Medieval Religious Iconography

Woodcuts and engravings showcasing iconic biblical moments and figures, characterized by historical attire and symbolic gestures in religious contexts.

Crowning with Thorns of Christ, Nicolaes de Bruyn, 1618

Preaching Date: circa 1530

Preaching Christ; Stupid passion. Christ, seen from the side, speaks against a group of people.

The Annunciation, Heinrich Aldegrever, German, 1502 - ca. 1561, Engraving on off-white laid paper, Germany, 1553, figures, Print, Print

. The bride of Christ (the church) is under an apple tree in a flower garden and receives flowers of Christ who stands next to her. Left and right people from the Old Testament. The print has a Latin caption over the Solomon's high song.

Abraham van Diepenbeeck brown and black ink with gray brush drawing showing pilgrims in front of an altar with votive offerings, depicting figures, gestures, and architectural setting.

Cleanliness and vanity, Pieter Nolpe, 1640 print A young woman kneels for a richly dressed man, both symbol for the vanity. Behind them a woman kneels for an altar with a crucifix. Next to the kneeling woman is an angel with a lily, the symbol of cleanliness. On the ground are a fan, comb, scissors and coins, as worldly symbols of vanity. Illustration with a text from the book Christelycke Offerande from 1640. In the text, a woman is called upon to keep her virginity and not to collapse for vanity, money or men. Amsterdam paper engraving / letterpress printing (Personifications of) 'Vanitas', The Vanity of Human Life; Humana fragility, fleeting of sizes & of world glory, meditation of death, vain work, vain pleasure, vain glory, vanita (Ripa) (+ variant). One person praying. Flowers: Lily (+ Plants Used Symbolically). Angels

Madonna and Child with Pope and Bishop Saint. Christoph Murer (Switzerland, Zurich, 1558-1614). 1595. Drawings. Pen and black ink and blue-gray wash

unknown, Rubens, Peter Paul, Antwerp, Pontius, Paulus, Presentation in the Temple, verso lower left - stamped, Mary and Joseph have brought Christ to the temple. The high priest Simeon holds the Child in his arms. Joseph kneels before them and holds a pair of doves. The prophetess Hannah looks on in adoration. At the bottom a two-line Bible quotation from Luke. 2 in Latin., print, prints, height 643 mm, width 495 mm, Southern Netherlands, 1603 - 1658-01-16, print maker, printmaker, 1638 - 1638, paper, engraving, engraving (printing process), Work conception, 1577-06-28 - 1640-05-30, after a design by, granter of privilege

Antwerp, Cock, Hieronymus, Jode, Gerard de, Heemskerck, Maarten van, Haarlem, Galle, Philips, Thesaurus sacrarum historiarum veteris testamenti, elegantissimis imaginibus expressum excellentissimorum in hac arte virorum opera: nunc primum in lucem editus, History of Ahab, Jezebel and Naboth, Ahab shows remorse after the curse of Elijah, Elijah pronounces a curse on Ahab and his entire family. Ahab shows remorse and immediately tears his beautiful clothes. Ahab and Elijah stand outside the walls of Ahab's palace at Naboth's vineyard. On the right, Ahab leaves, bowed in his sackcloth and ashes. Below the representation is a verse in Latin. The print is part of an album., print, prent, albumblad, prints, enten, height 201 mm, width 248 mm, Zuid-Nederlands, 1537 - 1612-03-29, print maker, 1559 - 1563, fourth quarter 16th century, paper, engraving, engraving (printing process), Work conception, Northern Dutch, 1498 - 1574, after a design by, Publication (Event), Publication, 1509 - 1591-02-

Bora, Katharina of.

Christ appears as a gardener to Mary Magdalene; Passion of Christ. After the rebellion, Christ appears as a gardener to Mary Magdalene. She's kneeling in a garden before Christ. Christ makes a blessing gesture. In the margin a caption in Latin that refers to the show.

