Maritime Seascapes

Artworks featuring coastal scenes and boats, capturing the serene beauty of nautical life with varied techniques in ink and watercolor.

River view with boat and rowboat, Jan Daniël Cornelis Carel Willem baron de Constant Rebecque, 1856 - 1893

Two Fishing Boats at Brighton Beach, Attributed to Augustine Maria Aglio, 1777-1857, Italian, active in Britain, 1819, Black chalk and pen and black ink on medium, slighlty textured, cream wove paper, Sheet: 5 1/4 × 10 7/8 inches (13.3 × 27.6 cm), beach, boats, coast, marine art, mast, ships, Brighton, Brighton Beach, East Sussex, England, Europe, United Kingdom

Shipping in the Port of London recto. Dated: c. 1884. Dimensions: overall: 5.5 x 17.4 cm (2 3/16 x 6 7/8 in.). Medium: graphite and black chalk on wove paper. Museum: National Gallery of Art, Washington DC. Author: Félix-Hilaire Buhot.

Edelfelt, Albert, work, Sketch book, drawing, 16 cm x 10 cm, Edelfelt, Albert, Albert Gustaf Aristides Edelfelt 1854 - 1905, Finnish painter. Painting in a naturalistic style and with a Realist approach to art. He lived in Finland

Swift-Sailing Proa, Mulgrave Archipelago, Oceania. Charles Meryon; French, 1821-1868. Date: 1866. Dimensions: 141 × 80 mm (image); 141 × 80 mm (plate); 246 × 159 mm (sheet). Etching on ivory laid paper. Origin: France. Museum: The Chicago Art Institute, USA.

Framed Port scene with two figures Dominique Barrière French. Framed Port scene with two figures 336243

Charles Fromuth, The Storm, 1908 The Storm

James McNeill Whistler, Nocturne, 1879 1880 Nocturne

Billingsgate 6. Whistler, James McNeill (1834-1903). Avery, Samuel Putnam, 1822-1904. Prints. 1859. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

Shipping - On the Guidecca, 1883. Frank Duveneck (American, 1848-1919). Etching;

Ships off the Italian coast, Jacques Barthélemy Appian (Adolphe), 1875 print paper etching / drypoint ships (in general) - CC - more than one ship. sea Italy

France, French Crown, Paris, Henriet, Israel, Bella, Stefano della, Divers desseins tant pour la paix que pour la guerre, Various designs for peace and for war, Sea battle, verso - stamped, Galleys colliding at sea. A ship is on fire. On the left men on a lifeboat., print, prints, drawings, height 110 mm, width 251 mm, Italian, 1610-05-18 - 1664-07-27, print maker, printmaker, 1620 - 1664, paper, papier, etching, etchings, Publication (Event), Publication, French, 1590 - 1661, publisher, uitgever van privilege

Sleuthound, 1887, by Frederick Paton.

Seascape with sailing ship or Galjoot by Jan de Vyl from Rotterdam; Galiot De Jean De Vyl De Rotterdam.

Nocturne. Artist: James McNeill Whistler (American, Lowell, Massachusetts 1834-1903 London). Dimensions: Plate: 8 × 11 5/8 in. (20.3 × 29.6 cm)Sheet: 8 1/8 × 11 3/4 in. (20.6 × 29.8 cm). Series/Portfolio: First Venice Set ("Venice: Twelve Etchings," 1880). Date: 1879-80.Tone and atmosphere dominate many of Whistler's Venetian etchings, and tonal wiping here suggests night falling across the Bacino (Basin of Saint Mark's). We look toward the entrance of the Giudecca Canal at a large sailing ship anchored to the left of San Giorgio Maggiore. Equal weight is given to real and reflected forms, and gondolas, formed by smudged drypoint lines, appear as though through rising mist. The artist began to work on the plate soon after he arrived in September 1879 and the print was published by the Fine Art Society in December 1880 as part of Venice, a Series of Twelve Etchings (the "First Venice Set"). As in most of Whistler's etchings, the image reverses the actual view. Museum: Metropolitan Mus

Schiffsverkehr vor der Landspitze von East Cowes. Date/Period: 1827. Painting. Oil on canvas. Height: 46 cm (18.1 in); Width: 60 cm (23.6 in). Author: J. M. W. Turner.

Colored etching by Jean Baptiste Debret, 1817-1848, depicting the solemn landing of Princess Leopoldina in Rio de Janeiro on November 6, 1817, showing figures, ship, and ceremonial setting.

Flying fish, 1595. Flying fish and other marine animals, in the background the four ships, 1595. Printing the worked plates for the original illustrations in the travelogue of the first Schipvaert of Cornelis de Houtman to the East Indies in 1595-1597. No 8.

