Medieval Religious Art

Photographs of medieval frescoes and sculptures, showcasing religious themes with intricate details, carved figures, and historical architectural elements.

Abruzzo L'Aquila Vittorito S. Michele Arcangelo8. Hutzel, Max 1960-1990 Medieval: Fragments of relief sculpture Post-medieval: 15th century architecture and architectural sculpture; frescos; ciborium German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Umbria Perugia Spoleto S. Maria Assunta, Cathedral03. Hutzel, Max 1960-1990 Exterior views: facade (12th century) with details of the rose window, blind gallery, classicizing architectural sculpture, portal with jambs of inhabited vinescroll, campanile with reused relief fragments (7th-8th centuries), and painting of Christ Blessing flanked by St. John and Virgin Mary (1207). Interior views: pavement in geometric patterns; apse frescoes by Fra Fillipo Lippi (1469) with scenes from the Nativity; fresco of the Pieta by Pinturicchio in the Cappella Eroli (1497); frescoes in the Cappella del'Assunta of Saints Jerome, Michael and Lucy, and ceiling frescoes of Noah, Adam and Melchisedek; paintings, cruicifixes, marbles busts of the Cardinal Eroli and Lippi in the Cappella delle Reliquie; marble statues of Kings David and Solomon in the baroque Cappella della SS. Icone; 14th and 15th century frescoes and a baroque frieze in the Cappella S. Anna; and perhaps a marble statue by Bernini in the w

Campania Caserta Capua Museo Campano003. Hutzel, Max 1960-1990 Medieval: Byzantine architectural fragments; parchment fragments with miniatures (12th century) from Montecassino; painted wooden crucifix (13th century); Carolingian crucifixes; Bishop's miter (11th century) of gold and silver damask; fresco (13th century). Post-medieval: Architecture (15th century). Formerly the Palazzo Antignano. Unusual Catalan/Moorish-style portal; Paintings on panel and canvas (15th-18th centuries); marble intarsia (16th century); marble sculpture: busts of Christ and Mary (17th century); sculpture of saints in marble and in wood (15th century); painted and gilded sculpture in wood; marble grave sculpture (16th century); sarcophagus with allegorical carvings; gold reliquary "Rosa d'Oro"; crucifix made of elephant tusk Specific Location: Pianterreno Antiquities: Italic sculpture (seated women holding babies); inscription. Photo campaign #1: 533 photos. Roman relief and sculpture; cinerary urns; Greek a

Brass Plate for Gregory Lovell and his Wife Anne, Daughter of David Bellingham, Harlington Church, Daniel Lysons, 1762-1834, British, between 1796 and 1811, Watercolor, graphite, and pen and black ink on moderately thick, slightly textured, cream wove paper, Sheet: 15 1/8 × 11 inches (38.4 × 27.9 cm), architectural subject, coat of arms, historical subject, praying, tomb, England, Europe, London, United Kingdom

Lazio Roma Capena S. Leone0. Hutzel, Max 1960-1990 Extensive coverage of frescoes and chancel. A few views of exterior and central nave. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Umbria Perugia Trevi S. Maria di Pietrarossa0. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Lazio Frosinone Alatri S. Maria Maggiore. Hutzel, Max 1960-1990 Architectural views (medieval core collection) Views of portals with frescoed lunettes (deteriorated), rose window and turreted campanile with mullioned windows. Views of naves and chapels. Extensive coverage of the chapel of the "Madonna of Constantinople." TCI (1981), p. 598. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Abruzzo L'Aquila Paganica Santuario della Madonna d'Appari5. Hutzel, Max 1960-1990 Post-medieval: Architecture (13-15th century); exterior views of facade, with details of portal and window; interior details of 16th century frescoes. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Tuscany Siena Asciano Museo di Arte Sacra1. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Lazio Rieti Rieti S. Maria Assunta, Duomo, e Palazzo Vescovile5. Hutzel, Max 1960-1990 Medieval: Duomo, architecture (12-13th, 15th centuries). Post-medieval: Duomo and Palazzo Vescovado: Architecture, sculpture, frescoes, painting, architectural sculpture, metalwork, vestments General Notes: Hutzel combines two sites here, with no indication as to which photos or negatives belong to either site. Sites are catalogued separately in Medieval section, and entered thus in database. It is uncertain as to whether this includes objects from the Museo del Tesoro del Duomo. Hutzel photo campaign notes are undated. There is a note that there are no prints for 69-129. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as

