Mythological and Allegorical Prints

Engravings depicting classical themes like Bacchus and Venus, focusing on their relationships and stories, rich in symbolism and detail.

Mercurius doodt Argus, Hendrick Goltzius (workshop of), after Hendrick Goltzius, 1589 print After playing him asleep with his flute, Mercury kills the hundred -eyed Argus, who guarded the cow io io io io. Two times two lines of Latin text under the performance. This print is part of a series of 52 prints that represent stories from Ovid's metamorphoses. This series falls into three numbered series: two of 20 prints and one of 12 prints. This print belongs to the first series. Haarlem paper engraving Mercury beheads Argus

Man and wife with dog by a fire, Joseph Wagner (Possibly), After Jacopo Amigoni, 1739 - 1780 print Bottom right: a. 4. Venice paper etching / engraving winter ~ human activities (the four seasons of the year). dog. pipe ~ tobacco. pouring

Where does mother go, Francisco de Goya, 1797 - 1799 print A naked woman is worn by three witches. To her right a cat with a parasol. Sixty -five print from the Los Caprichos series. Spain paper etching / drypoint witch, sorceress. adult woman. cat

Venus in the Smidse van Vulcanus; Vulkanus store. Venus asks Vulcanus to produce armor for her son Aeneas, before when he travels in Latium. She is accompanied by Amor, who takes care of the viewer.

Where does mother go; Died Vá Mamá; Los Caprichos. A naked woman is worn by three witches. To the right of her a cat with a parasol. Siftiest print from the Los Caprichos series.

Minerva protects fertility against Mars, Benoît Louis Henriquez, after Peter Paul Rubens, 1782 print print maker: Parispublisher: ParisFranceParisFrance paper engraving / etching (story of) Minerva (Pallas, Athena). Fruitfulness, Productiveness, Fertility, Fecundity; 'Fecondití' (Ripa). (story of) Mars (Ares). war and peace

Drunkenness of Lot, Lucas Vorsterman (I), After Orazio Gentileschi, 1624 - 1629 print England paper engraving Lot's daughters make their father drunk

Allegory in which Faith shows a man the right path, in the foreground virtues and fleeing vices, Allegory in which Faith shows a man the right path, draughtsman: Nicolas Joseph Delin, 1751 - 1803, paper, pen, brush, h 595 mm × w 470 mm

Copper engraving and etching by Nicolas Barsanti depicting Hercules overwhelming the Kerkopes, showing hero, mythical creatures, and dynamic action.

Hooghe, Romeyn de, Netherlands, Illustration for the Decameron by Boccaccio, history XIII. Naked man and woman on their knees in bed. The woman is feeling up the man. On the wall hangs a painting of the crucifixion., print, book illustration, prints, height 73 mm, width 79 mm, Noord-Nederlands, 1645-09-10 - 1708-06-15, print maker, printmaker, 1697 - 1697, fourth quarter 17th century, paper, etching, etchings, Work conception, after own design by

Bacchus with attendant satyrs sits drinking by a cave as Venus appears to him and offers him a cup of love. Engraving by J. Audran after A. Coypel, 1704.

Antwerp, Galle, Philips, Sweelink, Gerrit Pietersz., Southern Netherlands, Cornelis (I), Sic erat in diebus Noe, Sinful life in the days of Noah, verso - stamped, Young people enjoying an open-air banquet. Half-naked men and women sit at a low round table, drink wine and make love. On the left, a man plays the bagpipes. On the right, in the background, Noah's ark can be seen. The punishment for the sinful life of the youth is the flood., print, prints, height 228 mm, width 335 mm, 1576 - 1650-03-29, print maker, printmaker, 1586 - 1612, paper, engraving, engraving (printing process), Work conception, Northern Netherlands, 1566 - 1612, after a design by, Publication (Event), Publication, 1537 - 1612-03-29, publisher

The Discovery (recto), Two Sketches of Standing Male Figures (verso) 1767-1769 Switzerland. This powerful drawingóa bravura exercise in virtuoso line and tonal washesóillustrates a story from Swiss theologian Ludwig Lavaterís book De Spectris (ìOn Ghostsî), published in 1569. It describes a priest who, dressed in a sheet, haunts his wealthy niece who is living in his house, in an attempt to rape her and cheat her of her fortune. Terrified, the niece enlists the aid of a friend who exposes the repentant priest.The curious badminton match visible in the backgroundónot in the story, but added by Fuseli as a critical commentaryóis a reference to a proverb composed in Latin by the Dutch poet Jacob Cats (1577ñ1660) Amor ut pila vices exiget, ìLove, like a ball, demands reciprocation.î. Pen and brown ink and brush and brown wash, over graphite with traces of opaque brown paint (recto), graphite (verso), on cream laid paper, tipped onto ivory laid paper . Henry Fuseli

