Mythological Allegories in Art

Intricate depictions featuring mythological figures like Minerva, Hercules, and allegorical scenes emphasizing art, trade, and science. Richly detailed and historical.

Minerva visits women spinning wool and weaving fabric She holds a weaving pattern in her hand and points to women looking at the fabric Above the loom a spider's web, in reference to Arachne who was turned into a spider by her In the background, ships bringing in raw materials The scene is framed in an exuberantly decorated cartouche surmounted by Father Time, the city maid of Amsterdam and Mercury, the god of trade Presumably a trade label for a weaving mill in Amsterdam, Minerva leads a weaving mill, print maker: Bernard Picart, (mentioned on object), intermediary draughtsman: Bernard Picart, (mentioned on object), Amsterdam, 1717, paper, etching, engraving, h 232 mm × w 192 mm

Allegorical representation with personifications of the Netherlands and the Roman Empire and portrait of Minerva, Anonymous, 1725 - 1754 print The personification of the Netherlands with a bundle of arrows and a lion and the personification of the Roman Empire with an eagle, a globe and the image of the Wolvin with Romulus and Remus, hold up a portrait of Minerva in laurel wreath. A Meerman falls down at their feet. On the wall behind them portraits in medallions of figures from antiquity and their own time. paper engraving (story of) Minerva (Pallas, Athena). personifications of countries, nations, states, districts, etc. Low Countries. Roman empire

Passion show in the list of birds, anonymous, c. 1600 - c. 1699 print At the top left is a peacock, below a heron. Germany (possibly) paper etching

. Providence (Providentia) sits on a throne and rest with her feet on a globe. In her hands she holds a staff with the all-viewing eye as a symbol of God the Father. A putto throws a cornucopia to her feet empty. She is accompanied by godliness (Pietas), who knress with her hand against the chest for a sacrifice column. She is raised by a putto.

Amsterdam, Crajenschot, Theodorus, Philips, Jan Caspar, Title page for: A. de Haen, Dichtkundige Lauwerbladen, 1752, Vrede overhandt Poëzie een oliebranche, verso lower right - stamped, Vrede, with a horn of plenty in his hand, hands Poetry an olive branch. In the background the grieving Dutch Maiden at the tomb of Prince William IV of Orange-Nassau, on which his portrait bust. On the right in the foreground putti playing with numbered medallions., print, engraving, title page, prints, height 177 mm, width 121 mm, Northern Netherlands, 1700 - 1775-04-24, print maker, printmaker, 1752 - 1752, paper, etching, etchings, engraving (printing process), Work conception, after own design by, Publication (Event), Publication, Netherlands, 1717 - 1803, publisher

Northern Netherlands, Le Retablissement de l'Union Belgique, Het Herstellen der Nederlandsche Unie, Allegory of the restoration of unity in the Netherlands, 1787, verso - stamped, Allegory of the restoration of unity in the Netherlands through the restoration of stadtholder William V in 1787. In the foreground, four monsters are being chased away by the Prussian eagle. Behind them are the busts of William V and his wife. On the left, the Dutch maiden who once again receives the seven arrows tied together from Mars. In the background, the Temple of Freedom and on the left, the Seafaring Company being awakened from sleep by Mercury. The print is accompanied by a printed explanation., print, prints, Frederik Muller Historieplaten, height 540 mm, width 405 mm, print maker, printmaker, 1787 - 1787, paper, papier, etching, engraving, engraving (printing process)

Alcove with dying germanicus; Alcofen a la romaine. Alcove with germanician lying on a bed with abroad draperies and angels with laurel wreath. Around grieving soldiers are. First under 3 numbered.

Personifications of the arts and sciences have gathered on a mountain. At the very top is Love (Caritas). Devilish figures around them are trying to attack them. In the background the Great Church in Haarlem. The scene is framed and decorated with foliage, coats of arms and cartouches, Allegorical scene with personifications of the arts and sciences, print maker: Jan Punt, (mentioned on object), intermediary draughtsman: Jan Punt, (mentioned on object), Monogrammist GVG, (mentioned on object), Amsterdam, 1741, paper, etching, engraving, h 194 mm × w 157 mm

Design for a Decorated Ceiling with Statues and Stucco 18th century Attributed to Vittorio Maria Bigari Italian. Design for a Decorated Ceiling with Statues and Stucco 346389

FOINININININES, Georgunus, Georg Siggn Row, Again Franwes the Cuvii Thars (SR.4 print A fountain with Neptune with trident, a putto and aquatic animals such as fish and a lobster. Germany paper etching / engraving ornamental fountain. (story of) Neptune (Poseidon). cupids: 'amores', 'amoretti', 'putti'. fishes

. Allegorical title page with Apollo that gives the muses melpomene and thalia. In the foreground a man who signs on the ground with a passer. Behind him two busts of the Greek and Roman writers Aristophanes and Horace. In the margin a two-person caption in French.