Abruzzo L'Aquila L'Aquila Museo Nazionale d'Abruzzo44. Hutzel, Max 1960-1990 Tabernacle from S. Maria delle Grotte in Fossa with scenes of the Presentation at the Temple, the Flagellation, the Annunciation, and the Betrayal by Judas. Museo Nazionale housed in Castle: several exterior views (The Archeological Museum is one gallery (Sala IV) of the Museo). Remaining views of museum collection, including paintings, processional crosses, reliquaries, chalices, ceramics, textiles, manuscripts, and a number of eighth century Abruzzan Madonna sculptures. Works from the church Madonna del Soccorso also stored in Museo. Museo Nazionale d'Abruzzo Roman inscriptions, sculpture and relief German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans

Tuscany Siena Sinalunga S. Bernardino3. Hutzel, Max 1960-1990 Exterior views of portal. Portal and vestibule date from the 15th cent. The church, with its octagonal cupola, date from the 17th cent. Interior views include: 4 of the Stations of the Cross, located in the vestibule; and frescoes of the Annunciation, a Baptism of Christ, and a Madonna & Child, which was painted in 1486 by Guidoccio Cozzarelli. There are also photos of architectural details of the octagonal cupola and of a wooden crucifix. Object Notes: Hutzel photo campaign date: March 7, 1983. Although there are notes for only one campaign, there is a second set of photos similar to, but not exactly like, the recorded set. The original numbers of this second set do not correspond to the numbers on the notes. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation o

Umbria Terni Orvieto S. Giovenale06. Hutzel, Max 1960-1990 Medieval: Architecture (15th century), architectural sculpture Object Notes: Original church ancient German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Umbria Perugia Schifanoia Parish church0. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Emilia-Romagna Ferrara Pomposa Abbazia di Pomposa, Museo83. Hutzel, Max 1960-1990 Medieval: Fragments: capitals (Byzantine, 6th century), also capitals carved with human faces; marble friezes (10th century, later inscriptions); cornices, (with spolia) 11-12th centuries; ciborium; frescos. Post-medieval: Terracotta statuary, "neo-classical" (Hutzel); frescos: Bolognese, 14th century Antiquities: Amphora; grave monuments German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Umbria Perugia Bevagna Pinacoteca F. Torti2. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Tuscany Grosseto Massa Marittima S. Agostino19. Hutzel, Max 1960-1990 Post-medieval: Includes views of neighboring Cappella di S. Lucia (1348) Architecture, architectural sculpture (14th century, restored 1958), sculpture, stained glass, frescoes, painting, Object Notes: Bibliographic material included and housed in the Center Library German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Umbria Perugia Rocca S. Angelo S. Maria in Arce, Convent church9. Hutzel, Max 1960-1990 Exterior views of facade, apse and cloister. Interior views of altar, paintings and votive frescoes (14th-16th c.) German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Basilicata Matera Matera S. Francesco d'Assisi8. Hutzel, Max 1960-1990 Post-medieval: Built 1218, remodelled 1670. Architecture, architectural sculpture, painting, sculptured German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Lazio Viterbo Capranica S. Rocco1. Hutzel, Max 1960-1990 Post-medieval: Architecture, painting. Small, unadorned church with apse frescoes in bad condition. Object Notes: Undocumented Hutzel name. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Johannes XIII., papa .

