Mythological and Religious Etchings

Etchings depicting biblical and mythological themes, emphasizing narrative depth and detailed imagery of divine figures and allegories.

Spinning woman / Sater and Nynf, Monogramist Dwf, After EnEea Vico, after Parmigianino, 1550 - 1570 print Two prints stuck together. Upstairs: A standing old woman with a coil clamped under her arm, spinning, in a bald landscape. Downstairs: A Sater who approaches a sleeping nymph. Oval show. Italy paper engraving spindle. satyr(s) pursuing nymph(s)

Etcher: Orazio Borgianni, Italian, ca. 1578-1616, After: Raphael, Italian, 1483-1520, Noah Leaving the Ark after the Deluge, from the LoggiaPaintings, Etching, one of a set of 32 prints, platemark: 15 × 17.2 cm (5 7/8 × 63/4in.), Made in Italy, Italian, 16th-17thcentury, Works on Paper -Prints

Alcyone Bidt voor de Veilige Terugkeer Van Ceyx, Virgil, 1569 print Alcyone prays for the safe return of her beloved Ceyx, kneeling for an altar of Juno. print maker: Neurenbergpublisher: Frankfurt am Mainpublisher: Frankfurt am Mainpublisher: Frankfurt am Main paper letterpress printing scrollwork, strapwork ~ ornament. Alcyone prays to Juno for the safe return of Ceyx

Photo production of a painting by Lodovico Mazzolino, 'De Kindermoord' (Mauritshuis coll.), Adolphe Braun & Cie., 1886 photograph paper. photographic support. cardboard carbon print

Photo production of the Fresco de Libische Sibille by Michelangelo in the Sixtine Chapel, Anonymous, After Michelangelo, 1851 - 1900 photograph Vatican CITY paper. cardboard albumen print picture, painting. wall-covering. sibyls (with NAME) Sixtine Chapel (Vatican)

Reintje de Vos. / Plate II; Munchener plates. Leaf with 6 performances from the Epos of Reinaert de Vos. Under each image a eight-line verse in two columns. Numbered in the middle of: Nro. 143. Numbered at the top right: 143.

Personification of craftsmanship and agriculture, the image of the a prize medal obverse; Gerson, Wojciech (1831-1901); around 1858 (1831-00-00-1901-00-00);

Scenes from the Trojan War. Upper image: Hekabe offers clothing to Minerva. Below that three small scenes from the Trojan War side by side. Italian caption in pencil.

Six performances from the Berlin Rages series, Daniel Nikolaus Chodowiecki, 1788 print The prints are numbered at the top right. With caption and page reference in German. Berlin paper etching whip. slaveholder ~ enslaved person. witch-hunt, persecution of witches and sorcerers. child (at home). Christmas (ecclesiastical feast). drunkenness. pulpit, ambo, chancel. quack, charlatan, mountebank, 'saltimbanco'. physician, doctor. saints. debate, discussion (~ meeting). quarrel, argument

The apotheosis of Homer. An antique relief in the Palazzo Colonna in Rome with a representation of the apotheosis of Homer.

Anatomic Les, Jan Wandelaar, 1725 print A surgeon (Andreas Vesalius) teaches in the anatomy of the human body during an anatomical lesson. He has opened the belly of the corpse and keeps the skin aside, while he makes a demonstrating gesture with his other hand. Spectators sit and stand around the table on which the corpse is. Print Maker: Northern Netherlands Publisher: Leiden public: Leiden paper etching / engraving anatomy lesson

Odysseus says goodbye to Alcinüs, Theodoor van Thulden, After Francesco Primaticcio, After Nicolò Dell'abate, 1633 Odysseus says goodbye to King Alcinüs. In the background, the Faaaken prepares a ship to sail Odysseus to Ithaca. The print is part of an album. Paris paper etching / engraving / letterpress printing Odysseus says goodbye to King Alcinüs. In the background, the Faaaken prepares a ship to sail Odysseus to Ithaca. The print is part of an album. Paris paper etching / engraving / letterpress printing

Kaulbach Friedrich August (1850-1920), murals in the staircase of the new museum in Berlin (approx. 1900): Photography after a stab of the "The Tower Construction of Babel" painting. Photo on paper, 33 x 44.8 cm (including scan edges) Kaulbach Friedrich August (1850-1920): Wandgemälde im Treppenhaus des Neuen Museums, Berlin