Etching by an unidentified engraver, depicting a landscape with a windmill and a market scene using plate tone and crayon manner techniques, created in the 17th to 18th century.

Windmills in Overschie, Adolf Le Comte, c. 1900 drawing paper. chalk brush windmill in landscape. windmill Overhang

The Trade Basin in Le Havre Norbert Goenuette (1854-1894). "The Trade Basin in Le Havre". Engraving (dry tip).

Billingsgate 1859 republished 1880-82 James McNeill Whistler American. Billingsgate 372723

Drawing, Seascape with Fishing Trawler, Cullercoats, England; Winslow Homer (American, 1836-1910); England; charcoal on paper; Overall: 18.1 x 31.5 cm (7 1/8 x 12 3/8 in.)

Gebroeders Naerebout saved the people from the desperation garden, 1779. The French and Jacob Geberbout brothers saved the 87 persons from the vocal of the VOC-ship desert garden that stranded on 24 July 1779 and forgery to the northern races (off the coast of Westkapelle).

Nocturne. Dated: 1879/1880. Dimensions: plate: 20.32 × 29.21 cm (8 × 11 1/2 in.) sheet: 20.96 × 29.53 cm (8 1/4 × 11 5/8 in.). Medium: etching and drypoint in black on off-white laid paper. Museum: National Gallery of Art, Washington DC. Author: JAMES ABBOTT MCNEILL WHISTLER.

Flagship, 1820 - 1872 Page 11 Recto from a sketchbook with 21 sheets. paper. pencil sailing-ship, sailing-boat

Sailing ship of Dirk van Paeschen, Jean Théodore Joseph Linnig, 1847 print paper etching sailing-ship, sailing-boat. pilgrimage, pilgrim(s) under way

Ship Building. Artist: Ernest Haskell (American, Woodstock, Connecticut 1876-1925 West Point, Maine). Dimensions: Sheet: 9 in. × 10 7/8 in. (22.9 × 27.6 cm)Plate: 7 15/16 × 9 13/16 in. (20.1 × 24.9 cm). Date: 1900-1925. Museum: Metropolitan Museum of Art, New York, USA.

Schooner Near a Rocky Coast, Winslow Homer, American, 1836-1910, Graphite on paper, Horizontal view from rocky shore out to sea, with three-masted schooner., USA, ca. 1880, seascapes, Drawing, Drawing

Fishing Boats in Port. Follower of Richard Parkes Bonington; English, 1802-1828. Date: 1825-1835. Dimensions: 201 × 275 mm. Graphite on tan wove paper. Origin: England. Museum: The Chicago Art Institute, FLORENCIA, USA.

Francis Seymour Haden, Breaking Up of the Agamemnon (The Second Plate), 1886 Breaking Up of the Agamemnon (The Second Plate)

Study of a group of people, Johannes Jacobus Bertelman, 1831 - 1899 drawing paper. pencil

View of fishing port of Honfleur, with large ships in the background. Draughtsman: Carel Nicolaas Storm van 's-Gravesande. Dating: 1872. Measurements: h 110 mm × w 163 mm. Museum: Rijksmuseum, Amsterdam.

Engraver: Joseph Skelton, British, 1785-1850, After: Eugene-Louis-Gabriel Isabey, French, 1803-1886, Combat Naval du Texel (Naval Battle ofTexel), Engraving, image: 21.6 × 29.2 cm (8 1/2 × 11 1/2in.), Made in France, French, 19thcentury, Works on Paper -Prints

Maxime Lalanne, A Haarlem, 1877 A Haarlem

The whale is caught, 1682; Six prints of catching a whale at Sint Annaland in 1682. The whale is caught by the fisherman ABR. Jansz. Van Oelen and his son. In the caption a verse of 2 lines. Print No. 3 in a series of six prints about catching a whale at Sint Annaland on the island of Tholen, October 7, 1682.

Mouth of the River Humber, Print made by George H. Phillips, active 1819-1825, British, after Joseph Mallord William Turner, 1775-1851, British, 1823 to 1827, Mezzotint; engraver's proof (b)

Fishermen on a river, Carel Nicolaas Storm van 's -Gravesande, 1851 - 1899 drawing paper. chalk. watercolor (paint) brush ships (in general) - CC - more than one ship. commercial fishery

Lodewijk Napoleon sails from Dalem to Gorinchem, 1809, Reinier Vinkeles (I), After Cornelis van Hardenbergh, 1809 print King Louis Napoleon stabs from Dalem to Gorinchem by boat through the Betuwe affected by flooding, January 1809. On the left the quay and a windmill in Gorinchem. Amsterdam paper etching / engraving dike-break. windmill in landscape Dalem. Gorinchem

Etching by Reinier Zeeman showing a title leaf depicting sea paths and marine subjects, created between 1650 and 1667.