Emilia-Romagna Ferrara Pomposa Abbazia di Pomposa, Museo23. Hutzel, Max 1960-1990 Medieval: Fragments: capitals (Byzantine, 6th century), also capitals carved with human faces; marble friezes (10th century, later inscriptions); cornices, (with spolia) 11-12th centuries; ciborium; frescos. Post-medieval: Terracotta statuary, "neo-classical" (Hutzel); frescos: Bolognese, 14th century Antiquities: Amphora; grave monuments German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Abruzzo, L'Aquila, L'Aquila, S. Pietro di Coppito, Italy, 20th century, photo, photography, Europe

Puglia Bari Acquaviva delle Fonti Cathedral7. Hutzel, Max 1960-1990 Medieval: Architecture and architectural sculpture. Post-medieval: 13th century architecture, rebuilt 1529-1594 in a Renaissance style, with Romanesque elements remaining; Renaissance rose window with elaborate tracery; architectural sculpture in relief and in the round; polychrome decoration German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Portrait of Erasmus standing under arch with image of Terminus, Hans Holbein (II), 1536 - 1540 print Portrait of Erasmus standing under an arc, with his hand resting on a statue of Terminus. The arch in Renaissance architecture is richly decorated with ornaments. In a cartouche under the arch there are four lines of Latin text: Pallas APELLAEM NUUP ... Magnus Erasmus Opes. paper arch, archivolt ~ architecture. ornaments ~ art. Terminus

Umbria Perugia Spoleto S. Domenico8. Hutzel, Max 1960-1990 Exterior views of 13th-14th century church restored in 1960: striped facade, bell tower, and portals. Interior views reveal a gothic structure with high ceilings, pointed arches, and an apse with stained glass windows. Fragments of preserved frescoes are visible in the white walls. Most views are of paintings and frescoes in the three chapels and crypt. In the chapel of St. Mary Magdalen are extensive fresco cycles (early 15th century), of the saint. The Callicola chapel and Chapel of the Sacrament are baroque chapels with stucco decoration and marble altars. In the crypt--formerly the Chiesa di S. Pietro Martire--are 14th century frescoes. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including ob

Umbria Perugia Montefalco S. Chiara3. Hutzel, Max 1960-1990 Post-medieval: Architecture, architectural sculpture (16th century renovations); frescoes (14-15th century); sculpture Cloisters museum: sculpture, metalwork, painted crucifix, frescoes. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Abruzzo L'Aquila Bominaco S. Pellegrino, Oratory77. Hutzel, Max 1960-1990 Medieval: Architecture, sculpture (12-13th century) Post-medieval: Fresco cycle (13th century) (Count: 252) German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Emilia-Romagna Ferrara Argenta S. Domenico20. Hutzel, Max 1960-1990 Post-medieval: Architecture, architectural sculpture, painting, frescoes. Works in museum include 15th century terracotta statues and painting, sculpture Owner: Pinacoteca Comunale Object Notes: Two sets of prints and negatives General Notes: Successivamente alla realizzazione di questo servizio, risalente al l'anno 1978, al Pinacoteca e stato aggiunto. Per questo motivo e in prepazione da parte un servizio aggiornato sulla Pinacoteca di Argenta. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province

Lazio Roma Rome Episcopal Complex (S. Giovanni in Laterano, Baptistery, Cathedral, Cloister)16. Hutzel, Max 1960-1990 Exterior views of 5th c. baptistery, restored in the 17th c. Interior views of baptismal urn (16th c.), carved walls, ceiling and wall painting; of mosaics and bronze doors in Cappella del Battista; of altar and mosaics in Cappella di S. Venanzio; of mosaic and statue in Cappella di S. Giovanni Evangelista. Architecture, architectural sculpture, sculpture, sculptural fragments, fresco painting, painting, coffering, tiling, stucco. Views 756-886 are of the cathedral. Medieval: Architecture, architectural sculpture, sculptural fragments, architectural fragments, tombstones, mosaics, sculpture, fresco painting, sculptural relief. Object Notes: Hutzel includes guidebook in German on the site. prints matched to negs General Notes: Views 756 thru 886 are of the Baptistery. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s u

Umbria Terni Amelia S. Giovanni Decollato0. Hutzel, Max 1960-1990 Post-medieval: Original church built 1210, destroyed by earthquake. A palace built on original site in 15th century. According to Hutzel a charitable Christian brotherhood used original rooms as a hospice until 1876. Baroque interior, frescoes attributed to Federico Zuccari, painting, sculpture. One view of exterior. Object Notes: Hutzel photo campaign date: October 9, 1983. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Wszyscy Święci w MNK Fayolle, Pierre Gabriel (Fl. 1839 1848), Monot