Philips, Jan Caspar, Amsterdam, Cartouche with a tomb in a landscape, verso under - stamped, Landscape with a tomb on a pedestal. Two women wipe away their tears with a handkerchief. The image is captured in a cartouche decorated with symbols referring to the transience of life., print, vignette, prints, height 136 mm, width 117 mm, Northern Netherlands, 1700 - 1775-04-24, print maker, printmaker, 1736 - 1775, paper, papier, etching, etchings, engraving, engraving (printing process), Work conception, after own design by

London, Yates, H, Vivares, François, Cartouches in landscapes, Cartouche in ruined landscape, verso - stamped, A rocaille cartouche in a ruined landscape. On the left in the background an obelisk. In the bottom margin a two-line English text., print, ornament print, prints, ornament prints, height 202 mm, width 191 mm, French, English, 1709-07-11 - 1780-11-26, print maker, printmaker, 1752 - 1752, paper, papier, etching, etchings, 1700 - 1799, seller

Allegory at Rotterdam Trade, Jan Punt, 1750 print Personifications of the four continents -America with a fence and skirt, Africa with elephant hat and tusk, Asia with turban and turban and Europe with armor and scepter -offer the city virgin of Rotterdam gifts. Behind her a statue of Erasmus. In the foreground a nymph on a car pulled through swans on the river. In the background a cityscape with the Sint-Laurenskerk. Rotterdam paper etching / engraving personifications of countries, nations, states, districts, etc. (+ nation; national). Europe represented allegorically; 'Europa' (Ripa). Asia represented allegorically; 'Asia' (Ripa). Africa represented allegorically; 'Africa' (Ripa). America represented allegorically; 'America' (Ripa). Native peoples of the Americas. Asiatic races and peoples. Africans. Europeans Large or Sint-Laurenskerk. Rotterdam

Alcove with Scylla; Alcoues a la romaine. Scylla clips the hair from her sleeping father, Nisus. Below three lines are text. From series of 6 sheets.

The Founding ofRome. Engraver: Domenico Maria Bonaveri, Italian, 1653-1731 After: Annibale Carracci, Italian, 1560-1609

Varij Disegni de Camini de Gabineti sic Giorgio Fossati Italian Francesco Fontebasso Italian 1740 The series "Varij Disegni de Camini de Gabineti" sic contains designs for chimney pieces by the Swiss-born, Italian architect Giorgio Domenico Fossati. While Fossati is principally known for his illustrations of the architectural treatises of Renaissance architects such as Palladio and Vignola, he was also active as an architect and designer himself. This print series with designs for chimney pieces, issued in 1740 just after his move to Venice, is one of the rare examples in which he published some of his own ideas. It is one of very few ornament prints to have been published in Italy in the eighteenth century, and has recently been credited with a role of influence on the young Piranesi, who would later publish his own "Diverse maniere d'adornare i cammini" in 1769. The full series consists of a title page and eleven plates, each showing one design, paired with depictions of human figure

Bassin with putto flanked by two sphinxes; Water fountains or water basins in cartouches.

Asia. Prints, Illustrations. 1745 - 1747. Rare Book Division

The rebellious angels of the Netherlands, 1787 - 1790 print On top of a high boulder is the government seat. All kinds of people, including Van der Noot and Van Eupen, try to climb to the top but are pushed by the Prussian eagle of the rock. Part of a large group of prints relating to the events of the Brabant Revolution and the period 1787-1790. Southern Netherlands paper etching / engraving fall of the rebel angels, who become devils Brabant

. Allegorical performance with various scenes and metamorphoses from the book of Ovid. Among other things in the foreground Salmacis and Hermaphroditus, Narcissus that falls in love with his own mirror image and Leda seduced by Jupiter in the form of a swan. In the middle vertically as an old woman and Pomona, Apollo and Daphne, Pan and Syrinx. In the background Pluto and Proserpina, Perseus and the monster, the fall of Icarus. In the air on a cloud of Venus in her car, continued by a swan. With an umbrella in Latin and in a medallion under a garland, the portrait of the writer Publius Ovidius Naso. Under the show an empty cartouche.

Design for a Sepulchral Monument Divided in Two Parts with Bas Relief Surmounted by Statues and Foliate Decoration Below. Artist: Guiseppe Colignon (Collignon) (Italian, Castelnuovo Berardenga, Siena 1778-1863 Florence). Dimensions: sheet: 13 5/16 x 9 9/16 in. (33.8 x 24.3 cm). Date: 1826. Museum: Metropolitan Museum of Art, New York, USA.

