Mythological and Allegorical Prints

Engravings portraying mythological themes, allegories of love and marriage, featuring dynamic compositions and romantic landscapes.

Mars riding in his chariot in the sky, pulled by two dogs. The signs of Scorpio and Aries indicate which people belong to the sphere of influence of Mars. The people, who are born under this zodiac sign, are rough and aggressive. On earth they rape, rob, kill and set fires. Below in the margin a text in Latin about the children of Mars, The planet Mars and his children The seven planets (series title), print maker: Harmen Jansz Muller, (mentioned on object), Maarten van Heemskerck, (mentioned on object), publisher: Hieronymus Cock, (mentioned on object), Antwerp, 1566 - 1570, paper, engraving, h 212 mm × w 247 mm

King Saul plunges in his sword, Jan Lamsvelt, 1684 - 1743

The World Perishing Together with Knowledge and Love, from The Unrestrained World, plate 4. Artist: Dirk Volckertsz Coornhert (Netherlandish, Amsterdam 1519/22-1590 Gouda); After Maarten van Heemskerck (Netherlandish, Heemskerck 1498-1574 Haarlem). Dimensions: Sheet: 8 9/16 × 10 1/8 in. (21.7 × 25.7 cm)Plate: 7 5/8 × 9 11/16 in. (19.3 × 24.6 cm). Series/Portfolio: The Unrestrained World. Date: 1550. Museum: Metropolitan Museum of Art, New York, USA. Author: Dirk Volckertsz Coornhert. After Maarten van Heemskerck.

Mars, Roman god of war. In helmet breastplate, holding a sword and spear, he rides a biga chariot drawn by two horses driven by a distracted woman. Copperplate engraving from Andrew Tookes The Pantheon, Representing the Fabulous Histories of the Heathen Gods, London, 1757.

Louis XIV (king of France), Paris, Mariette, Pierre (II), France, Lepautre, Jean, Vases à l'Antique, Jug pointing right, A naked young man holds the handle. From a series of 6 unnumbered sheets, first edition., print, engraving, ornamental print, prints, engravings, ornamental prints, height 226 mm, width 158 mm, French, 1618-06-28 - 1682-02-02, print maker, printmaker, 1661 - 1661, third quarter 17th century, paper, etching, etchings, Work conception, after own design by, Publication (Event), Publication, 1634 - 1716, publisher, 1638-09-05 - 1715-09-01, granter of privilege

Brussels, Orley, Richard van (II), Il pastor fido, Silvio kills the big wild boar, verso - stamped, While hunting, Silvio kills the big wild boar that has long been endangering the farmers' harvests. His dogs rush after the prey. Print from a series of 12 prints illustrating the play Il pastor fido, scene 2 of the 4th act., print, prints, height 258 mm, width 192 mm, South Netherlands, 1663-07-16 - 1732-06-20, print maker, printmaker, 1695 - 1705, paper, papier, etching, etchings, engraving, engraving (printing process), Work conception, after own design by

Landschap in ornamentale omlijsting.A representation of a river landscape in an ornamental picture frame with Putti and garlands with fruits. Left and bottom right sitting male saters armed with female saters

Bronze century; Anevm saecvl; The four eras. In a round list the bronze century of Minerva. In the foreground the earth is edited and builds. Grain is mowed and ore dotted. In the background it is done to survey. The print refers to the mythologically inspired idea that man had to work more and more during the bronze century to keep alive. Moreover, the property was central to life. The print is part of a series about the four eras and has a Latin, French and Dutch caption.

The rape of Caenis; Caenis in Virginitatis Amisae Solatium in Virum Fortis.M a Neptuno Transformatur; Metamorphoseon Sive Transformationum; Metamorphoses from Ovidius.neptunus agree to Caenis. Two hippocamps in the water. Title in Latin in undermarge.

The Four Horsemen of the Apocalypse. Dated: published 1630. Dimensions: sheet: 10.7 x 14.7 cm (4 3/16 x 5 13/16 in.). Medium: woodcut on laid paper. Museum: National Gallery of Art, Washington DC. Author: Christoph Murer.

The element fire, leaf from the "Neuw Grottensken book". .