Old man in bed surrounded by people, Louis Fabritius Dubourg, 1750 drawing paper. chalk counterproof bed

Four naked shepherdesses in a rocky landscape, Adrian Zingg, After Christian Wilhelm Ernst Dietrich, 1763 print Paris paper etching / engraving rocks. herding, herdsman, herdswoman, shepherd, shepherdess, cowherd, etc.. sheep. woman (showing herself) undressed, quasi-nude

Classical Subject: Possibly the Aftermath of a Battle 1760-79 John Hamilton Mortimer British Mortimers bravura penwork in this sheet is characteristic, but his choice of a classical subject is unusual. The artist was known for his Romantic banditti pieces in the spirit of Salvator Rosa and his imaginative compositions featuring Oriental heads and playful monsters. In this scene, a warrior, whose pose echoes that of the Apollo Belvedere, straddles the body of a fallen companion and grasps a short sword while holding up his cloak to protect himself from primitive attackers armed with clubs and stones. Fallen horses at left indicate a recent battle, while a tiny sailboat on the horizon adds a narrative touch. Mortimer usually made detailed pen drawings of this sort in preparation for related etchings, but the present composition was not turned into a print and its literary source remains unknown.. Classical Subject: Possibly the Aftermath of a Battle 421647

Landscape with Venus and Adonis, Joseph Vanloo, After Nicolas Vleughels, 1703 - 1740 print print maker: Francepublisher: Paris paper engraving / etching Venus and Adonis as lovers

Five nymphs in a landscape, Anonymous, After Cornelis van Poelenburch, 1680 - 1713 print paper engraving cupids: 'amores', 'amoretti', 'putti'. other types of nymph(s). landscapes

Diana, Cornelis Bloemaert (II), After Pietro da Cortona, 1637 - 1692 print Diana, goddess of the earth and hunt, protector of the wild, is sleeping in the forest. Next to her two dogs. Her left arm is based on an arrow cooker. The sickle of the moon on her forehead is her attribute as a moon goddess. Print from a series of four prints to Frescoes by Pietro da Cortona. paper engraving specific aspects, allegorical aspects of Diana; Diana as patroness

L'incendie (2nd plate) , Fires, Victims, Alphonse Legros (1837-1911)

Aeneas goes to war, Gerard de Lairesse, 1667

Moses is found by the daughter of the Pharaoh, Augustine Terwest (I), After Paolo Veronese, 1680 print Moses is presented to the daughter of Pharaoh, after he has been taken out of the piping basket. One of the guards looks at the empty piping basket. The Hague paper etching Moses is pulled out of the water by the servants

The Infant Moses before Pharaoh, after Giovanni Battista Ruggieri Jean Robert Ango French. The Infant Moses before Pharaoh, after Giovanni Battista Ruggieri. Jean Robert Ango (French, active Rome, 1759-70, died after 1773). Black chalk, framing lines in pen and brown ink. Drawings

Amor by Salers, Giovanni Vitalba, after Aster Carracci, 1766 print Amor with two saters in a landscape. One of the Saters grabs Amor while the other decreases the arrow-and-bow of Amor. Text in English in STUDMARGE. Numbered bottom left: Vol. Ii. No. 11. after painting by: Italypublisher: England paper engraving / etching (story of) Cupid, Amor (Eros). satyr(s) (in general) - aggressive, unfriendly activities and relationships

Bacchers, Philipps Joseph Tassapert, After Nicolas Poussin, 1769 print Naked bachants in a forest. A young woman climbs on the back of a saat and is helped by a putto. Behind them a man with a basket on his back is filled with wine and grapes. London paper engraving Male Bacchant (ES). Maenad (s), Female Bacchant (ES). Forest, Wood

Narcissus looking at his mirror image in the water, Abraham Delfos, after Jan Wandelaar, 1752 print paper etching / engraving Narcissus, gazing in a fountain, falls in love with his own reflection; possibly the nymph Echo peeps at the scene

Hagar in the desert, Jurriaan Cootwijck, after Eustache Lesueur, 1759 print Hagar is located on the ground in a mountainous landscape. An angel points her to a water source. On the right is Ismaël, the child of Hagar, hidden under a bush. print maker: Amsterdamafter drawing by: Paris paper an angel appears and reveals a well of water to Hagar

Raffaello Sanzio: Kreuzabnahme, Borghese Gallery, Rom..

