Mythological and Allegorical Representations

Artworks portraying virtuous figures and mythological themes, utilizing intricate details to express strength, temperance, and the essence of historical narratives.

Rachel, Jan Collaert (II), Philips Galle, Cornelis Kiliaan, 1588 - 1597

David, Nicolaas Braeu, after Jacob Matham, c. 1586 - in or after c. 1600 print David leans on the sword of Goliat and he holds his head in his other hand. In the background you can see how David beats Goliat after he had hit him with a stone from his pendulum. In oval with a frame of bay leaves. paper engraving David (not in biblical context); possible attributes: crown, harp

Sibille from the HELLSPONT; S. HELLSPONTICS; Twelve sibilles. Sibille from the Hellespont

The bleeding woman, Jan Saenredam, Balthasarus Schonaeus, Gerard Valck, 1661-1726.

July: A harvesting woman, anonymous, after Reinier van Persijn, after Joachim von Sandrart (I), 1670 - 1726 print The month of July: a harvesting woman and, in the background, a group of farmers. At the top left the Lion. Under the show a poem in the Dutch of Joost van den Vondel and a verse in French. Copy in mirror image to the print of the same name by Reinier van Persijn. Amsterdam paper etching / engraving July and its 'labours' (+ with zodiacal signs). harvest

Misfortune Made 1536-1546 Germany. Engraving in black on ivory laid paper . Hans Sebald Beham

Thomiris with the Head of King Cyrus attributed to () Georg Pencz German. Thomiris with the Head of King Cyrus. attributed to () Georg Pencz (German, Wroclaw ca. 1500-1550 Leipzig). Engraving. Prints

Mantua, Romano, Giulio, Italy, Ghisi, Giorgio, Allegorical figure with a sphere, verso - stamped, A standing winged female figure with a sphere under her arm., print, prent, prints, height 240 mm, width 151 mm, Italian, 1520 - 1582-12-15, print maker, printmaker, 1530 - 1582, paper, papier, engraving, engraving (printing process), Work conception, 1499 - 1546-01-11

Relief with personification of element. Air above bow on the west side of the civil room in the town hall on the dam. Relief with personification of the element air above the left (southern) arch on the west side of the civil room in the town hall on Dam Square in Amsterdam. In her left hand a peacock, in her right hand a chameleon - the animal that, according to Pliny, did not eat or drank, but fed with air (Historia Naturalis 8:33). Signed under the left of the center: E (crossed out). Numbering at the bottom right of hand Added: CII N. 2.

St. John, from Christ, the Apostles and St. Paul with the Creed ca. 1589 Hendrick Goltzius Netherlandish. St. John, from Christ, the Apostles and St. Paul with the Creed 398811

Copper engraving by Meister i e depicting Saint Elizabeth, created around 1500, showing her figure, attributes, and traditional pose.

Maan (Diana), anonymous, after Jacob Matham, after Hendrick Goltzius, 1717 - 1732 print Diana, or the personalized moon, with a bow and bow and on her head the crescent. To the left of her hair astronomical symbol. Standing in an oval cartouche with at the top of the two signs: moon and lobster. Amsterdam paper engraving Diana as moon-goddess, i.e. Luna (Selene). Luna and her children ('Planetenkinder')

Allegorical Figure of Faith, Marc Antonio Raimondi, Italian, 1483 - 1527, Engraving on paper, Female figure standing in a niche, facing half-left and pointing to a ray of fire, upper left., Bologna, Italy, ca. 1500, Print, Print

Allegory of the Sciences, by Adriaen Collaert (ca 1560-1618).

Griezende Woman in Destroyed City, Jean Baptiste Nolin (I), After Sébastien Leclerc (I), 1678 print Paris paper engraving / etching destruction of conquered city. weeping

Muze with lute standing in Nis; Gods and muses and young women. Muse, possibly terpisichore, with lute standing in NIS.

Pallas (Athena Pallas) - Bartsch 139 Lucas de Leyde (1494-1533). Pallas (Athena Pallas) - Bartsch 139. Burin. 1530.

Justice, Albrecht Dürer, German, 1471-1528, Engraving on laid paper, A man is seated on a lion, holding in his right hand a sword; in his left a scale. An aureole surrounds his head, and rays of light come from his eyes., Germany, before 1503, figures, Print, Print

General in antique Dracht, Giulio Romano, 1502 - 1546 drawing paper. ink pen / brush

Minerva (Pallas Athena) in armor standing on Globe.