Amsterdam, Visscher, Claes Jansz. (II), Groot, Hugo de, Mander, Karel van (I), Dolendo, Zacharias, Theatrum Biblicum Hoc Est Historiae Sacrae Veteris et Novi Testamenti Tabulis Aeneis Expressae, Scenes from the apocryphal Bible book 3 Esdras, Powers that rule the world, Power of truth, The personification of Truth sits on a cloud, next to her a group of angels. She holds a palm branch, a laurel wreath and a book. In a landscape groups of people kneel reverently before the appearance of Truth. Bottom left a reference to the text in 3 Esdras 3-4. Below the image verses in Latin. This print is part of an album., print, prent, albumblad, prints, prenten, height 213 mm, width 285 mm, Noord-Nederlands, 1561 - 1604, print maker, prentmaker, 1595 - 1596, paper, papier, engraving, engraving (printing process), Work conception, Zuid-Nederlands, Northern Netherlands, 1548-05 - 1606-09-11, after a design by, 1583-04-10 - 1645-08-28, writer, Publication (Event), Publication, 1586 - 1652-06-19, publ

Coxie, Michiel (I), Italy, Master of the Dobbelsteen, Story of Amor and Psyche, Amor begs Jupiter, verso - stamped, Amor begs Jupiter for mercy for the king's daughter Psyche. Right Amor in the arms of Jupiter, next to them the eagle and thunderbolt. Left Mercury, with caduceus in his hand, who was ordered by Jupiter to take Psyche to heaven. Italian text in two cartouches in bottom margin. Numbered twice lower left: 29., print, prent, prints, prenten, height 198 mm, width 230 mm, Italian, German, print maker, printmaker, 1530 - 1560, paper, papier, engraving, engraving (printing process), plate tone, Work conception, South Netherlandish, 1499 - 1592-03-10

Caritas pendant in Rond medallion, Dietrich Meyer, c. 1600 print At the top left a man with wings on his wrists trying to fly, but is hindered by a weight on his feet. At the top right a scene from the man's fable with the two bags. At the bottom left a coat of arms with a hand holding a serpent and a dog with a bag on the bottom right. One of 8 unnumbered magazines from a series of 12 with pear -shaped pendants with grotesks, birds, fish and garlands, placed in a structure of rolling and schweifwerk. Zurich (Stad) (Possibly) paper etching

Rest on the Flight Into Egypt. Maria is under a tree and nourishes the Christ child. On the left a stable and Joseph with the donkey. Left ducks in a pond, a salamander and a small monkey. Under the show four cartouches with Italian text.

The planet Venus and its children; Of the seven planets and haer firm; The seven planets; Den Grooten Figuer Bibel (...). Venus and Amor driving in a car in the sky, drawn by two birds. The signs of scales and bull indicate which people belong to the sphere of influence of Venus. The people who were born under this zodiac sign surrender to a pleasant life and eroticism. In a landscape loves, bathed, gingered, walked in couples or ate around a set table. At the bottom of the margin a text in Latin about the children of Venus. This print is part of an album.

Woodcut by Lucas Cranach the Elder around 1516-1517 depicting a German tournament or race, showing knights, horses, and spectators in public space.

Embleem met man die twijfelt over de keuze tussen leven in deugd of leven in zonde; Den wech des eeuwich levens.A man doubts about his walk in a split of two roads. One way of a life in virtue leads to eternity and the other way of a life in sin leads to hell. He must consider whether he regrets his choice after his death, according to the meditation requirement in the edition.

The Brigands Robbing the Traveler. Crispin van de Passe (Holland, Arnemuiden, 1564-1637). Holland, circa 1600. Prints; engravings. Engraving

Walker fights the wind, 1596 print Two men walk on a path. One man fights against the wind. His hat has blown him off the head. The wind, in the form of a head in the clouds, blows back to the man and the man blows back. Frankfurt am Main paper engraving winds. head-gear

Design for Fountain with Trophy of Musical Instruments, François de Cuvilliés the Elder, Belgian, active Germany, 1695 - 1768, Georg Siegmond Roesch, Nicolas Jean-Baptiste de Poilly, French, 1712-after 1758, Etching and engraving on off-white laid paper, 1745, ornament, Print, Print

Pyramus and Thisbe, Bartholomeus Willemsz. Dolendo, after Chrispijn van den Broeck, 1600 print On the right in the foreground at a fountain, the corpse of Pyramus, in beautiful clothing. On the left is this on her knees in desperation holding the hands in heavenly. In the background on the left is a sadded horse, near a tree. Leiden paper engraving (story of) Pyramus and Thisbe