Woman pours a beggar wine, Jan Luyken, 1687 print Amsterdam paper etching / letterpress printing beggar. wine ~ alcoholic drinks

Only a sick body is cared for Allegories about the care of man for the body and the neglect of the soul (series title) Animae incuria ob nimiam corporis Curam (series title), An ass lies in his sick bed and vomiting. He symbolizes the sick human body (Caro) and is nursed by the personification of the happy man (Homo Carnalis). A doctor is called to the patient and looks at a jug of urine. In the background, the personification of the man-neglected soul (Anima) dies in a barn. A devil flies above her and will guide her to hell. Print from a series of four prints about human care for the body and ignoring the soul. Each print with a caption in Latin, French and Dutch, ass, donkey (animals used symbolically), sick-bed, nursing, tending the sick, examination of urine, physician, doctor, spirit (or soul) versus body, the soul during lifetime, deathbed, death struggle, inquiet death, fear of death, tort, legal abuse, judicial murder (abuse of legal power), the soul going to its last destinat

Johann Heinrich Schönfeld, A Crucifix in a Church with Saints Thomas Aquinas, Mary Magdalene, Albertus Magnus, and Others, 1655 A Crucifix in a Church with Saints Thomas Aquinas, Mary Magdalene, Albertus Magnus, and Others

Christ for Kajafas, Albrecht Dürer, 1512 print Christ is brought before a man on a throne (kajafas). This print is part of a series of 16 prints with scenes from the suffering story. Nuremberg paper engraving Christ before the Sanhedrin with Caiaphas as high priest, and possibly Annas; maybe a soldier about to strike Christ because he keeps silent (Matthew 26:57-66; Mark 14:53-64; Luke 22:54, 22:66-71)

Jozef explains dreams: Gift of mind; Spiritvs intellectvs; Seven gifts of the Holy Spirit. Joseph explains the dreams of the pharaoh (Genesis 41: 1-36). The print shows the passage where Jozef demonstrates his divine knowledge. Joseph stands for the throne of the pharaoh and explains him and his consequence that the seven fat and the seven skinny cows stand in the dream for seven good and seven bad harvest years. The dream is portrayed in the background of the print. The print has a Latin caption. The print is part of a series with the different gifts of the Holy Spirit.

Naming by Johannes de Boper, Jacob de Weert, After Maerten de Vos, 1580 - 1600 print Elisabet and two men stand at a table with writings. Behind the table is probably Zacharias with writing utensils and a writing table. Under the performance is a three -line, Latin text with the description of the scene from Luc. 1. Antwerp paper engraving naming of John the Baptist; Zacharias writing John's name

Peter is released from prison. Petrus is in prison, the guards sleep. An angel wakes Petrus. An angel holds a burning candle. Under the show a verse in two columns of two lines each in Dutch.

Ignatius of Loyola kneeling before Christ, the Virgin and St Peter Artist's working dates 1568-1619 Flanders. Engraving in black on ivory laid paper . Jerome Wierix

Miracle of the prostitute from Rome; Meretrix ad vitae sanctitatem convertitvr; Fifteen miracles of the rosary; Miracula et Beneficia SS. Rosario. A woman of light morals receives an unknown young man in her house. During the sacrament he cuts the food. The woman notes that he bleeds. Later in the evening, the young man shows his true form, namely that of Christ who carries the cross. In the background Links Christ, Mary and the Saint Catherine that the woman convinces to improve her life. The print has a Latin caption with legend and is part of a fifteenth series about the miracles of the rosary

Dutch virgin with lion on throne speaks for men from different countries, cartouche with title; Title page for: Compendium Historiæ Batavicæ, A Julio Cæsare Usque Ad Hæc Tempora, Leiden 1645; Compendium Historiæ Batavicæ ..

The funeral service, 16, Boëtius Adamsz. Bolswert, Hendrik Aertssens, 1639.