Ceres. Etching by F. Perrier.

A muse. Etching by F. Perrier.

Portrait of Nestorius, Romeyn de Hooghe, 1701 print Portrait of Nestorius from a series of portraits in the history of the churches and Ketteren from the beginning of the new will until the year Onses Lord 1688 by Godfried Arnold (1701). Netherlands paper etching / engraving

Europe. Artist: After Edme Bouchardon (French, Chaumont 1698-1762 Paris); Engraved by Johann Justin Preissler (German, 1698-1771). Dimensions: Sheet (trimmed): 10 5/8 × 12 1/16 in. (27 × 30.7 cm). Series/Portfolio: The Four Parts of the World(Les Quatres parties du monde). Date: 1730-71. Museum: Metropolitan Museum of Art, New York, USA.

Hagar in the desert. Hagar in the desert. In Latin Latin line text: Gen 16

Statue of Laurens Jansz. Coster 't Statue of Laurens Koster, standing at' t Princenhof in the Artzeny-Tuyn, in Haerlem (title on object), Statue of the Haarlem printer Laurens Jansz. Coster in the garden of the Hortus Medicus in Haarlem. On the occasion of the third centenary of the invention of the printing press in Haarlem in 1423. The printer is lauded, holds an open book and the letter a., Piece of sculpture, reproduction of a piece of sculpture, Hortus Medicus (Haarlem ), Haarlem, Laurens Janszoon Coster, Adolf van der Laan (mentioned on object), 1740, paper, etching, h 103 mm × w 168 mm

Painting of the nymph Chloris or Flora, wife of Zephyrus, holding a vase of flowers and picking a bloom from a bush. Copperplate engraving by Tommaso Piroli from his Antiquities of Herculaneum (Antichita di Ercolano), Rome, 1789.

Study of Raphael's Cumaic Sibylle, Cumaic Sibylle, draughtsman: Federico Barocci, (attributed to), after: Rafaël, 1556 - 1566, paper, pen, brush, h 380 mm × w 230 mm

Angel with a Banderole Claude Mellan French. Angel with a Banderole 393334

Saenredam, Jan, Amsterdam, Sluyter, Dirk Jurriaan, Venus and Cupid, verso middle, Cupid, with bow and arrow in his hand, looks up at Venus, who places her hand on his shoulders. Her cloak billows in the wind. Two doves watch from a cloud., print, engraving, prints, height 200 mm, width 125 mm, Dutch, 1811-11-14 - 1886-05-29, print maker, printmaker, 1826 - 1886, paper, engraving (printing process), Work conception, Northern Netherlands, 1565 - 1607-04-06

Obstwo, from the series: Disadvantages; Pencz, Georg (CA 1500-1550); 16th century (1500-00-00-1600-00-00);

Misfortune. 1501 - 1600. Beham, Hans Sebald, 1500-1550. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

Two sibilles. Two sibilles, one with a book or tablet in the hands, the other with a scroll in the hands. Under the show a two-key text in Latin.

Master of the E Series Tarocchi, Talia (Thalia), c 1465 Talia (Thalia)

Roman fragments with image Hestia Giustiniani, Georg Christoph Eimmart (II), In Or Before 1675 print A collection of sacrificial objects with the sculpture 'Hestia Giustiniani' on a pedestal in the middle. To the left of it a candle slicer, a pot or vase on the right. Nummered above G. paper etching (story of) Vesta (Hestia). piece of sculpture, reproduction of a piece of sculpture

Italy, Carracci, Agostino, Saint Lucy, verso - stamped, The martyr Lucia from Syracuse. In her hands Lucia holds a palm branch and a bowl with two eyes., print, prints, height 121 mm, width 95 mm, Italian, 1557 - 1602-03-22, print maker, printmaker, 1581 - 1581, paper, papier, engraving, engraving (printing process)

Justice (from the Tarocchi, series B: Cosmic Principles & Virtues, #37), before 1467. Master of the E-Series Tarocchi (Italian, 15th century). Engraving;

Sculpture of a Sibille, Anonymous, 1600 - 1699 print Caption in Latin. Print is part of an album. paper etching / engraving piece of sculpture, reproduction of a piece of sculpture. sibyls

Richelieu, Armand Jean du Plessis, Duke of.