Petri, Martinus, Netherlands, Heemskerck, Maarten van, Doetechum, Lucas van, Joannes van (I), Landscape with the Good Samaritan, verso - stamped, In a landscape with ruins of ancient buildings the good Samaritan provides care the wounded traveler. His servant holds the reins of his horse. On the road the priest and the Levite can still be seen, who refused to help., print, prints, height 275 mm, width 377 mm, Northern Netherlands, 1530 - 1605, print maker, printmaker, 1552 - 1552, paper, papier, etching, etchings, - 1589, Work conception, 1498 - 1574, after a design by, Publication (Event), Publication, publisher

HAVANA from the sea Date: 1683

June; Jvnivs; The twelve months. Round list with a cityscape with summer scenes.juni is the shaving month. Central is washing and shaving the sheep and sorting their wool. In the middle of the constellation lobster. The print is part of a twelve-part series over the twelve months.

A knight catches a boar; Ardennes Castitatis Studium. A knight catches a boar. Under the show the motto: Fortior Est Qui se Quam Qui Fortissima Vinxit.

Prometheus. Thomas de Leu (France, Paris, circa 1555-1612)Antoine Caron. France, circa 1609. Prints; engravings. Engraving

Brown ink drawing by Pieter Bruegel the Elder showing the Hell trip to Christ, depicting figures, gestures, landscape, and composition, executed with detailed brown ink in 1561.

Fall of iCarus; Landscapes with biblical, mythological scenes and yacht scenes. Landscape with field. In the air Daedalus and Icarus. Icarus flies too high with the sun, the wax of his wings melts and it falls out of the air. In the foreground a farmer looks up from plowing, while two shepherds look at the air and point. The print has an ornamental list of flowers and animals. He is part of a twenty-four series of landscapes with biblical, mythological scenes and yacht scenes.

War produces poverty; Recycle of human action; Circlvs Vicissitvdinis Rervm HVManarvm. The personification of war (Bellum) stands for all kinds of war, a sword in the right and a torch in the left hand. Around her lie weapons. At her feet is poverty (pauperies): a girl in a meager clothing. In the background, war is lodged and soldiers plunder a home. The print has a Latin caption and is part of a series about the cycle of human action.

Laziness, Pieter van der Heyden, Hieronymus Cock, unknown, 1558

The blue Huyck (leaf 1); De Blauwe Huijcke, Dith's most Ghenaemt, Maer des Worldrels Idel Sprocken, Beetaemt him. The blue Huyck, leaf 1. Different proverbs on a sheet: R.O. Dese Staet with the one n foot on that, and Dander Int grave; L.o.: Dese Siet at that Aeij, and Laet De Henne walk; L.b.: An Ider Huys, his cruise.

Aesacus chases Hesperia, Crispijn van de Passe (I), 1602 - 1607 print Aesacus picks Hesperia, who then flees. Then she is bitten by an adder, on which Aesacus jumps from a rock. The ZeenMIMF Thetis catches him and turns it into a bird. In the margin a four -line caption, in two columns, in Latin. Cologne paper engraving Aesacus changed into a diving bird: in despair for having caused the death of Hesperia (or Asterope), Aesacus throws himself into the sea and is changed into a diving bird by Tethys (Ovid, Metamorphoses XI 783). Aesacus changed into a diving bird while pursuing the nymph Hesperia (or Asterope), who is bitten by a snake

Stool from a boat / two vagrants, Jan Goeree, 1707 print Two performances of lottery spells, each with its own song. Above n. 217: A performance in a round list of a sailing ship at sea. One of the skippers relies from the boat. His droppings fall on a seal. Under n. 220: A show in an octagonal list of two tramps that leave a house, overloaded with household goods. In the background some rich people around a table, seen through an open door. The print has a page number at the top right. print maker: Amsterdamafter design by: Amsterdampublisher: Leiden paper engraving sailing-ship, sailing-boat. defecation. swimming mammals: seal. beggar. burglary. banquet of elegant company

Orpheus in the underworld: the element fire; Ignis; The four elements. Orpheus with his winch for Pluto and his wife Prosperina in the Hades, with the tartarus in the background with, among other things, Sisyphus with a rock and ixion on a burning wheel, as allegory on the element fire. Presentation in an oval around which a peripherals in Latin. Print from a series of four.

Girl and two ducks; La Fille Au Canards. A girl sitting on the grass on the waterfront, two ducks in the water.