Caritas, Design for a Stained Glass Window, Francis Augustus Lathrop, American, 1849 - 1909, Brush and watercolor, white gouache, graphite on tracing paper, Tall, vertical composition with top arched. Center, female figure standing, turned slightly to the right, with a child in her left arm and a basket in her right. Foliage left and right. Cross in a large rosette, above. Caritas written on base, above two panels with flowers., USA, ca. 1890, architecture, Drawing, Drawing

Lazio Roma Frascati Chiesa del Gesu. Hutzel, Max 1960-1990 Views of facade, altars, painting and sculpture. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Lazio Roma Rome S. Agostino7. Hutzel, Max 1960-1990 Post-medieval: Architecture, architectural sculpture, sculpture, painting Object Notes: Erected between 1479 and 1483 by Pietrasanta and Fiorentino. Stylistically homogenous, with minor restorations of 18th and 19th centuries. Facade as style of early Roman Renaissance. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Lothar III (in front of 9 June 1075) (3 December 1137) was Duke of Saxony since 1106 as well as King from 1125 and Emperor of the Roman-German Empire ...

Marches Macerata Castelsantangelo sul Nera S. Stefano4. Hutzel, Max 1960-1990 Medieval: Architecture, architectural sculpture, sculpture Post-medieval: Architecture, architectural sculpture, sculpture, painting, fresco painting German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Abruzzo Aquila Rocca di Cambio S. Lucia, Abbey church3. Hutzel, Max 1960-1990 All exterior views of this 13th c. church stored in Medieval. Views in Hutzel collection are of interior frescoes (14th c.). German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

St Mark the Evangelist, 1874. Sir Edward Burne-Jones

Flavius Felix, general and consul in the Western Roman Empire, died 430. From his carved ivory consular dyptich. Byzantine Empire, 5th century. Le Consul Flavius Felix. Empire de Bizance, Ve Siecle. Cabinet des Medailles, Bibliotheque Imperiale. Chromolithograph by Franz Kellerhoven after an illustration by Claudius Joseph Ciappori from Charles Louandres Les Arts Somptuaires, The Sumptuary Arts, Hangard-Mauge, Paris, 1858.

Lazio Viterbo Tuscania S. Croce. Hutzel, Max 1960-1990 Medieval: Architecture and architectural sculpture (late 12th century). Post-medieval: Frescos (14th century) Object Notes: See also: Medieval architecture and architectural sculpture German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Lazio Viterbo Orte Convento di S. Bernardino1. Hutzel, Max 1960-1990 Post-medieval: Architecture and frescos (16th-17th centuries) German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Lazio Roma Vicovaro S. Antonio Abate9. Hutzel, Max 1960-1990 Medieval: Architecture. Post-medieval: Architecture, sculpture, painting, tapestry. Within one side altar of the church is placed a Crucifix with two accompanying angels. In another side altar is a wooden statue of S. Anthony. Antiquities: Architectural sculpture. Four roman columns with decorated capitals support a portico along the side of the church. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Lazio Rieti Magliano Sabina Cathedral03. Hutzel, Max 1960-1990 Exterior views of facade (18th century) and portals (15th century. Views of restored interior: frescoes in apse of the Coronation of the Virgin, Annunciation and the Birth and Death of the son of Uliano, nobleman of Magliano; decorative ceiling fresoes; altarpieces, and marble altars. Treasury: chasuble of silver and gold brocade decorated with saints (18th century), portraits of bishops (15th-17th century). German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Lazio Frosinone Boville Ernica S. Pietro Ispano0. Hutzel, Max 1960-1990 Medieval: Palaeochristian sarcophagus from 4th century, with relief of Nativity and Adoration of the Magi. Mosaic by Giotto. Post-medieval: Architecture, sculpture, frescoes. Structure of romanesque origin, but renovated in the 16th-17th centuries. Statues in niches of S. Peter and S. Paul, by Andrea Bregno. Marble relief of the Holy Family in the manner of Bregno (end 15th century). Frescoes from the end of the 16th century. General Notes: There were two sets of prints now integrated into a single sequence. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. I

Abruzzo L'Aquila Bominaco S. Pellegrino, Oratory49. Hutzel, Max 1960-1990 Medieval: Architecture, sculpture (12-13th century) Post-medieval: Fresco cycle (13th century) (Count: 252) German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Two figures with a circle with rings; The mind of time; Twelve woodcuts.two figures in long robes; The left in the white and the judge in black. Together they hold a circle with three borromean rings. Under their feet the sun.

