Mythical and Allegorical Prints

Intricate prints of mythological figures and legends, depicting themes of temptation, youth, and dramatic encounters, featuring detailed artistry.

Two Satyrs near a sleeping nymph, print maker: Jan van Somer

Paris, Sieurin, Formentin, Mademoiselle (Joséphine Clémence), Prud'hon, Pierre, Boilly, Julien-Léopold, Vénus et Adonis, Venus and Adonis, verso - stamped, Venus and Adonis are accompanied by two dogs and a number of putti., print, prints, height 438 mm, width 308 mm, French, 1796-08-30 - 1874-06-14, print maker, printmaker, 1845 - 1845, paper, tone lithography, 1758-04-04 - 1823-02-14, after, after a painting by, Frans, printer, Publication (Event), Publication, publisher

Badende Diana, Louis Desplaces, After Carlo Maratta, c. 1732 print Paris paper etching / engraving Diana bathing

Le mendiant , Beggars. Henri Fantin-Latour (1836-1904). Lithographs and Other Prints

Photo production of a detail of the fresco The creation of Adam by Michelangelo in the Sixtine Chapel in Rome, representative Adam, c. 1875 - c. 1900 photograph Sixtine Chapel (Vatican) cardboard. photographic support albumen print painting (including book-illumination, miniature-painting) (+ plaster ~ arts). God speaks to Adam Sixtine Chapel (Vatican)

Venus on a chariot surrounded by cupidos with garlands, John Smith (print maker/ publisher), 1662 - 1742 print paper cupids: 'amores', 'amoretti', 'putti'. (story of) Venus (Aphrodite)

Vertumnus and Pomona, Gerard Valck, After Caspar Netscher, 1681 - 1726 print Vertumnus, the Italian God and protector of gardens and orchards, and Pomona are in an intimate position at a fountain in a garden. There are two goats behind them. Amsterdam paper Vertumnus and Pomona. goat

Naked Woman on a Mound, Rembrandt van Rijn, c. 1631 print paper etching

Amor on the back of a young woman, Ferdinand Leenhoff, Léon Bazile Perrault, 1842 - 1914

Palma Vecchio: Venus. Dresdner Gallerie.. Hanns Hanfstaengl (German, 1820 - 1885)

Martin Johann Schmidts drawing around 1778 depicts a study titled 'Immediately,' executed in stone chalk with wash and laved shading.

Cupid and Psyche, Francesco Bartolozzi RA, 1728-1815, Italian, active in Britain (1764-99), after Francesco Bartolozzi RA, 1728-1815, Italian, active in Britain (1764-99), 1789, Line engraving

Diana Recumbent. Dated: 1620s. Dimensions: plate: 7.7 x 11.9 cm (3 1/16 x 4 11/16 in.) sheet: 12 x 16.5 cm (4 3/4 x 6 1/2 in.). Medium: etching on laid paper. Museum: National Gallery of Art, Washington DC. Author: Laurent de La Hyre.

Two Gentlemen of Verona (Shakespeare, Act V, Scene IV) 1823 William Henry Watt. Two Gentlemen of Verona (Shakespeare, Act V, Scene IV). After Thomas Stothard (British, London 1755-1834 London). 1823. Engraving. William Henry Watt (British, 1804-1845). Prints

Terms of Silvanus and a Nymph, Giulio Bonasone, After Polidoro da Caravaggio, 1501 - 1580 print paper etching Silvanus. piece of sculpture, reproduction of a piece of sculpture

The Feathered Fair in a Fright, unknown artist, eighteenth century, after John Collet, ca. 1725-1780, British, undated, Mezzotint on medium, smooth, cream wove paper, Plate: 14 × 9 7/8 inches (35.6 × 25.1 cm) and Image: 12 7/8 × 9 3/4 inches (32.7 × 24.8 cm)

Diane. Wittmann Ch. & Chardon Ch., Editions (Paryż ; wydawnictwo, drukarnia ; fl. ca 1889-ca 1907), printing house, Jasiński, Feliks Stanisław (1862-1901), graphic artist, Gazette des Beaux-Arts (Paryż ; czasopismo, wydawnictwo ; 1859-2002), publishing house, Delaunay, Elie (1828-1891), painter

Wiertz, Antoine Joseph, Fierlants, Edmond, Photographic reproduction of The Entombment of Christ by Antoine Wiertz, recto - embossed, photograph, photo, reproduction, page, photos, photographically illustrated books, SOCIÉTÉ ROYALE BELGE DE PHOTOGRAPHIE, 69, RUE KEYENVELD, BRUXELLES, height 143 mm, width 116 mm, Belgian, 1819-06-20 - 1869-12-21, photographer, 1863 - 1868, photographic paper, photo paper, albumen print, albumine print, 1806-02-22 - 1865-06-18

Ink and chalk drawing by Anton Baldauf depicting the longing young man from Salomon Gessners story 'The First Shipper', highlighted with white, around 1800.