Schellenberg, Johann Rudolph, Five scientific representations of animals, verso - stamped, Tab VIII: Poultry; beehives; sericulture; wild beasts and beasts of burden; fowl and fish., print, prints, height 196 mm, width 248 mm, Swiss, 1740-01-04 - 1806-08-06, print maker, printmaker, 1784 - 1784, paper, papier, etching, etchings, Work conception, after own design by

Bound Print, Cartouche with Quiver and Lion; Designed by François de Cuvilliés the Elder (Belgian, active Germany, 1695 - 1768); Print Maker: Balthazar Sigismond Setlezky (German, 1695 - 1774); Germany; etching and engraving on paper; 27.5 × 18.5 cm (10 13/16 × 7 5/16 in.)

Dike breach at Coevorden, 1673, Romeyn de Hooghe, 1673 print Dike breakthrough at Coevorden, October 1, 1673. Evening riders and guns are washed away by the water, in the distance the city of Coevorden. At the top of the plate the title on a hanging canvas, on the left a legend 1-11, on the right a verse of 6 lines 'on Coeverdens Miraculreuse redemption'. The whole in a frame with wind heads and skulls. print maker: Netherlandsafter own design by: Netherlandspublisher: AmsterdamNetherlands paper etching / engraving Dike-Break Coevorden

Carro d'Amore Guerra di bellezza. Parigi, Giulio, 1571-1635. Prints. 1616. Jerome Robbins Dance Division. Guerra di bellezza (Choreographic work : Ricci), Pageants , Italy, Horse ballet, Ballet , 17th century

Titian, Lefebvre, Valentin, Opera Selectiora, Sleeping Shepherds, verso - stamped, Landscape with sleeping shepherds with their flock. In the distance is a town. The print is part of a 53-part series of prints after paintings by Titian and Veronese., print, prent, prints, prenten, height 206 mm, width 317 mm, 1642, print maker, prentmaker, 1680 - 1749, paper, papier, etching, etchings, Italian, 1488 - 1576-08-27, intermediary draughtsman

The Governor (Ki Patih) and the Opper-Sjaich (Kali) van Bantam, 1596, 1646 print The Governor (Ki Patih) and the Opper-Sjaich (Kali) of Bantam, 1596. Group of Javanese dignitaries put on the ground under a parasol. Printing the worked plates for the original illustrations in the travelogue of the first Schipvaert from Cornelis de Houtman to the East Indies in 1595-1597. No. 20. Northern Netherlands paper etching / engraving exploration, expedition, voyage of discovery. landscapes in tropical and sub-tropical regions Bantam

Galle, Philips, Vos, Maerten de, Antwerp, Passe, Crispijn van de (I), History of Jonah, God sends Jonah to Nineveh, verso - stamped, God sends Jonah to Nineveh to preach to the pagan inhabitants there. ... circular frame with a Bible quotation from Jonah in Latin., print, prints, height 100 mm, width 95 mm, 1564 - 1637, print maker, printmaker, 1580 - 1580, paper, papier, engraving, engraving (printing process), Work conception, Southern Netherlands, 1532 - 1603-12-04, after a design by, Publication (Event), Publication, 1537 - 1612-03-29, publisher

Hagar in the desert, Attributed to Symon Novelanus, 1577-1627

The Age of Silver. Antonio Tempesta (Italy, Florence, 1555-1630)Wilhelm Janson (Holland, Amsterdam). Italy, published 1606. Prints; etchings. Etching

Drawing, Design for a Tapestry: Bacchus and Ariadne; Netherlands; pen and ink, brush and wash, black chalk on paper; 16.7 × 25.7 cm (6 9/16 × 10 1/8 in.)

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Della Bella, Stefano (dit Étienne de la Belle) (n.1610-05-18-D.1664-08-22), vignettes for the book Les Triomphes de Louis le Just XIII by the name by Jean Valdor. (A. de Vesme 952; Dutuit 166) (main title). Etching. Petit Palais, Museum of Fine Arts of the City of Paris.

