Mythological and Historical Engravings

Prints portraying mythological themes and historical figures, with dramatic scenes of gods and allegorical representations, enhanced with classical elements.

Picart, Bernard, Amsterdam, Cardinal virtues, verso - stamped, The cardinal virtues, Prudence, Strength, Justice and Temperance, gathered on the clouds., print, prints, height 64 mm, width 86 mm, Northern Netherlands, 1673-06-11 - 1733-05-08, print maker, printmaker, 1717 - 1717, first quarter 18th century, paper, papier, etching, engraving, engraving (printing process), intermediary draughtsman

Alexander the Great presenting Campaspe to Apelles. Artist: Jean Auguste Dominique Ingres (French, Montauban 1780-1867 Paris). Dimensions: Sheet: 11 3/8 × 14 1/8 in. (28.9 × 35.9 cm). Date: 1810.Executed during his last year as a student at the French Academy in Rome, Ingres takes the subject of this drawing from Pliny's Natural History of 77 A.D. Alexander the Great, who stands at center, had commissioned Apelles to paint a portrait of his favorite mistress, Campaspe. Over the course of the sittings, Apelles fell in love with his subject. As a sign of his esteem, Alexander then offered Campaspe to the painter; it is this moment of exchange that Ingres chose to represent. With her arm supported by the king, Campaspe steps off a small pedestal. She gazes across at Apelles who, with a paintbrush between his fingers, kisses the king's hand in gratitude. The frieze-like nature of the composition suits the antique subject. Ingres never pursued the subject in paint, so this drawing is his m

Telemachus visits Nestor on the island of Pylon, Wilhelmus Petrus van Geldorp, 1870 print Telemachus left home to find his father Odysseus. Athena, disguised as an old man named Mentor, accompanies him. She gives him the courage to address King Nestor. Rotterdam paper Telemachus' encounter with Nestor at the sea-shore during a sacrifice to Neptune. shaking hands, 'dextrarum junctio'. Nestor. Telemachus in Pylus

Photograph of print: Marcantonio Raimondi (c. 1470 or 1482 - 1527 or 1534), Notre Dame a l'escalier ; sheet from: Notice sur la vie de Marc Antoine Raimondi Graveur Bolonais accompagnée de reproductions photographiques de quelques unes de ses Estampes par. Blanquart-Évrard, Louis-Désiré (1802-1872), printing house, Delessert, Benjamin (1817-1868), photographer, Goupil & Cie (Paryż ; firma wydawniczo-fotograficzna ; 1850-1884), publisher, Colnaghi, D. & Co. (Londyn ; galeria sztuki ; 1760- ), publisher

Jupiter and Semele, Bernard Picart, 1683 - 1733, Design for a print., draughtsman: Bernard Picart, , 1683 - 1733, paper, pen, brush, h 115 mm × w 139 mm

Venice, Wagner, Joseph, Italy, Amigoni, Jacopo, Brunet, Francesco, Mercury and Argus, verso - stamped, Mercury sits on the right and plays a flute. He tries to lull Argus to sleep with his music, so that he can then murder him. Argus sits on the left and looks after Io in the guise of a cow. Next to Argus lies a dog sleeping., print, prent, prints, height 487 mm, width 314 mm, print maker, printmaker, 1791 - 1801, paper, papier, etching, etchings, engraving, engraving (printing process), Italian, 1685 - 1752, after, after painting by, Publication (Event), Publication, German, 1706 - 1780, publisher, uitgever

Red chalk and bister laved drawing by Heinrich Friedrich Füger depicting Antiochus and Stratonice with white highlights.

Parmigianino, Italy, Vicentino, Niccolò, Emperor Augustus and the Tiburtine Sibyl, The Tiburtine Sibyl shows Emperor Augustus the apparition of an angel with Mary and the Christ Child in the sky. Two male bystanders on the right., print, prent, prints, prenten, height 345 mm, width 264 mm, Italian, print maker, prentmaker, 1540 - 1550, first quarter 16th century, paper, papier, chiaroscuro woodcut, Work conception, 1503-01-11 - 1540-08-24

A drawing by Charles François Hutin showing Lot with his daughters, executed in black chalk with brush, brown wash, and white heightening, 1775.

The Love of Helen and Paris. Pen and brown ink, brush and brown wash on cream laid paper. Date: 1813-18. Museum: Cooper Hewitt, Smithsonian Design Museum.

