Medieval Religious Art Panels

Intricate altar panels and epitaphs depicting biblical themes and saints, showcasing detailed craftsmanship and vibrant color palettes.

Flight Into Egypt C.1315/20 Giotto (ca.1266-1337 Italian) Fresco Capella Scrovegni, Padua, Italy

The Wilton Diptych, by an unknown artist, c1395-99. Richard II, King of England, kneels in a portable altarpiece made for private devotion

Old Spanish tiles, azulejos, Salon Carlos, Alcazar, Royal Palace, Seville, Andalusia, Spain, Europe

GSELL-Laurent workshop. Album n ° 4; stained glass project for London (Convent of the Assumption); Two -sprayed window: the Last Supper. Ink of China, watercolor. Paris, Carnavalet museum. Album Numero 4, Apotre, Cene, Convent of the Assumption, Ink of China, Window two travees, London, stained glass project, watercolor

Courtly Personages in a Landscape, c. 1520-1525, 93 1/2 x 47 in. (237.49 x 119.38 cm) (object part, left)94 1/4 x 47 in. (239.4 x 119.38 cm) (object part, right), Wool, silk; tapestry weave, Belgium, 16th century, This is a fragment of a larger tapestry and therefore we can only speculate from the elaborate clothing and the numerous people depicted that this was a courtly gathering. It is possible that it represented an international meeting, as the scimitar-like sword worn by the missing figure at the left may identify an Eastern visitor to a Western court.

Netherlandish 16th Century, The Four Cardinal Virtues Justice, c 1550 1600 Netherlandish 16th Century, The Four Cardinal Virtues: Justice, c. 1550/1600, undyed wool warp, dyed wool and dyed silk, Ailsa Mellon Bruce Collection 1970.20.5.c

Hours of Queen Isabella the Catholic, Queen of Spain: Fol. 173v, Saints Peter & Paul, c. 1500. Master of the First Prayerbook of Maximillian (Flemish, c. 1444-1519), and Associates. Ink, tempera, and gold on vellum; codex: 22.5 x 15.2 cm (8 7/8 x 6 in.).

Saint William and Saint Guillaume by Jean Bellegambe, Oil on canvas, 1517, 1470-1534, Russia, St. Petersburg, State Hermitage, 103x33

The Prophet Sophonias, by Lotto Lorenzo, 1524, 16th Century, fresco. Italy: Lombardy: Bergamo: Trescore: Suardi Oratory. Detail. The Prophet Sophonias red yellow beard moustache

Anonymous. Fame and General Boulanger. Calicot sham (without chassis). 1801-1900. Paris, Carnavalet museum. 76102-4

capillita de La Mare de Déu, fornicula neogotica con pintura mural del siglo XX, Estudio General Luliano, institución docente fundada en el siglo XV, Palma, Mallorca, balearic islands, Spain.

mujer desnuda en el patio. Pintura mural.Chittra Shala. Fuerte Taragarh.(s.XVI). Bundi. Cordillera Vindhya. Rajastan. India.

tapiz barroco flamenco, siglo XVII, taller Bruselas-Brabante, sala rectoral, Real Colegio de Doncellas Nobles, Toledo, Castilla-La Mancha, Spain.

Orphrey Cross Made 1520-1530 Flanders. Linen, two layers of plain weave; embroidered with silk, linen, wool, gilt- and silvered-animal-substrate-wrapped linen, and gilt-metal-strip-wrapped linen in satin, single satin, and split stitches; laid work and couching; gilt-metal-strip-wrapped silk and silk, plain weave extended weft uncut fringe; lined with linen, plain weave; glazed; edged with silk .

Mural in the Duomo de San Gimignano, San Gimignano, Province of Siena, Tuscany, Italy, Europe

Triptych of Jan Florain', 1479, Artist: Hans Memling. Hans Memling was the leading artist in Bruges. His work is strongly influenced by Rogier van der Weyden.

Tapestry and carpet pattern of the 16th century. Two women crush a heart in a press against a background of flowers and banners with quotes, 1549. An allegorical depiction of love similar to those seen on tournament shields. Chromolithograph from Hefner-Alteneck's "Costumes, Artworks and Appliances from the Middle Ages to the 17th Century," Frankfurt, 1889. Illustration by Dr. Jakob Heinrich von Hefner-Alteneck, lithographed by I.M. Dr. Hefner-Alteneck (1811-1903) was a German museum curator, archaeologist, art historian, illustrator and etcher.

Frame late 15th century Netherlandish. Frame 460352

Medieval Triptych - an exhibit in the Victoria and Albert Museum in central London in the United Kingdom.

