: Rijksmuseum, Amsterdam.

Etching by Adolf van der Laan depicting sea pieces with herring fishermen, created between 1717 and 1740.

A sloop with figures at a harborhead Behind them on the water a sailing ship, Sailing ship and a sloop at a pier, De Oostindievaart , print maker: Philippus Velijn, (mentioned on object), intermediary draughtsman: Johannes Christiaan Schotel, (mentioned on object), Netherlands, 1823, paper, etching, h 112 mm × w 85 mm

Lagoon: Noon James McNeill Whistler American. Lagoon: Noon 372591

The East Indies Compagnies-Jagt, Widow Cornelis Stichter, 1715-1813 print Bald with a large representation of a company ship, seen from the side. Numbered at the top right: No. 185. paper letterpress printing ships (in general). military vehicles (+ sailing-ships)

Publisher: Currier & Ives, American, active 1834-1907, The Whale Fishery: The Sperm Whale In aFlurry, Colored lithograph, sheet: 40.9 × 60.6 cm (16 1/8 × 23 7/8in.), Made in United States, American, 19thcentury, Works on Paper -Prints

River view with man calving a boat Four Rhine landscapes (series title), print maker: William Young Ottley, print maker: Charles Walker, (rejected attribution), Jan van Almeloveen, print maker: London, Netherlands, 1828, paper, etching, h 148 mm × w 160 mm

Etching by Matheus de Sallieth from 1769-1791 depicting maritime scenes with a gale and calm sea, showing sailing ships, waves, and weather conditions.

James T. Willmore, 1800-1863, British, The Sea! The Sea!, 1836. Line engraving on medium, slighlty textured, beige, wove paper, with gray chine colle.

GRABADO-LA FRAGATA"JUNO"SORPRENDIDA POR CICLON EN MAR DE INDIAS. Author: JULES NOEL.

Frederick Calvert, ca. 1785-1845, Irish, Ryde, Isle of Wight, undated. Pen and brown ink and watercolor on medium, slightly textured, cream wove paper mounted to card.

. The Frans and Jacob Naerebout brothers save the 87 people from the desperation of the VOC ship desert garden that stranded on July 24, 1779 and take the northern races (off the coast of Westkapelle).

A South East View of London, Before 1666, Bartholomew Howlett, 1767-1827, British, after unknown artist, 1818, Engraving

The Port of Genoa. Dated: c. 1877. Dimensions: plate: 42.1 x 29.2 cm (16 9/16 x 11 1/2 in.) sheet: 42.7 x 30.5 cm (16 13/16 x 12 in.). Medium: etching with monotype wiping proof on wove paper. Museum: National Gallery of Art, Washington DC. Author: Adolphe Appian.

Warship in the Trough of a Wave Made 1665 Bohemia. Etching on ivory laid paper . Wenceslaus Hollar

Thomas Rowlandson, 1756-1827, British, Album Drawing, undated. Graphite and pen and ink on medium, slightly textured, cream wove paper.

Etching by Thomas Major depicting people collecting wood in winter, showing figures, snow, trees, tools, and 18th-century rural activity.

Harbor face with Roman structure and fountain at Zonnet, Richard Earlom, After Claude Lorrain, 1774 print London paper etching harbour. sunset. landscape with tower or castle. monumental adornments (in city). landscapes with waters, waterscapes, seascapes (in the temperate zone)

Seascape with sailboats, 1837 - 1840 print The sea is restless and the boats are diagonally on the waves. At the top left: Pantheon pl. XXIII. print maker: Netherlandsprinter: The Hague paper sea. sailing-ship, sailing-boat

Three sailing ships on a rough sea, Reinier Nooms, 1654 - 1748 print Three sailing ships, two of which are sloping in the wind, on a rough sea. Three more ships in the distance. Double edge around the show. paper etching sailing-ship, sailing-boat

Arrival and reception of the ships at Ternate, 1599, 1619 print Arrival and reception of the ships at Ternate, May 22, 1599. Two Dutch ships for anchor in the bay, around the ships many small boats. Part of the illustrations in the travelogue from the Second Schipvaart to the East Indies under Jacob Cornelisz. van Nes and Wijbrant van Warwyck in 1598-1600. No. 23. Northern Netherlands paper engraving exploration, expedition, voyage of discovery. landscapes in tropical and sub-tropical regions. ships (in general) Ternate

Balthazar Solvyns illustrated a boat for Marie Christine and Albert von Sachsen-Teschen in Schoonberg Park, Laeken, using watercolor and graphite pencil; the paper is slightly foxed.