Painting by Matthäus Loder showing Jupiter with the Graces, executed in gray brush with red lavated areas.

John Hamilton Mortimer, 1740-1779, British, Tragedy, 1778. Etching.

Study for a Bookplate with St. George Rescuing a Maiden from a Dragon. Artist: Franz von Bayros (Austrian, Zagreb 1866-1924 Vienna). Dimensions: 19 1/4 x 15 9/16 in. (48.9 x 39.5 cm). Date: late 19th-early 20th century. Museum: Metropolitan Museum of Art, New York, USA.

Print made by Francesco Bartolozzi RA, 1728-1815, Italian, active in Britain (1764-99), Paris and Oenone, 1780. Mezzotint and etching on medium, moderately textured, cream laid paper.

ThePromenade. Artist: Albrecht Dürer, German, 1471-1528

Sappho with lyre receiving oral sex from a naked woman. In the background, sirens and mermaids make out. Aquatint by Theophile Fillon after an illustration by Paul Avril from Friedrich Karl Forbergs Manual of Classical Erotology, Manuel derotologie classique, De Figuris veneris, Charles Hirsch, 1906, translated by Alcide Bonneau (not Isidore Liseaux).

Suzanna in the bath After Rembrandt, print maker: William Unger, after: Rembrandt van Rijn, Germany, 1847 - 1932, paper, etching

Design for a Fantastic Goblet, Chalk, brush and wash, gouache on paper, Vertical Rectangle. The foot consists of a fantastic fish upon which a mermaid stands supporting a fantastic shell in which a woman sits. She shoulders a reed spike. A child kneeling behind her puts a shell as a helmet upon her head., Netherlands, 1630-60, ornament, drawing, drawing

Rêverie , Daydreaming. Henri Fantin-Latour (1836-1904). Lithographs and Other Prints

Lazio Roma Rome Stimmate di San Francesco8. Hutzel, Max 1960-1990 Baroque church built over an early Roman church; crypt of church still in existence. Views of sculpture, stucco, painting, fresco, gilding. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Graphite drawing by Dominique Vivant Denon depicting a Bacchic scene, executed with brown spring and laved techniques.

Three Loves with Musical Instruments 1727-60 Pierre Alexandre Aveline French. Three Loves with Musical Instruments 414437

Maria sits sadly under a tree with her dog. Stipple engraving by R. Cooper, 1808, after W. Hamilton.

Tarquin and Lucretia und

Woman with Lyre, Walter Shirlaw, American, b. Scotland, 1838-1909, Black and brown crayon, charcoal on on off-white laid paper, At center, within a circular frame, a bust of a woman holding the head of a lyre with her right hand. The female figure is shown against an oblong narrow background framed by a moulding consisting of two outstretched female angels, their wings crossing at upper center. Below, the head of a putti and wings. Vegetal and floral motifs in the background, two series of rectangular framing lines., USA, 1875-80, figures, Drawing, Drawing

Le jeune malade , Dancers. Henri Fantin-Latour (1836-1904). Lithographs and Other Prints

Allies on the drawing art.

Study of naked woman, 1845 - 1860 photograph France paper salted paper print the (nude) human figure; 'Corpo humano' (Ripa) - AA - female human figure France

'Bard ! willingly I would address those two together coming', c1890. Creator: Gustave Doré.

Caricature of Endymion, Honoré Daumier, 1842 Paris paper caricatures (human types). Diana (Luna) visiting the sleeping Endymion

The Huntress, 1892. Henri Fantin-Latour (French, 1836-1904). Lithograph;

Jean François Janinet after Jacques Charlier, Venus desarmant l'amour Venus desarmant l'amour

Néère , Supernatural beings, Nymphs Greek deities. Henri Fantin-Latour (1836-1904). Lithographs and Other Prints

Genius and Beauty September 15, 1782 Francesco Bartolozzi Italian. Genius and Beauty. Francesco Bartolozzi (Italian, Florence 1728-1815 Lisbon). September 15, 1782. Etching and stipple engraving, printed in brown ink; fourth state. Torre & Co. (British, active 1760-99). Prints

To Victor Hugo. Henri Fantin-Latour; French, 1836-1904. Date: 1889. Dimensions: 446 × 304 mm (image); 609 × 442 mm (sheet). Lithograph in black on light gray chine. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Triumph by Silenus. The Drunk Silenus with clims is supported by a nymph and a man on his body. Behind him a drinking sater and a dark man who carries the nymph with a lusty gesture. Below the show is a verse in Latin.