Illuminated page from the Historia Naturalis. Dated 18th Century

MOZA DEL CANTARO - RELIEVE - 1934. Author: CARMELO VICENT (1890-1957). Location: MUSEO DE BELLAS ARTES-COLEGIO PIO V. Valencia. SPAIN.

Fra Angelico / Scenes fr.Life of Christ

The Song of Solomon - 'As the Apple Tree among the Trees of the Wood',1862-3. Sir Edward Burne-Jones (D.1898). Design for St Helen's Church, Darley Dale, Derbyshire, England

Frescoes, Matera, Basilicata region, South Italy, Italy, Europe

MTI1-CANTIGA STA MARIA Nº8-F21-VIRGEN DESCIENDE UNA VELA AL JUGLAR QUE LE CANTABA-MINIATURA S XIII. Author: ALFONSO X EL SABIO (1221-1284). Location: MONASTERIO-BIBLIOTECA-COLECCION. SAN LORENZO DEL ESCORIAL. MADRID. SPAIN. SIGRAR PEDRO DE.

Album n � 4; Stained glass project for Magny-en-Vexin; WINDOW TO THREE TRAVIES: Saint Claude, Saint Pierre, Saint Desire Gsell-Laurent workshop. Album n � 4; Stained glass project for Magny-en-Vexin; Three span window: Saint Claude, Saint Pierre, Holy D�sir�. Pencil on layer.

SANTIAGO APOSTOL - SIGLO XVII. Location: CONVENTO DE LAS CLARISAS / MUSEO DE ARTE SACRO. MONFORTE DE LEMOS. LUGO. SPANIEN. APOSTOL SANTIAGO PEREGRINO. Apóstol Santiago el Mayor.

Book of Hours (Use of Utrecht), c. 1460-1465. Master of Gijsbrecht van Brederode (Netherlandish), Master of the Boston City of God (Netherlandish). Ink, tempera, and gold on vellum; binding: brown Morocco over original wooden boards; overall: 5.9 x 11.6 cm (2 5/16 x 4 9/16 in.).

RETABLO ESMALTADO DE DAROCA.S. XVI AUSTRIAS. (DEPOSITO: MUSEO ARQUEOLOGICO NACIONAL).

Simone Martini, The Angel of the Annunciation, c 1330 The Angel of the Annunciation

DETALLE DE LA VIDRIERA DEL CATALOGO DE LAS OBRAS DE ARTE EXISTENTES EN EL PALACIO DEL SENADO - 1917 - PORTADA DE LA SEGUNDA EDICION. Author: ANGEL AVILES (1842-1924) Y ANGEL PIRALA (1824-1903). Location: SENADO-BIBLIOTECA-COLECCION. MADRID. SPAIN.

Cupid and Psyche, Palace Green Murals, Psyche at the Shrines of Juno and Ceres, 1881 By Sir Edward Burne-Jones and Walter Crane A scene from William Morris' 'The Earthly Paradise'., Oil Painting, Roman Gods

Seven Angels with Seven Vials, 14th-15th century. Artist: Master Bertram of Hamburg.

Saint Sebastian, ca 1489, by Vincenzo Foppa (ca 1427-ca 1515), fresco transferred to canvas, 265x170 cm.

Triptych with Virgin Mary and Jesus Christ as child by Jan van Eyck, oil on wood, 1437, 1390-1441, Germany, Dresden, State Art Gallery, 33, 1x27, 5

SAN ILDEFONSO, Master of (15th century). Saint Louis of Toulouse. 1488. Gothic art. Oil on wood. SPAIN. CASTILE AND LEON. Valladolid. National Museum of Sculpture.

Attributed to Daniel Lysons, 1762-1834, British, Brass Plate of Henry and Julia Redman and two Children from Brentford Church, between 1796 and 1811. Pen and black ink, watercolor and gouache over graphite on medium, slightly textured, cream wove paper.

Devonshire Hunting Tapestry, Flemish , 15th c. Belgium.

The Twelve Ages of a Man: The First Three Ages (Birth-18), or Spring ca. 1515 Probably after a design by the Workshop of Bernard van Orley Netherlandish This is the first of a set of four tapestries illustrating the life of a man as divided into twelve periods of six years. Venus, in the center, stands for the springtime of life; the symbols and occupations of three months, January, February, and March, represent the years from birth to eighteen. The stories show Moses, as a child, choosing a burning coal instead of a piece of gold; a Roman boy, Papirius, explaining to the Senators how he had tricked his mother in order to conceal their secrets; and the youthful Alexander astonishing the Persian ambassadors by his shrewdness.. The Twelve Ages of a Man: The First Three Ages (Birth-18), or Spring 227720

altar frontal of Santa Maria de Iguacel, XIII century, tempera painting on pine wood, Diocesan Museum of Jaca, Huesca, Spain.