View of the north side of the river Maas, with Delft and De Lier in the background, View of Delft and De Lier Postcard (series title), print maker: Joost van Geel, Joost van Geel, publisher: Jacob Quack, (possibly), Rotterdam, in or after 1666, paper, etching, engraving, h 150 mm × w 420 mm

James McNeill Whistler, The Large Pool, c 1879 The Large Pool

Observing Sailboats From the Shore, Sawrey Gilpin, 1733-1807, British, undated, Watercolor, gray wash and graphite on medium, moderately textured, beige, laid paper, Sheet: 4 5/8 × 5 9/16 inches (11.7 × 14.1 cm)

L'Air, from The Elements 17th century Reinier Nooms, called Zeeman Dutch. L'Air, from The Elements 392976

Robert Dodd, 1748-1816, British, His Majesty's Ship Glatton Shewing her Situation, 1796. Aquatint.

Ships are anchor in a speech, Piet Verhaert, after Hendrick van Anthonissen, 1887 print paper ETCHING / ROUCH landscapes with waters, waterscapes, seascapes (in the temperate zone). ship bound for the harbour. sailing-ship, sailing-boat

Port to Mediterranean art; Quelque Navieres Desseigner & Graver Par Remÿ Seman; Some sailing ships. Title page of a series of eight prints with sailing ships. A harbor with a number of koopers and sailors on the quay with their goods.

Shipwreck of De Overhout, 1777, Reinier Vinkeles (I), After Jacobus Buys, 1780 - 1795 print The shipwreck of the VOC ship Overhout off the coast near Egmond-on-Zee, August 31, 1777. Northern Netherlands paper etching shipwreck Egmond aan Zee

Ruin of the House at Merwede. Draughtsman: Jan van Goyen. Dating: 1638. Measurements: h 160 mm × w 215 mm. Museum: Rijksmuseum, Amsterdam.

Thomas Jeavons, ca. 1800-1867, British, Devonport and Dockyard, Devonshire, 1827-1838. Line engraving, first published state.

His Majesty's Ship Glatton Shewing her Situation, Robert Dodd, 1748-1816, British, 1796, Aquatint, Sheet: 19 1/2 x 26 1/4in. (49.5 x 66.7cm)

A pink, 1642; A pinck or sea boat; Ten different Dutch typing of inland vessels. A pink, in oval, to the right, 1642. with two-legged Dutch verse. Leaf no. 5 in a series of ten different Dutch typing of inland vessels.

Lazio Viterbo Bagnaia Villa Lante001. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Capture of theChesapeake. Artist: Bailey After: Thomas Whitcombe, British, ca. 1752-ca. 1824

Governor Loten and his entourage on Negombo Lagoon, Pieter de Bevere, c. 1754 drawing paper. ink pen / brush historical persons Negombo. Sri Lanka

Etching and copper engraving by Yves Marie le Gouaz between 1762 and 1816 showing the port of Saint-Valery-sur-Somme from the beach on the city side, including shoreline, vessels, and buildings.

View of Castle Drottningskär, from the west and east, Johannes Jacobsz van den Aveele, 1710 The print is part of an album. Stockholm paper etching Kasteel Drottningskär The print is part of an album. Stockholm paper etching Kasteel Drottningskär

The Port of Honfleur. Jean Barthold Jongkind; Dutch, 1819-1891. Date: 1863-1864. Dimensions: 198 x 273 mm. Watercolor, with traces and black chalk, on cream wove paper. Origin: Netherlands. Museum: The Chicago Art Institute, Chicago, USA. Author: Johan Barthold Jongkind.

Le Clipper AmericainElectric. Artist: Louis LeBreton, French, 1818-1866Printer: Lemercier & Cie, Paris, founded 1828

Kilian, Georg Christoph, Cap. Esgangarato - Cocodrillo (Balli's number 14), (1000 - 2000), line etching, graphics, plate width 9.2 cm, plate height 6.7 cm

Arrival of the Prince of Orange in Scheveningen, 1813; Arrival of Prince Willem Fred.k van Oranje Nassau, in Scheveningen November 18, 1813. The arrival of Prince Willem Frederik as a Souverein frost on Scheveningen beach on November 30, 1813. Performance in contours within frame.

