Monuments and Interiors

Depictions of grand architectural sites, including tombs and museums, featuring detailed engravings and a sense of reverence.

Jean de Gourmont the Younger (French, active 1562-1585, died 1596). St. Eloi, ca. 1545-1565. Engraving.

TOMB OF SIR RICHARD SMYTHE

Introductory room of the Museum of French Monuments. Funerary monument of the princess of Conti Jean-Lubin Vauzelle (1776-1837). A small Augustinian room. Introductory room of the Museum of French Monuments. Funerary monument of the Conti princess. Watercolor.

Umbria Terni Stroncone S. Nicolo2. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Stage Set Design of an Ancient Roman Ruin being Converted into a Barn. Artist: Johann Heinrich Ramberg (German, Hanover 1763-1840 Hanover). Dimensions: sheet: 8 1/16 x 11 9/16 in. (20.5 x 29.4 cm). Date: late 18th-mid-19th century. Museum: Metropolitan Museum of Art, New York, USA.

Parma, Italy. Donald Shaw MacLaughlan; American, born Canada, 1876-1938. Date: 1904. Dimensions: 115 x 79 mm (image/plate); 138 x 100 mm (sheet). Etching in black on cream wove paper. Origin: United States. Museum: The Chicago Art Institute, USA.

Antique ruins and walkers on a path, Tranquillo Orsi, after Giovanni Migliara, 1795 - c. 1845 print Ruin of an antique gate with Corinthian columns. On the path that runs under the gate, two hikers with two dogs. A mountainous landscape in the background. The whole is framed by a second port in the foreground. paper etching landscape with ruins. 'en route', traveller under way. Corinthian order ~ architecture

Reproduction of drawing: Badowski, Adam (1857-1903), Fresh ashes; from: `Kłosy` 1887, 1, 410. Kłosy (Warszawa ; drzeworytnia ; 1865-1890), printing house, Badowski, Adam (1857-1903), draughtsman, cartoonist, Pomianowski, Kazimierz (fl. 1876-1896), woodcutter

Set design for the Opera Scipione (Scipio) by George Frideric Handel, Valeriani, Giuseppe (1708-1762)

Image of a stained glass window in the St. Janskerk in Gouda with the presentation of Johannes the Baptist for King Herodes, with the portrait of the donor of the window, Wouter van Byler, born 1505, commander of St. Catharijne in Utrecht, died 1560 . Bind, kneeling.

Painting from FRANK DILLON, 1823 - 1909, british topographical painter, noted for his views of Egypt. engraving 1879

Galleria grande di Statue. Large sculpture gallery.. Piranesi, Giovanni Battista, 1720-1778. Charrington, John, 1856-1939. Prints. 1750 - 1751. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. Architecture, Architecture , Italy , Rome, Capricci, Arches, Statues, Stairs, Galleries (Display spaces)

Katafalk for Emperor Charles VI, established in the St. Gudule Church in Brussels in 1740. Draughtsman: Jacob Colin (attributed to). Dating: 1740. Place: Southern Netherlands. Measurements: h 644 mm × w 475 mm. Museum: Rijksmuseum, Amsterdam.

Pembury Mill, Kent, published 1808, Liber Studiorum: no.12 Finberg 1-71; 1943.3.8129-8199, etching and mezzotint, Finberg 1924, no. 12, State iv/iv, Joseph Mallord William Turner (artist) British, 1775 - 1851, Charles Turner (artist) British, 1773 - 1857

Bliżej Kultury Matejko, Jan (1838 1893), Schübeler, Julian (before 1865 1890)

Plaque K, Kammer Lętow. In: Views of the salt dwarfs in Wieliczka Vienna, Around 1850 Engel, H., Hero, Johann Nepomuk

Design for a political cartoon: sacrificing public school by liberalism, Albert Hahn (i), 1887 - 1919 drawing Design for a print. paper. deck paint. ink. chalk pen / brush political caricatures and satires. symbolic representations, allegories and emblems ~ education; 'Ammaestramento', Dottrina', 'Educatione', 'Istitutione' (Ripa)