Apostle Paul for Festus, Anonymous, After Johann Jakob von Sandrart, 1697 print paper etching Paul is accused before Festus by the Jews

Saints Nicholas, Ulrich andErasmus. Artist: Albrecht Dürer, German, 1471-1528

Charlemagne at his court at Aachen receives gifts from Haroun al-Raschid, Caliph of Baghdad.

Last Supper, Crispijn van de Passe (I), 1600 print Christ and his students sit around a table. Christ holds the bread and makes a blessing gesture. In the background on an altar are the tables of the law. The show is caught in an oval frame with an edge writing in Latin. Print from a series with the passion of Christ. Cologne paper engraving Last Supper (in general) (Matthew 26:21-35; Mark 14:18-31; Luke 22:3, 22:15-23; John 13:21-38). institution of the Eucharist, i.e. Christ showing or blessing bread (host) and/or wine (Matthew 26:26-27; Mark 14:22-23; Luke 22:19-20; John 13:26; 1 Corinthians 11:23-25)

Kneeling nobleman at altar with crucifix, on the background gesticulating onlookers, Kneeling nobleman at altar, draughtsman: Michael Willmann, 1640 - 1706, paper, pen, brush, h 125 mm × w 79 mm

Ignatius van Loyola has a vision of Diego Hoces Tenemelin. Life of ignatius from Loyola; Vita B.P. Ignatii de Loyola FvNDatoris Societatis IESV. Ignatius van Loyola and another Jesuit are kneeling for an altar in a church. For them a vision of the soul of the Jesuit Diego Hoces, which is fed by angels to heaven. In the margin a two-legged caption in Latin.

. Pope Clemens IV, sitting under a canopy and surrounded by bishops, hands a bishop's mighter to Thomas of Aquino. This kneels for him and refuses office. Single-finished print from a series of thirty prints that depict the life story of Thomas of Aquino.

Antwerpen, Vrints, Johannes Baptista (I), Vos, Maerten de, Weert, Jacob de, Vita b. Ioannis Baptistae graphic descript, Life of John the Baptist, Annunciation to Zacharias, Antwerp, verso lower left - stamped, Gabriel appears to the priest Zacharias in the temple and announces the birth of John the Baptist. Zacharias stands at an altar with an open book and two stone tablets. Below the representation is a two-line Latin text from Luke. 1 with a description of the scene., print, prints, height 109 mm, width 92 mm, Southern Netherlands, 1569-09-12, print maker, printmaker, 1580 - 1600, paper, engraving, engraving (printing process), Work conception, 1532 - 1603-12-04, after a design by, Publication (Event), Publication, 1555 - 1610, publisher

. The angel Gabriel announces Maria to become pregnant. Maria is kneeling at a bed on which a sloping book is located. The Holy Spirit drops down like a pigeon. In the background, Jozef wood chains. PRENT is part of a series about the eight skimmings of Christ and illustrates the salvation: delicious who are pure of heart. In the lower right corner this text from matte. 5: 8 in Latin. At the bottom of the margin a verse in Latin about the willow discussion and the show.

Traveler is warmly welcomed by residents of a village; The stranger.

Saints Peter and John Healing a Cripple at the Gate of the Temple. Albrecht Dürer (Germany, Nuremberg, 1471-1528). Germany, 1513. Prints; engravings. Engraving

The Marriage of the Virgin. Dated: probably c. 1576/1580. Medium: engraving. Museum: National Gallery of Art, Washington DC. Author: Léonard Gaultier.

Giovanni Mauro della Rovere depicted St. Karl Borromäus receiving Holy Pilippo Neri under a canopy, with a cardinal and elder discussing at a table in the next room, using feather with gray and brown lavated, on blue paper.