Scene from the Iliad 1815 Michael Martin Drölling French. Scene from the Iliad 385243

Étienne Parrocel drawing of Jacob reproaching Laban for giving him Leah instead of Rachel, executed with pen, brush, ink, Bister wash, and chalk traces on brownish paper.

Copper engraving by Agostino Veneziano depicting a man and a woman holding hands, created 1515-1530. The print shows figures in a relational and domestic scene.

Drawing (Italy); Felice Giani (Italian, 1758-1823); charcoal, brush and sepia on paper

Louis Desplaces copper engraving depicts Joseph in Potiphars house, showing figures, gestures, interior architecture, and narrative elements of the biblical story.

Hymen and Cupid From the original picture by Hogarth from The Works of Hogarth published London 1833

Artist: Benjamin West, American, active Great Britain, 1738-1820, ClassicalScene, Ink, wash, and graphite on paper, 57.5 × 43.2 cm (22 5/8 × 17in.), Made in United States, American, 18thcentury, Works on Paper - Drawings andWatercolors

Print made by John Smith, 1652-1743, British, Venus Witholding Adonis From the Chase, undated. Mezzotint on medium, slightly textured, cream, laid paper.

Ink drawing by an anonymous artist showing Odysseus escaping from the Polypheme cave.

Drawing by Heinrich Friedrich Füger depicting a figure showing a young student which artists to use as models, executed in bister and feather.

Giovanni Battista Cipriani RA, 1727-1785, Italian, active in Britain (1755-85), Design for a Monument to the Memory of Michaelangelo, undated. Pen and black ink, brown and gray wash, graphite on paper laid down on heavy laid paper with brown wash border.

Cimon and Pero ca. 1631 Willem Panneels. Cimon and Pero. Willem Panneels (Flemish, ca. 1600-after 1632). ca. 1631. Etching; second state of two (Hollstein). Frans van den Wyngaerde (Flemish, Antwerp 1614-1679 Antwerp). Prints

Monument after Palladio with bust of Palladio and wolf with Romulus and Remus, Felice Giani, Italian, 1758-1823, Pen and brown ink, brush with bistre wash over traces of graphite on cream laid paper, Palladian monument consisting of high pedestal. Bust shown. Figure representing 'Painting' shown on palate with nearby representation of Romulus and Remus with she-wolf. 'Sculpture' and 'Architecture' stand laterally. Three wreaths stand before monument. Verso: woman holding child, stands beside column. Another woman seated at left. Vaulted ceiling indicated. Framing angle at right and left., Italy, ca. 1810, architecture, Drawing, Drawing

Socrates (ca. 470 BC - 399 BC). Greek philosopher. Accused of corrupting the youth, he was condemned to death by the Heliaia (Supreme Court of Ancient Athens). Death of Socrates. Detail of a engraving by A. Roca, based on the painting by Jacques-Louis David. "Historia Universal", by César Cantú. Volume I, 1854. Author: Antonio Roca Sallent (1813-1864). Spanish engraver.

Venus blindfolded Amor and two nymphs wear arrows and bows, allegory of love that overcomes everything Omnia vincit Amor (title on object), Allegory of love that overcomes everything: Venus blindfolds Amor and two nymphs wear arrows and arrows., Omnia vincit Amor ', Love the conqueror, Love triumphant, (story or) Cupid, Amor (Eros), attributes of Cupid: blindfold, attributes of Cupid: arrow (s), attributes of Cupid: bow, Hendrick Danckerts (mentioned on object), Amsterdam, 1635 - 1679, paper, engraving, h 273 mm × w 376 mm

Clair-obscur woodcut by an anonymous artist after 1520 depicting Raphael in an entertainment scene with his lover across three plates.

Samson and Delila 1585-1631 Jacob Matham Netherlandish. Samson and Delila. Jacob Matham (Netherlandish, Haarlem 1571-1631 Haarlem). 1585-1631. Engraving. Prints

Drawing by Heinrich Friedrich Füger showing a figure demonstrating the method used to reach a destination, executed in bister and feather with white highlights, 1796.

Arcadian scene with a sitting and a standing woman, Abraham van Strij (I), 1763 - 1826 drawing Arcadic scene: Sitting woman with a jar in altar and standing woman playing on double flute. Design for a painting. paper. pencil brush

Drawing (Italy)

David with the head of Goliath. David has conquered the giant Goliath and keeps his head up to his hair. He has his sword in his other hand.