Marco Papirio kills a Gaul, Bartolomeo Pinelli, 1818 print Marco Papirio kills a Gaul with his ivory staff who grabs him by his beard. Rome paper etching murder

Hercules en Iole, Carlo Cesio, after Annibale Carracci, 1656 print Hercules and Iole are on a rock. Hercules plays on a tambourine. Amor is in the background with his bow. print maker: Romeafter drawing by: Romeafter design by: Italypublisher: RomeVaticaanstad paper etching Hercules wooing Iole. (story of) Cupid, Amor (Eros)

Swap from the Temple, Gabriel Huquier, After Claude Gillot, 1705 - in Or Before 1732 print print maker: Parisprint maker: Franceafter design by: Francepublisher: Parispublisher: ParisFrance paper etching purification of the temple ('first' and 'second'): Christ driving the money-changers from the temple with a whip (Matthew 21:12-13; Mark 11:15-17; Luke 19:45-46; John 12:12-19)

Joseph's Cup Discovered in Benjamins Grain Bag, 1584 - 1585 print Joseph's cup is discovered in Benjamin's grain bag. On the left are three mules, one of which is packed with grain. On the right the brothers of Joseph. print maker: Italyafter print by: Italyafter design by: Italypublisher: Rome paper engraving the cup is found in Benjamin's sack

The bravery of intestines stripped of Vrede, 1713, 1713 print Martyrdom of the Holy Erasmus. The performance here used in connection with the Peace of Utrecht, 1713. In the album verses in Dutch and French. Part of a group of 28 new and old records adapted to illustrate the Peace of Utrecht in 1713. Part of the print work published under the collection title 't Lust-Hof of Momus with the bundled series of cartoons during the years 1701-1713 of the Spanish Succession War. print maker: Italypublisher: Amsterdam paper etching St. Erasmus lies naked on a block; his bowels are wound on to a windlass

Etching ex-libris by Richard Teschner for Dr. Hanns Schönfellinger, created in August 1947 using Vernis Mou technique, from Teschner's sketchbook (1915-1947).

Sjšstrand, Carl Eneas, Sketch for the honorary certificate of the Artists' Society, earliest 1864, pŠŠcategory: drawing, 47 cm x 29 cm

Persons on a balustrade with festans; Designs for wall paintings in Honsellaersdijk Castle ..

Catalogue raisonne et figure de ses tableaux, La Galerie Électorale de Düsseldorf, Pigage, Nicolas de, 1723-1796, Red crayon, or pen, ink and watercolor, 1770-1778

Apotheose van Germanicus, Jeanne de la Croix, After Elisabeth Sophie Chéron, 1700 - 1799 print France paper etching / engraving historical persons. apotheosis of a ruler. predatory birds: eagle

Putti on either side of a family crest, Jan Wandelaar, 1750 print Two putti on a cloud hold a medallion with a family crest. The weapon consists of a coat of arms with a crossbar and three pig heads. Above the shield a winged boar head, flanked by floral motifs. The putto on the left carries the attributes of Minerva and the putto on the right of Justitia. North Netherlands paper etching / engraving attributes of Minerva. Justitia (justice) as Roman personification. hoofed animals: boar (+ animals used symbolically)

Man with the appearance of the devil in a ballroom; Why the emperor will make a nauseating cat jump, that his a bokspoot became loose etc.in the middle of a ballroom with chandeliers, an orchestra and many ladies and gentlemen, a man with the appearance of the devil has lifted his arms. Two Shoes for Him on the Ground. At the Top Right: pl. IV. Bottom Right: Bladz. 156.

Drawing (Italy); Felice Giani (Italian, 1758-1823)

Knights; Skoczylas, W Adys Aw (1883-1934); 1921 (1921-00-00-1921-00-00);

Georg Haas (1751-1817); Johan Georg Preisler (1757-1831), a Bond Member, 1751 - 1817

Son on the back of the donkey, the father on foot, Karel van Mallery, Philips Galle

Two putti with a medallion on which a cityscape. .

The Crossing of the Red Sea, from The LoggiaPaintings. Etcher: Orazio Borgianni, Italian, ca. 1578-1616 After: Raphael, Italian, 1483-1520

Bas-relief with a group of putti showing a portrait; Galleria Giustiniana del Marchese Vincenzo Giustiniani II. Roman bas-relief from a group of putti, of whom two hold a portrait. (Probably a fragment of a sacrcophagus.) In the middle of the coat of arms of Vincenzo Giustiniani. Print is part of an album with a series of prints to the sculptures in the collection in the Galleria Giustiniani in Rome.