Etching and copper engraving by Yves Marie le Gouaz from 1762-1816 depicting the port of Calais as viewed from the East pier, highlighting ships, quays, and coastal structures.

Scheveningen scene; Près De Scheveningen ..

View of Biesbosch and Noordendijk with mills in Dordrecht, Carel Frederik Bendorp (I), 1803 print Dordrecht paper etching prospect of city, town panorama, silhouette of city. windmill in landscape Dordrecht

High Street, Oxford, Print made by Samuel Middiman, ca. 1750-1831, British, after Joseph Mallord William Turner, 1775-1851, British, Published by James Wyatt, active 1811-1834, British, 1811, Etching; open etched state on medium, slightly textured, cream wove paper, Sheet: 23 3/8 × 35 inches (59.4 × 88.9 cm), Plate: 19 3/4 × 25 7/8 inches (50.2 × 65.7 cm), and Image: 14 3/4 × 23 7/8 inches (37.5 × 60.6 cm)

The Situation on His Majesty's Packet, 'The Lady Hobart' on 28 June 1803., Joseph Jeakes, active 1796- ca. 1829, British, after John Thomas Serres, 1759-1825, British, 1804, Colored aquatint, Sheet: 14 7/8 x 22 3/4in. (37.8 x 57.8cm)

A lighter, 1642; A lighter sprain mast; Ten different Dutch typing of inland vessels. A lighter without mast, in oval, to the left, 1642. With two-legged Dutch fresh. Leaf no. 3 in a series of ten different Dutch typing of inland vessels.

Ship in a storm, Jacques Callot, 1646 print Presentation of a ship on the rough sea that sails along a rocks. This magazine is part of the emblem series 'Life of Maria in Emblemen'. In addition to a title page and 26 emblems, the first state of this series also includes three blades with hymns on Maria in book print without image. print maker: Nancypublisher: Paris paper etching ships (in general). storm at sea

Lons, Dirk Eversen, Eight different types of Dutch inland vessels, A Buyckslooter Veer or Steygerschuyt, Buiksloterveer or steigerschuit, verso - stamped, A buiksloterveer or steigerschuit with three passengers. Below the image a two-line Dutch verse., print, prent, prints, prenten, height 214 mm, width 164 mm, 1600 - 1686, print maker, prentmaker, 1609 - 1686, paper, papier, engraving, graveren (drukprocedé)

Figures by the Seashore. Artist: Thomas Rowlandson (British, London 1757-1827 London). Dimensions: sheet: 6 3/8 x 6 1/8 in. (16.2 x 15.6 cm). Date: late 18th-early 19th century. Museum: Metropolitan Museum of Art, New York, USA.

Devonport and Dockyard, Devonshire, Thomas Jeavons, ca. 1800-1867, British, after Joseph Mallord William Turner, 1775-1851, British, 1827-1838, Line engraving, first published state

Boston Lighthouse Plate 1 From Vol. 1 Of "Travels In The Interior Of N. America - 1832-34" 1843 Karl Bodmer (1809-1893 Swiss) Joslyn Art Museum, Omaha, Nebraska, USA

Two ships. Whistler, James McNeill (1834-1903). 1875. Avery, Samuel Putnam, 1822-1904. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

Girgeh, from the mooring-place on the south side.. Woodward, John Douglas (1846-1924). Prints, Illustrations. 1881 - 1884. Dorot Jewish Division. Nile River, Jirjâ (Egypt), Minarets , Egypt , Jirjâ, Waterfronts , Egypt , Jirjâ, Sailboats , Egypt , Jirjâ

A Ship in a Stormy Sea. Georg Strauch (German, 1613 - 1675)

Burning off the warship Kenmerland, 1778, Simon Fokke, 1778 print The burning of the warship Kenmerland, 25 August 1778, probably in Amsterdam. The fire is attempted from the scaffolding. print maker: Northern Netherlandspublisher: Amsterdam paper etching / engraving on fire, ablaze. ships (in general) (+ propulsion of vehicle, ship, etc. by wind)

Saumerez' Action off Algeciras and Gibraltar, 6th and 12th July 1801, Joseph Constantine Stadler, active 1780-1812, British, Hubert Stadler, active 1802, after Jahleel Brenton, 1770-1844, British, 1802, Colored aquatint, Sheet: 17 x 25in. (43.2 x 63.5cm)

Boat in Malta A phalanx, draughtsman: Willem Schellinks, 17-Oct-1664, paper, pen, brush, h 166 mm × w 276 mm

François Louis Thomas Francia, 1772-1839, French, active in Britain, View of Sheerness, undated. Watercolor and brown ink over graphite on moderately thick, rough, beige wove paper.