Lombardy Milano Milan S. Ambrogio5. Hutzel, Max 1960-1990 Medieval: Founded 386-389 by S. Ambrogio, bishop at the time of emperor Teodosio. Remodelled 789, 859, 1098-1128, 1196. Decoration of basilica drastically altered over centuries, until 1858 when restored to original aspect. Restoration lasted until 1890. Exterior views of architecture and architectural sculpture, some of which contains re-used Roman fragments and architectural elements. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Campania Salerno Salerno-S. Matteo, Cathedral2. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Marches Urbino Palazzo Ducale, Galleria Nazionale delle Marche40. Hutzel, Max 1960-1990 Post-medieval: First floor: Polyptychs, triptychs, crucifixes, panel paintings, sculpture, frescoes now housed in Museo; stucco decoration in private chapels Object Notes: See also Urbino, Museo Albani. With both sites the negs arrived separately from the prints, yet all negs were labelled as Urbino, Palazzo Ducale, making it difficult to match some negatives to their prints. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Ornament with two standing female figures. Draughtsman: anonymous. Dating: 1700 - 1800. Measurements: h 110 mm × w 83 mm. Museum: Rijksmuseum, Amsterdam.

Regina Munichorum; Böham, Franz (Munich; Publisher; Fl. Ca 1881-Ca 1939); 1882 (1882-00-00-1882-00-00);

Lazio Roma Rome S. Croce in Gerusalemme75. Hutzel, Max 1960-1990 Medieval: Cosmati pavement, architecture (facade). Post-medieval: Architecture, architectural sculpture, sculpture, frescoes: "Leggenda della Santa Croce," Antoniazzo Romano (attr) & "S. Elena sale al cielo," Corrado Giaquinto; mosaic ceiling in Cappella di S. Elena; coats-of-arms German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

The Light of the World. William Henry Simmons (English, 1811-1882); after William Holman Hunt (English, 1827-1910). Date: 1860. Dimensions: 901 x 512 mm (chine); 1020 x 635 mm (sheet; sight). Line and stipple engraving on ivory chine mounted on off-white plate paper. Origin: United Kingdom. Museum: The Chicago Art Institute, Chicago, USA.

Wooden stick artwork by Leonhard Beck depicting Sanctus Fridolinus, a saint related to Emperor Maximilian I's family, created between 1516 and 1518.

Lazio Viterbo Bagnoregio S. Agostino9. Hutzel, Max 1960-1990 Post-medieval: Architecture, architectural sculpture, sculpture, frescoes (15th century) General Notes: Two sets of prints made from one set of negatives have been fused into a single numerical sequence that conforms to the Hutzel guide. There is one guide for all monuments in Bagnoregio. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Tuscany Siena Montalcino Museo Diocesano02. Hutzel, Max 1960-1990 Post-medieval: Painting, sculpture German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Tuscany Grosseto Massa Marittima S. Cerbono (Duomo)42. Hutzel, Max 1960-1990 Medieval: Architecture, architectural sculpture (13th-early 14th century); Fresco (14th century); Panels/Crucifix (14th century); pascal candle; sculpture including the Arca di S. Cerbone; architectural relief (c. 1267); Tabernacle (mid-14th century). Post-medieval: Paintings, fresco (14th century), sculpture Antiquities: Relief German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Abruzzo L'Aquila L'Aquila S. Maria di Collemaggio4. Hutzel, Max 1960-1990 Medieval: Architecture, architectural sculpture, wall painting (13-15th centuries) Post-medieval: Architecture, architectural sculpture (18th century), sculpture, frescoes, wall painting, metal crucifix Coverage of the paintings; some views of interior architectural features. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Umbria Terni Narni S. Giovenale, Cathedral66. Hutzel, Max 1960-1990 Medieval: Architectural sculpture, cosmati pavement, wall painting, mosaic (12th century). Post-medieval: 1982 & 1986 photos Architecture, architectural sculpture (17th century); painting, frescoes (17-18th century); sculpture, tombstones (16-18th century); metalwork, processional cross, candlestick, reliquary, chalice (16-17th century) General Notes: Site comprises two separate photo campaigns. Bibliographic material sent, now in Center Library German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province,