Image of Diana in the garden of Versailles, Anonymous, After Martin Desjardins, 1703 - 1754 print Nummered at the bottom left: 3. print maker: Francepublisher: Augsburg paper etching / engraving (story of) Diana (Artemis). statues, sculptures in garden Versailles

Allegory of art, print maker: Hendrick Goltzius workshop of, Hendrick Goltzius, Claes Jansz. Visscher II, 1586 - 1590 and or 1596 - 1652

Allegory of Asia, from the Four Continents ca. 1590-1600 After Marcus Gheeraerts the Elder Flemish Marcus Gheeraerts likely trained with the Brussels painter Bernard van Orley; and, after his death, in Antwerp with the prolific printmaker and publisher Hieronymus Cock. Gheeraerts produced his own etchings as well as hundreds of drawings for engravings, which were executed by some of the most well-known Flemish artists of the time. His connections to these printers and publishing housesCock, Sadeler, Galle, de Joderemained strong even while he was in exile in London.This Allegory of Asia is part of a series of engravings of the four continents after drawings by Gheeraerts. European artists from the Renaissance onwards represented the known world through allegorical figures derived from antiquity. They often took the form of clothed or naked women and were used in ephemeral works made for triumphal entries and pageants, in maps, coins, prints, and the decorative arts. The representatio

Ceres, anonymous, 1600 - 1699 drawing Netherlands prepared paper. deck paint. graphite (mineral). ink pen / brush

Passe, Crispijn van de (I), Vos, Maerten de, Antwerp, The Seven Virtues, Ivstitia, Justice, recto top center - handwritten in brown ink, Landscape with the female personification of Justice (Justitia), one of the four cardinal virtues. In her hands the sword (power) and the scales (impartiality). On the left in the background possibly the angel who killed the soldiers in the camp of the Assyrians (Isa. 37:36). On the right in the background possibly Peter and Ananias who has just fallen dead (Acts 5:1-10). In the margin a two-line caption in Latin. Fourth print from a series with the virtues., print, prints, verso - stamped, 24, height 159 mm, width 90 mm, 1564 - 1637, print maker, printmaker, 1580 - 1588, paper, engraving, engraving (printing process), Work conception, Southern Netherlands, 1532 - 1603-12-04, after a design by, Publication (Event), Publication, publisher

Jael and Sisera. Date/Period: Ca. 1690. Drawing. Pen and brush and brown ink on cream paper. Author: LUCA GIORDANO.

The Element Vuur, Zacharias Dolendo (attributed to), after Jacques de Gheyn (II), 1595 - 1597 print Presentation of the element fire in the form of a kitchen maid with a spit in the hands, on which a hare and a bird are strung. In the background a second kitchen maid, with a cooking pot at a fire. Under the performance the Latin name of the element ('Ignis'). This print is part of a series of the four elements, each depicted by a figure engaged in an action and sitting/standing in an environment associated with the element in question. Each performance has the caption of the Latin name of the element in question. print maker: Netherlandspublisher: Leiden paper engraving fire (one of the four elements). cooking food

Matham, Jakob, work, Voima, (1000 - 2000), copper engraving, graphics, plate width 10.3 cm, plate height 15, 2 cm

Abundance (abundantia), anonymous, 1670 - 1750 print paper engraving 'cornucopia', horn of plenty. abundance; 'abondanza', 'abondanza Maritima' (ripa)

Power (fortitudo); Fortitvdo; Knowledge and seven virtues. Woman as a personification of strength (fortitudo) with attributes broken column and lion

John Howard. Line engraving by J. Basire, 1796, after J. Bacon, senior.

Judith with the head of Holofernes. Artist: After Girolamo Mocetto (Italian, ca. 1470-1531). Dimensions: Sheet: 8 1/4 × 5 1/16 in. (21 × 12.8 cm). Date: ca. 1530-60. Museum: Metropolitan Museum of Art, New York, USA.

Statue of the Roman goddess of wisdom Minerve Ergane (Minerva Worker), with helmet and snake. Copperplate engraving by Francois-Anne David from Museum de Florence, ou Collection des Pierres Gravees, Statues, Medailles, Chez F.A. David, Paris, 1787. David (1741-1824) drew and engraved the illustrations based on Roman statues, engraved stones and medals in the collection of the Museum de Florence and the cabinet of curiosities of the Grand Duke of Tuscany.

