Mythological and Biblical Themes

Engravings highlighting mythological and biblical stories, illustrated with figures and dramatic scenes conveying moral narratives.

Engraving by Carl Schroeder from 1787 depicting Abrahams victim, showing figures, gestures, and compositional elements of the biblical story.

Copper engraving and etching portraits of Wilhelm II of Orania and Wilhelm III of Oranien-Nassau by Pieter Tanjé, created in 1749.

Etching by Jan Chalon depicting an old woman counting money, created in 1793. The print shows the figure, facial features, hands, and activity in a detailed scene.

Sculpture by Gueyton, representing a man with a horse, exhibited at the Great Exhibition of the Works of Industry of All Nations from 1851 in London, C.M. Ferrier & F. von Martens (attributed to), 1851 photograph London photographic support salted paper print piece of sculpture, reproduction of a piece of sculpture London

Photo production of a drawing, representing Jupiter and ganymedes; Jupiter And Love. .

Fountain in the form of a tomb; Artis perspectiva (...). A corner fountain in the shape of a tomb. In the middle of the basin, which is supported by two hermen, is a youthful flow god with two jugs on a pedestal under a canopy. Left and right in the wall a niche with an image. Totally left a standing woman with a bowl under the arm and a jug in hand. A gallery behind her. The print is part of an album.

Photo production of a painting, representing a portrait of Girolamo Savonarola, Anonymous, After Bartolommeo (FRA), c. 1878 - in or before 1888 photograph photographic support albumen print monk(s), friar(s)

Etching by Joseph Fischer after 1822 depicts Nicolas Berchem's full composition, showing landscape, animals, and figures in a detailed pastoral setting.

Print, Overdoor Designs; Designed by Richard de Lalonde (French, active 1780-96); Print Maker: Augustin Nicolas Foin (French, 1726-c. 1759); Published by Jacques-François Chéreau (French, 1742 - 1794); France; etching on off-white laid paper

Relief, representing the sacrifice of Adam and Eva and their children, Anonymous, c. 1861 - In or Before 1866 photograph photographic support albumen print sculpture (+ relief ~ sculpture). the labours of Adam and Eve; infancy of Cain and Abel (Genesis 4:1-2)

Lukewill commemoration, 1720, 1720 Cartoon with the lukewarm month of commemoration. Central representation of a separate album with a Sater (Staartman = John Law) who makes a Nymph (Pecunia) court, with three -fitting caption. In a frame with caricatures of small people and attributes of the winter, with caption with two verses. Print in the bound first edition (304 B 10) of the great scene of foolishness with cartoons on the wind trade or action trade of 1720. print maker: Franceprint maker: Amsterdamprint maker: Northern Netherlands paper etching / engraving Cartoon with the lukewarm month of commemoration. Central representation of a separate album with a Sater (Staartman = John Law) who makes a Nymph (Pecunia) court, with three -fitting caption. In a frame with caricatures of small people and attributes of the winter, with caption with two verses. Print in the bound first edition (304 B 10) of the great scene of foolishness with cartoons on the wind trade or action trade of 1720.

Etching by Hubertus Quellinus, 1665, showing a halved circular ornament with fruits, children, and fish, highlighting decorative classical composition.

Copper engraving and etching by Jean Baptiste Wicar created around 1800, showing relief figures and cameos with detailed classical motifs.

Photo production of a painting, representing two men for a writing table in an interior. .

Copper engraving by Jacob de Gheyn II depicting the biblical figure Thomas, produced between 1591-1592.

Bliżej Kultury Czerski, Stanisław (1777 1833)

Photo production from a print to a relief from the Boydell Shakespeare Gallery in London, presenting William Shakespeare flanked by two muses, Stephen Ayling, After Benjamin Smith, After Thomas Banks, c. 1854 - in or before 1864 photograph London photographic support albumen print decorating 'en relief', appliquéing

Aquatint and etching by Jean Pierre Marie Jazet, created in the first half of the 19th century, depicting scenes of village life and local administration.