Clio, Bernard Picart (workshop of), after Bernard Picart, 1725 print The sitting Clio, the muse of history, teaches some putti that study books. Amsterdam paper etching / engraving Clio (one of the Muses); 'Clio' (Ripa)

Title page: Vasses de la Maison Royalle de L'Oo, Daniël Marot (I), in Or Before 1703 print Vase on a pedestal, decorated with a bass relief and crowned with a bust. Leaf from series of 6 blades with garden vases from Paleis Het Loo. print maker: Netherlands (possibly)after own design by: Netherlands (possibly)publisher: The Hague paper etching

Allegorical title page with the portrait of Leon Battista Alberti, Bernard Picart, 1726 print Minerva points out the personifications of architecture and painting to the portrait medallion of Leon Battista Alberti, which is held by a crowned woman. In the air a putto with a banderole. Amsterdam paper etching / engraving portrait, self-portrait of architect. 'Architectura', symbolic representations, allegories and emblems ~ architecture; 'Architettura' (Ripa). 'Pictura', symbolic representations, allegories and emblems ~ painting; 'Pittura' (Ripa). specific aspects, allegorical aspects of Minerva; Minerva as patroness

Title sheet with Allegoric Figures, Jan De Bray (Attributed to), 1637 - 1697 drawing Design for a title page with a right right in the background in his chair, on his left is Justitia. In the foreground on the left, Minerva and on the right are an allegorical figure representing the divine punishment () With a flaming sword. In between, below, Charitas, and above Apollo and music -making figures. paper. ink. chalk pen / brush

Holy Apollonia, Holy Apollonia. Part of a series of 24 representations of female martyrs (martyrologium). The performances feature borders with flowers and animals, the virgin martyr Apollonia or Alexandria, possible attributes: book, crown, palm branch, tooth in pincers, flowers, birds, Adriaen Collaert, Antwerp, c. 1590 - c. 1610, paper, engraving, h 196 mm × w 150 mm

Esau prepares a soup for his father Abraham, from Physique sacree, ou Histoire-naturelle de la Bible, 1732-1737, by Johann Jakob Scheuchzer (1672 - 1733), a Swiss scholar born at Zurich

Alleory ter ere van cartinand ur Ferdinand II Vansburg, Claude Mellran, UFTRIn, After Antonignani, 1688 - 1688 print Statue of Emperor Ferdinand II of Habsburg on horseback, as Hercules Germanicus. The statue is in a round temple, surrounded by four images of Hercules. At the bottom of the statue a personification of the envy and possibly one of the war. paper etching / engraving historical persons. emperor. (story of) Hercules (Heracles)

Justice and Abundance next to a coat of arms with the lion of the evangelist Mark, verso - stamped, The personification of Justice, holding the scales, and the personification of Abundance, holding the horn of plenty, stand next to a column with the coat of arms with the lion of the evangelist Mark on top. This may be the coat of arms of Venice. Abundance holds a chain to which a defeated soldier is attached., print, prent, prints, prenten, height 127 mm, width 90 mm, print maker, prentmaker, 1700 - 1800, paper, papier, etching, etsen

Rectangular cartouche with four people and animals.Rectangular cartouche with links a shepherd, farmers' woman, farm boy and a fisherman, and on the right two animals. Design for a print.

Flora Attired by the Elements (Frontispiece to The Economy of Vegetation, vol. I of Erasmus Darwin's The Botanic Garden). Artist: After Henry Fuseli (Swiss, Zürich 1741-1825 London). Dimensions: Sheet: 9 3/4 in. × 7 in. (24.8 × 17.8 cm). Engraver: Anker Smith (British, London 1759-1819 London). Publisher: Joseph Johnson (British, 1738-1809). Date: June 1, 1791. Museum: Metropolitan Museum of Art, New York, USA.

Allegory on the history of Great Britain with the portrait of Isaac de Larrey, Gilliam van der Gouwen, after Bernard Picart, after Simon Thomassin, 1713 print The personification history, seated on the floor, writes the history of Great Britain together with the personification inspiration. On the right at a column the personification of Great Britain, sitting on a lion. In her hands the coat of arms of Great Britain. In the foreground, three putti try to stop the winged time, those books are tearing and eating. Above the personification fame, blowing on a portrait. She is wearing the portrait in the oval list of French historian Isaac de Larrey. In the background the city of London. print maker: Amsterdampublisher: Rotterdam paper engraving / etching beasts of prey, predatory animals: lion (+ animals used symbolically). personifications of countries, nations, states, districts, etc.. coat of arms (as symbol of the state, etc.). cupids: 'amores', 'amoretti', 'putti'. Father Time, man w

Prophet Ezekiel; Paintings in the Lunetten above the windows in the Sistine Chapel. A lunet with the prophet Ezekiel with a text role and naked figures.

Tobias heals the blind Tobit, Anonymous, After Chrispijn van den Broeck, 1601 - 1652 print The blind tobit is in a chair. Tobias stands behind him and lubricates the bile of the fish on his eyes. Anna is kneeling on the right. On the left is the angel. The dog of Tobias in the middle of. The show is a border script in Dutch and in Latin. print maker: Netherlandspublisher: Amsterdam paper engraving the healing of Tobit: Tobias puts the gall of the fish on his father's eyes

Design for a Clock mid-19th century Henri-Charles-Antoine Baron French. Design for a Clock 334849