Saying goodbye to Jacob and Rachel, Salvatore Castiglione, After Giovanni Benedetto Castiglione, 1620 - 1715 drawing prepared paper. deck paint. ink pen / brush story of Jacob (part I). story of Jacob (part I)

Autumn, Crispijn van de Passe (I), 1604 print Bacchus and Pomona as a love couple, as a personification of autumn. Bachhus offers Pomona a Roemer with wine. Grapes are pressed in the background. In the margin an eight -line poem, in two columns, in Latin. Cologne paper engraving autumn, fall, 'Autumnus'; 'Autunno' (Ripa) (+ ways of representing seasons and months). Pomona (+ love-affairs)

Mary Magdalene; Les Plat-Fonds Ou Les Tableaux des Galleries / ceilings or gallery pieces. Sitting Mary Magdalene; under the oval show a verse.

Flute man for two dancing nymphs, Edward Fisher, after Pieter van der Werff, 1776 - 1777 print London paper nymphs (in general); 'Ninfe in commune' (Ripa). flute, aulos, tibia - CC - out of doors. two women dancing as a couple

A mythological drawing by François Verdier depicting Apollo and Daphne, created with pen, brown and gray wash, chalk, and white highlights.

Saint Catherine of Alexandria. Sanguine etching by F. Rosaspina after G.F.M. Mazzola, il Parmigianino.

Europa. John Raphael Smith (England, Derby, 1752-1812). England, 1776. Prints; mezzotints. Mezzotint

Jean-Baptiste Marie Huet depicts Amor being flattered by three nymphs, drawn in black chalk with feather, ink, and wash, circa 1795-1796.

Francesco Bartolozzi RA, 1728-1815, Italian, active in Britain (1764-99), Three Putti and a Goat. Engraving.

Jupiter and Mercury with Philemon and Baucis. Jacob Männl (Austrian, 1654-1712); after Johann Carl Loth (German, 1632-1698). Date: 1674-1712. Dimensions: 347 × 428 mm. Mezzotint in black on paper. Origin: Austria. Museum: The Chicago Art Institute, Chicago, USA.

Allegory on the West Indian and East India Company. The personnifications of the Western Indian and East India Company, each with a flag of the Company in the hand, point to the coat of arms of Aegidius van den Molden and Jan Lieve Geelvinck, ministers of the commercial commodities and mayors of Amsterdam. On the right the town hall of Amsterdam and the personnifications of faith, Mercury as well as God of trade and justice. Links trade ships at sea and people, representing the West and East Indian peoples. In the foreground merchandise.

Lunette of Holy Family with St. Elizabeth and St. Joseph, Felice Giani, Italian, 1758-1823, Pen and brown ink, brush and dark brown wash over black chalk on white laid paper, Seated Virgin turns her head toward St. Joseph, standing at right behing her. Child sits upon her lap, embraced by St. John who kneels in the Child's cradle. St. Elizabeth kneels behind cradle at left., Faenza, Italy, Italy, 1815-23, Drawing, Drawing

Venus tells Adonis the story of Hippomenes and Atalanta, John Hall, After Benjamin West, After Richard Earlom, 1769 print Numbered: full. II, No. 51. London paper etching / engraving Atalant and hippenes (or meilanion). (Story of) Venus (Aphrodite). (Story of) Adonis. Doves, Pigeons. Cupids: 'Amores', 'Amoretti', 'Putti'

Print made by Elisha Kirkall, ca. 1682-1742, British, Apollo and Daphne, undated. Mezzotint on medium, moderately textured, cream, laid paper.

Sater and Bacchantant Sleeping at a Fire, Charles Le Brun, 1640 print print maker: Francepublisher: Paris paper etching / engraving Personification of the Night, 'Nox'; 'Night', 'Carro della Notte', 'Serenit of the night' (Ripa). Satyr (S) (in General). Maenad (S), Female Bacchant (eg)

. Female taste personification is sitting on the ground under a tree. In addition to her a basket with fruit, of which they taste a fruit, the bottom right sits a monkey. He too tastes a fruit. The print has a Latin caption and is part of a five-part series about the senses.