Gustave Doré (1832-1883), designer and François Pierdon (1821-1904), engraver. "Resignie in Ecclise." Illustration for Honoré de Balzac, "Les Contes Drolatiques", Paris: Société Générale de Librairie, 1855 ". Wood engraving. Paris, Maison de Balzac. 101785-12 Wood engraving, illustration of literary work, 19th 19th 19th 19th 19th 19th century, engraving

Heliogravure by Otto Schmidt made before 1902 showing a location identified as Black, featuring landscape and building details with partial stock stains on the paper.

Pre-bed of Prince Willem IV, 1751; Image of the Vortelyke Lyk and Prael bed, from Zyne Scratchy Highness Willem-Carel-Hendrik Friso, Princise of Orange and Nassau (...). Funeral room with the praal bed of the Prince Willem IV prince was died on October 22 and to which he has been laid down by 1751 during the months of November and December. With black mourning edges around the plate, cut off at the bottom, making it fresh and the lower funeral edge.

24. TRIVERSHIP Szczepan; Mollo, Tranquillo (1767-1837), Gurk, Joseph Ignaz (Fl. Ca 1795-Ca 1826), Gurk, Eduard (1801-1841); 1818 or 1823 (1818-00-00-1823-00-00);

Keldervelf, Jacobus Ludovicus Cornet, 1825 - 1882 print The basement vault of a castle that rests on heavy columns. In the background a man with a lantern. paper etching basement, cellar. vault ~ architecture

Kunstkammer (From: The building of the Imperial Academy of Sciences) by Wortmann, Christian Albrecht (1680-1760)/ Museum of Fine Arts Academy, St. Petersburg/ 1741/ Germany/ Etching/ Baroque/ Architecture, Interior

Bliżej Kultury Verlag Gerlach & Schenk in Vienna (1882 1901)

In front of the Doges Palace in Venice. Holewiński, Józef (1848-1917), graphic artist, Gierymski, Aleksander (1850-1901), draughtsman, cartoonist, Kłosy (Warszawa ; drzeworytnia ; 1865-1890), workshop

Koninck, Salomon, Kaiser, Johann Wilhelm (I), Dutch masters, Interior with an old man, verso - stamped, Interior with an old man at a table. On the table a globe, books and an hourglass. The print is part of a series of 25 prints after Dutch masters. Above the image: PL VII., print, prent, prints, prenten, height 171 mm, width 217 mm, Dutch, 1813-01-05 - 1900-11-29, print maker, printmaker, 1823 - 1900, paper, papier, chine collé, etching, etchings, 1609 - 1656

Interior Elevation of Reims Cathedral with the Rood Screen and Throne for the Coronation of King Louis XVIII 1815 Charles Percier French This sheet shows an elevation of part of the interior of Reims Cathedral with the rood screen and throne for the coronation of King Louis XVIII. This design represents one of six drawings that form the only documentation of the plans for the coronation of King Louis XVIII, which never took place. The event was likely delayed, and eventually dismissed due to the precarious state of the French monarchy and the declining health of the King. In addition, the idea of a Royal coronation, bestowed by the French Catholic Church had become a point of contention after the fall of the first monarchy and the Emperor Napoleons decision to crown himself. For these reasons, King Louis XVIIIs successor, Charles X, opted not to have a coronation in Reims when he ascended the throne in 1824. Some of the concerns for how the coronation would be perceived can be noted

Another interior view of the Villa of Maecenas, Tivoli, from Views of Rome. Giovanni Battista Piranesi (Italian, 1720-1778); published by Francesco (Italian, 1758-1810) and Pietro Piranesi (Italian, born 1758/9). Date: 1767. Dimensions: 419 x 600 mm (image); 422 x 603 mm (plate); 489 x 663 mm (sheet). Etching on heavy ivory laid paper. Origin: Italy. Museum: The Chicago Art Institute, USA.