Wit and philosophy show a young man De Waarheid, Cornelis Galle (II), After Jacques Duquesnoy, 1610 - 1678 print A philosopher, accompanied by a putto who carries his books, and the personification of the mind, a woman with a caduceus, a young man shows the way to the truth. On the right two women who keep a curtain on them and the personification of truth, a young woman in a jet wreath, who tramples the stupidity. Two putti hold an empty oval in the middle. print maker: Antwerpprint maker: Southern Netherlands paper engraving caduceus (staff with two snakes, attribute of Mercury). scholar, philosopher. Truth; 'Verití' (Ripa). Stupidity, Poverty of Intellect; 'Stupidití overo Stolidití' (Ripa). Reason; 'Ragione' (Ripa)

Design for a painting, Monument by weeping putti with garlands wallpaper, draughtsman: Elias van Nijmegen, 1677 - 1755, paper, brush, pen, h 327 mm × w 207 mm

Paris, Galle, Cornelis (II), Lepautre, Jean, Antwerp, Ertinger, Franz, Vasi fatti al moderno, Jug turned to the left, The jug has a handle in the shape of two snakes, on the body children are playing with a dolphin. Copy after a print in the series Vases à la moderne. Print is part of an album., print, ornamental print, album page, prints, height 217 mm, width 143 mm, 1640, print maker, printmaker, 1659 - 1678, paper, papier, etching, etchings, Work conception, Frans, 1618-06-28 - 1682-02-02, after print by, after design by, Publication (Event), Publication, South Netherlands, 1615 - 1678-10-18, publisher

Adam and Eva hide for God; From creation to expulsion from paradise. Adam and Eve hide through shame about their nudity for God. In medallion with a letter text in Latin from Genesis 3 within rectangular frame.

Kunisada, B, C, work, Actors Ichikawa Danjuro VIII, Onoe Baiko and Ichikawa Kodanji IV in the play Hachiman matsuri (Hachiman Shrine Festival), 1853, color woodblock print, major: graphics

Title Page with Models for Anatomical Drawing Exercises, Casper Casteleyn, 1653 drawing Haarlem (possibly) paper. graphite (mineral). chalk brush

Amsterdam, Passe, Crispijn van de (II), Oficina Arcvlaria ((...)), Bovticqve Menvseries ((...)), Schriner Laden ((...)), Schrinwerckers Winckel, Two crown elements for porticos, Each element with variants., print, ornamental print, prints, ornamental prints, height 312 mm, width 221 mm, Work conception, 1597 - 1670-01-06, after a design by, 1642 - 1642, second quarter 17th century, paper, engraving, engraving (printing process), print maker, printmaker, Publication (Event), Publication, publisher

Festival of Fawn, God of the Forests, c. 1740, Claude Gillot; Workshop: Chez P. de Rochefort, French, 1673 - 1722, 6 13/16 x 14 1/8 in. (17.3 x 35.88 cm) (plate)7 5/16 x 14 1/8 in. (18.57 x 35.88 cm) (sheet), Etching, France, 18th century, Fauns are the Roman versions of satyrs, which originally came from Greece. At first there were distinctions between the two, satyrs having human feet and fauns having goats' hooves, but eventually the two terms became interchangeable. Claude Gillot loved raucous subjects and was known for his images of Wild Things.

The Covenant between Liedekercke, Roeck and Bourse, 1577, Wierix, After Maerten de Vos, 1578 print The alliance between Liedekercke, Roeck and Bourse, to conquer the Citadel of Antwerp, August 1, 1577. Interior in which the three men take an oath. Left faithfulness (Fiducia) and Love (Charitas), in the clouds the triumphal wagon of Venus. Presentation in a round medallion with ornamental allegorical frame with at the top of the sitting female personifications of torment (tribulatio) and piety (Pietas). At the bottom of a cartouche with 2 verses of 6 lines each in French and Dutch. Antwerp paper engraving Fidelity; 'Fedelta' (Ripa). Charity, Charity '; 'Carita' (Ripa) ~ One of the Three Theological virtues. Torent; "Distress" (bank). Piety, 'duty', 'fear of God' ~ the three theological virtues. Triumph of Venus; "Carro di Venus" (Ripa) Citadel of Antwerp (16th century)

Overzese continents offer the Republic Gifts, Franciscus Sansom, After Dirk Langendijk, 1784 - 1790 print In the middle an empty, oval frame. In addition, the weapon of the Republic and the weapons of the seven provinces at a curtain. Bottom left is the personification of the Republic on a throne. Behind her is the freedom next to Mercury. Next to her a horn of abundance. For her, three residents of the continents offer Africa, America and Asia gifts. Behind them the personification of shipping and the personification of Europe with a scepter and a helmet with a woman on a cow. Print Maker: Rotterdam chart by: Rotterdam Publisher: Zuid-Holland Publisher: Zuid-Holland paper engraving personifications of countries, nations, states, districts, etc.. (story of) Mercury (Hermes). Freedom, Liberty; 'Libertà' (Ripa). imperialism. continents represented allegorically

Various allegorical figures in the Garden of George Clifford; Title page for: C. Linnaeus, Hortus Cliffortianus, 1738. Allegorical title page with the 'Earthother' Cybele in the middle, seated on a lion and a lioness, with the keys to the garden in her hand. To her feet a pot with cliffortia ilicifolia and a map of the Hartekamp garden. On the left, an African woman offers her an aloe from Africa, a woman with a turban brings her a plant from the Coffea Arabica from Asia and an Indian offers Hernandia from America. On a pedestal on which the title in Latin, a bust of George Clifford (). On the right a banana plant in bloom, and Apollo, who holds a torch in his left hand and lifting the veil of Diana with his right hand. With his feet he trambles the dragon of untruth, a reference to the counterfeit Hydra in Hamburg who had exposed Linnaeus on his journey to Holland as a deceure. On the right in the foreground two putti with a thermometer and a spade.