Basilicata Matera Matera S. Francesco d'Assisi1. Hutzel, Max 1960-1990 Post-medieval: Built 1218, remodelled 1670. Architecture, architectural sculpture, painting, sculptured German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Bliżej Kultury unknown

Abruzzo Teramo Teramo Pinacoteca. Hutzel, Max 1960-1990 Collections include a panel painting of Pope Clement by Giovanni da Sulmona, a polyptych by Giacomo da Campli, painted Castelli ceramics, paintings of St. Sebastian and other saints, and a Last Supper, perhaps by Bernardo Rantvic or the Fiammingo School. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

A pear wood relief by Hans Springinklee from 1515 showing panels No. 4-6 representing Emperor Maximilian I's ruling success in the Honorary Gate.

Umbria Terni Ferentillo S. Stefano8. Hutzel, Max 1960-1990 Small church with clock built into its facade. Square campanile with both brick & stone facings. Late Renaissance or Baroque interior with paintings in that style. Rich marbled columns. No negatives. Object Notes: No Hutzel photo campaign notes. Negatives are missing. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Lazio Roma Subiaco Rocca Abbaziale9. Hutzel, Max 1960-1990 Distant and close range exterior views of castle, portals, papal crests. Interior views of entry hall, chapel, Appartamento dei Colonna, Appartamento di Pio VI, and Camara di Pio VI, with many detail views of ceiling and wall frescoes. General Notes: Views 1-7 extracted and filed separately under General views. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Umbria Perugia Norcia S. Benedetto9. Hutzel, Max 1960-1990 Coverage is of the crypt and crypt paintings, the church exterior, and the nave and altars, but most of the views are of paintings. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Print (France); Sheet: 46.3 x 30.2 cm (18 1/4 x 11 7/8 in.)

Orphrey; silk, metal, linen

Padua - Arenakapelle: virtues and trucks, Iustitia and Iniustitia of Giotto. .

Tuscany Siena Poggibonsi S. Lucchese51. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Gregor I. The big, dad.

Wall Hanging of Santa Barbara. Dated: c. 1936. Dimensions: overall: 36.4 x 28.7 cm (14 5/16 x 11 5/16 in.) Original IAD Object: 49 1/2"x40". Medium: watercolor, colored pencil, graphite on paper. Museum: National Gallery of Art, Washington DC. Author: E. Boyd.

Abruzzo L'Aquila Trasacco SS. Rufino e Cesidio34. Hutzel, Max 1960-1990 The original monument was destroyed in 936, rebuilt, modified throughout the 16th century (with an addition to the nave in 1618), and restored in 1969. Exterior views include the bell tower and general building facades. Most views focus on the architectural sculpture of the Portale delle Donne and the Portale degli Uomini. Interior views in the Medieval core collection focus on a statue of St. Catherine in an aedicule (15th century); an ambo lecturn (pluteus) decorated with the four symbols of the Evangelists (c. 1267); a statue of the Virgin and Child under a sculpted baldachin on the entrance wall of the oratory (14th century) and the main altar composed of sarcophagus fragments of lions and peacocks in low-relief (8th-10th centuries). A baptismal font and possibly bas-reliefs (immured spolia) in the Oratory. Interior views in the Hutzel collection include: the altar statue of S. Cesidio, frescoes of the Annuncia

Bliżej Kultury unknown

Abruzzo, L'Aquila, Capestrano, Castello, Italy, 20th century, photo, photography, Europe

Brass Plate Monument for John Stockton, West Wickham Church, Daniel Lysons, 1762-1834, British, between 1796 and 1811, Graphite, watercolor, and pen and black ink on medium, slightly textured, cream wove paper, Sheet: 14 1/8 × 10 3/4 inches (35.9 × 27.3 cm), architectural subject, historical subject, praying, England, Europe, London, United Kingdom