View of Reason with ships for anchor at Monopoli, 1778 drawing Drawing from the album 'Voyage and Italy, and Sicile et à Malte', 1778. paper. chalk brush

Ship in Storm at Sea, Reinier Vinkeles (I), After C. de Jong, 1751 - 1816 print Amsterdam paper etching / engraving storm at sea. sailing-ship, sailing-boat

Fishing boat making a port of call at the rocks of Collioure, 1878. Adolphe Appian (French, 1818-1898), Alfred Cadart (French, 1825-1875). Etching; sheet: 34.7 x 48.8 cm (13 11/16 x 19 3/16 in.); plate: 19.7 x 27.5 cm (7 3/4 x 10 13/16 in.).

The Hague, Nijhoff, Martinus, Arnhem, Thieme, Dirk Anthonie, Netherlands, Smits, HL, Schmidt Crans, Johan Michaël, The Consignation System of The Dutch Coffee and Sugar Dealer Condemned to Decline, Cartoon on the Decline of the Coffee and Sugar Trade of the Dutch Trading Company, 1868, Cartoon on the Decline of the Coffee and Sugar Trade of the Dutch Trading Company. A dilapidated ship 'Nooit Gedacht' lying at a jetty. Plate published in the weekly De Nederlandsche Spectator, no. 43, October 24, 1868., print, cartoon, prints, Frederik Muller Historieplaten, height 215 mm, width 275 mm, Dutch, 1830-04-30 - 1907-11-14, print maker, printmaker, 1867 - 1867, paper, papier, lithografie (techniek), printer, drukker, Publication (Event), Publicatie, 1830 - 1879, publisher, uitgever, Nederlands, 1826-12-26 - 1894-09-24

Ships at sea in stormy weather. Draughtsman: Louis Meijer. Dating: 1849. Measurements: h 103 mm × w 189 mm. Museum: Rijksmuseum, Amsterdam.

Painting Het IJ for Amsterdam with the 'Golden Lion' by Willem van de Velde II, coll. Rijksmuseum, Henri Frederic Oelrichs, 1850 - 1880 photograph The Hague paper. photographic support. cardboard albumen print picture, painting Amsterdam. Ij

Sailboat, 1797 - 1838 Leaf 24 Verso from a sketchbook with 65 sheets. paper. pencil Leaf 24 Verso from a sketchbook with 65 sheets. paper. pencil

Copper engraving and etching by Salomon Savery depicting different types of ships, produced between 1615 and 1683.

Galei for anchor on the quay of the port of Messina, 1603 - 1658 print View of a quay of the port of Messina. In the foreground is a Galei for anchor. A rowing boat with passengers sails to the ship. Southern Netherlands paper etching harbour. quay. warfare; military affairs (+ oared ships, e.g.: galley) Messina

James Heath, 1757-1834, British, Canja Undersail, 1789. Engraving.

Trunk of a sailing ship that is being refurbished. Draughtsman: Charles Rochussen (possibly). Dating: 1824 - 1894. Measurements: h 147 mm × w 189 mm. Museum: Rijksmuseum, Amsterdam.

Van der Wolk, Purple tile tableau, Market barge of Geervliet the 3 brothers, tile picture material ceramics pottery glaze wood tableau, baked 2x glazed painted Three wide five tall framed painted and baked: 't Geervlietse welvare march prince de 3 gewoeders (top)

Prenant un Ris à Bord de L'Astrée 1871 Félix Auguste Leclerc French. Prenant un Ris à Bord de L'Astrée 306173

Finch, Alfred William, work, Channel in Holland, 1891, technique text: line etching and drypoint, graphics, LANDSCAPE, beach, channel, houses, Holland, plate width 20.1 cm, plate height 15.1 cm, leaf width 23.4 cm, leaf height 18 cm

Two fishermen on the waterfront (the IJ), Anthonie van Borssom (possibly), 1640 - 1677, In the foreground a large fishing net is hanging to dry. In the background a church tower is vaguely visible (Ransdorp)., draughtsman: Anthonie van Borssom, (possibly), 1640 - 1677, paper, pen, brush, h 146 mm × w 223 mm

Zeilboot, 1834 - 1903 Also a study of a piece of wall and roof of a house and a sitting man. He may have a rowing chip. Page 2 Verso from a sketchbook with 43 sheets. paper. pencil. watercolor (paint) brush sailing-ship, sailing-boat. cottage

Nocturne 1879-80 James McNeill Whistler American. Nocturne 372754

The Ants. Dated: 1917. Medium: lithograph. Museum: National Gallery of Art, Washington DC. Author: Joseph Pennell.