Antwerp, Jode, Pieter de (I), Italy, Tempesta, Antonio, Metamorphoses of Ovid, Metamorphoseon sive transformationum, Athamas Learchum interficit et Ino Melicertam in aequor praecipitat, Learchus killed by Athamas, while Ino and Melicertor jump into the sea, verso - stamped, The enraged king Athamas kills his son Learchus whom he mistakes for a lion. In the background, Ino and Melicertor, among others, jump into the sea. Title in Latin in bottom margin., print, prints, height 104 mm, width 117 mm, Italian, 1555 - 1630-08-05, print maker, printmaker, 1606 - 1606, paper, papier, etching, etchings, Publication (Event), Publication, South Netherlands, 1570 - 1634-08-09, publisher

The two naval battles on Schoonevelt, 1673, 1673 print The two naval off the Zeeland coast on the plain of Schoonevelt on June 7 and June 14, 1673. Great representation of the strokes between the fleet of the Republic under De Ruyter and the combined English-French fleet under Prince Rupert and Graaf Jean d'Estrées . At the top medallions with portraits of Willem III, Michiel de Ruyter and Cornelis Tromp. In addition, small scenes with the trip to Chatham in 1667 and the Battle of SoleBay in 1672. Hereby allegorical figures of the militant sea shipping and Hercules. At the print a text sheet with the title and a description of the events and legends 1-26, 1-9 and A-C in 4 columns in Dutch. print maker: Northern Netherlandspublisher: Amsterdam paper etching / engraving / letterpress printing battle (+ naval force). Raid on the Medway. Battle of Solebay. Second Battle of Schooneveld. First Battle of Schooneveld Sheppey, Isle of

Miners and a forge, Anonymous, Hans Weiditz (II), 1514 - 1532 print Print is part of an album. paper letterpress printing mining. smith, blacksmith

Italy, Boldrini, Nicolò, Venice, Titian, Landscape with a Milkmaid, verso - stamped, Mountainous landscape with a milkmaid in the foreground, a shepherd boy with a flock of sheep, goats and cows and an eagle., print, prent, prints, prenten, height 377 mm, width 532 mm, Italian, 1488 - 1576-08-27, print maker, printmaker, 1525 - 1525, first quarter 16th century, second quarter 16th century, paper, papier, ink, inkt, woodcut, pen, 1500, block cutter

The Temptation of Saint Anthony. Dated: 1522. Medium: woodcut. Museum: National Gallery of Art, Washington DC. Author: Jan Wellens de Cock.

Triumphar of the world; Circulus vicissitudinis Rerum Humanarum. Triumphar with broken wheels, drawn by two winged horses. The right horse has the sun on its head and proposes the day (dies); The left horse is the night (NOx) and has a crowbar on the head. The car is laid down by time as an old man with zeis and hourglass. On the four corners of the cart are the personnifications of the four elements: Ignis, Terra, Aer and Aqua with their attributes. The globe is in the middle on a standard. The four winds blink in the clouds. Print from a series of nine prints with triumph carts from the Antwerp circumcision of 1561.

Card No. 34. (In the middle of the upper part of the card, a composition depicting the Job sitting under the tree) in: Manuel pour l`instruction de la Jeunesse Par Stoy Penzel, Johann Georg (1754 1809)

Page 470 Georgii Agricolae De re metallica: libri XII. Quibus officia, instrumenta, machinae, ac omnia deni, que, ad metallicam spectantia, non modo luculentissimè describuntur, sed and per effigies, suis locis infertas, adiunctis latinis, germanicis, que, appellationibus ita ob oculos ponuntur, ut clarius tradi non possint., Eiusdem De animantibus subterraneis liber, Agricola, Georg, 1494-1555, Woodcut and letterpress, 1556

Jupiter and Io. Dated: 1665. Dimensions: plate: 14.9 x 13.9 cm (5 7/8 x 5 1/2 in.) sheet: 15 x 14.2 cm (5 7/8 x 5 9/16 in.). Medium: etching on laid paper. Museum: National Gallery of Art, Washington DC. Author: the Elder Georg Andreas Wolfgang.

Abduction of Europe. Le Pautre, Jean (1618-1682), graphic artist, Sympson, Samuel (fl. ca 1720-1751), publisher

Chariot of Apollo. Date/Period: 1764. Engraving. Etching and burin on paper. Height: 452 mm (17.79 in); Width: 567 mm (22.32 in). Author: A. J. Defehrt.

Wood engraving, England, by Thomas Bewick.

Commedia del'Arte (Furnishing Fabric) Made 1775-1899 France. Cotton, plain weave; copperplate printed .