Basilicata Matera Montescaglioso Abbazia di S. Angelo60. Hutzel, Max 1960-1990 Medieval: Architecture (9th, rebuilt 15th), view of neighboring chiesetta S. Stefano, cloisters; architectural sculpture; frescoes depicting the family of Ufredo Machabeo, lord of Montescaglioso Object Notes: Hutzel photo campaign notes are undated. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Lazio Roma Ceri Parrocchiale, S. Felice Papa5. Hutzel, Max 1960-1990 Medieval: Architecture (with later alterations, and recently restored); cosmati pavement. Post-medieval: Frescos (16th century); paintings on canvas; carved stone shrine (1484) German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Basilicata Matera Matera S. Francesco d'Assisi4. Hutzel, Max 1960-1990 Post-medieval: Built 1218, remodelled 1670. Architecture, architectural sculpture, painting, sculptured German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Abruzzo L'Aquila L'Aquila Museo Nazionale d'Abruzzo89. Hutzel, Max 1960-1990 Tabernacle from S. Maria delle Grotte in Fossa with scenes of the Presentation at the Temple, the Flagellation, the Annunciation, and the Betrayal by Judas. Museo Nazionale housed in Castle: several exterior views (The Archeological Museum is one gallery (Sala IV) of the Museo). Remaining views of museum collection, including paintings, processional crosses, reliquaries, chalices, ceramics, textiles, manuscripts, and a number of eighth century Abruzzan Madonna sculptures. Works from the church Madonna del Soccorso also stored in Museo. Museo Nazionale d'Abruzzo Roman inscriptions, sculpture and relief German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans

Abruzzo, L'Aquila, L'Aquila, S. Pietro di Coppito, Italy, 20th century, photo, photography, Europe

Drawing, Study for the Goddard Memorial Window, in St. John's Church, Providence, Rhode Island; Francis Augustus Lathrop (American, 1849 - 1909); USA; brush and black and grey watercolor, white gouache, graphite on brown paper; 51.9 × 18.2 cm (20 7/16 × 7 3/16 in.); 1914-38-358

Abruzzo, L'Aquila, L'Aquila, Museo Nazionale d'Abruzzo, Italy, 20th century, photo, photography, Europe

Monument to Dr. John Yonge, by Torrigiani, in the Rolls Chapel, Chancery Lane, London, 1860. 'Among the monuments almost hidden from view in the quaint old Chapel of the Rolls - an edifice now undergoing restoration...is one by no less an artist than Torrigiani...This monument is to the memory of Dr. John Yonge, who was appointed Master of the Rolls during the reign of Henry VII., and retained the office until his death in 1516...It represents the effigy in a recumbent attitude, habited in a long red robe and deep square cap, the face of the figure being wonderfully fine. In a recess above

tile manufacturer: Aalmis, Tile, blue, scene design with statue Erasmus on the Grotemarkt in Rotterdam, wall tile tile sculpture ceramic earthenware glaze, baked 2x glazed painted Yellow shard square two nail holes. Blue pull blue on white Rotterdam City triangle Grotemarkt Aalmis Aelmis Erasmus

Schwarzenberg, Johann Freiherr.

Lithography 'Case' by Ernst Barlach, 1924, depicting a scene related to mechanical offense with figures and compositional detail.

Lazio Roma Rome Episcopal Complex (S. Giovanni in Laterano, Baptistery, Cathedral, Cloister)40. Hutzel, Max 1960-1990 Exterior views of 5th c. baptistery, restored in the 17th c. Interior views of baptismal urn (16th c.), carved walls, ceiling and wall painting; of mosaics and bronze doors in Cappella del Battista; of altar and mosaics in Cappella di S. Venanzio; of mosaic and statue in Cappella di S. Giovanni Evangelista. Architecture, architectural sculpture, sculpture, sculptural fragments, fresco painting, painting, coffering, tiling, stucco. Views 756-886 are of the cathedral. Medieval: Architecture, architectural sculpture, sculptural fragments, architectural fragments, tombstones, mosaics, sculpture, fresco painting, sculptural relief. Object Notes: Hutzel includes guidebook in German on the site. prints matched to negs General Notes: Views 756 thru 886 are of the Baptistery. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s u