Domenico Piola, A Satyr Entertaining His Family, 1690s A Satyr Entertaining His Family

. .

Sailing angels with the Christkind, Theodoor Schaepkens, 1825 - 1883 print paper etching angels. Christ-child together with others. rowing-boat, canoe, etc.

DRINKING BACCHANDS, Jean Lepautre, 1671 print From series of 6 magazines, second edition. print maker: France (possibly)after own design by: France (possibly)publisher: Paris paper etching

Saters and Nymphs, 1750 - 1800 print A group of saters and nymphs at a tree group. One of the nymphs sits on the floor with a child in the arms. Four naked children around her. A standing satap plays on the Schalmei. paper etching Satyrs, Faun, Silen. Nymphs (in general); "Ninfe in common" (bank)

. .

Venus and Adonis, John Smith (print maker/ publisher), After Titiaan, 1686 - 1725 print Text in Latin in the lower margin. Hunting dogs and a Cupido with a pigeon around them. London paper Venus trying to prevent Adonis from going hunting

Cadmus Asks the Delphic Oracle Where He Can Find his Sister, Europa. Hendrik Goltzius (Netherlands, Mülbracht now Bracht-am-Niederrhein, 1558-1617). Holland, published 1615. Prints; engravings. Engraving

H. Sebastiaan, Pieter van Schuppen, After Anthony Van Dyck, 1638 - 1670 print Saint Sebastiaan is tied to a tree. Two angels free him from his buoys and get an arrow from his body. On the ground are the armor and the cloak of Sebastiaan. In the margin a Bible text from Jer. 30 And an assignment to the Maastricht Kannunik Matthias Laurix. Maastricht paper engraving St. Sebastian succoured by angels, who untie him from the tree or pillar and remove the arrows

Five music -making children, Joseph Wagner, After Jacopo Amigoni, 1739 - 1780 print Numbered bottom left: No. 67. 1. Venice paper etching children playing musical instruments. wind instruments. viola, violoncello; double bass. cat. notation of music

Sowing Ceres in a field with nymphs and saters, Pierre Brebiette, 1617 - 1626 print Rome paper etching (story of) Ceres (Demeter). sowing. satyr(s) (in general). nymphs (in general); 'Ninfe in commune' (Ripa). goat

Saved Moses from the Nile. The daughter of the Pharaoh and her service families find Moses in a piping basket on the shore of the Nile.

'Cupid Pursuing Innocence'. Monnet, Charles (drawing). France, Circa 1785. Dimensions: 40,5x29; 52x40,4 cm. Museum: State Hermitage, St. Petersburg. Author: Jean-Jacques Avril.

Print made by William Faithorne, 1656-ca. 1701, British, Vertumnus and Pomonae, between 1690 and 1703. Mezzotint on medium, slightly textured, beige laid paper.

Soldielvermapa, Anton Joseph Von Pennis, 1728 print paper etching the soldier; the soldier's life. farm or solitary house in landscape. alcoholic drinks

Drawing (Italy); Felice Giani (Italian, 1758-1823)

Eva is misled by the snake at the tree of good and evil; From creation to expulsion from paradise. Eva is misled by the snake at the tree of good and evil. She eats from the prohibited apples and also offers Adam a fruit. In medallet as a inscription a bible text in Latin from Genesis 3, within rectangular frame.

Love couple in a landscape, Valentin Lefèbvre, After Titian, 1682 print A love couple in a landscape, both have a flute in their hands. On the right three putti play at a tree stump. The print is part of a 53-part series of prints to paintings by Titian and Veronese. Venice paper etching landscapes - HH - ideal landscapes. couple of lovers. flute, aulos, tibia - CC - out of doors. cupids: 'amores', 'amoretti', 'putti'

Diana discovers the pregnancy of Callisto, Johann Theodor de Bry, after Jan Saenredam, After Paulus Moreelse, After 1606 - Before 1621 print Diana and her nymphs sit on a stream between trees. The pregnant Callisto is shown to Diana. One of the other nymphs pulls her dress aside. Diana looks shocked at her pregnant servant. In the middle in the background, a nymph with two dogs runs. paper engraving Diana with her nymphs discovers the pregnancy of Callisto. pregnancy

Titania's Awakening. Thomas Ryder I (English, 1746-1810); after Henry Fuseli (Swiss, active in England, 1741-1825); published by John Boydell (English, 1719-1804); authored by William Shakespeare (English, 1564-1616). Date: 1803. Dimensions: 495 × 630 mm (plate); 597 × 880 mm (sheet). Engraving on ivory wove paper. Origin: England. Museum: The Chicago Art Institute, USA.