Two richly dressed women, one with trumpet. Artist: Hendrick Goltzius. Draughtsman: anonymous. Dating: c. 1600 - c. 1699. Place: Netherlands. Measurements: h 254 mm × w 148 mm. Museum: Rijksmuseum, Amsterdam.

Grammar; Free Arts and Minerva, Apollo and Industria. Grammar teaches a student. Both read together in a book. A landscape with Roman ruins in the background.

Antwerp, Cock, widow Hieronymus, Vos, Maerten de, Collaert, Hans (I), Deugden, Pax - Fidvcia, Vrede en Vertrouwen, verso middle bottom - stamped, On the left in a niche the female personification of Vrede (Pax). On her left hand sit some doves. In her right hand a sword and a rod (war and tyranny) which she removes from the earth. On the right next to her in a niche the female personification of Vertrouwen (Fiducia). In her hands a heart (love) and a staff with an outstretched hand (friendship). The print has a Latin caption and is part of a series that connects several virtuous allegories with each other., print, prints, height 270 mm, width 225 mm, Southern Netherlands (before 1775), 1540 - 1581, print maker, printmaker, 1577 - 1580, paper, engraving, engraving (printing process), Work conception, Southern Netherlands, 1532 - 1603-12-04, after a design by, Publication (Event), Publication, publisher

Service, Enea Vico, After Francesco Salviati, 1533 - 1567 print Service (Servitus) as a standing woman in a landscape, her hands and feet chained. A rule of text in Latin in Submarga. print maker: Italyprint maker: Zuid-Nederlandafter design by: Italy paper engraving 'Servitude', 'Servite forces' (Ripa)

Jaël Sisera, Wallerant Vaillant, After Gerard de Lairese, 1658 - 1677 print Jaël killed the army leader Sisera. In her hand the hammer with which she hit a tent herring through his sleep. In the background is the lifeless body of Sisera. paper Jael kills the sleeping Sisera by hitting the nail through his temples

Marcantonio Raimondi after Raphael, Two Women with the Zodiac Two Women with the Zodiac

Antwerp, Cock, Hieronymus, Floris, Frans (I), Cort, Cornelis, Goddesses and nymphs, Daphne, verso - stamped, Daphne changes into a laurel tree. Branches and leaves grow from her head and hands., print, prints, height 266 mm, width 193 mm, Northern Netherlands, 1533 - 1578, print maker, printmaker, 1564 - 1564, paper, engraving, engraving (printing process), Work conception, Southern Netherlands, 1520 - 1570-10-01, after a design by, Publication (Event), Publication, 1518 - 1570-03-10, publisher

Parijs, Chéreau, Jacques-François, Boucher, Juste Nathan François, A Ve Suite d'Arabesques, Woman with a Basket of Flowers, Paris, verso - stamped, A standing woman with a basket of flowers on her head and a wreath in her hand, surrounded by arabesques with vases and a winged head., print, prent, ornamentprent, prints, prenten, ornamentprenten, height 211 mm, width 146 mm, 1736 - 1782-01, print maker, prentmaker, 1752 - 1782, paper, papier, etching, etsen, Work conception, after own design by, Publication (Event), Publication, Frans, 1742-10-14 - 1794-05-16, publisher

Goltzius, Hendrick, Haarlem, Matham, Jacob, Prophetesses of the Old Testament, Deborah, verso - stamped, The prophetess Deborah, standing with one hand on her hip and in her other hand a book (The Old Testament)., print, prints, height 247 mm, width 161 mm, Northern Netherlands, 1571-10-15 - 1631-01-20, print maker, printmaker, 1588 - 1588, paper, papier, engraving, engraving (printing process), Work conception, 1558-01 - 1617-01-01

A woman pours two liquids into a bowl, next to which dividers and a spoon are lying; representing temperance. Engraving.

Justice, Hans Collaert (I), After Lambert Lombard, 1557 print In a niche the female personification of justice (Justitia), one of the four cardinal virtues. In her hands the sword and the scales, respectively the symbol of power and impartiality. The print is part of a series with the seven virtues as the subject. print maker: Antwerpafter design by: Liègepublisher: Antwerp paper engraving Justice, 'Justitia'; 'Giustitia divina' (Ripa) ~ one of the Four Cardinal Virtues

La république de Milo... Dated: 1871. Medium: gillotype on newsprint. Museum: National Gallery of Art, Washington DC. Author: HONORÉ DAUMIER.