Martin Schongauer, Christ Enthroned, with Two Angels, 1475 1480 Christ Enthroned, with Two Angels

H. Antonius receives bread from the monks, 1598 print H. Antonius receives bread from the monks. Italian and Latin text in two columns in the lower margin. print maker: Italyafter painting by: Romeafter painting by: Romepublisher: RomeItalyItaly paper etching the hermit Antony Abbot (Antonius Abbas) of Egypt, also called the Great; possible attributes: bell, book, T-shaped staff, flames, pig

Emperor Maximilian pray for the H. Sacrament, 10, 1639 - 1699 print Emperor Maximilian I prayed for the Holy Sacrament on the altar and becomes healthy again. On the ground the Keizerskroon and Scepter. Print no. 10 from the series of 16 performances of the Miracle van Amsterdam, to the events on March 15, 1345. Copies to the Bolswert series. Under the performance in the plate engraved a six -line verse in Latin, including a six -line verse in book print in Dutch. Low Countries paper engraving Amsterdam

Reynofla; Female hermits; Solitvdo Sive Vitae Foeminarvm Anachoritarvm. Reynofla is sitting on her knees in a hut and pray for a Christ image. She is visited by an angel. In the background right the church where they are buried. Pilgrims go to visit her grave. The print has a Latin caption and is part of a series with the subject of female hermits.

Leyden, Lucas van, work, Esther before Ahasuerus, (1000 - 2000), copper engraving, graphics, image width 22.3 cm, image height 24.8 cm

Maximilian of Burgundy and Mary of Burgundy and mother.

Vision of Reginald van Bologna; Life and madrangles of the Holy Dominicus; Vita et miracula s.p. Dominicians. In a vision, Reginald van Bologna gets the mossy moss in a vision to help the holy Dominician set up the order of Dominicans. The print has a Latin inscription and caption and is part of a postal series for a book about the life of the Holy Dominicus.

Self-castor destination of the Holy Dominicus; Life and madrangles of the Holy Dominicus; Vita et miracula s.p. Dominicians. The Holy Dominician kneels for an altar with the crucifix. His deck is naked and he has a chain in his hand, with which he sheds himself. His order breeders look full admiration in a corner. The print has a Latin inscription and caption and is part of a postal series for a book about the life of the Holy Dominicus.

Childhood of Christ; Pveri amorosa attracttio; Scenes from the life of the Holy Family. The Holy Family. The Christ child on the Joseph's lap. Maria embroidery. The print has a Latin caption and is part of a sixteen partner with scenes from the life of the Holy Family.

Parable of the thankless servant and Christ in debate with Pharisees, Virgilius Solis, 1524 - 1562 print Two performances one above the other. The print is numbered in the middle of the top: 12. The performances are numbered separately: 22 and 23. Nuremberg paper engraving / etching the unmerciful servant: the king forgives him his debts ~ parable of Christ (Matthew 18:23-35). Christ (in the temple) in debate with Pharisees about the tribute to Caesar (Matthew 22:15-22; Mark 12:13-17; Luke 20:20-26)

Martin Schongauer's late 15th-century copper engraving 'Christ Blesses Maria' shows Christ raising his hand over Mary, emphasizing gesture, figures, and detailed composition.

Natan points David on his sins. The prophet Natan kneels for David and he points the king on the sins that he committed by sending Uria with a letter to the front and togo a child at Batseba. The print is part of an album.

H. Lucas paints Maria with child, Antonie Wierix (II), After Quinten Massijs (I), 1565 - 1591 print With the Christ child, Mary sits on a throne in the studio of Lucas. The holy is kneeling on a pillow and draws her portrait. Behind him the winged ox. On the right in the background a face through a window on a landscape. In the margin a caption in Latin. Antwerp paper engraving St.Luke painting or drawing the Madonna (i.e. Mary and the Christ-child), sometimes Joseph present

Worshiper of Shepherds ..