Diana en Pan, Giovanni Girolamo Frezza, After Petrus Ferlonus, After Domenichino, 1686 - 1748 print Pan gives the goddess Diana, floating through the sky, snow -white wool and wins her love. There is a goat next to Pan, the symbol of the lust. print maker: Romeafter drawing by: Italyafter painting by: Italy paper engraving Diana (Luna) allured by Pan with a fleece or a bundle of wool (Virgil, 'Georg.' III 391-393)

Adams deathbed.

Josef Abel's 1799 drawing depicts Orpheus in the underworld before Hades and Persephone, executed in red chalk and ink with white highlights, showing human figures and underworld elements.

Elizer and Rebekah at the source, draughtsman: Hieronymus Lapis, c. 1733 - 1798, paper, pen, brush, h 233 mm × w 358 mm

Parijs, Lesueur, Eustache, Amsterdam, Cootwijck, Jurriaan, Hagar in the desert, Paris, verso bottom center - stamped, Hagar lies on the ground in a mountainous landscape. An angel points her to a source of water. On the right lies Ishmael, the child of Hagar, hidden under a bush., print, engraving, prints, engravings, Round shape with the text: School for graphic subjects in Utrecht and an image of a pentagon, verso top left - stamped, width 177 mm, height, 137 mm, Noord-Nederlands, 1714-05-10 - 1798-01-16, print maker, engraving maker, 1759 - 1759, paper, papier, Frans, 1617-11-19 - 1655-04-30, intermediary draughtsman

Le triomphe de la Mort: Les bouches inutiles , Death, Victims, Crying, Alphonse Legros (1837-1911)

Simson and the lion. For a ruin, Simson fights with a lion, which he will eventually kill with his bare hands.

The Sleep of Cupid. Artist: After François Boucher (French, Paris 1703-1770 Paris); Jean-Baptiste Michel (French, Paris 1748-1804 Paris). Dimensions: Sheet: 8 5/16 x 9 13/16 in. (21.1 x 25 cm). Museum: Metropolitan Museum of Art, New York, USA.

Ariadne comforted by Bacchus, Michiel Mosijn, after Jacob Adriaensz Backer, 1640 - 1655 print Bachus comes to get Ariadne from the island of Naxos. Ariadne, with a crown in the hair, looks up at Bacchus, who is behind her. A ship at sea in the background. At the bottom of the margin a two -line text in Latin. Amsterdam paper engraving Bacchus finds Ariadne on Naxos. sea

Perseus Delivering Andromeda Claude Mellan French. Perseus Delivering Andromeda 392348

Eliezer and Rebekka at the source.

Eliezer and Rebekka at the source, Hieronymus Lapis, c. 1733 - 1798 drawing paper. ink pen / brush the meeting at the well: Eliezer sees Rebekah coming with a pitcher

Draft by Cosmas Damian Asam depicting the biblical sacrifice of Melchizedek, rendered in gray with brush and leading handle techniques, possibly for a ceiling painting.

Pleasures of Occupation Cornelis Bloemaert Dutch. Pleasures of Occupation 397499

Hans Freyberger, German (1571-1631), The Stoning of Saint Stephen, c. 1610, pen and ink and watercolor on laid paper

Allegory in Arts and Sciences with four putti.

Neptune and Amymone 18th century Jean Claude Danzel French. Neptune and Amymone 414305

Juno, Minerva, and Venus Dispatching Mercury With The Apple of Discord James Thornhill (1675-1734 British) The Huntington Library, Art Collections, and Botanical Gardens, San Marino, California

Winter early to mid-18th century Louis Desplaces. Winter. The Seasons. Louis Desplaces (French, Paris 1682-1739 Paris). early to mid-18th century. Etching and engraving. Joseph Limosin (French, before 1700-ca. 1746). Prints

Piping man with rifle and woman with two dogs on a rococo ornament; Smokers on rococo ornament. .