Nude Walking with Cupid. Dated: 1860s-1870s. Dimensions: sheet: 48.9 × 31.91 cm (19 1/4 × 12 9/16 in.). Medium: charcoal and black crayon on wove paper. Museum: National Gallery of Art, Washington DC. Author: William P. Babcock.

Landscape with the three Gratiën, Pieter de Jode (II), After Peter Paul Rubens, 1628 - 1670 print Landscape with the three graces, seen the middle one on the back. They stand with their arms over each other's shoulders. Above them a flower wreath that hangs between a tree and a fountain with putto. In the margin a caption in Latin. Antwerp paper engraving / etching Graces (Charites), generally three in number; 'Gratie' (Ripa)

The Personification of Painting andMusic. Artist: Joseph Fischer, Austrian, 1769-1822

Incantation. Dated: 1773. Dimensions: plate: 61 x 48.6 cm (24 x 19 1/8 in.) sheet: 61.4 x 48.9 cm (24 3/16 x 19 1/4 in.) overall (mat size): 86.4 x 66 cm (34 x 26 in.). Medium: mezzotint on laid paper. Museum: National Gallery of Art, Washington DC. Author: John Dixon after John Hamilton Mortimer.

Bacchus and Ceres, Felice Giani, Italian, 1758-1823, Pen and brown ink, brush and brown wash, over graphite Support: cream-colored wove paper, Rome, Italy, Italy, 1800-1825, figures, Drawing, Drawing

Holy Martha and the Dragon. Two scenes from story from Martha and the dragon. In the foreground: Martha with staff and laurel wreath on throne, opposite her tame dragon. In the background: Stadsplein with naked women and Martha on dragon flying above square.

À coeur perdu. Félicien Victor Joseph Rops (Belgium, Namur, 1833-1898). Belgium, 1888. Prints; etchings. Soft-ground etching

Néère , Supernatural beings, Nymphs Greek deities. Henri Fantin-Latour (1836-1904). Lithographs and Other Prints

Kaulbach, Wilhelm von, Ottilie. Wahlverwandtschaften, Photographic reproduction of a drawing of Ottilie with Charlotte's child from Goethe's Die Wahlverwandtschaften by Wilhelm von Kaulbach, This photograph is part of a cover with 22 photographs., photograph, foto, expressie, foto's, fotografischgelegde boeken, height 211 mm, width 178 mm, height 132 mm, width 94 mm, photographer, 1863 - 1900, cardboard, kaart, photographic paper, fotopapier, albumen print, albuminedruk, Duits, 1805-10-15 - 1874-04-07, intermediary draughtsman

Francisco de Goya y Lucientes / 'Pretty teacher!'. 1797 - 1799. Etching, Drypoint, Burnished aquatint on ivory laid paper. Museum: Museo del Prado, Madrid, España.

Allegory on Drawing, Dirk van der Aa, 1785 drawing paper brush symbolic representations, allegories and emblems ~ drawing

Already They Are Going ("Ya se van"). Artist: Leonardo Alenza y Nieto (Spanish, Madrid 1807-1845 Madrid). Dimensions: 6-7/8 x 4-7/8 in. (17.5 x 12.4 cm). Date: 1807-45. Museum: Metropolitan Museum of Art, New York, USA.

Della Bella, Stefano (dit Étienne de la Belle) (n.1610-05-18-D.1664-08-22), game of fables. Salmacis and Hermaphrodite. Thirty-nineteenth issue of a sequence of 52 pieces. (A. de Vesme 508; Dutuit 116) (main title), 1644. Etch. Petit Palais, Museum of Fine Arts of the City of Paris.

Fortune and the Young Child, Photogravure Print from the Original Painting by Paul Jacques Aime Baudry, The Masterpieces of French Art by Louis Viardot, Published by Gravure Goupil et Cie, Paris, 1882, Gebbie & Co., Philadelphia, 1883

No hay quien nos desate. Goya, Francisco (1746-1828). Avery, Samuel Putnam, 1822-1904. Prints. 1799. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. Satires (Visual works)

Vertumnus and Pomona, Jan Saenredam, 1605 print The naked Pomona leans against a tree and is in conversation with Vertumnus, the Italian God and protector of gardens and orchards. Vertumnus has taken the form of an old woman to speak with Pomona and to seduce her in this way. paper engraving Vertumnus, in the guise of an old woman, wooing Pomona