Storm in the port of Enkhuizen, Gerhardus Fredericus Eilbracht, after Jacob Plügger, 1837 - 1840 print The water is shot high against the pier where figures are at work. Nearby, a sailboat leans far to the left on the waves. Numbered in the top left: Pantheon pl. XLIII. The Hague paper pier, quay, wharf. storm at sea. sailing-ship, sailing-boat

Sea view with ships, Léon Gaucherel, after Hendrik Willem Mesdag, 1879 print print maker: Franceprinter: Paris paper etching / drypoint / engraving sea (seascape). ships (in general)

EMBARCACIONES CHINAS. Author: RAFAEL MONLEON. Location: MUSEO NAVAL / MINISTERIO DE MARINA. MADRID. SPAIN.

Drawing..

Rotherhithe , Sailing ships, Conversation. James McNeill Whistler (1834-1903). Lithographs

Broadside and stern views of steamship Minnesota, between 1860 and 1865, drawing on olive paper pencil, 12.1 x 19.9 cm. (sheet), 1862-1865, by Alfred R Waud, 1828-1891, an american artist famous for his American Civil War sketches, America, US

Print made by George H. Phillips, active 1819-1825, British, Mouth of the River Humber, 1823 to 1827. Mezzotint, engraver's proof (a)(touched).

Thomas Goff Lupton, 1791-1873, British, Deal, 1826-1828. Mezzotint.

View of Antwerp, from the South, Anonymous, 1692 drawing paper. watercolor (paint) brush prospect of city, town panorama, silhouette of city Antwerp

Drawing, Study for "The Signal of Distress"; Winslow Homer (American, 1836-1910); USA; graphite, brush and blue-green, brown, and yellow watercolor, gray wash, traces of black ink on white heavy wove watercolor paper; 35 x 29.4 cm (13 3/4 x 11 9/16 in.)

Armed Four-Master Sailing Towards a Port, from The Sailing Vessels Made 1560-1562 Flanders. Engraving in black on ivory laid paper . Franz Huys

Sierra de Tejeda od strony morza; jacht na morzu. Adalbert (książę pruski ; 1811-1873), draughtsman, cartoonist

St Tropez. Dated: 1906. Dimensions: sheet: 25.4 x 40 cm (10 x 15 3/4 in.). Medium: watercolor and gouache over black chalk on laid paper. Museum: National Gallery of Art, Washington DC. Author: Paul Signac.

Sunset on the Thames. Francis Seymour Haden; English, 1818-1910. Date: 1860-1870. Dimensions: 136 × 214 mm (image/plate); 171 × 233 mm (sheet). Etching and drypoint on ivory laid paper. Origin: England. Museum: The Chicago Art Institute, USA.

The Phantom Ship, or On the Waves, 1872. Theophile Narcisse Chauvel (French, 1831-1909), Lemercier & Cie.. Lithograph; sheet: 37 x 50.2 cm (14 9/16 x 19 3/4 in.); image: 19 x 35 cm (7 1/2 x 13 3/4 in.).

The Thames Made 1896 United States. Lithotint in black, with scraping on stone, on cream wove proofing paper . James McNeill Whistler

Venice F�lix Ziem (1821-1911). Venice. Watercolor on paper. Nineteenth century.

Untitled Edward Mitchell Bannister (American, 1828-1901). Untitled, ca. 1885. Pastel on paper, sight: 7 1/2 x 10 1/2 in. (19.1 x 26.7 cm). American Art ca. 1885

Print made by Robert Wallis, 1794-1878, British, Amalfi, 1829. Etching and line engraving on medium, slightly textured, cream wove paper.

Venice. Gondola; Weiss, Wojciech (1875-1950); 1925 (1925-00-00-1925-00-00);San Giorgio Maggiore (Venice - Church), Weiss, Irena (1888-1981), Weiss, Irena (1888-1981) - collection, Venice (Italy), clouds (meteorol.), Gondols, Polish graphics, churches (architect) , Poland (culture), towers (architect), purchase (provenance)

Paul Adolphe Kauffmann (Peka, 1849-1940). "The death of Gilliatt. Cul-de-lamp for the chapter" The workers of the sea ". Illustration for the" Golden Book of Victor Hugo ". Ink on paper. 1882. Paris, house of Victor Hugo. 102268-22 Boat, cul-de-lamp, drawing, ink, man, illustration of literary work, dying, sea, sailboat, 19th 19th 19th 19th 19th 19th century

Boats at Anchor, 1150 - 1200. China, Southern Song dynasty (1127-1279). Album leaf, ink and color on silk; image: 25.3 x 19.2 cm (9 15/16 x 7 9/16 in.); with mat: 33.3 x 40.5 cm (13 1/8 x 15 15/16 in.).