Thomas converts his oldest sister. She discards her jewelry and enters the monastery. Print from a series of 30 prints depicting the life story of Thomas Aquinas. The prints, designed and published by Otto van Veen, were created by C. Boel, E. van Paenderen, C. Galle and G. Swanenburgh, Thomas converts his sister The life of St. Thomas Aquinas (series title), print maker: Cornelis Boel, (mentioned on object), intermediary draughtsman: Otto van Veen, publisher: Otto van Veen, print maker: Southern Netherlands, publisher: Antwerp, 1610, paper, engraving

Parable of the workers in the vineyard, Crispijn van de Passe (I), 1604 print After their work in the vineyard, the workers receive the wage of one denarie of the steward of the landlord (Mat. 20). The show is caught in a round frame with a border script in Latin. Print from a series with similarities of Christ. Cologne paper engraving the labourers in the vineyard ~ parable of Christ (Matthew 20:1-16)

Alkmaar, Schabaelje, Jan Philipsz, Amsterdam, Visscher, Claes Jansz. (II), Junius, Hadrianus, Heemskerck, Maarten van, Muller, Harmen Jansz, Den Grooten Figuer-Bibel, De acht zaligsprekingen, Van de Acht Saligheden op den Bergh Thabor, Blessed are the meek, Mozes' authority contested by Miriam and Aaron, lower right - handwritten in brown ink, Aaron and Miriam stand before Moses and his Nubian wife and contest his authority by making remarks about his marriage to her. On the right, Moses, Aaron and Miriam speak with God, who appears in the doorway of the tent of covenant. In the landscape, Aaron is on his knees begging Moses not to hold his sin against him. Miriam is stricken with leprosy in the desert. On the mountain, Moses prays for her healing. Print is part of a series on the eight beatitudes of Christ and illustrates the beatitude: Blessed are the meek. On the stairs a stone with this text from Mat. 5:5 in Latin. At the bottom in the margin a verse in Latin about the beatitude an

Rader, Matthäus, Kager, Johann Mathias, Munich, Sadeler, Raphael (I), Bavaria sancta I, Saints of Bavaria I, B. Vvintirus ex agasone praeco christi, Winthir of Neuhausen preaching to a crowd, verso lower left - stamped, The English monk Winthir of Neuhausen preaches to a peasant community. In the background he drives some mules. The print has a Latin caption and is the seventeenth print in a 60-part series on the subject of the saints of Bavaria., print, prints, width 156 mm, height, 220 mm, South Netherlandish, 1560, print maker, printmaker, 1615 - 1615, paper, papier, engraving, engraving (printing process), etching, German, 1575 - 1634, intermediary draughtsman, after a drawing by, Publication (Event), Publication, 1561 - 1634-12-22, publisher

Kneeling Edelman at Altar, Michael Willmann, 1640 - 1706 drawing Kneeling Edelman in altar with crucifix; Gesticulating watchers in the background. paper. chalk. ink pen / brush kneeling figure. interior of church

Saint Bernardus kneeling for Mary with child, Master Iam van Zwoll, 1470 - 1485 print Church interior with Maria with Christ child on throne. Holy Bernardus with staff and book Kneelt for her. From the chest of Mary, milk sprays on the forehead of the saint. Low Countries paper engraving St. Bernard of Clairvaux kneels before the Virgin Mary who presses her breast from which milk spouts, wetting the lips of Bernard ('lactatio')

. The H. Petrus van Tessino is praying on a choir bench in a church. He gets a vision of the H. Sabinus who predicts him the Bisschopsambt. The print has a Latin caption and is the 24th print of a 60-part series with the saints of Bavaria.

