Mythological Allegory of Nature

A classical painting depicting a harmonious union of earth and water, featuring nude figures, flowing water, and rich floral elements, conveying a sense of vitality and abundance.

Paolo and Francesca, Doré, Gustave (1832-1883)

Germán Hernández Amores/ Eva, 1854. Oil on canvas. 201 x 138cm. Museum: REAL ACADEMIA DE BELLAS ARTES DE SAN FERNANDO, MADRID, SPAIN.

Lagren_e, Louis-Jean-Franois (1725-1805) © J. Paul Getty Museum, Los Angeles Painting Mythology, Allegory and Literature Mars and Venus (Allegory of Peace)

Fortune being restrained by Love, 1623, by Guido Reni (1575-1642), oil on canvas.

Titian (1489/1490-1576). Italian painter. Venus with an Organist and Cupid, ca.1555. Prado Museum. Madrid, Spain.

BACANTE RECOSTADA - SIGLO XIX. Author: FEDERICO GONZALEZ Y TAVE (1823-1867). Location: MUSEO DE CADIZ-BELLAS ARTES. Cadiz. SPAIN.

Sir Edward Poynter 1836-1919, English artist. Andromeda 1869, Oil on canvas.

Venus with a cupid. Leyden, Lucas van (1494-1533), painter

Imprisoned Butterfly, Bouguereau, Adolphe-William, 1891.

The Nymph of the Fountain. Date/Period: 1534. Oil on wood panel. Oil on panel. Height: 50.8 cm (20 in); Width: 76.2 cm (30 in). Author: Lucas Cranach the Elder.

Titian / 'Penitent Madalene', c. 1533, Oil on wood, 85 × 68 cm. Museum: GALLERIA DEGLI UFFIZI, FLORENCIA, ITALIA. MARY MAGDALENE.

Repose. William Merritt Chase (1849-1916). Pastel on paper laid down on canvas. 74 x 61.2cm.

Venus Consoling Love, François Boucher, 1751 Painting; oil on canvas; overall: 107 x 84.8 cm (42 1/8 x 33 3/8 in.) framed: 132.1 x 110.2 x 7.6 cm (52 x 43 3/8 x 3 in.);

(SIN IDENTIFICAR). Location: PRIVATE COLLECTION, MADRID, SPAIN.

The Pearl and the Wave - Paul-Jacques-Aimé Baudry, 1862

'Diana'. Hungary, 1796. Dimensions: 166x150 cm. Museum: State Hermitage, St. Petersburg. Author: Martin Ferdinand Quadal.

Mier Cleopatra; Unknown Flemish painter; 1600-1610 (1600-00-00-1610-00-00);Cleopatra VII (69 B.C.-30 BC), Queen of Egypt, Kolasiński, Wojciech (1852-1916), Kolasiński, Wojciech (1852-1916)-collection, Flemish painting, suicide, figural scenes, snakes, purchase (provenance)

Abraham Praying before the Three Angels, by Tiepolo Giambattista, 1731 - 1732, 18th Century, oil on canvas. Italy, Veneto, Venice, Scuola Grande di San Rocco. Detail of angels. Drapery folds wings drape: cloth pink white black dark: brown shades: tones: hues red gray.

Art History museum, Kunsthistorisches Museum. Lucas Cranach the Elder. The fall of man. After 1537. Vienna. Austria.

Diana and Actaeon 1556 - 1559 by Titian

Sir Edward Poynter 1836-1919, English artist. Andromeda 1869, Oil on canvas. Andromeda daughter of an Ethiopian king, described in an ancient Greek tale by Ovid. She is depicted chained to a rock to be sacrificed to a sea monster.

Celadon and Amelia; 1793; Oil on canvas William Hamilton; English; 1751-1801

The Three Graces - Hans Baldung, circa 1541

Fortune and the Beggar, by Aleksei Tararsovich Markov or Aleksej Zarasovic Markov (1802-1878).

Hero and Leander, William Hamilton, 1751-1801, British, 1801, Watercolor, with pen in brown ink, black inkk, gouache and graphite on thin, slightly textured, cream wove paper, Sheet: 16 5/8 × 11 inches (42.2 × 27.9 cm), cloak, gown, longing, love, man, nude, ocean, priestess, religious and mythological subject, steps, sunset, woman

The Temptation. Attributed Pieter Coecke van Aelst (1502-1550). Oil on panel. 112.5 x 87.5cm.