Voetstuk door putti versierd; Titelprent voor: G. de Lairesse, Opus elegantissimum, 1694.Putti decorate a pedestal covered with rug with palm branches, laurel circuits and flowers. An oval is placed on top. On the right in the background a putto chisels a bust in a studio.

Amsterdam, Boekholt, Abraham, Luyken, Jan, Title page for: Isaac Ambrose, Prima, media, et ultima. Ofte De eerste, midden, en laatste dingen, 1688, Christus en Nicodemus, verso - stamped, Christ speaks with Nicodemus by candlelight. Links and to the right of this central representation six scenes with references to Bible verses, provided with captions. At the top, Hope and Faith flank a cartouche with the image of a kneeling man in prayer., print, engraving, title page, prints, engravings, height 178 mm, width 138 mm, Noord-Nederlands, 1649-04-16 - 1712-04-05, print maker, printmaker, 1688 - 1688, paper, papier, etching, etchings, Publication (Event), Publicatie, publisher

Portrait of Juliana Maria Schachher, Martin Berbigeroth, 1709 - 1733 print Leipzig paper etching / engraving historical persons - BB - woman. armorial bearing, heraldry. Father Time, man with wings and scythe. grave, tomb

Artist: Joachim von Sandrart, German, 1606-1688, Roman Reliefs withInscriptions, Etching, image: 31.6 × 20.4 cm (12 7/16 × 8 1/16in.), Made in Germany, German, 17thcentury, Works on Paper -Prints

Altaar, Jean Lepautre, 1673 print Right variant with the Virgin Mary who holds Christ on her arm in a wreath of clouds above the altar. From series of 6 magazines, second edition. print maker: France (possibly)after own design by: France (possibly)publisher: Paris paper etching

France, A L'Immortalté, Necker in the 'Temple de Mémoire', ca. 1781-1788, verso - stamped, Allegory with Jacques Necker admitted to the temple of eternal memory, ca. 1781-1788. Envy furiously raises an arm towards Necker and knocks over a column with his portrait and a reference to his 'Compte rendu du roi' of 1781'. In heaven the Fame or Glory., print, engraving, prints, engravings, foreign history, height 265 mm, width 205 mm, print maker, printmaker, 1781 - 1788, paper, papier, etching, etchings

Portret Van Rafaël, Pietro Aquila, After Carlo Maratta, 1675 print Portrait of the artist Rafaël in an oval on a balustrade. In addition to the portrait, two large vases from which smoke rises. At the top right, an angel floats with a trumpet and a laurel wreath. Under the portrait a cartouche with text in Latin. The cartouche is flanked by female figures that personify painting, the sculpture coast and the architecture. Print is part of an album. paper etching / engraving historical persons. portrait, self-portrait of artist. 'Architectura', symbolic representations, allegories and emblems ~ architecture; 'Architettura' (Ripa). 'Sculptura', symbolic representations, allegories and emblems ~ sculpture; 'Scoltura' (Ripa). symbolic representations, allegories and emblems ~ the graphic arts

Monument by grieving putti with garlands, Elias van Nijmegen, 1677 - 1755 drawing Design for a painting. paper. ink. watercolor (paint). pencil brush / pen

Title page for: Nederlandsche Muzen-Almanak 1833. Muze with Lier sits mourning at the Grafmonument by Willem Bilderdijk and on the ground is crying putto.

Portrait of Pierre Séguier. Artist: Girard Audran (French, Lyons 1640-1703 Paris). Dimensions: Plate: 8 3/16 × 6 15/16 in. (20.8 × 17.6 cm)Sheet: 8 9/16 × 7 1/16 in. (21.7 × 18 cm). Date: 1672. Museum: Metropolitan Museum of Art, New York, USA. Author: Girard Audran.

Ceiling painting in Versailles: Apollo shares rewards to arts and sciences, Minerva crowns the genius of France. .

Vignette with putto, writing in Studerwerktrek, Abraham Delfos, c. 1741 - c. 1820 drawing Design for a print. paper. ink pen / brush handwriting, writing as activity

The Presentation in the Temple, with a Design for a Sculpted Frame. Artist: Jacob Jordaens (Flemish, Antwerp 1593-1678 Antwerp). Dimensions: 8 13/16 × 6 5/16 in. (22.4 × 16 cm). Date: ca. 1630-1635. Museum: Metropolitan Museum of Art, New York, USA.