St. Mark's No. 2 (Venice) -- Interior, 1900. David Young Cameron (British, 1865-1945). Etching;

Plate Ten from Evenings in Rome Made 1763-1764 France. Etching in black on off-white laid paper, tipped onto tan laid paper . Hubert Robert

Print made by S. Sparrow, active 1795, Henry VIIth Chapel, View in the North Aisle, 1808. Etching and line engraving on medium, slightly textured, cream wove paper.

Sitting child in the midst of ruin, Jean de Gourmont (I), 1498 - 1551 print A naked child, sitting among the fragments of a column, in a ruin of a building. France paper engraving child. ruin of a building ~ architecture

Monument to Sir Hans Sloane in Chelsea, London. Etching, ca. 1830.

Robert Walter Weir, Study for "The Bailey Family", American, 1803 - 1889, watercolor over graphite with touches of pen and black ink

This copper engraving print by Domenico Cunego, created between 1747 and 1803, depicts Achim Aminadab in the Sistine Chapel, focusing on figure, gesture, and compositional arrangement.

Hoffmann Emil (1845-1901), Dom S. Maria Assunta, Siena (03.06.1894): Part of the interior. Pencil watercolored on paper, 42.2 x 33.2 cm (including scan edges) Hoffmann Emil (1845-1901): Dom S. Maria Assunta, Siena

Lithography depicting a balcony in Spanów; 1820 (1820-00-00-1820-00-00);

Theological College of the Mother of the Shah. Madrasa Madar-e Shah Isfahan, Iran. Drawing by Jules Laurens (1825-1901) Journey to Persia, 1855-1858 by Arthur de Gobineau (1816-1882) Le Tour du Monde 1860

Porte de la galerie de chêne (Door of the Oak Gallery), pl. 8 from the suite Chez Victor Hugo (Victor Hugos House). Artist: Maxime Lalanne, French, 1827-1886Printer: Auguste Deltre, French, 1822-1907 Publisher: Alfred Cadart, French, 1828-1875 Subject: Victor Hugo, French, 1802-1885

Great Chaitya cave in the Karla Caves, Maharashtra. Largest rock-cut Buddhist temple in India lined with columns and carved figures on elephants. The caverns of Carli, between Mumbai and Poona. From Voyages and Travels by George Annesley, Viscount Valentia, and artist Henry Salt, 1809. Handcoloured copperplate engraving from Carl Bertuch's Bilderbuch fur Kinder (Picture Book for Children), Weimar, 1810. A 12-volume encyclopedia for children illustrated with almost 1,200 engraved plates on natural history, science, costume, mythology, etc., published from 1790-1830.

Bliżej Kultury Kunstwerlag Anton Schroll & Co., Vienna, Pacher, Michael (Ca 1430/1435 1498)

Artist: Peter van der Doort, Flemish, ca. 1570-after 1600, Heinrich Khunrath, Alchemist of Leipzig, In HisLibrary, Engraving, platemark: 21.4 cm (8 7/16in.), Made in Flanders, Flemish, 17thcentury, Works on Paper -Prints

Wedding ceremony of Karel van Sweden to Princess Louise van Oranje -Nassau in Stockholm June 19, 1850, Henri Frederic Oelrichs, after Fritz Ludwig von Dardel, 1890 - 1910 photograph Photo production of a drawing of the wedding ceremony of Karel van Sweden with Princess Louise of Oranje-Nassau in the Archbishopy Church of Sint-Nicolaas in Stockholm, June 19, 1850, by Fritz Ludwig von Dardel. See also the drawing itself. Amsterdamafter drawing by: Stockholm paper. photographic support. cardboard (civil) marriage ceremonies. marriage ~ Protestant service Stockholm

School, purchase (provenance)