Dialectica, personifies dialectics as one of the seven liberal arts. The figure holds a balance, which symbolizes the logical consideration of arguments, by Lucas Kilian from 1606, authentic, digitally restored reproduction from a 19th century model, exact date of presentation unknown, historical

Female Winged Allegorical Figure Holding a Sphere 1558/1559 Giorgio Ghisi Italian. Female Winged Allegorical Figure Holding a Sphere 367610

Barbarigo, Giovanni Francesco, Rome, Audenaerd, Robert van, Numismata virorum illustrium ex Barbadica gente, Personification of Italy with the coat of arms of the Pope, verso - stamped, A console with a female personification of Italy. She is seated on a globe and has towers with a star on her head. In her right hand she has a scepter and in her left hand a cornucopia. On the left the coat of arms of Pope Sixtus V or Pope Paul II. The print is part of an album., print, album sheet, prints, height 182 mm, width 181 mm, 1663 - 1743, print maker, printmaker, 1673 - 1743, paper, engraving, engraving (printing process), Italian, 1658-04-29 - 1730-01-27, patron

Allegory of America, from the Four Continents mid to late 17th century Abraham Bosse French. Allegory of America, from the Four Continents 386297

Sculpture of flora; Sculptures from ancient times. Caption in Latin. Print is part of an album.

Astronomy (astronomia); The seven liberal arts. Astronomy is sitting in front of a sky globe and looks at the stars. In her hand she holds an armillarium. She is wearing a necklace with sun and month. Next to her is an older man with a Jacobstaf. With a caption in Latin by C. Schonaeus.

Pope Clement I standing in a niche. Draughtsman: Paolo Farinati (attributed to). Dating: 1535 - 1606. Place: Verona. Measurements: h 264 mm × w 147 mm. Museum: Rijksmuseum, Amsterdam.

Euterpe; The nine muses. Landscape with euterpe, the muse of the music and lyrics, playing a flute. In the background Mercury playing a shepherd flute and with his music Argus asleep. Sixth print from a series with muses.

Sibille from cumae; Sibylla cumaea; Sibilles. Cumae sibille with a book on her lap, sitting under a tree. In the background a city in a landscape. This print is part of an album.

Death of Saracus still image. Conjectural works, Illustrations. 1899. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Picture Collection. Assyrians, Fires, Kings , Assyria, suicides

H. Catharina van Alexandria, Antonie Wierix (II), After Hieronymus Wierix, 1565 - Before 1604 print Landscape with the Holy Catharine of Alexandria. In her hand the sword of her execution. Next to her the broken wheel of her torture tool. In the margin a four -line caption, in two columns, in Latin. Antwerp paper engraving the virgin martyr Catherine of Alexandria; possible attributes: book, crown, emperor Maxentius, palm-branch, ring, sword, wheel

Une Dame de Chypre 1647 Abraham Bosse French. Une Dame de Chypre 391517

Five saints, three standing apostles and two seated saints All holding a book, Five Saints Paradigmata graphices variorum artificum , print maker: Jan de Bisschop, (mentioned on object), Baccio Bandinelli, (mentioned on object), intermediary draughtsman: Giovanni di Benedetto Bandini, (attributed to), Northern Netherlands, 1668 - 1671, paper, etching, h 222 mm × w 130 mm

Faam, Lorenzo Loli, After Giovanni Andrea Sirani, 1622 - 1691 print The winged fame standing on a globe, blowing on a trumpet. Italy paper etching Hunger; 'Fama', 'Good fame', 'Chiara fame' (Ripa) (+ Clothed with wings)

Print, Pallas Athena (Minerva), ca. 1530; Print Maker: Lucas van Leyden (Netherlandish, ca. 1494 - 1533); Netherlands; engraving on laid paper; 11.8 × 7.6 cm (4 5/8 in. × 3 in.); Bequest of George Campbell Cooper; 1896-3-75

Lazio Viterbo Bagnaia Villa Lante24. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Lente (Ver), Jacob Matham, after Hendrick Goltzius, 1601 - 1652 print Personification of spring: a female figure with flowers and flowers on the head, in a landscape. Figures in the background; Loving, eating and making music. At the top of the corresponding signs of the zodiac: Gemini, Taurus and Ram. Amsterdam paper engraving spring, 'Ver'; 'Primavera' (Ripa). Gemini (zodiacal sign of May). Aries (zodical sign of March)

Copper engraving by Marco Dente from 1510-1527 depicting a ram sacrifice, showing altar, figures, and ceremonial context.