Le Mariage de la Ste. Vierge (The Marriage of the Virgin), January 22nd, from Les Images De Tous Les Saincts et Saintes de L'Année (Images of All of the Saints and Religious Events of the Year) 1636 Jacques Callot French This print is part of a series comprised of a title page, frontispiece, and 122 plates. Each of these 122 plates contains four oval scenes depicting Saints and Religious Events for each day of the year. This etching was originally one of four oval scenes on a plate in the series.. Le Mariage de la Ste. Vierge (The Marriage of the Virgin), January 22nd, from Les Images De Tous Les Saincts et Saintes de L'Année (Images of All of the Saints and Religious Events of the Year). Les Images De Tous Les Saincts et Saintes de L'Année. Jacques Callot (French, Nancy 1592-1635 Nancy). 1636. Etching; second state of two (Lieure). Israël Henriet (French, Nancy ca. 1590-1661 Paris). Prints

Jesus appoints Peter as head of the church. Colour etching by A. Scacciati after J. Chimenti.

Relics are believed by the Church to possess the power to do good, so they are periodically carried about in procession, with songs, incense and ceremonies. Date: BCE

Christ with allegorical team; Christ with allegoric anchor. Christ is next to a life-sized allegorical team that has been compiled from different materials and parts. In the background a scene from the likeness of the wedding party. A man without wedding clothes is drained by the king's servants. In the margin a two-legged caption in Latin.

The five wise virgins, 1589 - 1611 print Inneration with the five wise virgins working on various activities (sewing, spinning, weaving, reading and writing). One of them holds a burning oil lamp. Under the performance a four -line caption, in two columns, in Latin that refers to the Bible story. This print is part of an album. paper engraving the wise and the foolish virgins ~ parable of Christ (Matthew 25:1-13). spinning (manufacture of yarn). sewing. weaving

The Holy Family. The Christ child on Joseph's lap. Mary embroiders. The print has a Latin caption and is part of a six-part series featuring scenes from the life of the Holy Family, Childhood of Christ Pveri Amorosa Attractatio Scenes from the Life of the Holy Family , print maker: Theodoor Galle, (possibly), publisher: Theodoor Galle, (mentioned on object), Antwerp, 1581 - 1633, paper, engraving, w 54 mm × h 90 mm

Conclusion of demand and defence before the judge (with his staff of prosecutors). In the foreground is the standing figure of children which relates to the case where, pending trial, commission or immediate facility must be intended for minors or women. Legal practice in the Netherlands 17th century

The Holy Family. Israhel van Meckenem; German, c. 1440/45-1503. Date: 1465-1503. Dimensions: 248 × 169 mm. Engraving on ivory laid paper. Origin: Germany. Museum: The Chicago Art Institute, Chicago, USA.

SAINT MATTHEW THE EVANGELIST Saint Matthew, divinely inspired, writes down the word of God. Date: 1ST CENTURY

Filippo Neri sees the faces of H. Carlo and H. Ignatius light up, 1630 - 1641 print Filippo Neri sees the faces of H. Carlo and H. Ignatius light up. Print no. 21 in a series of 44 prints with scenes from the life of the Holy Filippo Neri. paper engraving the founder of the Congregation of the Oratory (Oratorians) Philip Neri; possible attributes: lily, rosary

Sadeler, Raphael (I), Raphael (II), Munich, Scenes from the life of Saint Bernard of Clairvaux, Saint Bernard of Clairvaux founds an ecclesiastical order of chivalry, verso lower left - stamped, Saint Bernard of Clairvaux talking to some noblemen. The noblemen turn away from the world and found the first ecclesiastical order of chivalry. The print is part of a fourteen-part series that forms a frame around an image of St. Bernard of Clairvaux., print, prent, prints, width 51 mm, height, 51 mm, Zuid-Nederlands, 1560, print maker, printmaker, 1605 - 1628, paper, papier, engraving, engraving (printing process), 1584-12-20 - 1632, Publication (Event), Publicatie, publisher

Franz Xaver, Saint.

Wedding evening. After the party the groom leads his frightened bride to bed. Both wear crowns. The crying bride has a candlestick and the night mirror in her hands. A bagpipe player and other guests follow them. Under the print a verse of two rules in French and Dutch.