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N.N., pulpit from the church in Büchen in the Thaulow Museum, Kiel. (From: leaves for architecture and handicrafts, 13th year, 1900, Tafel 34.) (1900-1900): View. Light pressure on paper, 34.3 x 26.7 cm (including scan edges) N.N. : Kanzel aus der Kirche in Büchen im Thaulow-Museum, Kiel. (Aus: Blätter für Architektur und Kunsthandwerk, 13. Jg., 1900, Tafel 34)

Cenotaph, empty tomb of Esther, Hadassah, the symbolic tomb of the biblical Queen Esther in Hamadan, Iran, authentic, digitally restored reproduction of a 19th century model by Eugene Flandin (1809-1876), exact date of depiction unknown, Historical

Watercolor and black ink design by Alexander Straehuber around 1859 for Glasgow Cathedral glass window illustrating Matthew 5:6 'Blessed are the hungry', with pencil underdrawing.

Thomas Talbot Bury, 1811-1877, British, Program Cover for a Performance of Sacred Music at St. Saviours Church, 1832. Hand colored engraving.

Blon, Michiel le, Amsterdam, Walraven, Isaac, Writing church father Hieronymus in an interior, verso - stamped, Example for goldsmith's work., print, ornamental print, prints, height 23 mm, width 24 mm, Northern Netherlands, 1686-03-23 - 1765-03-11, print maker, printmaker, 1696 - 1765, paper, papier, etching, engraving, engraving (printing process), Work conception, German, 1587-07-09 - 1656

A 16th-century chalk drawing by Peter Vischer the Younger showing a group reading and singing by candlelight, in brown and gray tones.

Bliżej Kultury Tomkowicz, Stanisław (1850 1933)

The Crooked Stoop (Old Tom's Chop House) (from Scenes of Old New York). Artist: Henry Farrer (American, London 1844-1903 New York). Dimensions: sheet: 8 1/16 x 4 3/8 in. (20.4 x 11.1 cm)mount: 13 9/16 x 10 3/16 in. (34.4 x 25.8 cm). Date: 1870. Museum: Metropolitan Museum of Art, New York, USA.

Parliamentary Reform Published 1797 England. Hand-colored etching on paper . James Gillray

P. Cacchiatelli - G. Gleter, Le Scienza e le Arti sotto il pontificato di Pio IX, edito a Roma nel 1860 dalla Tipografia delle Belle Arti, via Poli, 91. Internamente sono contenute delle acqueforti che raffigurano le opere pubbliche realizzate durante il Pontificato di Pio IX

Galleria delle Statue. Giacomo Luswergh (Italian, 1819 - 1891)

Bulthuis, Jan, Netherlands, Ten decorations at the Alliance Festival in Amsterdam in 1795, Image of the Decoration on the Kadyks-Plein in Amsterdam. Erected on the occasion of the Alliance with France MDCCXCV, General Armament, decoration on the Kadijksplein, 1795, verso - stamped, The General Armament, allegorical decoration erected on the Kadijksplein in Amsterdam at the Alliance Festival on June 19, 1795. Medieval castle standing on rocks, on the towers symbols of astronomy, hydrography and geometry. On the chassis in the underpass, Freedom is hoisted on a shield by Batavian and French sailors. Part of a series of ten plates., print, prints, Frederik Muller Historieplaten, height 245 mm, width 305 mm, print maker, printmaker, 1795 - 1795, paper, papier, etching, etchings, 1750 - 1801-05-29

Firenze - R. Galleria Uffizi. Delle ISCRIZIONI Hall Florence. Uffizi Gallery - so -called Hall with inscriptions and exhibitions ancient river; Alinari, Fratelli (Florence; Photographic Zak 1852-); around 1880-around 1895 (1870-00-00-1900-00-00);

Exhibition of Norwegian objects during the World Exhibition in Antwerp, Th. Lantin, 1894 photomechanical print Antwerp paper collotype world fair, world exhibition. collection, exhibition, show