Bliżej Kultury Verlag Gerlach & Schenk in Vienna (1882 1901)

Summer, Anonymous, After Pierre Prud'Hon, c. 1810 - c. 1880 print Paris paper. summer, 'summer'; 'Estate' (Ripa)

Frontispiece. Artist: After François Boucher (French, Paris 1703-1770 Paris); Gabriel Huquier (French, Orléans 1695-1772 Paris). Dimensions: Sheet: 11 7/8 × 17 5/8 in. (30.2 × 44.8 cm)Plate: 9 11/16 × 10 5/8 in. (24.6 × 27 cm). Publisher: Chez Huquier (French, 18th century). Series/Portfolio: Second Book of Groups of Children(Second Livre de Groupes d'Enfans). Date: 1738-45. Museum: Metropolitan Museum of Art, New York, USA.

Hendrik Goltzius (Dutch, 1558-1617), Persephone, 1588-1590, chiaroscuro woodcut printed from 3 blocks: black line block and 2 tone blocks in sepia-ochre and olive

Le Poète et la Muse , Poets. Henri Fantin-Latour (1836-1904). Lithographs and Other Prints

Summer. Anders Zorn; Swedish, 1860-1920. Date: 1907. Dimensions: 177 x 120 mm (image/plate); 282 x 225 mm (sheet). Etching on ivory laid paper. Origin: Sweden. Museum: The Chicago Art Institute, USA.

Ariadne 1834 Asher Brown Durand American. Ariadne 394535

Study of a sitting female nude, Louis Fabritius Dubourg, After Bernard Picart, 1703 - 1775 drawing paper. chalk counterproof

Joseph Hauber black and reddish chalk drawing showing Adams temptation by the serpent, with Eve and the tree, highlighted with white chalk on light gray paper, 1813.

Sketch, Allegory in Architectural Setting with Sculpted Bust. Pen and ink, brush and sepia wash on paper. Date: 1820-1850. Museum: Cooper Hewitt, Smithsonian Design Museum.

Allegorical Subject: Nude Woman, Three Children and a Mousetrap (La Sourcière). Artist: Claude Mellan (French, Abbeville 1598-1688 Paris). Dimensions: sheet: 9 1/4 x 12 3/8 in. (23.5 x 31.5 cm)plate: 8 15/16 x 12 3/16 in. (22.7 x 31 cm). Museum: Metropolitan Museum of Art, New York, USA.

Phrosine and Melidore. Dated: 1796. Dimensions: plate: 21 x 14.5 cm (8 1/4 x 5 11/16 in.) sheet: 29.3 x 20.8 cm (11 9/16 x 8 3/16 in.). Medium: etching, stipple, roulette, and engraving on wove paper. Museum: National Gallery of Art, Washington DC. Author: Pierre Paul Prud'hon.

Le mot d'orgre: Réaction, Pardon...Liberté. Honoré Daumier (1808-1879). Lithographs

The Birth of Venus, Photogravure Print from the Original 1879 Painting by William-Adolphe Bouguereau, The Masterpieces of French Art by Louis Viardot, Published by Gravure Goupil et Cie, Paris, 1882, Gebbie & Co., Philadelphia, 1883

Three Greek people, two with musical instruments, one with a basket of fruit on her head Date: BC

Ora sesta di giorno , Engravings, Bats, Allegories. Nicholas Catsimpoolas Collection

La Grotte,' 1799, by Pierre-Paul Prud'hon (1758-1823), published in Paris. Features bookbinding and engravings

Le Paradis et la Péri. Début (3e planche) , Fictitious characters, Angels, Schumann, Robert, 1810-1856. Paradies und die Peri. Henri Fantin-Latour (1836-1904). Lithographs and Other Prints

Cassandra Imploring Athena for Revenge Against Ajax 1810-1838 Jérôme Martin Langlois French. Cassandra Imploring Athena for Revenge Against Ajax 337537

Carl Guttenberg after Etienne Theaulon, L'invocation a l'amour L'invocation a l'amour

Copper engraving and etching by François Robert Ingouf the Younger from 1786 depicting a woman and a man at a child's grave, illustrating French 18th-century funerary and figurative engraving techniques.