Noli me tangere; Master of the Chronique scandaleuse (French, active about 1493 - 1510); Paris, France; about 1500; Tempera colors, ink and gold on parchment; Leaf: 13.3 × 8.7 cm (5 1,4 × 3 7,16 in.)

alchemy allegory tree of life ""Splendor Solis"" miniature Augsburg circa 1600 Germanisches Nationalmuseum Nuremberg,

Saint Jerome in his Study. Date/Period: Ca. 1450. Painting. Tempera, stucco reliefs and gold leaf on wood. Height: 1,510 mm (59.44 in); Width: 860 mm (33.85 in). Author: JAUME FERRER.

Edward Burne-Jones, 1833-1898, British, Fair Rosamund and Queen Eleanor, 1861. Mixed media on paper.

Artist: Bernardo Daddi, Italian, ca. 1290-1348, Saint John theEvangelist, ca.1337, Tempera on panel, 53.816 × 43.18 cm (21 3/16 × 17in.), Lent by Richard L. Feigen, B.A.1952, Made in Florence, Italy, Italian,Florence, 14thcentury, Paintings

Mosaic of Neptune and Amphitrite Herculaneum Italy

Tapestry depicting the birth of Diana, by manifattura Francois de la Plance e Marc Comans, 17th Century, tapestry, 415 x 405

Grinder - The Working World Artist Unknown Fresco Palazzo della Ragione, Padua, Italy

St Jerome in his Study, 1426, by Giovanni di Paolo (active ca 1420, died 1482), tempera on panel, 32.4 x 22.1 cm.

Embroidered Picture (Italy); Client: Görg Schwÿtzer; silk and metal on silk over linen

Angio - Triptych wing; unknown painter of the oski;

Saint Catherine of Alexandria. Dated: c. 1335/1340. Dimensions: painted surface (edge of gilding to edge of gilding): 73.5 × 40.5 cm (28 15/16 × 15 15/16 in.) painted surface (edge of paint to edge of paint): 73.5 × 41 cm (28 15/16 × 16 1/8 in.) overall: 73.5 × 42 × 1 cm (28 15/16 × 16 9/16 × 3/8 in.) framed: 95.3 x 47.3 x 6 cm (37 1/2 x 18 5/8 x 2 3/8 in.). Medium: tempera on panel. Museum: National Gallery of Art, Washington DC. Author: BARTOLOMEO BULGARINI.

Diptych with Scenes from the Passion 14th century French. Diptych with Scenes from the Passion 464272

Ball game scene, by artists from the Bolzano School, fresco, south wall of Tournament Hall, Runkelstein Castle, near Bolzano, Trentino-Alto Adige. Detail. Italy, 14th-15th century.

Master of the Murano Gradual, Saint Lawrence, 1440 1450 Master of the Murano Gradual (Lombard, active 15th century), Saint Lawrence, 1440/1450, miniature on vellum, Rosenwald Collection 1948.11.12

Embroidered Picture; silk on silk

Ary Scheffer. "Triptych". Oil on canvas. Paris, Museum of Romantic Life. 34848-10 Religious scene, triptych, oil on canvas

Figure on Pilaster, Polyptych of the Misericordia, Piero della Francesca, 1445-1462, Museo Civico, Sansepolcro, Tuscany, Italy

Saint Nicholas and Saints Catherine, Lucy, Margaret and Apollonia by Botticini, Francesco (1446-1497) / National Museum of Western Art, Tokyo / Renaissance / / Italy, Florentine School / Tempera on panel / Bible / 115x122,5

Saint Paul; Master of the Getty Epistles (French, active about 1520 - about 1549); Tours, France; about 1528 - 1530; Tempera colors and gold paint on parchment; Leaf: 16.5 x 10.3 cm (6 1,2 x 4 1,16 in.)

Courtly Scenes ca. 1510-25 South Netherlandish. Courtly Scenes 468052

Mural design: Rowena, Cedric, Athelstane, John C. Wolf, Brush and gouache on heavy paper, Mural design depicting a man at a throne and a young standing couple. Below, the figures' names: ROWENA; CENDRIC; and ATHELSTANE., USA, 1890-1900, mural designs, Drawing, Drawing

Ascension of Christ (Acts I, 1-9): Study for stained-glass window ca. 1875-84 Sir Edward Burne-Jones British. Ascension of Christ (Acts I, 1-9): Study for stained-glass window. Sir Edward Burne-Jones (British, Birmingham 1833-1898 Fulham). ca. 1875-84. Watercolor andgouache (bodycolor), gold paint, and graphite

Tribonianus handing the Pandects to Justinian 1511, Raphael, Raffaello S., 1511.