Andriessen, Jurriaan, Netherlands, Ten decorations at the Alliance Festival in Amsterdam in 1795, Image of the Decoration on the Botermarkt in Amsterdam, Erected on the occasion of the Alliance with France MDCCXCV, The Destruction of the Old Constitution, decoration on the Botermarkt, 1795, verso - stamped, allegorical decoration erected on the Botermarkt in Amsterdam at the Alliance Festival on 19 June 1795. Decoration in the form of the ruins of a gothic chapel, on the central chassis Nijd turns the wheel of the aristocracy that sets a millstone in motion. Part of a series of ten plates., print, prints, Frederik Muller Historieplaten, height 243 mm, width 310 mm, print maker, printmaker, 1795 - 1795, paper, papier, etching, etchings, Noord-Nederlands, 1742-06-12 - 1819-07-31

Burning candle; Monastery life in emblems. Presentation of a burning candle on a stool in a blank departure. This magazine is part of the emblem series 'monastic life in emblems'. In addition to an illustrated title page and 26 emblems, the second state of this series contains a title page and a blade with assignment, both in letterpress without image.

unknown artist, (B., A. H.), A Room in the House of A. H. Burkett, Clapham, Surrey, 1851. Etching.

Turkish money in front of the cafe in Constantinople; Chlebowski, Stanis AW (1835-1884); 1868 (1868-00-00-1868-00-00);Majewski, Jerzy - collection, Orient, Istanbul (Turkey), Turkey, Turks, Dutary (musical instruments), musical instruments, cafes, music, genre scenes, purchase (provenance)

Museum Wormianum, seu, Historia rerum rariorum: tam naturalium, quam artificialium, tam domesticarum, quam exoticarum, quae Hafniae Danorum in aedibus authoris servantur, Museum Wormianum, seu, Historia rerum rariorum: tam naturalium, quam artificialium, tam domesticarum, quam exoticarum, quae Hafniae Danorum in aedibus authoris servantur, Worm, Ole, 1588-1654, 1655

Exhibition of Russian objects during the World Exhibition in Antwerp; Section de la Russie. .

Otto Schmidt's pre-1902 heliogravure titled 'A. D. Peters cart' depicts a cart associated with A. D. Peters. The print shows partial stock stains and is an example of late 19th to early 20th century heliogravure techniques.

Vienna, Stefanskirche, Capistrankanzel , After, Ernst Graner -, Drawer, brothers Kohn KG B, Producer

Drawing, Garden of Monsieur de Ste. James at Neuilly, France; Circle of François-Joseph Belanger (French, 1744-1818); France; pen and black ink, brush and watercolor and gouache, ruled black border in pen and ink on white laid paper.; Sheet: 27 x 33.8 cm (10 5/8 x 13 5/16 in.) Mat (Mat): 35.6 x 45.7 cm (14 x 18 in.)

BRONZE HORSES OF ST. MARK, Venice, Italy

Part of the Spanjaardshol on the Vreeburg in Utrecht, draughtsman: Hendrik Willem Cramer, 1828, paper, h 205 mm × w 266 mm

Sala delle Statue. Artist: James Anderson (British, 1813-1877). Dimensions: Image: 39.7 x 53.8 cm (15 5/8 x 21 3/16 in.)Mount: 55.6 x 70.6 cm (21 7/8 x 27 13/16 in.). Date: 1850s-60s. Museum: Metropolitan Museum of Art, New York, USA.

View of the Sacristy of the Basilica of San Marco in Venice, Carel Nicolaas Storm of 's -Gravesande, 1851 - 1902 print Two people on the left walk towards a door. paper drypoint parts of church interior: sacristy Basilica of San Marco

Stage Design: Palace in Clouds, Girolamo Fontana, Italian, 1668 - 1701, Pen and black ink, brush and gray-blue wash on white laid paper, Richly decorated arcade leading to large staircase. Barrel vault supported on the right side by caryatids and on the left by twisted Solomonic columns. Composition framed by large billowing clouds., Rome, Italy, 1690-1714, theater, Drawing, Drawing