Zuilen near the Temple of Dendera, Francis Frith, 1857 - in Or Before 1862 stereograph Naked photographic support albumen print capital (~ column, pillar) Temple complex of Dendera

Photo production of a sketch of a boy who performs a play with hand puppets for a dog, by Albert Hestschel, Theodor Huth, After Albert Hendschel, c. 1865 - in or before c. 1870 photograph This photo is part of a cover with 50 photos on 48 sheets, a list of images and a title page. Frankfurt am Main paper albumen print puppet and marionette show (+ artist at work). dog

Photo production of a drawing by Javert from Les Misérables by Victor Hugo, Gilmer, After Gustave Brion, c. 1862 photograph Paris photographic support albumen print literary characters and objects

Resting Satyr through Praxiteles in the Capitoline Museums, Anonymous, c. 1850 - in or before 1860 photograph Rome photographic support albumen print piece of sculpture, reproduction of a piece of sculpture Capitoline Museums

Etching by Eustache Le Sueur from mid-17th to 18th century showing Bruno of Cologne teaching theology, illustrating figures and classroom setting.

Photo production from a print to a painting of a company in a living room, an illustration with the song Duncan Gray, by David Wilkie, Anonymous, After Francis Engleheart, after David Wilkie, c. 1863 - In or Before 1873 photomechanical print maker: Englandprinter: London paper living-room, parlour, sitting-room

Reproduction of a costume print and one with Johan van Duvenvoorde by Hendrick Goltzius, Anonymous, After Hendrick Goltzius, after Christoffel Plantijn, c. 1875 - in or before 1880 photomechanical print Antwerp paper photolithography clothes, costume. historical persons

A Midsummernight's Dream, Alfred Brewer, after anonymous, after Joshua Reynolds, c. 1866 - in or before 1876 photograph photographic support albumen print .

Print (France)

De Kleine Mens Slenderhenkius van Poopland, 1720, 1718 - 1720 The little man Slenderhenkius of Poopland asks the monkey for advice. In the caption verses in German, French and Dutch. Unnumbered (a 1 part). Print printed within a decorative frame of a separate plate with music -making small people with a monkey at the bottom who eats porridge. Part of the second Dutch bound edition from 1720 (and related to the wind trade in that year) of a series of caricatures of small people, known as the dwarf toneel, partly copied to an older German example. print maker: Northern Netherlandsprint maker: Northern Netherlandspublisher: Amsterdam paper etching The little man Slenderhenkius of Poopland asks the monkey for advice. In the caption verses in German, French and Dutch. Unnumbered (a 1 part). Print printed within a decorative frame of a separate plate with music -making small people with a monkey at the bottom who eats porridge. Part of the second Dutch bound edition from 1720 (and related to

An etching by Johann Adam von Bartsch from 1777-1821 depicting an old woman and a woman with a girl, showing facial features, clothing, posture, and interaction in 18th- to early 19th-century European style.

An etching by Angelika Kauffmann from 1773 depicting Penelope being awakened by Euryclea, showing figures, gestures, and classical clothing in a mythological scene.

Etching by Cornelis Ploos van Amstel depicting architectural pillars with a putto and shield, created in 1765, showing sculptural and architectural elements.

Etching by Joseph Fischer after 1822, reproducing Pierre Paul Rubens work, volume VI, with portions by F. Ragot, showing detailed figures, composition, and classical themes.

Painted Window from a Church, Sussex. Henry Pollock, photographer (British, 1826 - 1889) 1854-1856 Close view of a stained glass window with three panels. Each one shows different biblical scenes. (Recto, mount) upper right, in pencil: "105"; Lower left, in black ink: "Collodion"; in pencil: "A15.85"; Lower center, in black ink: "Painted Window from a Church / Sussex"; (Verso, mount) lower left, pencil: "A15.85";

Ruth is sleeping at the foot end of Boaz, 1643 print Boaz sleeps in a corn barn. Ruth lies at his foot end at night. In the dawn she leaves the shed again. Under the show a reference in Latin to the Bible text in Ruth 3: 6. This print is part of an album. Amsterdam paper engraving Ruth uncovers the feet of the sleeping Boaz and lies down

Etching by Pierre Alexandre Aveline from 1720-1760 depicting children in varied activities, highlighting natural postures and interactions.