Jacques-Louis David (30 August 1748 29 December 1825) was a highly influential French painter in the Neoclassical style, Patroclus, 1780

Hygeia; Goddess of Health; about 1615; Oil on oak panel Peter Paul Rubens; Flemish; 1577-1640

Marcantonio Pasqualini (1614-1691) Crowned by Apollo. Artist: Andrea Sacchi (Italian, Rome () ca. 1599-1661 Rome). Dimensions: 96 x 76 1/2 in. (243.8 x 194.3 cm). Date: 1641.A celebrated male soprano, Pasqualini is crowned by Apollo, who had been victorious in a musical contest with the satyr Marsyas (shown in the background, defeated and tied to a tree with his bagpipes beside him). Pasqualini joined the choir of the Sistine Chapel in 1630, and from 1632 was a protagonist in many operas produced at the Palazzo Barberini. Sacchi designed sets for some of these. The singer plays an upright harpsichord decorated with the figures of Daphne and a bound satyr; Apollo is loosely based on the famous ancient sculpture known as the Apollo Belvedere. Museum: Metropolitan Museum of Art, New York, USA.

The Gorgon and the Heroes, 1897, by Giulio Aristide Sartorio (1860-1932), part of a diptych, oil on canvas, 305x420 cm.

The Little Bather in the Harem - 1828 - 35x27 cm - oil on canvas - French Neoclassicism. Author: JEAN AUGUSTE DOMINIQUE INGRES. Location: LOUVRE MUSEUM-PAINTINGS. France.

Detail of Triumph of Galatea, by Raphael,1512, Villa Farnesina, Rome, Italy, Europe

Fresco depicting a Bacchian rite. Bacchus is the Roman title for Dionysus, the god of wine and intoxication. Dated 1st Century B.C.

Mary Magdalene or Mary of Magdala, sometimes The Magdalene. Saint. Repentant Mary Magdalene. Engraving by Perez at "La Ilustracion Espanola y Americana", 1885. Colored.

CEZANNE, Paul (1839-1906). The Temptation of St. 1875. Right central detail. Post-Impressionism. Oil on canvas. FRANCE. ëLE-DE-FRANCE. Paris. MusŽe d'Orsay (Orsay Museum).

Lying naked woman, Henri Fantin-Latour, 1874

Anonymous / 'The Water', 1675-1700, Spanish School, Canvas, 245 cm x 105,5 cm, P03197. Museum: MUSEO DEL PRADO, MADRID, SPAIN.

Europe, Germany, Berlin, Charlottenburg Palace

Adam; Eve Giuliano di Piero di Simone Bugiardini Italian These two paintings depicting the biblical story of the temptation of Eve were probably made to be set within the wall paneling of a Florentine bedroom around 1520. Bugiardini painted several comparable oblong nude figures for similar settings but more typically the figures are taken from classical history or myth. Bugiardini and his contemporary Francesco Granacci, whose works are displayed nearby, both knew Michelangelo well, and were part of the group of talented painters who studied with Domenico Ghirlandaio.. Adam; Eve. Giuliano di Piero di Simone Bugiardini (Italian, Florence 1475-1554 Florence). Oil on canvas. Paintings

Plenty. oil on canvas. Date: 1910. Museum: Smithsonian American Art Museum.

Nude with pillows or Large nude, 1907, by Pierre-Auguste Renoir (1841-1919), oil on canvas, 70x155 cm.

Society of Encouragement of Fine Arts (Warsaw - 1860-1940) - collection

Baldung / The Seven Ages of Woman / 1544

Temperance, Haarlem, Cornelis-Cornelisz va, 1600.

Painting depicting the Flight into Egypt by Josep Maria Tamburini (1856-1932) Catalan painter and art critic. Dated 1911

Boudoir, Nudes

'St Sebastian'. Italy, 1590s. Dimensions: 260x135 cm. Museum: State Hermitage, St. Petersburg. Author: Palma, Jacopo, il Giovane.

Bathsheba at her Toilet, Cornelis Cornelisz. van Haarlem, 1594

THE BATH Nicolas-Ren� Jollain (1732-1804). "The bath". Oil on copper, circa 1780. Paris, Cognacq-Jay Museum.