Mockery of Christ.

South South Van by H. Eusebius, Bernard Picart, After François de l'Ange, 1705 print Saint Eusebius is stoned. He kneels on the floor and three men throw stones on him. In the margin a caption in French. Paris paper etching / engraving male saints (with NAME). violent death by stoning

Trijn van Leemput attracts to Vredenburg Castle with a group of women, 1577. Trijntrij van Leemput draws with a group of women armed with hammers and picks on to the castle Vredenburg, 2 May 1577. Front a woman with a woman runs behind it Stairs and a woman with a craze.

Lavater, Johann Kaspar .

Maria with child sitting in a landscape, Peter van Liesebetten, After Titian, 1640 - 1678 print paper counterproof / etching Madonna: Mary sitting on the ground, the Christ-child in her lap. Madonna: Mary sitting on the ground, the Christ-child in her lap

Pentheus in verzet tegen the worship van Bacchus, Virgil, 1569 print print maker: Neurenbergpublisher: Frankfurt am Mainpublisher: Frankfurt am Mainpublisher: Frankfurt am Main paper letterpress printing scrollwork, strapwork ~ ornament. Pentheus withstands the cult of Bacchus in Thebes

Umbria Terni Collescipoli S. Nicolo8. Hutzel, Max 1960-1990 Post-medieval: Architecture (15-16th century); sculpture, choirstall (16th century); frescoes (16-17th century); painted wooden organ loft (17th century); silk altarcloth (14th century) Object Notes: Two Hutzel photo campaigns dated 1970 and 1971. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Title head with seahorses, Gerrit Willem Dijsselhof, 1893 print paper bony fishes: hippocampus. other ornament derived from animal forms

Portrait of a spiritual, Anonymous, 1650 - 1750 print A portrait medallion from a writing man in his library. The man is lit by the Christ monogram IHS above, surrounded by putti. Two putti in a book write in the foreground. Behind them is a putto with cardinal hat or Galero. On the left, a putto pays in a cartouche with a weapon with six pine cones. Left front are a miter, a cross staff and a book. paper engraving / etching anonymous historical person portrayed. insignia of cardinal, e.g. hat, mantle. cupids: 'amores', 'amoretti', 'putti'. armorial bearing, heraldry

Three Bacchus Subjects: Bacchus Worshipped, Felice Giani, Italian, 1758-1823, Pen and brown ink, brush and brown wash over traces of graphite on cream laid paper, Bacchus shown enthroned in circular vaulted temple. Priest stands behind altar in background, while offerings brought to Bacchus. At center, Bacchus and Ariadne hold each other's hands. Woman behind them raises wreath. Two putti fly. Bacchus rides in chariot drawn by panthers toward left. At left interval, pen sketch of arm holding pitcher; in right one, pen sketch of man sacrificing wine. Part of framing in center lower edge., Italy, 1800, figures, Drawing, Drawing

Personification of geography; Numismata virorum illustrium ex Barbadica Gente. A console with a woman as a personification of geography or court description. In her hand she has a passer with which the globe wants to measure. In her other hand she holds a geometric quadrant. The print is part of an album.

Bliżej Kultury Verlag Gerlach & Schenk in Vienna (1882 1901)

Christ Op de Olijf Mountain, Gabriel Huquier, After Claude Gillot, 1705 - in Or Before 1732 print print maker: Parisprint maker: Franceafter design by: Francepublisher: Parispublisher: ParisFrance paper etching Christ's prayer in the Garden of Gethsemane during the night

Figure photography:Karnicki, Justinian (1806-1876), Karnicki, Justinian (1806-1876)-collections, Rafael (1483-1520)-reproduction, raimondi, marcantonio (Ca 1470/1482-Ca 1527/1534)-reproduction, Smolikowski, Seweryn ( 1850-1920) - collection, gift (provenance), collections, religious art, photosensitive (Warsaw - exhibition - 2009)

Kaulbach Friedrich August (1850-1920), Fries in the staircase of the new museum in Berlin (approx. 1900): Continuous children's frieze with the ironic relativization of monumental world history. Photo on paper, 16 x 32.2 cm (including scan edges) Kaulbach Friedrich August (1850-1920): Fries im Treppenhaus des Neuen Museums, Berlin

Bliżej Kultury Verlag Gerlach & Schenk in Vienna (1882 1901)