Margate, Outer View of the Pier, Coast of Kent, and from Fort Cliffs. John Raphael Smith (English, 1751-1812); acquaint by Thomas Sutherland (English, c. 1785-1838); published by Charles Richards (English, active 1804-1806). Date: 1805. Dimensions: . Hand-colored etching and acquaint on ivory wove paper. Origin: England. Museum: The Chicago Art Institute, Chicago, USA.

Etching by Simon Fokke depicting a frozen lake near Alkmaar with a person ice skating, created between 1725 and 1784.

Pl. 5. The idle 'prentice turned away and sent to sea , Rivers, Boats. William Hogarth (1697-1764). Prints

Ships in a Harbor. Willem van de Velde, II; Dutch, 1633-1707. Date: 1653-1707. Dimensions: 103 x 111 mm. Graphite with brush and gray wash on ivory laid paper, laid down on card. Origin: Holland. Museum: The Chicago Art Institute, Chicago, USA. Author: Willem van de Velde, II.

Jetee en bois dans le port de Honfleur Johan Barthold Jongkind (Dutch, 1819-1891). Jetee en bois dans le port de Honfleur, 1865. Etching and drypoint on China paper laid down, 9 7/16 x 12 5/8 in. (23.9 x 32 cm). European Art 1865

San Remo. Dated: 1888. Dimensions: image: 24.77 × 19.05 cm (9 3/4 × 7 1/2 in.) sheet: 29.1 × 22.3 cm (11 7/16 × 8 3/4 in.). Medium: graphite and pen and black ink on wove paper. Museum: National Gallery of Art, Washington DC. Author: John William Casilear.

. The Frans and Jacob Naerebout brothers save the 87 people from the desperation of the VOC ship desert garden that stranded on July 24, 1779 and take the northern races (off the coast of Westkapelle).

Life of Saint Philip of Jesus (Vida de San Felipe de Jesus) José Montes de Oca (Mexican, active ca. 1788-1820). Life of Saint Philip of Jesus (Vida de San Felipe de Jesus), 1801. Engraved prints on white antique laid paper, modern binding, size of cover: 9 1/8 x 6 7/16 in. (23.2 x 16.4 cm). These three objects tell a story of Mexicos early nineteenth-century Creole patriotism. The Mexican independence movement was fueled by Creoles, who were often denied a voice in colonial government. The 1821 Act of Independence formalized the independence that had been declared in 1810 and was signed by many Creole aristocrats, among them Don José María Gómez de Cervantes, whose portrait is on view nearby. New World figures like the Virgin of Guadalupe, who miraculously appeared to the Indian Juan Diego in 1521, and Saint Felipe de Jesús, the first Mexican-born saint, became important nationalist symbols, supporting the idea that the independence of Mexico was divinely ordained. Estos tres objetos

Peace: Burial at Sea, John Cousen, 1804-1880, British, after Joseph Mallord William Turner, 1775-1851, British, ca. 1859-1879, steel engraving

CANONERAS Y FRAGATAS DE RUEDAS INGLESAS. Author: RAFAEL MONLEON. Location: MUSEO NAVAL / MINISTERIO DE MARINA. MADRID. SPAIN.

Etching by Ludolf Bakhuizen from 1682-1720 depicting various seascapes with sailing ships, showing ships, water, and late 17th-early 18th century engraving techniques.

He follows half according to Theodor Weber. A slice probably from a German magazine Yon, Charles Joseph Edmond, (1836 1897), Weber, Theodor Alexander (1838 1907)

Moonlight, F.W. Musculus, After Aelbert Cuyp, 1750 - 1799 print A coastal landscape in moonlight. Sailing ships sail on sea and a rowing boat and a flat barge in the foreground. Right buildings on a cliff. Amsterdam paper etching / engraving moonlight. coast. sailing-ship, sailing-boat

Gale of Winds, George Jackson, active 1839-1844, undated, Watercolor, with pen, in brown ink, graphite and scratching out on moderately thick, slightly textured, cream, wove paper, Sheet: 3 5/16 × 4 1/4 inches (8.4 × 10.8 cm) and Image: 2 1/16 × 3 1/4 inches (5.2 × 8.3 cm), boats, marine art, sailboats, sea, storm, water, waves (natural events), wind

Print (France)

The Water Party: tourists abandon a sea voyage due to bad weather. Handcoloured copperplate engraving by Thomas Rowlandson, aquatint by J.C. Stadler, after a sketch by J. Green from Poetical Sketches of Scarborough, Ackermann, London, 1813.