Koriolan besieging Rome, he refuses to be mothers and Smuglewicz, Franciszek (1745-1807); before 1784 (1760-00-00-1785-00-00);Gnaeus Marcius Coriolanus (ante 527-Ca 488 A.C.), Rome (ancient state), Tchorek, Karol (1904-1985), Tchorek, Karol (1904-1985)-collection, antique (costume.), History of Rome (iconogr.) , siege, Poland (culture), Polish drawings, Italian (culture), purchase (provenance)

Robert Blyth, 1750-1784, Caius Marius sitting on the Ruins of Carthage (Number 34 of Catalogue Mortimer Exhibition 1968), 1782. Etching.

Manière de se servir du rhyton still image. Art reproductions. 1880 - 1883. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Picture Collection. Couches, Drinking vessels, Seating (Furniture), Murals , Pompei (Italy), Eating & drinking , To 499, Tripods

Honoré Daumier, Télémaque interrogé par les sages, 1842 Télémaque interrogé par les sages

Wszyscy Święci w MNK Heuer, Gustav (fl. 1880 1893), Kirmse, Otto (1852 1935), Lauenstein, Heindrich (1835 1910)

Belisarius is dueing OM an Aalmoes, Carl Heartrich Rahl, After Ebbath Lawhared, 1808 print Text in Latin in the lower margin. paper etching Belisarius

Sts. Anne, Joseph, Joachim, Bernard and John the Evangelist (Parenté de la Vierge). Artist: Claude Mellan (French, Abbeville 1598-1688 Paris). Dimensions: sheet: 16 3/4 x 12 1/8 in. (42.5 x 30.8 cm). Date: 1648. Museum: Metropolitan Museum of Art, New York, USA.

Scene from the myth of Cupid and Psyche, 1794, by Felice Giani (1758-1823), tempera on wall, Palazzo Laderchi, Faenza, Emilia-Romagna. Italy, 18th century.

A 1585 Clair-obscur woodcut by Andrea Andreani depicting Pontius Pilate washing his hands, printed in four plates in two parts, demonstrating late Renaissance engraving techniques.

Image of the chimney piece in the old council chamber of the town hall in Utrecht with the presentation of the Dutch virgin who protects the faith and overcomes the violence. In the middle of a throne under a blue canopy, Concordia is in the seven arrows of the United Provinces in The right hand. Her left hand rests on the figure of Fides who has a Bible opened on Luke VIII on his lap. In front of her is a smoking incense till. On the left, Mars tries to get away anxiously.

MURILLO , BARTOLOME ESTEBAN. PINTOR ESPAÑOL . SEVILLA 1617 - 1682. LA CARIDAD ROMANA . CIMONA CON SU PADRE. GRABADO DE TOMAS LOPEZ ENGUDANOS DE UN CUADRO DE MURILLO.

Helena reads a love letter from Paris, Elias van Nijmegen, 1677 - 1755 drawing Design for a painting. paper. ink. watercolor (paint). pencil brush / pen Paris in Greece

Sculpture of Venus Pauline Bonaparte by Canova, Museum Borghese Gallery, Rome. Italy, Europe. Old 19th century engraved illustration from Trip to Rome by Francis Wey, Le Tour du Monde 1870

. A Roman is riding a saber woman. Side view of a laundry model of sculptor Adriaen de Vries.

Local population on the island of Kamtschatka receives guests in their house, Lambertus Antonius Claessens, after Jacques Kuyper, 1803 print Two men and a woman in a tent -like hut made of wood. A man sits at the table, another poured water into the fire so that a lot of smoke is created in the small room. The woman is preparing the food. Amsterdam paper etching

Sacrificial scene with Vestal virgins, draughtsman: Andrea Oppiani, draughtsman: Litorio Coccetti, 1800 - 1900, paper, brush, pen, h 481 mm × w 677 mm

Album Drawing, Thomas Rowlandson, 1756-1827, British, undated, Graphite and pen and ink on medium, slightly textured, cream wove paper, Sheet: 8 3/4 × 6 1/2 inches (22.2 × 16.5 cm) and Binding: 8 3/4 inches (22.2 cm)

Study of an Allegorical Female Figure with an Attendant Putto. Artist: England (eighteenth century). Dimensions: 6 15/16 x 8 7/8 in. (17.7 x 22.6 cm). Former Attribution: George Romney (British, Beckside, Lancashire 1734-1802 Kendal, Cumbria). Date: second half 18th century. Museum: Metropolitan Museum of Art, New York, USA.