Schmalz Otto (1861-1906), travel sketches from Bavaria, Austria and Italy (02.03.1887): Naples: Sacramen houses in the museum (detail relief relief). Pencil on paper, 42.9 x 31.1 cm (including scan edges) Schmalz Otto (1861-1906): Reiseskizzen aus Bayern, Österreich und Italien

Devil above a group of dying, Johan Bernhard Wittkamp, 1847 - 1883 print A devil covers a group of people with a white death rug. paper. devil(s) and demons. death of human being

Umbria Terni Terni Palazzo Montani8. Hutzel, Max 1960-1990 Post-medieval: Renaissance architecture; frescos (17th century); tapestries after designs of Raphael school; intarsia (furniture); wooden cassone carved with the arms of the Montani Antiquities: Portrait heads in marble of Roman youths and a consul German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Four performances from classical history, Simon Fokke, 1722 - 1784 print Four performances from the classic history of one plate, numbered from XLV to XLVIII and all provided with a caption. At the top left: Alexander and Hephestion in the Darius tent. Bottom left: Alexander is committing Darius. At the top right: Clitus killed by Alexander. At the bottom right: Alexander deathbed. Performances XLV and XLVI at the top right marked: Against page. 234. Performances XLVII and XLVIII at the top right marked: Against page. 297. Amsterdam paper etching Darius' family kneels before Alexander, who requests Sisigambis, Darius' mother, to rise. Alexander covers Darius' body with his own mantle. at a feast Alexander kills his friend Clitus with a javelin. death of Alexander: Alexander on his deathbed

Ruychaver at the corpse of a Spanish -minded counsel in Alkmaar, 1573, 1780 print Nicolaas Ruychaver at the corpse of a Spanish -minded counsel he thrown out of the window, Alkmaar 1573. Ninth singing. paper etching Alkmaar

Acis and Galatea 1708 () William Kent British. Acis and Galatea 353860

Drawing example of three standing figures; Varie Figvre Academic / Diversche Figvren Wt de Academia. Drawing example of three standing figures, possibly apostles, in different postures. This print is part of an album.

Classical terra-cotta sculpture. Knight, Charles, 1791-1873. Prints, Illustrations. 1858. Science, Industry and Business Library: General Collection. Art, Industrial arts, Terra-cotta sculpture, Classical

. Roman bas-relief from a man, on a leashing, with a scale in hand. A RAM is guided to him. In the middle of Vincenzo Giustiniani coat of arms. Print from a publication with reproduction prints to the sculptures in the collection in the Galleria Giustiniani in Rome.

Circe offers the men of Odysseus a little to drink. The Magicians Circe is in the harbor. She offers Odysseus and his men who are still on the ship. At the feet of Circe a snake and a dragon.

Photo production of an engraving, possibly to a fresco by Rafaël, Anonymous, After Rafaël, 1851 - 1900 photograph paper. cardboard albumen print drawing, sketch

Bliżej Kultury Rembrandt van Rijn (1606 1669), H. Kleinmann & Co Haarlem

A pencil ceiling draft drawing by Lucas Stipperger, showing architectural structure, composition, and decorative details.

Catalogue raisonne et figure de ses tableaux, La Galerie Électorale de Düsseldorf, Pigage, Nicolas de, 1723-1796, Red crayon, or pen, ink and watercolor, 1770-1778

Marteld death of Jan de Bakker, 1525, Reinier Vinkeles (I), After Jacobus Buys, 1780 - 1795 print Jan de Bakker, former priest of Woerden, for heresy at the stake in The Hague, 1525. Netherlands paper etching persecution of heretics. violent death by burning at the stake; pyre. execution of heretic, e.g. by burning at the stake, 'auto-da-fé' The Hague

Corpse of Willem IV, 1752, plate 34, 1754 - 1755 Members of the Supreme Court of Holland, Zeeland and West Friesland. In the margin the caption in Dutch, French and English. Part of a series of 41 plates of the funeral procession of Stadholder William IV in Delft on February 4, 1752. Numbered at the top right: 34. In the bound edition of 1755. print maker: Northern Netherlandspublisher: The Haguepublisher: The Hague paper etching / engraving Delft Members of the Supreme Court of Holland, Zeeland and West Friesland. In the margin the caption in Dutch, French and English. Part of a series of 41 plates of the funeral procession of Stadholder William IV in Delft on February 4, 1752. Numbered at the top right: 34. In the bound edition of 1755. print maker: Northern Netherlandspublisher: The Haguepublisher: The Hague paper etching / engraving Delft

Second event of October 6, 1789, the King appearing at the balcony of the Marble Court (Title Title) | Historical engravings of the main events since the opening of the generals of 1789 (TS)

Two Frisians with weapon promice; Frizes, Feuillages Ou Tritons Marins Antiques Et Modernes. In the upper fries an oval medallion with a rider on horseback, in the lower warring Roman soldiers.