Rudolf II of Habsburg (German Emperor), Sadeler, Johann (I), Barendsz., Dirck, Keulen, The four continents, America, verso lower left - stamped, The female personification of the continent of America in the foreground. In her hands a spear. On her head she wears a feather headdress. In the background an American landscape with an Indian-dressed couple. Above the personification of America in a tree two parrots. The print has a Latin caption and is part of a four-part series with personifications of the four continents., print, prints, height 182 mm, width 230 mm, Southern Netherlands, 1550 - 1600-08, print maker, printmaker, 1581 - 1581, paper, engraving, engraving (printing process), Work conception, Northern Netherlands, 1534 - 1592-05-26, after a design by, Publication (Event), Publication, publisher, 1552-07-18 - 1612-01-20, granter of privilege

The prince sails in the ship through the Nieuwe Vaart, 1577. The Prins sail into the ship through the Nieuwe Vaart in Brussels. The prince sat at a table in a boat decorated with branch green or trees and coats of arms. Part of the arrival of Willem van Oranje in Brussels, September 18, 1577.

Sagittarius derived during shooting, Jan Luyken, 1689 print Amsterdam paper etching / letterpress printing shooting with bow and arrow, archery (~ games of skill)

Patience (Patientia) 1557 After Pieter Bruegel the Elder Netherlandish. Patience (Patientia) 360001

God appears for an old man, Anonymous, After Hans Bol, c. 1550 - c. 1633 print An old man kneels down at a stream in a village. God appears in a cloud for Him. The old man pleads his hands begging. Southern Netherlands paper etching vision

The Flight intoEgypt. Artist: Sébastien Bourdon, French, 1616-1671

This circa 1460 copper engraving by Meister der Wiener Passion depicts the Viennese triumph of Petrarch, showing figures, gestures, and symbolic composition.

Antonius's temptation with attack by Demons, Lucas Cranach (I), 1506 print Saint Antonius is attacked by demons in a hallucination during his stay in the desert. He floats in the air between strange creatures that appears to be composed of all kinds of animal body parts. At the bottom right, the cave of Antonius is shown next to a tree and a view with a city on a river in a landscape. At the top of the tree there are two shields with the Electoral and Ducal Wapen van Saxony. Germany paper St. Antony Abbot tormented by devils, attacking him on the ground or carrying him aloft

Prometheus donates humans, Hendrick Goltzius (workshop of), After Hendrick Goltzius, 1589 print Prometheus stands next to the human figure that he himself created from Slijk and gives him the fire in the form of a torch. Every two men different animals (elephant, lion, monkey, dog, cow, etc.). Two times two lines of Latin text under the performance. This print is part of a series of 52 prints that represent stories from Ovid's metamorphoses. This series falls into three numbered series: two of 20 prints and one of 12 prints. This print belongs to the first series. Haarlem paper engraving Prometheus brings fire to mankind

Pyramids of Egypt, Philips Galle, After Maarten van Heemskerck, 1646 print In the background Egyptian pyramids and obelisks. Men made to slave scoop clay from the river, which are then baked into stones in a burning oven for the buildings. In the foreground, Pharaoh Psammetiches is on a stone block. He looks at an eagle with a sandal in his mouth. This image refers to a fable of Aesopus about the relationship between Rhodopis, a young Egyptian woman, and the Pharaoh. Under the show a verse in Latin. This print is part of an album. paper engraving Egyptian pyramids (Wonder of the World). pyramid (historical grave form). Psammetichus, king of Egypt, and the courtesan Rhodopis; Cupid assists her in putting on her sandal (while she was bathing one day an eagle carried away one of her sandals and dropped it near Pharaoh, who started to look for its owner). slavery; serfs and the enslaved

Jefta's daughter mapping with her girlfriends in the mountains; History of Jefta; Historia Jeptes; Thesaurus Sacrarum HistoriaRu M Veteris Testame N Ti, Elega N Tissimis Imaginibus Expressu M Excelle N Tissimoru M in Hac Arte Viroru M Opera: now N C Primu M Luce M Editus. Jefta's daughter takes back in the mountains to marry her friends to grieve her virginity. Behind them there is a shepherd with his sheep on a mountain. In the background a city. Under the show a reference in Latin to the Bible text in RI. 11. Print is part of an album.