Allart van Everdingen (1621-1675). September. Drawing in the wash of bistre and ink from China, on sketch with black stone. Museum of Fine Arts of the City of Paris, Petit Palais. 76856-29 Boat, drawing, ink of China, sketch, summer, wash of bistre, black stone, bag, September, sailboat, 17th 18th 18th 17th 17th 17th century

'Schevelinge', in: Tooneel Der Voornaamste Nederlands Huizen, En Lust Hoven, Naar T Leven Afgebeeld n.d. Carel Allard Depiction of the beach at Scheveningen as seen from the water, with a view of The Hague on the horizon. Part of a series of country estates and pleasure palaces of the Netherlands published by Carel Allard at the end of the seventeenth or very beginning of the eighteenth century.. 'Schevelinge', in: Tooneel Der Voornaamste Nederlands Huizen, En Lust Hoven, Naar T Leven Afgebeeld. n.d.. Color engraving (à la poupée). Carel Allard (Dutch, Amsterdam 1648-ca. 1709 Amsterdam)

The Mildmay Sea-Piece (Liber Studiorum, part XIII, plate 40) February 11, 1812 Designed and etched by Joseph Mallord William Turner British Turner distilled his ideas about landscape In "Liber Studiorum" (Latin for Book of Studies), a series of seventy prints plus a frontispiece published between 1807 and 1819. To establish the compositions, he made brown watercolor drawings, then etched outlines onto copper plates. Professional engravers usually developed the tone under Turner's direction, and Annis and Easling here added mezzotint to describe a sun setting over the sea, with barrels piled on the shore near a beached fishing boat. As two sailboats move past, a woman holding a child near an anchor watches a boy running across the sand. The letter "M" in the top margin indicates Turner's category of Marine landscape.. The Mildmay Sea-Piece (Liber Studiorum, part XIII, plate 40) 383018

Seaport with Roman triumph arch, tower and setting sun, Richard Earlom, After Claude Lorrain, 1774 print London paper etching sunset. triumphal arch. sailing-ship, sailing-boat. harbour. landscape with ruins. landscape with tower or castle

The Idle Prentice Turned Away and Sent to Sea William Hogarth (British, 1697-1764). The Idle Prentice Turned Away and Sent to Sea, 1747. Engraving on laid paper, 10 3/8 x 13 5/8 in. (26.3 x 34.6 cm). European Art 1747

Corocoro boat with sails and oars from the island of Guebe, Maluku Islands, Indonesia, 19th century. The Guebe chief or king sits on deck, while a drummer beats time for the oarsmen. The island of Pisang in the distance. Handcoloured copperplate engraving by Corsi after Alphonse Pellion from Giulio Ferrario's Costumes Ancient and Modern of the Peoples of the World, Florence, 1834.

Follower of Samuel Prout, 1783-1852, British, A Harbour; Breakwater Left, Small Boats Moored Alongside a Quay with Figures Right, undated. Watercolor with brown ink and gouache over graphite on moderately thick, slightly textured, green-beige wove paper.

Marée basse, 1831. Eugène Isabey (French, 1803-1886). Lithograph;

Della Bella, Stefano (dit Étienne de la Belle) (n.1610-05-18-D.1664-08-22), views of sea ports. Ordinary ship that goes from Douvre to Calais. Fourth issue of a series of 8 rooms. (A. de Vesme 797; dutuit 134) (main title). Etching. Petit Palais, Museum of Fine Arts of the City of Paris.

Le matin. Dated: 1824. Medium: lithograph. Museum: National Gallery of Art, Washington DC. Author: Richard Parkes Bonington.