Jupiter and Juno discuss the question of which of the sexes the lust in love is larger, Hendrick Goltzius (workshop of), After Hendrick Goltzius, 1615 print Jupiter and Juno sit next to each other, in front of a long table that is clearly cleared, and discuss the question of which of the sexes can experience the greatest pleasure in love. Jupiter states that that is the privilege of the woman, Juno contradicts him. Two times two lines of Latin text under the performance. This print is part of a series of 52 prints that represent stories from Ovid's metamorphoses. This series falls into three numbered series: two of 20 prints and one of 12 prints. This print belongs to the third series. print maker: Haarlemprint maker: Netherlandspublisher: Netherlands paper engraving (story of) Juno (Hera). (story of) Jupiter (Zeus)

SOIRMENT SAIR THUILEES. (Turitity Informing (letter))

Boucher, François, France, Figures of different characters, landscapes, and drawings by nature by Antoine Watteau, Les grâces au tombeau de Watteau, Tombstone of Watteau, verso lower right - stamped, Title page of a series of prints after Watteau. The painter's tombstone with a portrait in an oval. Next to the portrait four graces, at the top a trumpeting angel. On the tomb a four-line text in French. In the foreground are painting materials and a bust., print, prints, height 355 mm, width 230 mm, French, 1703-09-29 - 1770-05-30, print maker, printmaker, 1717 - 1728, first quarter 18th century, second quarter 18th century, paper, etching, etchings, Work conception, after own design by

Allegory of the events in the year 1680, 1680 - 1681 print Allegory of the events in the year 1680. Right Central William III and Hendrik Casimir II. Hereby in the medallion portraits of Karel II of Spain with his wife and Karel Xi van Zweden to his wife, both married in 1680. In the background the elevation on a shield of a prince, hereby the temple of Janus with open doors. Left peace and justice. At the bottom of the assignment and weapons of four Amsterdam mayors Louys Trip, Gillis Valckenier, Cornelis de Vlaming van Oudtshoorn and Johannes Hudde. Northern Netherlands paper etching symbols, allegories of peace, 'Pax'; 'Pace' (Ripa). Justice, 'Justitia'; 'Giustitia divina' (Ripa) ~ one of the Four Cardinal Virtues Amsterdam

Portrait of Pietro Barbarigo and the personifications Sincerity and Immortality Numismata virorum illustrium ex Barbadica gente (series title), Pedestal in the form of a cartouche. On top a medallion with on the front the portrait of Pietro Barbarigo, procurator of the Basilica of San Marco in Venice. On the back is a group of senators for the Doge of Venice. The pedestal is flanked by the female personification of the Sincerity with pigeon and heart. On the right is Immortality: a woman with wings and a golden circle. The print is part of an album, medal (considered as a piece of sculpture, regardless of its specific function), heart symbolism, other birds: dove, Immortality, Imperishableness, 'Immortalita' (Ripa), Sincerity, 'Purità and Sincerità d'animo', 'Sincerità' (Ripa), Pietro Barbarigo, Robert van Audenaerd (mentioned on object), Rome, 1673 - 1743, paper, engraving, h 220 mm × w 236 mm

Love couple in a landscape, Jan Punt, 1740 print A love couple along the banks of a river, surrounded by putti. There is an open songbook for them. Behind them abundance and a second allegorical female figure. On the right the wedding god Hymen is tuned. The show is caught in an ornamental frame, crowned with a bust of Minerva, and musical instruments on either side. The print may have been made on the occasion of a marriage. Amsterdam paper etching / engraving couple of lovers. Abundance; 'Abondanza', 'Abondanza maritima' (Ripa). (story of) Hymen(aeus). musical instruments; group of musical instruments. printed edition of musical score. (story of) Minerva (Pallas, Athena)

Allegorical portrait, Giuseppe Barberi, Italian, 1746-1809, Pen and brown ink, brush and brown wash on off-white laid paper, Allegorical portrait, Rome, Italy, 1746-1809, architecture, Drawing, Drawing

Lelie, Adriaan de, Netherlands, Le Retablissement de l'Union Belgique, Het Herstellen der Nederlandsche Unie, Allegory of the restoration of the Dutch Union, 1815, Allegory of the reunification of the Northern and Southern Netherlands, March 1815. Central King William I as Mars who ties the arrows of the Union together and hands them over to the Dutch Maiden. Behind this a column decorated with a portrait of William of Orange and trophies of arms. On the right in the foreground the defeated Statesmanship, Self-interest, Deceit and Envy crawl before the Prussian eagle. In the background a temple with a statue of Liberty, in front of it busts of the parents of William I: stadtholder William V and his wife Wilhelmina of Prussia. In the background on the left, Mercury wakes a sleeping sailor., print, prent, prints, Frederik Muller Historieplaten, height 550 mm, width 422 mm, 1755-05-19 - 1820-11-30, print maker, printmaker, 1815 - 1815, silk, zijde, etching, etchingsen, engraving, engravin