The Greek poet Callimachus sits in a garden gazing ahead. According to the caption, he is the inventor of the Corinthian columnar order, Callimachus devises the Corinthian columnar order, print maker: Lambertus Antonius Claessens, (mentioned on object), intermediary draughtsman: Jacques Kuyper, (mentioned on object), Amsterdam, 1803, paper, etching, h 118 mm × w 75 mm

Print, Christ in the Garden; Designed by Georg Pencz (German, 1500-1550); engraving on off-white laid paper

The old man and the young woman probably according to Francesco Francia (Bartsch 430) Marc Antoine Raimondi (1480-vers1534). The old man and the young woman probably according to Francesco Francia (Bartsch 430). Fight, chisel. 16th century.

To think that one would have been able to build a dozen primary schools with the stone of all these pedestals, from 'News of the day,' published in Le Charivari, October 19, 1867 October 19, 1867 Honoré Daumier. To think that one would have been able to build a dozen primary schools with the stone of all these pedestals, from 'News of the day,' published in Le Charivari, October 19, 1867. 'News of the day' (Actualités). Honoré Daumier (French, Marseilles 1808-1879 Valmondois). October 19, 1867. Lithograph on newsprint; second state of two (Delteil). Arnaud de Vresse. Prints

Dido Reine de Cartage/ une Muse 17th century Anonymous, French, 17th century French. Dido Reine de Cartage/ une Muse 344393

Erato with a winch; Title page for Johannes Brandt, miscellaneous, Amsterdam, 1701. The muse of poetry with a winch in her hand. With her other hand she points to a swan. There are monuments in the background.

Three Muses and a Putto with a Cymbals. Giorgio Ghisi (Italy, Mantua, 1520-1582). Italy, 1560s. Prints; engravings. Engraving

The philosophy

Hendrik Goltzius, Polyhymnia, probably 1592 Polyhymnia

Master of the E-Series Tarocchi (Italian, active c. 1465), Polimnia (Polyhymnia), c. 1465, engraving with gilding

Allegorie op de Romeinse geschiedenis; Titelpagina voor: M. Stuart, Romeinsche geschiedenissen, 1793.The personification of the city of Rome is on an increase with a small image of Victoria in her hands. The basement is pictured romulus and remus with the wolvin. In addition to her, a fire burns on a sacrifice.

Maria Magdalena themselves from her wealth; S. Maria Magdalena; Vélins.maria Magdalena sits like richly dressed woman at a table full of luxury objects such as jewelry, perfume bottle, mirror. With a crushing face and looking up highly raised, her pearl cord and pushes her wealth from him with an arm gesture.

Jesse, Ancestor of Christ, Print made by Adamo 'Ghisi' Scultori, ca.1530-1585, after Michelangelo, 1474/1475-1564, Italian, 1550 to 1585, Engraving on medium, slightly textured, cream laid paper

Amor inspires a young woman, who plucks a lyre with one hand, and writes with the other, Angelica Kauffmann, 1751 - 1807, draughtsman: Angelica Kauffmann, 1751 - 1807, paper, pen, brush, h 257 mm × w 211 mm

Woman sitting on a throne, Cornelis Bloemaert (II), After Andrea Camassei, 1633 - 1650 print A woman sits on a throne with a tiara, a miter and a chalice on her lap. She holds an empty stone table in her hand. paper engraving throne. diadem, tiara

Cupid with arrows in his hand. .

Maria, Mattheus Borrekens, after Erasmus Quellinus (II), after Anthony van Dyck, 1650 print Maria is in the foreground of the print. Her eyes are facing heaven. She is crying. A cityscape in the background. paper engraving series of scenes from the life of Mary. prospect of city, town panorama, silhouette of city

Arnulf II, Count of Flanders.

Summer in the form of a woman, Guilliam de Gheyn, Le Blond, Anonymous, 1620 - 1650.

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