Philetas addresses Daphnis and Chloë, Aristide Maillol, 1937 print paper conversation, dialogue; conversation piece. Daphnis (in Greek mythology a shepherd who invented pastoral poetry. Chloe

Esther for Ahasveros, Dirck De Bray, 1635 - 1694 print paper Ahasuerus holds out his sceptre to Esther (Esther usually kneeling)

RINCEU COUNT LIACRE THE JOINES (BESSER 203, HALLTTIN 602) Israel van Meckenem (v.1445-1503). Rinau of the Jess� Tree (Bartsch 203, Hollstein 602). Burin, 15th century.

The Finding of Moses, from The LoggiaPaintings. Etcher: Orazio Borgianni, Italian, ca. 1578-1616 After: Raphael, Italian, 1483-1520

Woodcut by Hans Schäufelin from the late 15th to mid-16th century depicting couples, showing human figures in interaction with detailed composition and woodcut technique.

"Copper engraving by Monogrammist AC from the first half of the 16th century depicting the Judgment of Paris. The print shows figures, gestures, and composition in a mythological context."

Three Suggodins, Alphonse-Victor Colas, After Pierre Prud'Hon, 1846 print paper etching Fates, spare (Moir)

Killing Muizens and Dancing with Religious, Leendert Springer (I) (Possible), in Or Before 1844 print Five performances from a death dance, numbered Fig. 1 to 5. Skeletons and resolutive bodies music and dance with religious. Leiden paper dance of Death; Death together with one or more human beings

Parting of Hector and Andromache still image. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Picture Collection. Homer. Iliad, Arrivals & departures, Soldiers , To 499, Warriors , To 499, Fathers, Andromache (Legendary character), Hector (Legendary character)

Bas-relief with two consuls; Galleria Giustiniana del Marchese Vincenzo Giustiniani II. Bas-relief with two consuls in a triumphal. Two men blow the trumpet behind them. In the middle of Vincenzo Giustiniani coat of arms. Print is part of an album with a series of prints to the sculptures in the collection in the Galleria Giustiniani in Rome.

Vignette with wife surrounded by men, Jean Jacques Flipart, after Charles Nicolas Cochin (II), 1758 print print maker: Francepublisher: Paris paper etching theatre, theatrical performance

Bliżej Kultury Ferdinand Schenk Verlag für Kunst und Kunstfäwer, Vienna, Möller, Anton (Ok. 1563 1611)

Braun et Cie, Adolphe, Photographic reproduction of a fresco by Michelangelo in the Sistine Chapel, 'The Expulsion from Paradise', Expulsion from Paradise, photograph, photo, photos, height 374 mm, width 474 mm, Publication (Event), Publication, publisher, 1880 - 1900, fourth quarter 19th century, paper, papier, photographic paper, fotopapier, cardboard, carbon print, kooldruk

Composition with two bronze statues, coins and gemmen, anonymous, 1700 - 1799 print The figures and objects are numbered from I to VIII. The whole is numbered at the top right: tab. Vi. The bronze statue with the No. I may be Jupiter and Ganymedes. The bronze statue with No. IV is probably the Florentine Zwijn 'Il Porcellino'. paper etching / engraving gem, gemstone. coin. sculpture (+ bronze ~ arts). hoofed animals: boar

Basso Rilievo, il qual è scolpito sulla Circonferenza del seguente Vaso Antico di Marmo (detail of the relief on a large marble vase decorated with the sacrifice of Iphigenia), from Vasi, candelabri, cippi…. Artist: Giovanni Battista Piranesi, Italian, 1720-1778

Print (France)

Procession of Figures and Oxen 1549-1553 Italy. Pen and brown ink on ivory laid paper, laid down on ivory laid paper . Girolamo da Carpi

An ink and feather drawing depicting a crowd of hikers in motion, showing figures and landscape details, dated 1598-1610.