Danae, 1636. Oil on canvas. Rembrandt van Rijn (16061669) Dutch painter. Danae welcoming Zeus who impregnated here with a shower of gold, thus creating Perseus. Greek Mythology Nude Female

The Fisherman and the Siren, Frederic Leighton, 1857,

Susannah and the Elders. Jan Massys (1509-1575). Oil on panel. Painted circa 1556. 131.2 x 111.2cm

The Rescue. Le Sauvetage. Emile Munier (1810-1895). Oil On Canvas, 1894.

The Sirens, by John Macallan Swan, 1870-1910, British painting, oil on canvas. In Greek mythology, Sirens lured ships with their enchanting voices to shipwreck on the rocky coast of their island (BSLOC_2016_2_162)

Pierre-Auguste Renoir (1841-1919). French painter. Impressionist style. Woman arranging her hair, 1887. Oil on canvas. The State Hermitage Museum. Saint Petersburg. Russia.

Bacchante on a Panther, 1855. William Adolphe Bouguereau (French, 1825-1905). Oil on fabric; framed: 87.3 x 127 x 5.4 cm (34 3/8 x 50 x 2 1/8 in.); unframed: 71.4 x 111.3 cm (28 1/8 x 43 13/16 in.).

CONJURO - ALEGORIA DE LA NOCHE - 1818/9 - PINTURA SIMBOLISTA - DECORACION DEL SALON REAL DEL CASINO DE MADRID. Author: JULIO ROMERO DE TORRES. Location: CASINO. MADRID. SPAIN. HERNANDEZ HEREDIA AMALIA.

The Nude Maja, Duchess of Alba, by Francisco de Goya as shown in the Museum de Prado, Prado Museum, Madrid, Spain

El Cid's Daughters. Date/Period: 1889. Painting. Oil on canvas. Height: 2,060 mm (81.10 in); Width: 1,530 mm (60.23 in). Author: IGNACIO PINAZO CAMARLENCH.

Adam 1525-1542 Germany. For most of his long career, Lucas Cranach the Elder was court painter to the Elector of Saxony. Although the general placement of Adam and Eve in these paintings reflects the influence of Albrecht D¸rerís renowned classicizing treatment of the same subject in paintings and prints, Cranachís slender, undulating figures conform to the contemporary courtly ideals of beauty. This pair is one of the finest of the many versions of the subject made by Cranach and his workshop.. Oil on panel . Lucas Cranach, the Elder

Echo and Narcissus, John William Waterhouse, 1903,

The Perseus Series - The Rock of Doom,1900. After: Sir Edward Burne-Jones (d.1898). Publisher: Berlin Photographic Company

'St Sebastian'. Italy. Dimensions: 196x106 cm. Museum: State Hermitage, St. Petersburg. Author: BERNARDINO LUINI.

'Le Bain', (The Bath), c1770-1810, (1913). Artist: Nicolas-Francois Regnault.

Venus with Amor; Leyden, Lucas Van (1489 cars 1494-1533); 16th century (1501-00-00-1600-00-00);Amor (mitol.), Venus (Mitol.), Banderole, Dutch painting, imitation, putto, mythological scenes

Anonymous (Copy after: Ribera, Jusepe de, lo Spagnoletto) / 'Saint John the Baptist'. XVII century. Oil on canvas. Museum: Museo del Prado, Madrid, España.

Hermitage Museum. The Loggia Of Raphael. Adam And Eve Saint Petersburg. Russia.

Leda und der Schwan ist eine Geschichte und ein Thema in der Kunst aus der griechischen Mythologie, in der der Gott Zeus in Gestalt eines Schwans Leda, eine spartanische Königin, verführt, Gemälde von Jean-Baptiste Cariven 1843 bis 1904, französischer Maler, Reproduktion eines Gemäldes aus dem 19. Jahrhundert, digital restauriert, historisch

Adam and Eve in Paradise. Artist: David Teniers the Younger (Flemish, Antwerp 1610-1690 Brussels). Dimensions: 8 3/4 x 6 1/2 in. (22.3 x 16.5 cm). Date: 1650s. Museum: Metropolitan Museum of Art, New York, USA.

Pygmalion with his statue of a woman that comes to life. Engraving by J.N. Laugier, 1824, after A.L. Girodet-Trioson, 1819.

Sassocorvaro (Italia, Marche, provincia di Pesaro-Urbino), interno Rocca Ubaldinesca. Marcantonio Franceschini (copia da), Maddalena Penitente, olio su tela

Pablo Ruiz Picasso (1881-1973). Spanish painter. Standing Woman, 1921. National Gallery. Prague. Czech Republic.