Philippe Louis Parizeau's drawing shows board soldiers, created with pen and brush in brown using laved technique in 1770.

Woodcut by Albrecht Dürer around 1511 depicting a soldier (Landsknecht) with a pained figure, part of the Big Passion series, illustrating suffering and devotion.

Drawing, Design for a Symmetrical Frieze; Felice Giani (Italian, 1758-1823); Italy; pen and black ink, graphite, brush and wash on paper; Mat: 91.3 x 71.4 cm (35 15/16 x 28 1/8 in.) 9.8 x 17.2 cm (3 7/8 x 6 3/4 in.)

Wszyscy Święci w MNK Got, Pierre (1605 1678), vouet, Simon (1590 1649)

Vier Engelen, Francesco Bartolozzi, After Giovanni Battista Cipriani, 1786 print London paper etching angels

After the mistreated Titus hears about the fate of his father Titus Manlius Torquatus he goes to the house of Pomponius. When the servants have left the room he threatens Pomponius with a dagger, whereupon the latter revokes Manlius' sentence, Titus threatens Pomponius, print maker: Ludwig Gottlieb Portman, (mentioned on object), intermediary draughtsman: Jacobus Buys, (mentioned on object), Amsterdam, 1794, paper, h 209 mm × w 132 mm

Photo production of a painting of the slaughter of an OS, scene from Virgilius' Georgica, Anonymous, c. 1853 - in or before 1858 photograph paper albumen print cow

Die Gefanngennehmung Simsons. The imprisonment of Samson.. Rubens, Peter Paul, 1577-1640. Prints. 1837 - 1842. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Art & Architecture Collection. Painting , Germany , Munich, Lithography, German, Dogs, Hand-to-hand fighting, Torches

Interieuronderdeel, J. Dufour, 1800 - 1825 Tableau in paper peels in grisailletones with the representation of Psyche that shows her jewelry to her sisters. This tableau belongs to the Amor and Psyche series, consisting of ten panels, designed by J. Dufour, 1816. France paper. paint (coating) Tableau in paper peels in grisailletones with the representation of Psyche that shows her jewelry to her sisters. This tableau belongs to the Amor and Psyche series, consisting of ten panels, designed by J. Dufour, 1816. France paper. paint (coating)

Italy, Guercino, Fighting man and woman, verso - stamped, A woman with a dagger grabs a man by his hair. A dog bites the woman's robe., print, prent, prints, height 180 mm, width 212 mm, Italian, 1591-02-08 - 1666-12-22, print maker, printmaker, 1601 - 1666, paper, papier, etching, etsen

Four Ovals: Fortitude, Justice, Prudence, Temperance, Felice Giani, Italian, 1758-1823, Pen and brown ink, brush and brown wash over traces of graphite on cream laid paper, Fortitude: woman with helmet and holding club, sits upon bench. Lion crouches beside her. Justice: shown with pair of scales and fasces, seated. Prudence: shown with looking glass and snake sitting upon chair. Prudence: temperance shown seated holding bridle., Italy, 1803, figures, Drawing, Drawing

SleepingCupid. Artist: Bartolomeo Coriolano, Italian, ca. 1599-ca. 1676

Marc Antony dies in Cleopatra's arms after stabbing himself with his sword. After a 19th century work by Bartolomeo Pinelli.

LA MUSICA - GRABADO DE LA REPRESENTACION DEL POEMA DE IRIARTE POR MANUEL SALVADOR CARMONA SEGÚN DIBUJO DE G FERRO - SIGLO XVIII. Author: TOMAS IRIARTE (1750-1791). Location: BIBLIOTECA NACIONAL-COLECCION. MADRID. SPAIN.