Murder of the Prince of Orange, 1584 William the First, Prince of Orange, in Delft, shot through, in the year 1584 (title on object), The Prince of Orange in Delft murdered by Balthasar Gerards, July 10, 1584. Willem van Oranje was shot on the stairs and collapsed, the murderer fled on the left. Right in the foreground two rushing guards, attempt, political murder, violent death, elements, Prinsenhof (Delft), Willem I (Prince of Orange), Balthasar Gerards, Simon Fokke (mentioned on object), Amsterdam, 1752, paper, engraving, h 170 mm × w 203 mm

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Interieur van de HeliLocampinus Baden in De Villa Adriana Te Tivoli, Giovanni Battista Piranesi, 1748 - 1778 print Face in the Heliocaminus bathed in the Villa Adriana in Tivoli. Title on banderol right. Rome paper etching villa. ruin of a building ~ architecture Villa Adriana. Tivoli

The Basilica of War. Dated: 1916. Medium: lithograph. Museum: National Gallery of Art, Washington DC. Author: Joseph Pennell.

Theatre interior by Vasili Dmitrievich Polenov, watercolor on paper, 1885, 1844-1927, Moscow, State Central A. Bakhrushin Theatre Museum

Apiculture: scenes of bee-keeping and honey-gathering. Wood engraving, 1885.

Drawing, Homage to a Hero; Architect: Firmin Perlin; France; pen and brown ink, brush and brown wash, watercolors, white gouache, graphite on cream paper, lined and framed with paper stripe representing molding; 35 x 50.9 cm (13 3/4 x 20 1/16 in.)

Illustration showing Arab furniture by Liberty & Co. 1887

Antwerp, Maes, Joseph, Saint Gertrude's Abbey, Stalles, XVIth century, Choir stall made of oak in the Saint Gertrude's Abbey in Leuven, Belgium, recto - stamped, photomechanical print, page, photographs, photographically illustrated books, STALLES en bois, recto - printed, STALLES. - PL. 3., JJvY, height 340 mm, width 230 mm, photographer, 1882 - 1887, paper, papier, collotype, photolithography, fotolithografie, Belgian, 1838 - 1908, clichémaker, Work conception

Library of Grand Vizier Koca Mehmet Ragp Pasha, Ottoman statesman (16981763). Scholars in turbans reading books at low tables on carpets. Biblioteca del Gran Visir Raghib Pascha. Handcoloured copperplate engraving by Verico after Giulio Ferrario in his Costumes Ancient and Modern of the Peoples of the World, Il Costume Antico e Modern o Story, Florence, 1842. Copied from Ignace Mouradgea dOhssons Tableau General de lEmpire Othoman, Paris, 1790.

Trades in Regency Scotland: distillery, cannon boring and paviours. Workers distilling whisky in a distillery in Edinburgh 70, worker boring a cannon at Carron Works factory 71, and Irish paviors laying paving stones of Scottish granite in a London street 73. Woodcut engraving from Rev. Isaac Taylors Scenes of British Wealth, in Produce, Manufacture and Commerce, John Harris, London, 1823. Isaac Taylor was an English writer, artist, engraver and inventor 1787-1865.

Great Exhibition, London, 1851: the exhibition stand of Matifat showing gilt bronze lamps, vases, clocks and other ornaments. Wood engraving after H. Anelay, 1851.

MONUMENT TO THE DUCHESS OF GLOUCESTER, IN ST. GEORGE'S CHAPEL, WINDSOR

Oscar F Bluemner, Koln, Maria Capitol, 1892 Koln, Maria-Capitol

Le look out, pl. 10 from the suite Chez Victor Hugo (Victor Hugos House). Artist: Maxime Lalanne, French, 1827-1886Printer: Auguste Deltre, French, 1822-1907 Publisher: Alfred Cadart, French, 1828-1875 Subject: Victor Hugo, French, 1802-1885

Italia fantastica. Renaissance hall with a fireplace and wall paintings. Noakowski, Stanisław (1867-1928), draughtsman, cartoonist