Sculpture by Jean Gautherin, proposing a personification of the French Republic, Charles Michelez, after Jean Gautherin, c. 1876 - In or Before 1879 photomechanical print paper piece of sculpture, reproduction of a piece of sculpture

Tile with two putti and fantasy bitches, anonymous, c. 1890 - in or before 1895 photomechanical print Prague paper tiles, bricks ~ building material. cupids: 'amores', 'amoretti', 'putti'. fabulous animals (sometimes wrongly called 'grotesques'); 'Mostri' (Ripa)

Reproductory van La Vigne door gustave golden, Charles Michelez, After Gustave Doré, c. 1874 - C. 1879 photomechanical print paper sculpture. vine

Etching depicting six artists including Michiel Gillig, Michiel van Musscher, Jan van der Vaart, Jan Vatolol, Thomas van der Wilt, and Nicolas Finger, showing portraits, figures, and details. Produced after 1822, emphasizing representation and composition.

An etching by Daniel Nikolaus Chodowiecki from 1758 depicting Frederick the Great on horseback, showing military attire, horse, and compositional details.

This copper engraving by Joseph Fischer, produced after 1822, depicts a group of artists including Jean Valdor, Jac. de Weert, Ch. The Mallery, Jean B. Barbé, Pièrre Valck, J. Barra, A. & L. Hogenberg, and H. Wirings, showing detailed likenesses and attire.

Etching by Georg Christian Wilder depicting architectural jewelry, showing decorative motifs and structural elements, created between 1810 and 1855.

Un rat dans un fromage ,. Paul Gavarni (1804-1866). Lithographs and Other Works

Shakespeare, George Gardner Rockwood, c. 1866 - in or before 1871 photograph New York (city) photographic support albumen print sculpture

Fuessli und Bodmer (Fuseli and Bodmer in Conversation) 1806 Johann Heinrich Lips. Fuessli und Bodmer (Fuseli and Bodmer in Conversation) 698585

Photo production of a painting of a bride dressed by another woman; Brautschmückung. .

Etching by Mathias Zundt from the 16th century depicting Gabriel Schlußelberger (Schlüsselberger), showing facial features, attire, and expression.

For Children. The Gates of Paradise, Plate 8, "At length for hatching ripe he breaks the shell". Date/Period: 1793. Print. Etching and line engraving on cream-colored paper (Etching and line engraving on moderately thick, slightly textured, cream wove paper). Height: 140 mm (5.51 in); Width: 114 mm (4.48 in). Author: William Blake.

Four photo productions of a publication by the Arundel Society with a painting and a print to Rafaël, Anonymous, After Rafaël, c. 1859 - in or before 1869 photograph photographic support albumen print book. painting (including book-illumination, miniature-painting)

Copper engraving by Jean Couvay from 1626-1663 illustrating allegorical representations of water and earth with detailed figures and compositional elements.

Etching by Antoine Cardon depicting allegorical figures representing Air and Fire, created in 1801 using a punctuation manner technique.

This copper engraving and etching by Jean Baptiste Wicar, circa 1800, illustrates cameos, showing carved figures or classical portraiture in relief, emphasizing artistic detail and engraving technique.

Sculpture of Ragnar Lodbrok in a snake pit through Mathias Skeibrok, Johannes Jaeger, c. 1874 - in or before 1879 photograph photographic support albumen print piece of sculpture, reproduction of a piece of sculpture. adult man. snakes

Benozzo, British museum, 542. A bare-headed young man, in a cloak, pointing with his right hand as he walks.. Illustrations, Prints. 1903. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Art & Architecture Collection. Art , Tuscany (Italy), Painters , Florence (Italy), Drawing, Hats, Men , Clothing & dress

Portrait of an unknown woman in blue and red; Planche Anaglyphique. .

Etching and copper engraving by Jacques Firmin Beauvarlet, produced between 1746 and 1797, depicting maternal care in a figurative composition.

Bound Print, Title Page; Designed by François de Cuvilliés the Elder (Belgian, active Germany, 1695 - 1768); Print Maker: Carl Albert von Lespilliez (German, 1723 - 1796); Germany; engraving and etching on laid paper; 38.7 x 27.6 cm (15 1/4 x 10 7/8 in.) Platemark: 34.4 x 20.3 cm (13 9/16 x 8 in.)

Man to the right, dressed according to the fashion of ca. 1630, Salomon Savery, after Pieter Jansz Quast, c. 1620 Man with hat on and swords, standing to the right, for a landscape with riders in the background. A sitting dog next to him. paper etching head-gear: hat (+ men's clothes). head-gear: hat (+ feathers used for clothes). coat (+ men's clothes). boots (+ men's clothes). trousers, breeches, etc. (BREECHES) (+ men's clothes). hacking and thrusting weapons: sword

Sculpture of the Lion of Venice on the column of San Marco in Venice. .