Bas -relief with battle scene, trophies and prisoners of war, 1636 - 1647 print Bas-relief with battle scene, trophies and prisoners of war. At the top left weapon trophies. Bottom left a man with stuffed hands and a woman with a child on the chest. In the middle of the relief the coat of arms of Vincenzo Giustiniani. Print is part of an album with a series of prints to the sculptures in the collection in the Galleria Giustiniani in Rome. paper engraving piece of sculpture, reproduction of a piece of sculpture. battle

Atlas, with sceptre, in conversation with Orpheus. The Pleiad Electra, wearing a veil spangled with stars. hangs her head in grief at the destruction of Troy. Two other Pleiades, daughters of Atlas, stand with her. Copperplate engraving by Thomas Kirk (1765-1797) from Sir William Hamiltons Outlines from the Figures and Compositions upon the Greek, Roman and Etruscan Vases of the Late Sir Hamilton, T. MLean, London, 1834.

Card players, Thomas Wijck, 1626 - 1677 print Three men play a card game. In the background, a fourth man leans on a bale hay. paper etching playing-cards

Moderation, Valentin Lefèbvre, After Paolo Veronese, 1682 print The personalized moderation (temperantia) sits by a temple and pulls feathers of the eagle next to her. The print is part of a 53-part series of prints to paintings by Titian and Veronese. paper etching Temperance, Moderation; 'Misura' (Ripa). predatory birds: eagle

Florence - Ex-Convent of St. Appollonia. The cenacle, fresco attribute to Andrea del Castagno. .

Erato, Polymnia et Vrania, Euterpe, Thalia. Romano, Giulio, 1499-1546. 1825. Pinelli, Bartolomeo, 1781-1835. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

Allegory of William V's attempt to enslave the country, 1787. Draughtsman: anonymous. Dating: 1787. Place: Northern Netherlands. Measurements: h 252 mm × w 230 mm; h 147 mm × w 225 mm. Museum: Rijksmuseum, Amsterdam.

Horse race contestant dismounting to receive a wreath from a genius. He holds a buckler, the prize at the Hecatombs, the public games at Argos. Copperplate engraving by Thomas Kirk (1765-1797) from Sir William Hamiltons Outlines from the Figures and Compositions upon the Greek, Roman and Etruscan Vases of the Late Sir Hamilton, T. MLean, London, 1834.

Seated female music personification. .

Willem IV, 1752, plate 8; Hollandsche Guardes; Lyk staetie by Zyne brightenight highness The Lord Willem IV Carel Hendrik Friso, Prince of Orange and Nassau (...) held in IV February 1752. The Dutch Guard, preceded by musicians. In the margin the caption in Dutch, French and English. Part of a series of 41 plates of the funeral procession of Stadholder Willem IV in Delft on 4 February 1752. Numbered at the top right: 8. In the bound edition of 1755.

Fries met kinderen die beren vangen.Fries with a large group of naked children with Lansen catch three bears. Cut up the right.

Sculpture by Marforio; Jupiter Panarius Vulgo Marphorius in Foro Boario; Antique sculptures in Rome; Antiquarum Statuarum Urbis Romae Quae in Publicis Locis Visuntur Icones. Marforio sculpture, one of the talking images in Rome. Caption in Latin. Print is part of an album.

The Messengers tell Job of his Misfortunes, from Illustrations of the Book of Job. Artist: William Blake (British, London 1757-1827 London). Dimensions: plate: 8 7/16 x 6 5/8 in. (21.4 x 16.8 cm)sheet: 16 1/8 x 10 15/16 in. (41 x 27.8 cm). Publisher: Published by William Blake (British, London 1757-1827 London) 3 Fountain Court, Strand. Date: 1825-26. Museum: Metropolitan Museum of Art, New York, USA.

Isegrim for King Nobel. Design for illustration (fool. 4, second design): Van den Vos Reinaerde; Isegrim, the wolf, for King Nobel.

Muur, Lucas van Leyden, 1600 - 1699 print. fragment One fragment of five on leaves. Piece of wall from "The worship of the Kings", cut out along Contour. Low Countries paper engraving fence, wall, paling

Roman men hunting a deer. Two men lance the deer at left, while others arrive with catapult, stone, crooks. Unknown symbolism. Copperplate engraving by Thomas Kirk (1765-1797) from Sir William Hamiltons Outlines from the Figures and Compositions upon the Greek, Roman and Etruscan Vases of the Late Sir Hamilton, T. MLean, London, 1834.

Mercurius en Argus, Anonymous, Stefano Della Bella, 1620 - 1664 print. playing card Play card with a performance by Mercury and the sleeping Argus. (possibly) paper etching (story of) Mercury (Hermes)

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