Goetterdoemmerung. Siegfried et les Filles du Rhin (2e planche) , Fictitious characters, Heroes, Siegfried Legendary character, Wagner, Richard, 1813-1883. Ring des Nibelungen. Götterdämmerung. Henri Fantin-Latour (1836-1904). Lithographs and Other Prints

Northern Netherlands, Punishment of freedom violators, Justice scourges a Keeshond, 1787, verso - stamped, Cartoon on patriots, after the restoration of the Prince of Orange in 1787. Justice scourges a Keeshond that is tied to a pole by its front paws. In the background, Keeshonds attack Liberty., print, cartoon, prints, Frederik Muller Historical plates, height 160 mm, width 118 mm, print maker, printmaker, 1787 - 1787, paper, etching, engraving, engraving (printing process)

Two Cupids, One with Bat Wings mid to late 18th century Jacques Gabriel Huquier French. Two Cupids, One with Bat Wings 394583

Memorie print for Hendrik Hooft Daniëlsz., Lambertus Antonius Claessens, after Jacques Kuyper, 1794 print The Amsterdam city virgin mourns at the grave of the Amsterdam mayor Hendrik Hooft Daniëlsz. An angel supports her in the grief and points her to the immortality of the deceased. On the tomb is a portrait bust van Hooft Daniëlsz. In antique style. Amsterdam paper etching / brush personification of a city, town-patron(ess). grave, tomb Amsterdam

Apollo seated on clouds with a laurel wreath on his head. In his left hand a lyre, his right arm resting on a round shield with the inscription: Felix meritis (Happy through merit), Apollo on a cloud, print maker: Jan Evert Grave, (mentioned on object), Jacob Kuyper, Amsterdam, c. 1769 - c. 1805, paper, engraving, h 85 mm × w 144 mm

Orpheus and Eurydice Thiersch, Ludwig, 1825-1909. still image. Illustrations. 1892. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Picture Collection. Orpheus (Greek mythology), Distress, Hell, Mercury (Roman deity), Mythology, Greek, Hermes (Greek deity), Eurydice (Greek mythology)

A naked young woman hung by her wrists on the branch of tree with weights around her ankles. Wood engraving.

Charles Bargue, The Swing (L'Escarpolette) from the series The Sylphs (Les Sylphides), c. 1850-55, lithograph on chine appliqué on wove paper.

The Ladies Amabel and Mary Jemima Yorke, c. 1761. Edward Fisher (British, 1722-1785), after Joshua Reynolds (British, 1723-1792). Mezzotint; image: 41.7 x 36.3 cm (16 7/16 x 14 5/16 in.).

Bathers, 1899. Henri Fantin-Latour (French, 1836-1904). Lithograph;

Zeus and Thetis, illustration to Homer's "Iliad" in the termination of Lucjan Rydel; Wyspiały, Stanis Aw (1869-1907); 1896 (1896-00-00-1896-00-00);Homer (fl. Ca 850 A.C.). Iliad, Krzysztofowicz, Franciszek and Józef - collection, Olimp (Mitol.), Tethis (Mitol.), Zeus (Jupiter), figure, mythology, gift (provenance), Żuławski, Włodzimierz (18 ..- 19 ..), Żuławski , Włodzimierz (18 ..- 19 ..) - collections

Josi, Christiaan, London, Allegory of the Peace of Amiens, 1802, verso bottom center - stamped, on March 27, which ended the war between Great Britain and the French Republic, Spain and the Batavian Republic. In the center, Peace floats through the clouds with an olive branch in its hand. At the bottom two putti (Commerce and Abundance) with a horn of plenty, on the right a city destroyed by war., print, engraving, prints, engravings, Frederik Muller Historical plates, The only proof without letter CJosi, below - handwritten, height 592 mm, width 425 mm, Dutch, 1768 - 1828-11, print maker, printmaker, 1802-05 - 1802-09, paper, stippelets, engraving (printing process), Work conception, after own design by

Fortuna, Roman god of luck, with crown and sceptre. Handcoloured copperplate engraving engraved by Jacques Louis Constant Lacerf after illustrations by Leonard Defraine from "La Mythologie en Estampes" (Mythology in Prints, or Figures of Fabled Gods), Chez P. Blanchard, Paris, c.1820.

Zeegehod on a dolphin, David Pièrre Giottino Humbert de Superville, 1780 - 1849 drawing paper. ink pen / brush triton(s)

La Femme duPeintre. Artist: Paul Gavarni, French, 1804-1866

Bliżej Kultury Publisher von rich. Voucher In Berlin, Bertier, Francisque Edouard (1841 )

Print made by Thomas Park, ca. 1760-1834, British, Saberna, or the Effects of Falshood, 1786. Mezzotint on moderately thick, moderately textured, cream laid paper.

Naked man arising from waves in front of a woman lying in a bed

The Wine of Circe. From the portfolio: The Work of E. Burne-Jones., 1863-1869, Great Britain, by Edward Burne-Jones, The Berlin Photographic Company.

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