Angel with two banners; Numismata virorum illustrium ex Barbadica Gente. A console with an angel, waving with two banners. On one banze the coat of arms of Italy, or more specifically from Genoa or Milan. On the other weapon that of Venice: the lion of Saint Marcus. The print is part of an album.

Piaggio grave monument in the cemetery of Staglieno in Genoa; Genova. Camposanto. Mon. GALLEANO-DODERO (CEVASCO). Part of travel album with pictures of sights in Italy and southern France.

Sitting naked, c. 1585 Sitting naked man, turned to the right, with a garland of acorns. One of the 'Ignudi' (naked men) of Michelangelo's ceiling painting. Numbered below: 4. The print is part of an album. Print Maker: ItalyaFter Painting by: Vatican City paper engraving Sitting naked man, turned to the right, with a garland of acorns. One of the 'Ignudi' (naked men) of Michelangelo's ceiling painting. Numbered below: 4. The print is part of an album. Print Maker: ItalyaFter Painting by: Vatican City paper engraving

Etching and copper engraving by Gérard René Le Villain from 1784-1799 depicting Love and Romulus and Remus, showing figures, gestures, classical elements, and mythological scene.

Title print with leopard, Marcus de Bye, After Paulus Potter, 1657 - 1677 print Title print with a leopard behind a rock. Title print of a series of eight numbered prints with '' to life '' drawn leopards, the series to Bindondouw. paper etching beasts of prey, predatory animals: leopard

Etching by Joseph Fischer depicting works by Abraham Hondius, Willem de Heusch, and Adrian van den Velde, created after 1822.

Copper engraving and etching by Jacob Houbraken depicting Louise the Coaligny, created in 1755, showing Baroque portrait style and detailed facial features.

Photo production of a drawing, representing Herman and Dorothea who return home, Anonymous, After Julius Hofmann, c. 1875 - c. 1885 photomechanical print paper collotype adult man. adult woman. couple of lovers

Allegory of freedom with a personification of freedom and one of prosperity, Reinier Vinkeles (I), After Jacobus Buys, 1751 - 1816 print Amsterdam paper etching / engraving Freedom, Liberty; 'Libertà' (Ripa). 'Cornucopia', Horn of Plenty

Standing nude girl, Fritz Becker, c. 1898 - in or before c. 1903 photomechanical print Leipzig Publisher: Berlin paper collotype toddler (female). standing figure - AA - female human figure

Photo production of one of the Walcourt panels, the Annunciation, Anonymous, c. 1865 - in or before 1870 photomechanical print paper printing / photolithography painting, drawing and the graphic arts

Pencil drawing by Jurriaan Cootwyk depicting Venus, created in 1767.

Male term with lion skin, anonymous, after hugues sambin, 1572 print Nummered at the top left: 18. According to the explanation on page 20, this is the Doric Order. Print is part of an album. paper letterpress printing pedestal of a piece of sculpture (perhaps in the form of a herm). Herm: pillar with the head of Mercury, patron of travellers. herms (garden ornaments)

Copper engraving and etching by Guillaume Chasteau, created between 1650 and 1683, showing St. Paul ascending into the sky.

Virginal from the Antonin Terme collection, Anonymous, c. 1880 - in or before 1885 photograph Shutter photographic support art collection, art gallery. spinet, virginal

Statue of Cola di Rienzo in Rome, Anonymous, c. 1852 - c. 1862 photograph Rome photographic support gelatin silver print sculpture. politician, e.g. party leader

The agitator , Karl Wiener -, artist

Copper engraving by Jonas Suyderhoef, created between 1627 and 1686, showing a farmer holding a jug and a tone pipe, illustrating rural life and musical instruments in seventeenth-century Netherlands.

Etching executed by Joseph Fischer after 1822 reproducing Rembrandts work depicting biblical scenes and holy subjects from volume one of his collection.