Lazio Roma Grottaferrata Museo35. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Abruzzo Teramo Atri Cattedrale, Museo Capitolare8. Hutzel, Max 1960-1990 Medieval: Metalwork, woodwork Salone 2 Post-medieval: Woodwork, metalwork (processional cross, reliquary, enamel) predella, architectural elements, sculpture; ceramics (6 plates, one vase, all attributed to Francesco Grue General views of galleries. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Unglazed facing brick, Sixteenth century, vintage engraving. Unglazed facing brick, Sixteenth century, vintage engraved illustration. Magasin Pittoresque 1873. Copyright: xZoonar.com/PatrickxGuenettex 10679507

Lazio Rieti Rieti S. Maria Assunta, Duomo, e Palazzo Vescovile77. Hutzel, Max 1960-1990 Medieval: Duomo, architecture (12-13th, 15th centuries). Post-medieval: Duomo and Palazzo Vescovado: Architecture, sculpture, frescoes, painting, architectural sculpture, metalwork, vestments General Notes: Hutzel combines two sites here, with no indication as to which photos or negatives belong to either site. Sites are catalogued separately in Medieval section, and entered thus in database. It is uncertain as to whether this includes objects from the Museo del Tesoro del Duomo. Hutzel photo campaign notes are undated. There is a note that there are no prints for 69-129. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as

Chaucer's 'Legend of Good Women', Thisbe and Philomela, 1864 Sir Edward Burne-Jones, Design for stained glass, Drawing, Pencil, Pre-Raphaelite, Design

Twelve Heads. Artist: Italian (Lombard) Painter (first quarter 16th century). Dimensions: Square, sides 18-18 1/4 in. (45.7-46.4 cm).These twelve heads are from a series of at least forty-four panels that decorated the ceiling beams and upper walls of a small room in the palace of San Martino Gusnago, not far from Mantua. Whether they were commissioned by the military commander Francesco Secco or by Eusebio Malatesta, the Jewish advisor of Duke Federigo II Gonzaga, cannot be said. This type of ceiling decoration was especially popular in northern Italy. Only one of the figures can be identified with any likelihood: the one in the costume of a Venetian doge appears to be Marco Barbarigo (doge 1485-86). They were probably painted between 1500 and 1515 and in the insistent perspective of the architecture reveal the influence of the outstanding Milanese painter-architect Bramantino. Museum: Metropolitan Museum of Art, New York, USA.

Louise de Savoie, Duchess of Angouleme, (1870). Artist: Unknown

Lazio Rieti Leonessa S. Francesco7. Hutzel, Max 1960-1990 Medieval: Architecture, architectural sculpture (14-15th century). Post-medieval: Metalwork, sculpture (16th century), painted wood statues (15th century), frescoes, sculpture Presbytery serving as museum: sculpture, painting (17th century), frescoes, metalwork--processional cross German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Lazio Roma Rome S. Gregorio Magno17. Hutzel, Max 1960-1990 Medieval: Sculpture, mosaics. Post-medieval: Architecture, architectural sculpture, sculpture, painting, frescoes, stucco Object Notes: Completely renovated/restored in 16th and 17th centuries in Baroque style, church (on Monte Celio) contains hardly any indication of paleo-Christian/medieval style of its origins. 173 prints are accounted for and filed; 182 + 83 negatives are accounted for and filed--leaving 117 negatives unaccounted for. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site comp

Emilia-Romagna Ferrara Ferrara S. Antonio in Polsine4. Hutzel, Max 1960-1990 Medieval: Architecture (15th century). Post-medieval: Frescoes (15th century); Baroque interior, choir loft, sculpture (15th century) German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Brass Plate of Henry and Julia Redman and two Children from Brentford Church, Attributed to Daniel Lysons, 1762-1834, British, between 1796 and 1811, Pen and black ink, watercolor and gouache over graphite on medium, slightly textured, cream wove paper, Sheet: 15 × 10 1/2 inches (38.1 × 26.7 cm), architectural subject, brass, church, plate, Brentford Church, England, Greater London, London, Middlesex, United Kingdom

The Blessed Damozel: "With Love" Kenyon Cox (American, 1856-1919). 1886. Oil, grisaille on canvas, Design: 22 7/8 x 17 in. American Art 1886

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