AGAVE HARVEST - MINIATURE OF TACUINUM SANITATIS OR THEATRUM SANITATIS - 14th-15th CENTURY. Author: UBUBEHASYM BALDACH O IBN BUTLAN. Location: BIBLIOTECA NACIONAL-COLECCION. WIEN. AUSTRIA.

SANTIAGO ECUESTRE EN EL RETABLO DE SANTIAGO MATAMOROS - 1640 - ESCULTURA BARROCA ESPAÑOLA. Author: ALONSO DE MENA. Location: CATEDRAL-INTERIOR. GRANADA. SPAIN. Apóstol Santiago el Mayor. APOSTOL SANTIAGO EN CLAVIJO. APOSTOL SANTIAGO-SANTIAGO MATAMOROS.

Pastel and ink drawing by Anton Faistauer from 1926 depicting a scene titled 'Mystery Game', executed with feather and pencil details.

Les Tres Riches Heures du Duc de Berry, French 15th century, Zodiac and anatomy of man and woman. Museum: Victoria & Albert Museum, LONDRES, UK.

Luc-Olivier Merson (1846-1920). "Refreshments". Museum of Fine Arts of the City of Paris, Petit Palais. 37956-17 Angel, emblem city of Paris, woman, float without sink, fluctuat nec mergitur, boy, refreshment, serve

Paintings by Fra Angelico or Beato Angelico * Probably between about 1395 and 1399 in Vicchio di Mugello near Florence February 18, 1455 in Rome, born as Guido di Pietro, painter of Italian early Renaissance, the proclamation, historically, digitally restored reproduction of a template from the 19th century, record date not stated

Fresco cycle in the Scrovegni Chapel, by Giotto, 1304 - 1306, 14th Century, fresco. Italy, Veneto, Padua, Scrovegni Chapel. Detail. Vault tondo Madonna and Child starry sky blue gold.

Sketch for the Notre-Dame-des-Champs Church: Calvary Fran�ois Lafon. Sketch for the Notre-Dame-des-Champs Church: Calvary. Oil on canvas, dubbing cardboard, nonverite. 1884. Museum of Fine Arts in the city of Paris, small palace.

The Agony in the Garden. Simon Bening (Flemish, about 1483 - 1561)

Assisi (Italia, Umbria - provincia di Perugia), Oratorio dei Pellegrini. Affresco di Matteo da Gualdo, (scuola peruginesca). Parete dell'altare, Madonna con il Bambino e i due santi Antonio e Giacomo, XV secolo

Bliżej Kultury unknown

Portrait of Lysbeth van Duvenvoirde (-1472). Painting by unknown Dutch artist (15th century), 1430, oil on parchment, 32x30 cm.

Integral frame 1335-40 Italian, Florence. Integral frame. Italian, Florence. 1335-40. Single piece of poplar covered with linen.. Frames

The Exultation of Saint Nicholas of Tolentino. Artist: Giovanni di Paolo (Giovanni di Paolo di Grazia) (Italian, Siena 1398-1482 Siena). Dimensions: Overall, with engaged frame, 19 1/8 x 14 1/4 in. (48.6 x 36.2 cm). Date: ca. 1450. Museum: Metropolitan Museum of Art, New York, USA.

Raspiatie s mucheniiami Apostolov.. Rovinski, D. A. (Dmitri Aleksandrovich), 1824-1895. Prints. 1881. Rare Book Division. Folk art , Russia (Federation), Russia , Social life and customs, Engraving, Russian

PANEL DERECHO DEL TRIPTICO DE SANTA CATALINA - ESCUELA HISPANO-FLAMENCA - SIGLO XV. Author: FERNANDO GALLEGO. Location: CATEDRAL-MUSEO DIOCESANO. SALAMANCA. SPAIN. SANTA CATALINA DE ALEJANDRIA SIGLO IV.

The Majesty, by Martini Simone, 1313 - 1315, 14th Century, fresco. Italy, Tuscany, Siena, Palazzo Pubblico, Sala del Mappamondo. Detail. Face of an angel (on the right side of the throne) halos: aureoles rays gold brown hues: shades pink.