Five Heavenly Riders fight against Timoteüs, 1579 print The army of Timoteüs opens against Judea and Vecht against the Jews. Five horsemen on horses with golden reins appear in the sky, heading the Jewish troops. They bombard the men of Timoteüs with arrows and lightning. Under the show a reference in Latin to the Bible text in 2 bubble. 10:29. Print is part of an album. paper engraving riders are seen in the sky above the city of Jerusalem (2 Maccabees 5:2)

Weihe des Imperators, historisches Rom, Italien, digitale Reproduktion einer Originalvorlage aus dem 17. Jahrhundert, Originaldatum nicht bekannt

Cain and Abel, attributed to Symon Novelanus, 1577 - 1627

Amor begs Jupiter, master of the die, after Michiel Coxie (i), c. 1530 - c. 1560 print Amor begs Jupiter for grace for the King's Daughter Psyche. On the right Amor in the arms of Jupiter, next to them the eagle and lightning bolt. On the left Mercury, with Caduceus in hand, to whom Jupiter dedicated to bring psyche to heaven. Italian text in two cartouches in STUDMARGE. Numbered twice in the bottom left: 29. Italy paper engraving other scenes from the story of Cupid and Psyche

Tobias blessed by the blind Tobit, Jan van de Velde (II), After Moyses van Wtenbrouck, 1603 - 1652 print Tobit blesses his son Tobias before he leaves the angel Rafaël. First print from a series of four about the Bible story of Tobias. Amsterdam paper etching / engraving Tobias and the angel Raphael with Tobit (and Anna)

Catharina sitting on a cloud above a rainbow; The life of Siena H. Catharina. Catharina is sitting on a cloud that floats above a rainbow. The rainbow runs from a place outside the city walls to the city gate. Part of a series about Catharina van Siena consisting of a title print, a portrait and 32 numbered scenes from her life.

Destruction of the Egyptian Army in the Red Sea From Moyses and Pharaoh (series title) History of Moses for the Exodus (series title) Den Grooten Figuer-Bibel (...) (series title), After the Israelites have reached the other side of the Red Sea, the water of the Red Sea flows back, drowning Pharaoh and his army. Below the performance a reference in Latin to the Bible text in Ex. 14:23. This print is part of an album, Pharaoh and his army engulfed in the Red Sea (Israelites not or barely visible), Johannes Wierix (mentioned on object), 1579 and/or 1646, paper, engraving, h 201 mm × w 286 mm

Salamanca, Antonio, Italy, Raphael, Master of the Dice, Phoenix, verso attachment sheet - stamped, A self-immolating phoenix in a tree, surrounded by other animals including bears, dogs and deer. Italian text in two columns in bottom margin., print, prints, height 188 mm, width 222 mm, Italian, German, print maker, printmaker, 1530 - 1560, paper, engraving, engraving (printing process), plate tone, Work conception, 1483-04-07 - 1520-04-07, after a design by, Publication (Event), Publication, 1478 - 1562, publisher

. Landscape with sleeping shepherds at their herd. There is a city in the distance. The print is part of a 53-part series of prints to paintings by Titian and Veronese.

Emblem with angel pointing a man to all the good deeds and gifts of God Den wech des eeuwich levens (series title), Boëtius Adamsz. Bolswert, print maker: anonymous, publisher: Hendrik Aertssens (II), Antwerp, 1620 - 1623 and/or 1623, paper, engraving, h 136 mm × w 92 mm

Jonah Cast on Shore by the Fish ca. 1585 Antonius Wierix, II Netherlandish. Jonah Cast on Shore by the Fish 645221

. God creates the sun, moon and stars and thus separates the light of darkness. In the margin a two-person caption in Dutch.

Four illustrations of classical history from one plate, numbered XXIX through XXXII and all with captions Top left: Megabyzus kills the lion attacking Artaxerxes Bottom left: Alcibiades cuts off the tail of his dog Top right: Flogging and killing of Demosthenes and Nicias Bottom right: Lysander destroying the walls of Athens Representations XXIX and XXX marked at upper right: Opposite page 302 Representations XXXI and XXXII marked at upper right: Opposite of page 368, Four representations from classical history Illustrations from classical history , print maker: Simon Fokke, (mentioned on object), Simon Fokke, (mentioned on object), Amsterdam, 1722 - 1784, paper, etching, h 224 mm × w 282 mm

Jupiter and De Donder, Reinier Vinkeles (I), 1773 print From a cloud party, Jupiter throws a number of lightning bolts to the earth. Illustration of Fabel CLXII, Jupiter et Les Tonnerres. Amsterdam paper etching attributes of Jupiter: thunderbolt. (story of) Jupiter (Zeus). landscapes. river

The Age of Silver. Nicolo Van Aelst (Flanders, 1527-1612)Antonio Tempesta (Italy, Florence, 1555-1630). Italy, 1599. Prints; etchings. Etching

Hercules kills the dragon ladon; Hesperidum Mala Fert Aurea; Herculean themes. Hercules stands with a tense bow for the dragon ladon, the guard of the tree of the Hesperides.