Emmausgoers; Passion of Christ. Two disciples are on their way to Emmaüs. Along the way they come across Christ, which they do not recognize. They walk a lot with him. The three men are dressed as pilgrims. In the background in the castle the meal has been presented to Emmaus. Christ is at a table with two disciples. He is recognized because he blesses the bread.

Annunciation, Hendrick Goltzius, After Maerten de Vos, 1577 - 1582 print The angel Gabriel appears to Mary, who is reading in a departure. In his wake a group of musice angels. Under the representation of quatrains in Latin. print maker: Haarlempublisher: Antwerp paper engraving the Annunciation: Mary, usually reading, is visited by the angel (sometimes a woman overhears the conversation)

Catharina and Christ exchange their hearts, Cornelis Galle (I), 1603 print In a vision, Catharina van Siena and Christ exchange their hearts. Their left hands are put together and Christ gives his heart to Catharina. Part of a series about Catharina from Siena consisting of a title print, a portrait and 32 numbered scenes from her life. print maker: Southern Netherlandspublisher: Antwerp paper engraving St. Catherine of Siena changing hearts with Christ

Saint Norbertus at the court of Emperor Hendrik V, Cornelis Galle (I) (Attributed to), 1622 print The Holy Norbertus is a chaplain at the court of emperor Hendrik V. The courtiers and the king look up at him and he enjoys a lot of prestige, with beautiful clothes and beautiful women. The print has two Latin inscriptions: one up and one below the show. Antwerp paper engraving the founder of the Praemonstratensians, and archbishop of Magdeburg, Norbert; possible attributes: chalice (with spider), devil under feet, monstrance, the heretic Tankelin - early life of male saint

Baptism of Saint Dominicus, Theodoor Galle, After Pieter de Jode (I), After Joannes Nys, 1611 print A priest baptizes the Holy Dominicus. A star appears on the child's head. The print has a Latin inscription and caption and is part of a press series for a book about the life of the Holy Dominicus. print maker: Antwerpafter drawing by: Antwerpafter design by: AntwerpPolandpublisher: Antwerp paper engraving at St. Dominic's baptism, his godmother sees a star descend on his brow

Circumcision of Christ; Circvncisio Christi. The high priest knows the Christ child into the temple. Joseph and Maria watch. Top of the monogram of Christ surrounded by cherubs and worshiped by angels. At different elements from the show are letters that correspond to the legend in the margin.

Saint Philip Neri. Engraving by L.C.

Jozef escaped Potifar's wife; History of Joseph. Bedroom with woman of potifar that gets the cloak of the fleeing Joseph.

Tie question from the Pharisees. Christ and disciple compared to four Pharisees, one of which holds a coin.

After Master IB, The Adoration of the Magi The Adoration of the Magi

Georg Pencz, The Pharisees Wish to Stone Christ The Pharisees Wish to Stone Christ

Israhel van Meckenem, The Mass of Saint Gregory, c 1490 1500 The Mass of Saint Gregory

Lucas van Leyden, The Virgin and Saint Anna, 1516 The Virgin and Saint Anna

Golden seven-armed candlestick or menora; Chandelier d'Or ..

Etching and type print by Augustin Hirschvogel from 1549 depicting Christ before Caiaphas, showing figures and scene composition.

Augustin Hirschvogel's circa 1548 etching depicts the resurrection of Christ, emphasizing figures, gesture, and biblical narrative composition.

Jason and Medea at the altar of Diana; Iasonem Velleris Potiundi Artem Docet Medea; Metamorphoseon Sive Transformationum; Metamorphoses from Ovidius.jason and Medea are hand in hand for the altar of the goddess Diana. Title in Latin in undermarge.

Albrecht Dürer, Saints Nicholas, Ulrich and Erasmus, 1508-1509, woodcut on paper.