DESNUDO CON MANTILLA. Author: Jose Maria Rodriguez Acosta. Location: MUSEUM OF FINE ARTS. GRANADA. SPAIN.

The Turkish Bath by Ingres, Jean Auguste Dominique (1780-1867)/ Louvre, Paris/ 1862/ France/ Oil on canvas/ Classicism/ 108110/ Genre,Nude painting

Diana the Huntress. Gaston Casimir Saint-Pierre (1833-1916). Oil on canvas. 196 x 129.5cm.

Three Graces, Morandini, Francesco, 1572.

Venus and Amor - Hans Baldung, circa 1525

Édouard Manet, La ninfa sorprendida, 1861, óleo sobre tela,Museo Nacional de Bellas Artes (MNBA) ,Buenos Aires, republica Argentina, cono sur, South America.

Floréal Floréal, 1888, oil on canvas, Louis Joseph Raphael Collin, Museo Nacional de Bellas Artes MNBA, Buenos Aires, republica Argentina, Copyright: xZoonar.com/Tolox 21818340

Jacqueline Marval, The Odalisques, 1902-1903, oil on canvas, Grenoble museum.

Apollo and Marsyas 1888 . Along with Arnold Bˆcklin, Hans Thoma was a leading Northern European figure in the shift from Realism and history painting to art inspired by classical myths and legends. Taken from Ovidís epic poem Metamorphoses, Thoma showed the satyr Marsyas challenging Apollo, the master of the lyre, to a musical contest. Although he avoided depicting the cruel outcome of the match (the satyr lost and was flayed alive by Apollo), the artistís treatment of Apollo, whose idealized body and luminous skin set him apart from the shadowy halftones of his challenger, hints at the winner. Thomaís painted frame may also have been inspired by a tale from Ovidís Metamorphoses.. Oil on board . Hans Thoma

'Venus with an Organist and a Dog' (detail), ca. 1550, Oil on canvas, P00420. Author: TIZIANO VECELLIO DE GREGORIO-TICIANO-. Location: MUSEO DEL PRADO-PINTURA. MADRID. SPAIN. VENUS DIOSA ROMANA.

Les Noeuds Violets - De Purpere Strkken. Paul Delvaux (1897-1994). Watercolour, pen, black ink and pencil on paper. Executed in 1948. 58.5 x 78.8cm.

Venetian 16th Century, Orpheus, c 1515 Orpheus

Diane from Poitiers, Allegory of Peace, 1568-70, by Giovanni Capassini (1555-1577).

'The Three Witches Appearing to Macbeth and Banquo', late 18th century. Artist: Henry Fuseli

Evil Sought Ernest Normand (1857-1923 British) Private Collection

Susanna at her Bath, by Francesco Hayez, 1850, National Gallery, London, England, UK, GB, Europe

Gaston Bussière / 'Salambô' by Gustave Flaubert, Scene with the snake.

Sleep and His Half Brother Death John William Waterhouse (1849-1917 British)

A drawing by François Boucher showing Venus with Amor and pigeons, executed in black chalk and pastel around 1750.

Maid; Weiss, Wojciech (1875-1950); around 1925-1935 (1925-00-00-1935-00-00);State Art collections (Warsaw - 1922-1939) - collections, acts, female acts, women, message (provenance), curtains

Lucas Cranach d.J., Eva - -

Olympia by Manet, Edouard (1832-1883) Musee d'Orsay, Paris 1863 Oil on canvas 130,5x190 France Impressionism Genre,Nude painting Painting

Przeszo Przyszoci Kwiatkowski, Teofil (1809 1891)

Painting titled 'Spartan Archery' depicts three Spartan boys practicing archery. Painted by Christopffer Wilhelm Eckersberg (1783-1853) Danish neoclassical painter. Dated 1812

Aurora. Henri Fantin-Latour (1836-1904). Oil on canvas. 42 x 33.7cm.

SATIRO Y HERMAFRODITO - PINTURA POMPEYANA - SIGLO I. Location: NATIONAL MUSEUM OF ARCHAEOLOGY. NEAPEL. ITALIA.

St John the Baptist, by Luca Ferrari (1605-1654), oil on canvas, 107.5x87.5 cm.

Workshop of Albrecht Altdorfer, The Fall of Man middle panel, c. 1535, oil on hardboard transferred from panel

Erotic illustration from the Victorian period, around 1880, in England, three woman having sex, Historic, digitally restored reproduction of an original 19th century artwork, exact original date not known

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