Amsterdam, Elwe, Jan Barend, Keyzer, Harmanus, Bendorp, Carel Frederik (I), Northern Netherlands, Second and Last Set of Four Art Plates, Depicting Dutch Histories at Sea, Map with four plates of historical events at sea in the years 1781-1784, second series, The Sailing of the country's ship Prins Willem, on the Zuider-haaks, on 14th Septr. 1781, Sailing of the ship Prins Willem, 1781, verso - stamped, The running aground of the ship Prins Willem on the Zuiderhaaks on 14 September 1781. Loose print in the folder with four prints of historical events at sea in the years 1781-1784, second series., print, prints, Frederik Muller Historieplaten, height 255 mm, width 398 mm, Noord-Nederlands, 1736-02-09 - 1814-10-03, print maker, printmaker, 1784 - 1784, paper, papier, etching, engraving, engraving (printing process), Work conception, after own design by, Publication (Event), Publication, publisher

Seascape, Pieter Idserts (possibly), 1708 - 1781, draughtsman: Pieter Idserts, (possibly), 1708 - 1781, paper, brush, h 186 mm × w 240 mm

On Board of the Stony Brook Packet. Dated: 1848. Dimensions: sheet: 14.6 × 23 cm (5 3/4 × 9 1/16 in.). Medium: graphite on wove paper. Museum: National Gallery of Art, Washington DC. Author: WILLIAM SIDNEY MOUNT.

History of Spain. The roadstead of Alicante. Engraving by Vela after the painting by Rafael Monleón (1843-1900), painted in 1881. La Ilustración Española y Americana (The Spanish and American Illustration), January 30, 1884. Author: Eugenio Vela (d. 1895). Spanish engraver. Rafael Monleón y Torres (1843-1900). Spanish painter.

Single Brig with Union Jack and Three Figures, Joseph Cartwright, c.1789-1829, British, 1821, Watercolor, pen and black ink, gray ink and graphite on medium, slightly textured, cream, wove paper, mounted on, moderately thick, slightly textured, cream, wove paper, Mount: 12 1/16 × 16 13/16 inches (30.6 × 42.7 cm) and Sheet: 9 1/16 × 12 inches (23 × 30.5 cm)

A watercolor by Anton Perko depicting a large sailor figure, showing posture, clothing, facial features, and maritime context.

The Bellman, a London Wharf and Coal-ship and coal barge. London Bellman or Town Crier reading a notice about missing child Tommy Dallow 7, London Wharf at the East India Docks 8, and Newcastle collier ship unloading coal to a barge 9. Woodcut engraving after an illustration by Isaac Taylor from City Scenes, or a Peep into London, by Ann Taylor and Jane Taylor, published by Harvey and Darton, Gracechurch Street, London, 1828. English sisters Ann and Jane Taylor were prolific Romantic poets and writers of childrens books in the early 19th century.

Amoenissimæ aliquot locorum ... effigies. Plate 22. Die Zuyder See., Wenceslaus Hollar, artist, 1635, Germany, etching, Wenceslaus (or Wenzel) Hollar (1607-77) was an Anglo-Czech artist, and one of the greatest and most prolific printmakers of the 17th century. His art reveals his immensely wide subject range, and reflects the priorities of his time: religious prints, mythology, satire, landscapes, geography and maps, portraits, women, costumes, sports, natural history (including caterpillars, moths and snails), architecture, heraldry, numismatics, ornaments, title-pages and initials.

Fishermen on a river, Anthonij van der Haer, after Herman Saftleven, c. 1745 - 1785 print Fishermen busy with their nets on the banks of a river, in the background three fishermen in a boat on the water. Northern Netherlands paper etching landscapes with waters, waterscapes, seascapes (in the temperate zone) (+ landscape with figures, staffage). rowing-boat, canoe, etc.. fresh-water fishery

A Boat Maneuver, plate nine from Les Canotiers Parisiens 1843 France. Lithograph in black, with additions in pen and brown ink (faded to gray) and caption in pen and brown ink, on ivory wove paper, tipped onto ivory wove paper . Honoré-Victorin Daumier

Théo van Rysselberghe, Boulogne, 1900 Boulogne

Star of the West, between 1860 and 1865, drawing on white paper : pencil ; 10.3 x 17.1 cm. (sheet), 1862-1865, by Alfred R Waud, 1828-1891, an american artist famous for his American Civil War sketches, America, US

Print made by James Baylis Allen, 1803-1876, British, The Death of Nelson, between 1859 and 1879. Steel engraving.

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