Oeneus, priest/king of Calydon, neglects to give Artemis/Diana the worship due to her, whereupon she sends a mighty boar to ravage his country

A Scene of Sacrifice 18th century Anonymous, French, 18th century French. A Scene of Sacrifice 337202

Title print of Book 3 of the Ystroom (1671) by Antonides van der Goes, Romeyn de Hooghe, 1671 print Title print of Book 3 of the Ystroom (1671) by Antonides van der Goes. Allegorical representation of the wedding dinner of Peleus and Thetis. The gods meal includes personifications of river gods that argue, including Neptune, the IJ (the Ygod), the Danube, the Rhine, the Amstel, the Thames, the Seine. Netherlands paper etching / engraving gods of the waters: Neptune and his environment. river personified, 'Fiumi' (Ripa). the marriage-feast of Peleus and Thetis in or near Chiron's cave. meetings and dwellings of the gods (+ aggressive, unfriendly activities and relationships) IJ

A 1741 drawing by Jan Punt depicting a seated young bride surrounded by putti and genii, with a round temple housing a statue of Juno, executed in pen, brush, gray wash, and graphite pencil.

Chair of Saint Peter in the St Peter's Basilica, 1647-1653, designed by Gian Lorenzo Bernini (1598-1680), Vatican City, engraving by Giovanni Francesco Venturini from Insignium Romae Templorum Prospectus, by Giovanni Giacomo De Rossi, plate 12, 1684, Rome.

. Poetry looks up towards the personalized divine truth, which is on a cloud. Personified temperature points to putti that bring books to poetry. A woman with flame above the head (symbol stands for belief) points to a cornucopia. The performance is caught in a cartouche that is decorated with medallions in which virtues are depicted.

The proclamation.

Bartolomeus Willemsz Dolendo's circa 1600 drawing depicts two kings adjoining, rendered in black ink with gray lavation, emphasizing figures, crowns, robes, and gestures.

Drawing, Vase in Landscape; France; pen and chinese ink, red crayon, black chalk on paper; 22.1 × 17.8 cm (8 11/16 in. × 7 in.)

W. Packe (holl.98 Side

Della Bella, Stefano (dit Étienne de la Belle) (n.1610-05-18-D.1664-08-22), Cards of the Kings of France. Starks 2: Dagobert II, Chilpéric II, Thierry II, Childéric III, Louis V. Eleventh number of a suite of 40 pieces. (A. de Vesme 686; Dutuit 119) (main title), 1644. Etch. Petit Palais, Museum of Fine Arts of the City of Paris.

Allegorical show with history, father Time and a woman with cross and anchor, Romeyn de Hooghe, 1671 print On an elevation is a half -naked woman with a cross and an anchor. Around her a number of putti with a freedom hat, firewood and buoys. Above her an angel with laurel wreath and lightning bolts. For the elevation, father is time with oil lamp, scythe and hourglass. He holds a book in which history writes. On the left are a woman with a book and sickle and two other allegorical figures. Amsterdam paper etching Father Time, man with wings and scythe. 'Historia'; 'Historia' (Ripa). the Three Theological Virtues

Print, Etching or engraving on paper, Europe, France, Print

Without Ceres and Bacchus, Venus Freezes. Dated: 1590s. Dimensions: overall (hexagonal): 27.2 x 22.1 cm (10 11/16 x 8 11/16 in.). Medium: pen and black ink with gray wash over graphite on laid paper. Museum: National Gallery of Art, Washington DC. Author: Johann Matthias Kager.

Prins hands a crown to Polexandre for a statue of Diana, Abraham Bosse, 1637 print Paris paper etching / engraving prince. crown (symbol of sovereignty). specific aspects, allegorical aspects of Diana; Diana as patroness - veneration, honoured by

Fountain with image of Fortuna, Jean Lepautre, 1661 print At the bottom are two naked youngsters on a dolphin. France (possibly) paper etching

Wapenschild van koning Lodewijk XIV van Frankrijk.The coat of arms of Louis XIV, king of France, in the middle of the Order of the Order of the Holy Spirit, is crowned by Putti. In the background bookshelves.

Allegorie on the arrival and stay of Willem V and Wilhelmina van Pruisen in Amsterdam, Reinier Vinkeles (I), 1772 - 1773 print Title print for the press series of the breach of Stadholder Willem V and Princess Wilhelmina van Pruisen in Amsterdam, 30 May - 4 June 1768. Allegorical performance with the art of drawing for a monument inspired by honor with links merchants, freedom and peace, in the foreground the river gods van Amstel and IJ. In the background the Amsterdam town hall. On the monument portrait medallions of the prince and princess and putti with flower garlands. paper etching / engraving symbolic representations, allegories and emblems ~ drawing. Honour, Glory; 'Ampiezza della Gloria', 'Gloria', 'Gloria de prencipi', 'Gloria & Honore', 'Honore', 'Sublimatí della Gloria' (Ripa). Freedom, Liberty; 'Libertà' (Ripa). specific aspects, allegorical aspects of Mercury; Mercury as patron. river personified, 'Fiumi' (Ripa) City Hall of Amsterdam (1655-1808). Amstel (river). Ij

Mazarin, Jules.