Emrik & Binger, Stone gravestone. (13th century), Stone gravestone, 13th century, on the left a man and a woman, on the right a monk with a chalice, print, picture, historical object representation, book illustration, prints, pictures, Frederik Muller Historieplaten, height 292 mm, width 375 mm, print maker, printmaker, 1857 - 1864, third quarter 19th century, paper, tone lithography, printer

Illustration project With the Earborn Eastern Scene Ivanec ', Ivan (1893 1946)

LIPPI, Filippo, called Filippino (1457-1504). Virgin from the Annunciation. 1483-1484. Renaissance art. Quattrocento. Tempera on wood. ITALY. TUSCANY. SIENA. San Gimignano. Civic Museum.

Roman civilization, Painted frieze with procession paying homage to Artemis, From public building in Ostia Antica, Italy

'The Très Riches Heures du Duc de Berry Is a French Gothic illuminated manuscript. The Très Riches Heures is a prayer book created for John, Duke of Berry, by the Limbourg brothers between 1412 and 1416. The book was completed by Jean Colombe between 1485 and 1489. The manuscript is held at the Musée Condé, Chantilly, France. this folio (February)shows a fenced-in farm with a house, a barn beehives and a dovecote. Inside the house, a woman and two young men warm themselves in front of a fire. Outside, a man with bundles of sticks at his feet cuts down a tree with an axe.'

The Birth of Tristram, 1861. Arthur Hughes (d.1915). On the right lies Queen Elizabeth of Lyonesse who has just given birth to the baby held by her attendant.

Isfahan was a medieval waystation on the Silk Road until the 16th century when Shah Abbas the Great (1587-1629) conquered it and made it the new capital of the Safavid dynasty under a unified Persia. He built parks, libraries, baths and mosques, and Isfahan became one of the largest cities in the world. In 1722, following the defeat of the Safavids in the Battle of Gulnabad, Afghans raided Isfahan after a long siege, which left much of the city in ruins. Nowadays, it is the second city of Iran, and produces fine carpets, textiles, steel and handicrafts. The city's Naghsh-e Jahan Square was designated as a World Heritage Site by UNESCO, and is regarded and an outstanding example of Iranian and Islamic architecture.

Bliżej Kultury Thurwanger, Frères (Fl. 1848 1852), Lemercier, Wilczyński, Jan Kazimierz (1806 1885)

Pair of Painted Doors, c. 1820. India, Bundi, 19th century. Color on wood; overall: 190 x 88.9 x 43.7 cm (74 13/16 x 35 x 17 3/16 in.).

Cain kills Abel, Byzantine mosaic, Monreale Cathedral Mosaic. 12-13 th cent. SICILY.

How four queens found Lancelot sleeping Date: 1893 - 1894

Diana de poitiers

Dante , Ptg.by Domenico di Michelino, 1465

Lisbon, Portugal. Traditional Portuguese Azulejo ceramic tiles.

Design for window, Mr. J.C. Williams, All Saints Chapel, Atlanta, GA,. Artist: Louis Comfort Tiffany (American, New York 1848-1933 New York). Culture: American. Dimensions: 21 1/4 x 14 3/4 in. (54 x 37.5 cm). Maker: Possibly Tiffany Studios (1902-32). Date: 1903-15. Museum: Metropolitan Museum of Art, New York, USA.

fine arts - religious art, Solomon, King of Israel and Judah, circa 965 - 926 BC, playing lute in front of four companions, illumination, letter ""B"", Victoria & Albert Museum, London miniature, illustration, music, ape, dog, instrument, musician, historic, historical

Georg Lembergers 1524 colored woodcut shows the apocalyptic woman and the dragon from Revelation 12:1-5, depicting celestial figures, symbolic imagery, and narrative action.

Mary and Child / Jan van Eyck / 1437

NEBRIJA , ELIO ANTONIO DE . ANTONIO MARTINEZ DE CALA. HUMANISTA Y FILOLOGO ESPAÑOL.LEBRIJA 1441-1522. GRABADO DE LA ILUSTRACION ESPAÑOLA Y AMERICANA DE UNA ILUSTRACION " GRAMATICA " DE NEBRIJA.

Frederick I Barbarossa (1122 - 10 June 1190) was a German Holy Roman Emperor. He was elected King of Germany at Frankfurt on 4 March 1152 and crowned in Aachen on 9 March 1152. He became King of Italy in 1155 and was finally crowned Roman Emperor by Pope Adrian IV on 18 June 1155. Two years later, the term 'sacrum' (i.e. 'holy') first appeared in a document in connection with his Empire. He was then also formally crowned King of Burgundy at Arles on 30 June 1178. He got the name Barbarossa from the northern Italian cities he attempted to rule. Barbarossa is 'red beard' in Italiana mark of both their fear and respect. In German, he was known as Kaiser Rotbart which has the same meaning.

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