Seated Shepherd Playing with a Dog, Jean-Baptiste Huët, (French, 1745-1811), Gilles Demarteau, Belgian, active in France, 1722 - 1776, Crayon manner engraving on heavy cream laid paper, Crayon manner print in red-brown ink. Young boy is seated on the ground facing left. He leans against a shoulder bag and cape? and holds a shepherd's walking stick in his right hand. He gestures to the little dog (at his left), who stands up on hind legs in a begging pose., France, 1770-75, figures, Print, Print

Soil; Terra; The four elements. The Earth element, personalized by the goddess Cybele, seated in a car that is drawn by two lions. Cybele carries a wall wreath and holds a two keys in her one hand. In her other hand the cornucopia. The print has a Latin caption and is part of a four-part series about the four elements.

Anche a me, Madre mia! (Me too, mother!). Artist: William Young Ottley (British, Thatcham, Berkshire 1771-1836 London). Dimensions: Sheet: 11 7/8 × 15 1/2 in. (30.2 × 39.4 cm). Date: 1828. Museum: Metropolitan Museum of Art, New York, USA.

The Holy Family Artist's working dates 1808-1853 Germany. Etching on ivory wove paper . Ludwig Ferdinand Schnorr von Carolsfeld

A sacrifice to Pan. Engraving by F.G. Aliamet, 1769, after A. Sacchi.

. Semele begs Jupiter to love her. He reluctantly admits because with the glow of his lightning he kills her. Jupiter, surrounded by blinding light, floats with his blims emphasis in the hand in front of the Semele bed. Amor is sitting on the foot end and weent. A caption in French in the margin.

Achilles drags the corpse of Hector behind his car; Achilles in Exanimem Hectora Saevit / Achilles Vents His Rage on Hector. Achilles drives triumphant on his chariot around the city wall of Troy and drags the corpse of Hector humiliating behind the car.

The Judgment of Paris 1750 Pierre François Tardieu. The Judgment of Paris. After Peter Paul Rubens (Flemish, Siegen 1577-1640 Antwerp). 1750. Etching and engraving. Pierre Etienne Moitte (French, Paris 1722-1780 Paris). Prints

Merciful Samaritan, Christian Bernhard Rode, 1735 - 1797 print paper etching the good Samaritan (Luke 10:30-37)

Paris, Basan, Pierre François, Boucher, François, France, L'amour instruit par Mercure, Opvoeding van Amor, verso - gestempeld, print, prent, prints, prenten, height 268 mm, width 398 mm, French, 1723-10-23 - 1797-01-12, print maker, printmaker, 1733 - 1797, paper, papier, engraving, engraving (printing process), Work conception, 1703-09-29 - 1770-05-30, after a design by, Publication (Event), Publication, publisher

Angel and Putti with athletic books from Carmelieter Order and Cherubians.

Amsterdam, Picart, Bernard, Allegory of the work of Jacques Auguste de Thou, verso lower right - stamped, History, accompanied by Justice and Truth, presents the book of the French writer Jacques Auguste de Thou to Eternity. With an empty margin., print, engraving, prints, verso lower left - stamped, 194, height 67 mm, width 120 mm, Noord-Nederlands, 1673-06-11 - 1733-05-08, print maker, printmaker, 1732 - 1732, second quarter 18th century, paper, papier, etching, etchings, engraving (printing process)

Le Charcutier (Bartsch 41) Adriaen van Ostade (1610-1685). The Charcutier (Bartsch 41). Forte, circa 1652

The Golden age; Metamorphoses from Ovid. Women, men and children live in harmony with each other and with the animals. Men picking grape roses.

Apollo en marsyas en het oordeel van midas, Melchior Meier, after Francesco Salviati, 1581 print Apollo in the middle, with the knife in the hand with which Marsyas has just been skinned, whose skin Apollo has stuck in its left hand. Marsyas itself hangs on the tree without skin. On the right the kneeling midas with the donkey ears, saters and soldiers in the background. paper engraving punishment of Marsyas: he is flayed by Apollo

Arcadian landscape with Athens who crowns an old man and Venus and Adonis, Louis Fabritius Dubourg, 1747 drawing paper. ink. watercolor (paint). pencil brush / pen Diana (Luna) visiting the sleeping Endymion. Venus mourning Adonis. (story of) Minerva (Pallas, Athena)

Saint John the Baptist in the wilderness, next to a spring of water. Engraving by W.T. Fry, 1836.

of 3