Ajax the Locrian (Ajax the Lesser). Engraving circa 1615, by Leonard Gaultier. Gaultier, or Galter, was a French engraver, born at Mainz about 1561, and died in Paris in 1641. During the sack of Troy as Ajax violated Cassandra in the temple of Athena he pulls down the image of the goddess. He was called the 'lesser' or 'Locrian' Ajax, to distinguish him from Ajax the Great, son of Telamon. when Ajax came to the Capharean Rocks on the coast of Euboea, his ship was wrecked in a fierce storm, he himself was lifted up in a whirlwind and impaled with a flash of rapid fire from Athena in his chest, and his body thrust upon sharp rocks, which afterwards were called the rocks of Ajax.

Armed men shake hands, Anonymous, Hans Weiditz (II), 1514 - 1532 print Print is part of an album. paper letterpress printing meeting. violent death by blows, kicks, pricks, etc.

milking goats and slaying a wild boar. From Physique sacree, ou Histoire-naturelle de la Bible, 1732-1737, by Johann Jakob Scheuchzer (1672 - 1733), a Swiss scholar born at Zurich

Giants Repelled by Jove. Dated: 1665. Dimensions: plate: 15 x 13.7 cm (5 7/8 x 5 3/8 in.) sheet: 15 x 14 cm (5 7/8 x 5 1/2 in.). Medium: etching on laid paper. Museum: National Gallery of Art, Washington DC. Author: the Elder Georg Andreas Wolfgang.

View of a fort in Dalmatia, ca. 1702, 1702 - 1703 print View of a fort in Dalmatia (Croatia). Plate no. 198 In the printed work consisting of a total of 276 numbered plates of renowned strong cities and fortresses in the context of the Spanish Succession War. For the most part these records have been copied to the anonymous French records: in Les Forces de l'Europe and in: Le Theater de la Guerre, Dans Les Pays-Bas, both originally published by Nicolas de Fer in Paris (1693-1697) in the framework of the nine -year war. Amsterdam paper etching fortress Dalmatia

Neptunus sends a flood on Troy, Antonio Tempesta, 1606 - 1638 print Neptunus, standing on a shell that is pulled by hippocampuses, sends a flood on Troy. Title in Latin in STUDMARGE. paper etching Neptune floods the country of Troy Three

April; Aprilis; Twelve months. The month of April is represented by a hilly landscape with a sowing figures. In the background the constellation bull is shown in the air.

Mercury in his chariot, riding across the heavens. Engraving by J. Sadeler after M. de Vos.

Juli; Iulius Heumonat; De twaalf maanden.A resting hay looks at the field behind him where men and women hay. In the lower margin twice a four-line text in Latin and German.

Italy, Schiaminossi, Raffaello, Attributi dell'Anima, Attributes of the soul, Impetus and Reason, verso - stamped, Two representations of personifications. Left: Impetus (Impetus Animi) as a man with a feathered hat and a bellows. Right: Reason (Ratio) as a woman with a sword and a lion. Both representations with two Italian lines of verse in the lower margin., print, prints, height 155 mm, width 243 mm, Italian, 1572 - 1622, print maker, printmaker, 1605 - 1605, paper, papier, etching, etchings, plaattoon, Work conception, after own design by

Jupiter kidnaps Ganymedes, Anonymous, After Hans Bol, c. 1550 - c. 1650 print Jupiter, in the form of an eagle, flies with Ganymedes to the Olympus. Southern Netherlands paper etching the rape of Ganymede: he is carried off through the air by Jupiter in the form of an eagle, or by the eagle of Jupiter

Chetyre karikatury na sobytiia 1800, 1807 i 1808 godov Caricatures relating to events in 1800, 1807, 1808. Rovinski, D. A. (Dmitri Aleksandrovich), 1824-1895. Prints. 1884 - 1890. Rare Book Division

Hoogmoed, Pieter van der Heyden, after Pieter Bruegel (I), 1558 print Female personification of the pride (superbia) in rich robe with mirror in hand, standing next to a peacock. Around all kinds of fantastic scenes and monsters with which this head sin is portrayed. With caption of a rule in Latin and a rule in Dutch. Antwerp paper engraving Pride; 'Superbia' (Ripa) ~ personification of one of the Seven Deadly Sins. mirror. care of the hair

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