The Silkworm Eggs Spread Out On Shelves, Plate 4 from "The Introduction of the Silkworm" Vermis Sericus ca. 1595 Karel van Mallery Netherlandish Fourth plate from the series Vermis Sericus, engraved by Karel van Mallery, after Jan van der Straet, called Stradanus, and published by Philips Galle around 1595. Illustration of women spreading the silkworm eggs out on shelves. In the background on the left two women hang sheets with silk thread to dry. In the foreground on the left a seated woman places the silkworm eggs onto a shelf. In the center various women take the silkworm eggs out of a basket that a little girl holds. On the left several woman carry and place the silk tree branches against the wall.. The Silkworm Eggs Spread Out On Shelves, Plate 4 from "The Introduction of the Silkworm" Vermis Sericus 659740

Daniël shows Cyrus the footsteps on the ground of the Temple of Bel, Jan Luyken, 1712 print Amsterdam paper etching

Saint Louis of Toulouse. Etching.

. In the foreground The H. Pirminius, Abbot and Bishop of Reichenau. He shows Karel Martel's construction of the abbey on the island of Reichenau. On the ground, snakes that were chased by the abbey construction. The print has a Latin caption and is the 23rd print of a 60-part series with the saints of Bavaria.

The pope and two cardinals, in or before 1585 The pope in a sedan chair, the audience that kneels in front of him, blessing. A priest with a cross staff is at the forefront. Two men with fans next to him; In the rear of Hellaardiers. Print from album 'Dei Veri Ritratti Degl'Habiti di TVtte Le Parti del Mondo Intagliati in Rame by Opra di Bartolomeo Grassi', 1585. paper engraving The pope in a sedan chair, the audience that kneels in front of him, blessing. A priest with a cross staff is at the forefront. Two men with fans next to him; In the rear of Hellaardiers. Print from album 'Dei Veri Ritratti Degl'Habiti di TVtte Le Parti del Mondo Intagliati in Rame by Opra di Bartolomeo Grassi', 1585. paper engraving

Catharina prays for forgiveness for two sinners; The life of Siena H. Catharina. Catharina witnesses the torture of two prisoners at a market place. The men are branded with glowing tongs. Catharina prays to Christ for forgiveness for sinners. Part of a series about Catharina van Siena consisting of a title print, a portrait and 32 numbered scenes from her life.

March: a few from the Netherlands; The twelve months with signs of the zodiac. Man and woman from the Netherlands, dressed according to fashion of approx. 1625. Above them the sign of the RAM. In the background face on a harbor. In the margin a two-person caption in Latin showing that the climate for the Dutchman is not a disturbing factor. Print from a series of twelve months represented by signs of the zodiac and pairs that wear clothing from different countries.

The penitant man (King David). A man sits with bare edging kneeling for an altar and shocked his own back.

Facsimile of The Annunciation to the Madonna by Wenceslaus d'Olmutz From A Catalogue of a Collection of Engravings Etchings and Woodcuts by Richard Fisher published 1879

Peter Doopt de H. Prisca Van Rome, Cornelis Galle (1), after Cigoli, c. 1586 - c. 1610 print Saint Peter, with the keys in his hand, baptized the Holy Prisca van Rome. Prisca kneels for a baptism with folded hands. Peter pours from a bowl of water over her head. A second woman kneels behind Prisca and waits for her turn. paper engraving female saints (with NAME) - baptism, consecration, taking vows of female saint. the apostle Peter, first bishop of Rome; possible attributes: book, cock, (upturned) cross, (triple) crozier, fish, key, scroll, ship, tiara. baptismal font

Jeremiah with King Sedekia, Antonie Wierix (II), After Maerten de Vos, 1639 print King Sedekia asks Jeremiah what God has revealed to him. Under the show a reference in Latin to the Bible text in Jer. 38. print maker: Antwerppublisher: Amsterdam paper engraving Jeremiah before Zedekiah

Joseph and Potifar's wife; Story of Joseph. Potifar's wife tries to seduce Joseph and when he refuses she grabs him by his cloak.

Christ was tempted by the devil; An old and new testament concordance; Concordants Alt and News Testaments.

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