Man leaning on stick and wife with basket, Pieter de Mare, after Christina Chalon, 1777 - 1779 print Two performances: above a man with a hat leaning on his stick and under a woman with a basket, an arm in her side. Leiden paper. pencil etching standing figure. leaning figure

Arts et métiers. 1. Le vinaigrier; 2. Le distillateur.. Prints, Illustrations. 1817. Rare Book Division. Egypt, Implements, utensils, etc., Vinegar industry, Distilleries, Vinegar

Photo production of a portrait of Mrs. Visconti, possibly Rafaël, Gysi, After Rafaël, c. 1856 - in or before 1866 photograph photographic support albumen print picture, painting

Pencil study by Marie Adélaïde Louise Duclos from 1791 depicting a figure associated with creating water, showing posture, gestures, and flowing water.

A comely widow , Widows. Thomas Rowlandson (1756-1827). Prints and Drawings

Etching by Joseph Fischer after Gilles Sadeler Vol. I, created after 1822, depicting figures and compositional elements from Sadeler's original designs.

Personification of Britannia, Robert van Audenaerd, 1673 - 1743 print A console with the female personification of Britannia. She wears a wall crown on her head and has a scepter in her hands. She is sitting on a crowned lion and a unicorn, the shield holders of the weapon of the United Kingdom. The print is part of an album. paper engraving personifications of countries, nations, states, districts, etc.. unicorn. beasts of prey, predatory animals: lion

Etching by Jan Punt depicting a full-figure front view of a woman as part of a proportion study, created in 1747.

Etching by Joseph Fischer after 1855 depicting works by multiple artists including Jan Lutma, Hendrik Danckerts, Lambert Sascher, Arnold de Jode, Alexander Voet, F. H. van Hoven, Cornel Meyssens, and D & B Stoppendaal, illustrating seventeenth- and eighteenth-century European engraving styles.

Reproduction of a painting: Badowski, Adam (1857-1903), Love folly; from: "Tygodnik Ilustrowany" 1892, 2, 241. Tygodnik Ilustrowany (Warszawa ; czasopismo ; 1859-1939), publisher

Five photo productions from a publication by the Arundel Society with paintings by Giotto and Perugino. .

Anna, Infantin of Spain.

Sculpture : types & portraits (hauts-fonctionnaires de diverses époques). Prisse d'Avennes, 1807-1879. Prisse d'Avennes, 1807-1879. Prints, Illustrations. 1878. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Art & Architecture Collection. Egypt , Antiquities, Bas-reliefs , Egypt, Government officials , Egyptian , Egypt, Men , Egypt

Print, Ornamental Vase Design; Designed by Jules-François Boucher le fils (French, 1736 - 1782); Published by Geneviève-Marguerite Chéreau (French, active 1755-1768); France; etching and engraving on paper

The letter writer, Cairo. Roberts, David (1796-1864). Croly, George (1780-1860). Prints, Illustrations. 1842 - 1849. Dorot Jewish Division. Middle East , Description and travel, Writing materials, Clothing & dress , Egypt , Cairo, Scribes

Reproduction of an engraving of a portrait of an unknown woman, Rimmer van der Meulen (Possible), After Anonymous, c. 1887 - in or before 1892 photomechanical print paper printing block historical persons not known by name - BB - woman

Copper engraving and etching by Jeremias Falck from the 17th century depicting Jodelet and Jacquemin Jadot, showing figures, gestures, and attire in a narrative composition.

Photo production of a painting, representing a naked woman with a lute in a tree. .

Copper etching by Charles Simonneau from 1695-1710 depicting the tomb of Cardinal Richelieu in the Church of La Sorbonne in Paris, showing architectural details, sculptures, and inscriptions.

Photo production of a painting, representing the three sages see a falling star, anonymous, c. 1883 - in or before 1888 photograph Egypt photographic support albumen print the three Wise Men see a star and are astonished by its magnitude

Photo production of a print, representing the expulsion of Adam and Eva from Paradise, Anonymous, After John Martin, c. 1866 - in or before 1876 photomechanical print United Kingdom paper expulsion of Adam and Eve from paradise (Genesis 3:22-24)

Etching by Joseph Fischer depicting Georg Friedrich Schmidt, showing facial features and attire, produced after 1822.

Statue of Piero Capponi on the facade of the Galleria Degli Uffizi in Florence, Anonymous, c. 1858 - in Or Before 1863 photograph Florence photographic support albumen print sculpture. façade (of house or building). official; civil servant; functionary (in general) Uffizi Gallery

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