Swift-Sailing Proa, Mulgrave Archipelago, Oceania. Charles Meryon; French, 1821-1868. Date: 1866. Dimensions: 145 × 80 mm (image); 145 × 80 mm (plate); 305 × 202 mm (sheet). Etching with drypoint, burnishing and scraping on ivory laid paper. Origin: France. Museum: The Chicago Art Institute, USA.

Figurehead of a schooner with a putto and dragonflies, Joseph Coiny, after Pierre Ozanne, 1798 - 1799 print This print is part of an album. paper etching / engraving parts of ship's exterior: bow. sailing-ship, sailing-boat

Pemsey in Sassex, 17th century, Wenceslaus Hollar, Bohemian (active in London and Antwerp), Bohemian (active in London and Antwerp), 1607-1677, 2 3/8 x 5 3/8 in. (6.03 x 13.65 cm) (sheet), Etching, England, 17th century

Draught in Fishes Robert Loftin Newman (American, 1827-1912). Draught in Fishes, n.d. Charcoal on paper, Sheet: 8 x 9 15/16 in. (20.3 x 25.2 cm). American Art n.d.

The Pool, 1859. James McNeill Whistler (American, 1834-1903). Etching; sheet: 34.3 x 25.6 cm (13 1/2 x 10 1/16 in.); platemark: 21.1 x 13.6 cm (8 5/16 x 5 3/8 in.).

Maxime Lalanne (French, 1827 - 1886). À Haarlem (Hollande), 1877. Etching.

Four performances of ships and hydraulic engineering installations, Cornelis Meijer, 1696 print Print at the top left: 37. Print at the top right numbered: 33. Print Nummered at the bottom left: 38. Print below numbered: 34. paper etching / drypoint river. maps of cities

Hail America , Monuments & memorials, Rivers, Cities & towns, Harbors, Statue of Liberty National Monument Agency : U.S.. Joseph Pennell (1857-1926). Prints and Drawings

View of the IJ for Amsterdam, Gerrit Jan Michaëlis, 1812 - 1813 print Amsterdam paper etching ships (in general) - CC - more than one ship. city-view, and landscape with man-made constructions Ij. Amsterdam

William Alexander, 1767-1816, British, Fisherpeople on a Junk, 1793. Watercolor and pen and black ink over graphite on moderately thick, slightly textured, beige wove paper.

Trójmasztowiec ("Il Vesuvio") w porcie w Neapolu. Adalbert (książę pruski ; 1811-1873), draughtsman, cartoonist

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Boats on the water, draughtsman: Matthijs Maris, after: Hermanus Koekkoek (I), 1849 - 1917, paper, brush, h 122 mm × w 149 mm

The Pool 1859 James McNeill Whistler American. The Pool 372507

View of Audierne, Willem Adrianus Grondhout, 1888 - 1934 print There are two more stamps with the object, one with the number 76 and the other with the text: W. A. Grondhout / Houtcut / Audierne. paper earth, world as celestial body. harbour. ship bound for the harbour Audierne

A Ship in a Stormy Sea. Georg Strauch (German, 1613 - 1675)

Reception of passengers on a ship, Henri Adolphe Schaep, 1841 - 1870 print paper etching landscapes with waters, waterscapes, seascapes (in the temperate zone)

'The Graphic, Front Cover May 22nd. 1886', 1886. The visit of the Queen to Liverpool. From "The Graphic. An Illustrated Weekly Newspaper Volume 33. January to June, 1886".

Edelfelt, Albert, work, Sketch book, drawing, 9.5 cm x 15 cm, Edelfelt, Albert, Albert Gustaf Aristides Edelfelt 1854 - 1905, Finnish painter. Painting in a naturalistic style and with a Realist approach to art. He lived in Finland

Wieczorem w Heist. Powrót rybaków. Różański, M. (fl. 1882-1889), graphic artist, Gierymski, Aleksander (1850-1901), draughtsman, cartoonist, Bojarski, Władysław (1843-1912), workshop

Landscape with mill near Moonlight, Alphonse Stengelin, 1862 - 1912 print paper etching windmill in landscape. moonlight

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