Belfry in Bochnia; Adam Aleksander Sanguszko from a modern portrait from the 17th century; Kitchen in the Castle W Nicki; Wooden houses in the Visual; Zab Ocki, Feliks ( -1874), Szymborski, Franciszek ( -1872), Kluczewski, Micha (fl. 1869-1890), Matejko, Jan (1838-1893), Lewental, Samuel (Warsaw; Drukarnia; 1866-1890); 1876 (1876-00-00-1876-00-00);

The women's court Under the Empire Boulanger, Gustave Clarence Rodolphe, 1824-1888. 1875. still image. Art reproductions, Reconstructions. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Picture Collection. Courtyards, Architecture, Roman, Fountains, Balconies, Peristyles, Canopies, Romans , Women , Rome, Houses , Rome , To 499, Domestic life , Rome , To 499, Gardens , Rome, Leisure

Chimney Piece in the Baptist's Head, Clerkenwell, Print made by John Wykeham Archer, 1808-1864, British, 1851, Etching on medium, slightly textured, cream wove paper

Golden tenner with the depicting of King Willem III. Part of photo album by Robert Daniel Crommelin (1841-1907).

Visitors leaving a prison. Artist: Hubert Robert (French, Paris 1733-1808 Paris). Dimensions: 15 1/8 x 10 9/16 in. (38.4 x 26.9 cm). Date: 1794-1795.During the second half of the eighteenth century in France, Hubert Robert was a fashionable artist. Painter of ruins, professor of landscape drawing, curator for the future Louvre museum from 1777, and draftsman of the gardens of the king from 1778, he counted among his clientele the royal family, the most eminent members of the court in Versailles, voluntarily exiled aristocrats like the Noailles family, and powerful financiers like the marquis de Laborde. As a result, and like many of his colleagues, Robert endured the consequences of the French Revolution which began in 1789. He was suspected "for his recognized incivism and his links with the aristocrats" by the members of the Convention on October 3, 1793 and was imprisoned in the Sainte-Pélagie prison from October 29, 1793 to January 31, 1794, before being transferred to the Saint-L

Churchyard with Snow, c. 1835. Andreas Borum (German, 1799-1853), after Carl Friedrich Lessing (German, 1808-1880). Lithograph in black and gray; sheet: 45 x 46.7 cm (17 11/16 x 18 3/8 in.); image: 30.3 x 37.4 cm (11 15/16 x 14 3/4 in.); sheet with border: 36 x 43.4 cm (14 3/16 x 17 1/16 in.).

'Trentham Church', c1810. Artist: John Sell Cotman.

Fanny, or Happy repentance: Company in an inn, Robbert Muys, 1770 - 1825 print In an inn, in front of a fireplace, a man, woman and a child, standing one man. Left behind a woman enters the room. The print depicts a theater scene from Fanny, or the Happy repentance, a play by François Thomas Marie de Baculard d'Arnaud. Leiden paper etching theatre, theatrical performance. hotel, hostelry, inn

Design for Stained Glass Window, Sir Andrew Orr, Scottish, 1801-1872, William Stuart Stirling-Crawford, Scottish, 1819-1883, W. Cowper, Brush and watercolor, pen and ink, graphite on paper, Three tall vertical panels, with pointed arches, each containing figures, and coats-of-arms below. Three decorative openings above., Scotland, 1860, glasswares, Drawing, Drawing

Binnenhuis, Gerrit Lamberts, 1786 - 1850 drawing paper. ink. watercolor (paint). pencil brush / pen interior of the house

Fantastic Pavilions in a Grotto. Dimensions: sheet: 17.4 x 23.9 cm (6 7/8 x 9 7/16 in.). Medium: pen and black ink with watercolor and gouache over graphite on wove paper. Museum: National Gallery of Art, Washington DC. Author: Robert Caney.

Representation of the fireworks shot in The Hague on June 13, 1740, on the occasion of the peace of Aachen (TI)

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