Print, Projet de l'angle d'un Sallon portatif pour le Roy (Design for a Corner of a Salon), plate 98, in Oeuvres de Juste-Aurèle Meissonnier (Works by Juste-Aurèle Meissonnier); Designed by Juste-Aurèle Meissonnier (French, b. Italy, 1695-1750); Published by Gabriel Huquier (French, 1695-1772); France; engraving on laid paper; 45 x 33.4 cm (17 11/16 x 13 1/8 in.)

Jacques Callot, Barnabae Appos., 1632, etching on paper.

The mirror of virtue. Allegory on the human nature.

Heads after the Ecce Homo 1720-78 François Joullain. Heads after the Ecce Homo. François Joullain (French, Paris 1697-1778 Paris). 1720-78. Etching and engraving. Prints

Paris, Huot, Jean Louis, France, Lepautre, Jean, Fontaines et Cuuetes, Water fountain on dolphin-shaped legs, The fountain is depicted with the tap on the left. From the fifth edition of the series with water fountains and water basins, first published by Jean I Leblond., print, ornament print, prints, ornament prints, height 212 mm, width 149 mm, French, 1618-06-28 - 1682-02-02, print maker, printmaker, 1700 - 1800, 18th century, 18e eeuw, paper, papier, etching, etchings, Work conception, after own design by, Publication (Event), Publication, publisher

Portrait of Agostino Barbarigo and the Personifications of Ship Victory, Victory and Prosperity; Numismata virorum illustrium ex Barbadica Gente. Pedestal in the shape of a cartouche. Then a medallion with the portrait of Agostino Barbarigo with Dogehoed on the front. On the back four children with hunting buit, corners and bowls with flowers and fruit. In addition, the text: Temporum Felicitas. The base is surrounded by three personifications. Completely left is victory at sea: a woman with laurel wreath and palm branch, standing on a ship bow. In addition, victory writes on a shield. Her left foot is on a helmet. On the right is prosperity or bliss on a throne. In her hands a snake staff and cornucopia. On her head a flower wreath. The print is part of an album.

Lazio Roma Rome Palazzo Quirinale. Hutzel, Max 1960-1990 Post-medieval: Tapestries. (Also decorative furniture, etc.). General Notes: No information sheet provided by Hutzel, tapestries not mentioned in TCI. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Titelblad: New Placfond Lure, 1712 print Ceiling with twelve panels, separated from each other by rosettes. Two of the large panels in the middle contain trompe-l'oeil figures. From series of 6 magazines with designs for ceilings. print maker: Netherlands (possibly)after own design by: Netherlands (possibly)publisher: Amsterdam paper etching

. Apollo sat on clouds with a laurel wreath on the head. In his left hand, a winch, his right arm resting on a round shield with the inscription: Felix Meritis (happy by merits).

"Les Grandes Frises" (4 of 12) Before 1626 Pierre Brebiette French. "Les Grandes Frises" (4 of 12) 397597

The generosity of Scipio, Pieter Tanjé, after Gerard de Lairesse, after Nicolaas Verkolje, 1737 print Scipio gives the Schone Virgin, who was offered to him as a reward for conquering new Carthage, back to her upcoming groom and her mother. The ransom, offered by the bride's parents, gives Scipio back as a wedding gift. Presentation above one of the doors of the council chamber of the Hof of Justice of Holland, Zeeland and West-Friesland in the Binnenhof in The Hague. Amsterdam paper engraving / etching the continence of Scipio: he restores a captive woman to her bridegroom Allucius, who kneels before him; the ransom offered by the bride's parents is given to Allucius as a wedding-gift. door

The jug has a handle in the form of two snakes, on the body children are playing with a dolphin, pouring jug turned left Modern vases and pouring jugs , print maker: Cornelis Danckerts (II), Jean Lepautre, publisher: Cornelis Danckerts (II), print maker: Amsterdam, France, (possibly), publisher: Amsterdam, c. 1696 - c. 1717, paper, etching, h 218 mm × w 143 mm

Justitia sitting on her throne, Willem de Broen, after Anonymous, c. 1712 - c. 1715 print Justitia is sitting on her throne, scales and sword in her hand with connected eyes. On either side of her is a woman with a basket with fruits and a soldier with a lion. Amsterdam paper etching Justice; 'Strength to the justice subject', 'justice', 'Recto justice', 'rigorous justice', 'pity and violence subject to justice' (Ripa)

The Persian Sibyl; from the series of Prophets and Sibyls in the Sistine Chapel. Artist: After Michelangelo Buonarroti (Italian, Caprese 1475-1564 Rome); Giorgio Ghisi (Italian, Mantua ca. 1520-1582 Mantua). Dimensions: Sheet (Trimmed): 21 15/16 × 16 1/4 in. (55.8 × 41.3 cm). Date: 1570-75. Museum: Metropolitan Museum of Art, New York, USA.

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