Raphael in Florence. Rist, Gottfried (1789-1824), graphic artist, Barth, Carl (1787-1853), graphic artist, Riepenhausen, Franz (1786-1831), draughtsman, cartoonist, Riepenhausen, Johannes (1787-1860), draughtsman, cartoonist, Wenner, Johann Friedrich (1772-1835), publisher, Rafael (1483-1520), painter

Town and Country Magazine - Frontispiece for Vol. IV, 1772, Isaac Taylor, 1730-1807, British, undated, Graphite and gray wash with pen and black ink on medium, slightly textured, cream laid paper, Sheet: 6 5/8 × 3 3/4 inches (16.8 × 9.5 cm), books, clouds, lyre, palm trees, religious and mythological subject, satyr, scrolls (information artifacts), stylus

Women and children of a well- to-do Athenian family : a black slave attends to her mistress's toilet while the children play with toys Date: circa 400 BC

The Actresses Dressing Room at Drury Lane, Thomas Rowlandson, 1756-1827, British, between 1800 and 1810, Watercolor with pen and red-brown and gray ink, over graphite on medium, moderately textured, blued white, laid paper, Sheet: 7 3/8 x 6 inches (18.7 x 15.2 cm), actresses, dresses, dressing room, drinking, Feathers, food, genre subject, mirror, vanity, Covent Garden, Drury Lane, England, Europe, Greater London, London, United Kingdom, Westminster

Plautus (254-184 BC). Latin comedy poet. Illustration of an edition of Plautus' 'Comedies' (1759). Etching.

Drawing, Minerva; Felice Giani (Italian, 1758-1823); Italy; graphite, pen and ink, brush and watercolor on paper

Allegory at Antwerp Art Festivities, 1861, 1861 print Apollo introduces the Dutch Virgin to the Stadsmandag van Antwerpen. In connection with the Antwerp art festivals. Plaat appeared at the Weekblad De Nederlandsche Spectator, no. 34 and 35, 31 August 1861. print maker: Netherlandsprinter: Netherlandspublisher: Arnhempublisher: The Hague paper personifications of countries, nations, states, districts, etc.. personification of a city, town-patron(ess). specific aspects, allegorical aspects of Apollo; Apollo as patron Antwerp

Umbria Terni Amelia Palazzo Petrignani3. Hutzel, Max 1960-1990 Post-medieval: 16th century frescoes, restored ; views of exterior. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Desdemona's Death-Song, 1878/1880, black chalk over traces of red chalk on two joined sheets of blue-green paper, overall (frame size): 127 x 101.6 cm (50 x 40 in.), Surtees 1978, nos. 254B and Addenda 254, Dante Gabriel Rossetti (artist) British, 1828 - 1882

The invention of Moses, draughtsman: Jean Baptist Leprince, 1744 - 1781, paper, pen, brush, h 305 mm × w 426 mm

Two musicians play the violin and lute as a woman sings. Engraving after D. Maggiotto.

Historic steel engraving by Ferdinand Rothbart, 1823 - 1899, a German illustrator, drawing of the dying Philemon, Philemon's Death by Karl August Georg Maximilian Graf von Platen-Hallermuende

Nero seeks refuge with Phaon. He suggests that Nero hide in a hole in the ground until a passage is made in the wall. Nero refuses and scoops water from the ditch to drink. Humiliation of Nero, print maker: Ludwig Gottlieb Portman, (mentioned on object), intermediary draughtsman: Reinier Vinkeles (I), (mentioned on object), Amsterdam, 1804, paper, etching, h 202 mm × w 130 mm

Print made by Valentine Green, 1739-1813, British, Peter and John Going to the Sepulchre, 1784. Mezzotint on moderately thick, moderately textured, cream laid paper.

Four Men of Classical Antiquity, print maker: Carl Heinrich Rahl, (mentioned on object), intermediary draughtsman: Eberhard Wächter, (mentioned on object), 1789 - 1843, paper, etching, h 201 mm × w 260 mm

Peace, Minerva and Justitia at the weapon of Gallard and Mesmes.

Tiberius Sempronius Gracchus III, at the request of his mother Cornelia, institutes a reform. The people are pleased and a statue is erected in her honor. On the pedestal is written: 'Cornelia, mother of the Gracians', Representation of Gracchus, print maker: Ludwig Gottlieb Portman, intermediary draughtsman: Jacobus Buys, (possibly), Amsterdam, 1797, paper, etching, h 205 mm × w 133 mm

Andrieu, Pierre (n.1821-12-12-D.1892-01-30), sketch for the peace fair of the Paris City Hall: Hercule between vice and virtue (main title), 1852 . Oil on canvas. Petit Palais, Museum of Fine Arts of the City of Paris.

Eight Satyres and Satyresses Finishing a Meal 1607-61 Pierre Biard II. Eight Satyres and Satyresses Finishing a Meal. Pierre Biard II (French, Paris 1592-1661 Paris). 1607-61. Engraving. Prints

Rome, Rossi, Giovanni Giacomo de', Vatican City, Raphael, Italy, Bartoli, Pietro Sante, Reliefs in the Loggia of Raphael, Two dancing figures, Two dancing female figures before three pilasters., print, prints, height 136 mm, width 131 mm, Italian, 1615 - 1700-11-07, print maker, printmaker, 1645 - 1700, paper, papier, etching, etchings, engraving, engraving (printing process), intermediary draughtsman, after a drawing by, Work conception, 1483-04-07 - 1520-04-07, after a design by, after design by, Publication (Event), Publication, 1627 - 1691, publisher

Karl Rahl the Younger created a coal artwork titled 'Night', depicting a nighttime scene with detailed textures and composition.

Antigone and Ismene Teschendorff, Emil 1833-1894. still image. Illustrations. 1892. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Picture Collection. Drapery in art, Greek drama, Antigone (Greek mythology), Theatrical productions

Two noblemen in conversation, Pieter Bartholomeusz. Barbiers, 1809 - 1837 print Two men sit opposite each other on chairs. The left man has taken his hat and holds his hand on his chest. The man opposite him has stretched his right -hand and leans on the table with his left elbow. There is a tablecloth on the table, a piece of furniture and a curtain behind them. Haarlem paper conversation, dialogue; conversation piece

James Gillray, 1757-1815, British, The Royal Joke or Black Jacks Delight, 1788. Engraving.

Painting titled 'The Fates' by Michelangelo (1475-1564) an Italian sculptor, painter, architect, poet, and engineer of the High Renaissance. Dated 16th Century

Vestigia delle Terme di Tito. Quadro: Aldobrandy wedding Carlone, Marco (1742-1796), Smuglewicz, Franciszek (1745-1807), Mirri, Ludovico (1738-1786); 1776 (1776-00-00-1776-00-00);Alcesta, Aleksander, Hipolit, Peleus, Roksana (wife of Alexander the Great - Ca 345 A.C. -310), Rome (Italy), Termy Tytus (Rome), Tethida (Mitol.), Umiastowski, Roman, collection, ancient architecture, Army (archeol '

The Illuminated Bible 1846 After John Gadsby Chapman American. The Illuminated Bible. 1846. Illustrations: engraving. Harper & Brothers (American, New York). J. A. Adams (American, 19th century). Books

Diana, die Göttin der Jagd, des Mondes und der Natur in der römischen Mythologie nach ihrem Baden, Historisch, digital restaurierte Reproduktion einer...

Veneres uti observantur in gemmis antiquis, Hancarville, Pierre d', 1719-1805, after 1771

Griechenland, Griechische Männer mit der Himation gekleidet, Athener vom Fries des Parthenon, Geschichte der Mode, Historisch, digitale Reproduktion e...

Woman sitting on her bed in a cell. Draughtsman: anonymous. Dating: 1700 - 1800. Measurements: h 84 mm × w 111 mm. Museum: Rijksmuseum, Amsterdam.

The barricade , Barricades, Punishment & torture, Soldiers, Nudes, Raising hands. George Bellows (1882-1925). Prints and Drawings

The Constancy of Coriolanus ca. 1778 Jean François Janinet French. The Constancy of Coriolanus. Jean François Janinet (French, Paris 1752-1814 Paris). ca. 1778. Aquatint. Prints

She Nothing Said, But Pale and Meek, Arose and Knelt Before Him 1885 United States. Black, gray and white gouache on cream wood-pulp laminate board . Will Hicock Low

Vier Engelen, Francesco Bartolozzi, After Giovanni Battista Cipriani, 1796 print Italy paper etching angels

Two figures floating above Paris. unknown, graphic artist

Vestigia delle Terme di Tito. Lucius Papirius. Quadro from the decoration of the room of the room 21; Carlone, Marco (1742-1796), Smuglewicz, Franciszek (1745-1807), Mirri, Ludovico (1738-1786); 1776 (1776-00-00-1776-00-00);Chiron, DESA - collection, Peleos, Rome, Italy, town, Terme di Tito, Tethida, Umiastowski, Roman, collection, Nero's golden house, antique, architecture, archeology, relief, decorations, lens, theater, purchase (provenance)

Copper engraving by Wallerand Vaillant depicting the biblical scene of David holding the head of Goliath, produced between 1640 and 1677, in a European religious context.

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