Mythological and Religious Scenes

This cluster features dramatic engravings depicting mythological and religious narratives, focusing on themes of intoxication, suffering, and human struggle, illustrated with intricate details.

Fight between Odysseus and Irus, Jan Harmensz. Muller, after Cornelis Cornelisz. van Haarlem, 1601 - 1652 print Upon returning home on Ithaca, Odysseus is confronted with the beggar Irus. In a fight between the two, Odysseus Irus knocks down. Bystanders watch. At the bottom of the margin four two -line verses in Latin. Amsterdam paper engraving Ulysses' fight with Irus, the beggar (Homer, Odyssey XVIII)

Saxea fit cautes coniunx: oblinia honesti incestum que tibi vinum Lote suadet amor que, Lot and his daughters, verso - stamped, Lot sits in a landscape next to one of his daughters. His other daughter gives her sister a cup full of wine. In the background the fire of the cities of Sodom and Gomorrah and Lot's wife as a pillar of salt., print, prent, prints, prenten, height 256 mm, width 358 mm, print maker, prentmaker, 1564 - 1564, paper, papier, engraving, engraving (printing process)

Lucas van Leyden, Adam and Eve, 1516 1519 Adam and Eve

Two Fools. 1501 - 1600. Beham, Hans Sebald, 1500-1550. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

The Toilet of Venus Anonymous, French, School of Fontainebleau, 16th century French. The Toilet of Venus 340709

Speculum Romanae Magnificentiae: Dance of Fauns and Bacchants early 16th century Anonymous This print comes from the museums copy of the Speculum Romanae Magnificentiae (The Mirror of Roman Magnificence) The Speculum found its origin in the publishing endeavors of Antonio Salamanca and Antonio Lafreri. During their Roman publishing careers, the two foreign publishers - who worked together between 1553 and 1563 - initiated the production of prints recording art works, architecture and city views related to Antique and Modern Rome. The prints could be bought individually by tourists and collectors, but were also purchased in larger groups which were often bound together in an album. In 1573, Lafreri commissioned a title page for this purpose, which is where the title ‘Speculum Romanae Magnificentiae first appears. Lafreri envisioned an ideal arrangement of the prints in 7 different categories, but during his lifetime, never appears to have offered one standard, bound set of prints. Ins

A second-half 15th-century copper engraving by Andrea Zoan depicting Ignorance and Mercury, illustrating an allegorical representation of virtue and vice in the upper half of the composition.

La Veille des Thermopyles. Honoré Daumier (France, Marseilles, 1808-1879). France, 1842. Prints; lithographs. Lithograph

Epimetheus opens the urn of Pandora. Epimetheus opens the urn of Pandora. The joys' personnifications rise from the urn.

The rich man in the bath, Crispijn van de Passe (I), After Maerten de Vos, 1589 - 1611 print Depart with the rich man who is bathed. He is surrounded by women who help him bathe. He is put in bed in the background. Print from a series of four with the parable of the rich man and the poor Lazarus. Cologne paper engraving the rich man (Dives) is feasting, while poor Lazarus is starving at the gate (dogs licking Lazarus' sores) (Luke 16:19-31). taking a bath

Umbria Terni Stroncone S. Giovanni1. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Mars sent away by Minerva, 1589 print Minerva sends Mars away from the personifications of peace and prosperity. Italy paper engraving (Story of) Minerva (Pallas, Athen). (Story of) Mars (Ars). Peace and Prosperity, 'PAX ET ABUNDANTIA'

Biblical Story, Creation of Eve, Michelangelo Buonarroti, Historical, digitally restored reproduction from a 19th century original.

Alkmaar, Schabaelje, Jan Philipsz, Amsterdam, Visscher, Claes Jansz. (II), Coignet, Gillis (I), Collaert, Hans (I), Den Grooten Figuer-Bibel, Geschiedenis van Susanna, De Historie van Susanna, Susanna en de ouderlingen, bottom right - handwritten in brown ink, Susanna, who is sitting on the edge of a basin to bathe, is bothered by the two elders. Below the representation a reference in Latin to the Bible text in Dan. 13:19. This print is part of an album., print, album leaf, prints, 298, height 202 mm, width 262 mm, South Netherlands (before 1775), 1540 - 1581, print maker, printmaker, 1579 - 1579, paper, engraving, engraving (printing process), hand colouring, Work conception, South Netherlands, 1542-09 - 1599-12-27, after a design by, Publication (Event), Publication, North Netherlands, 1586 - 1652-06-19, publisher, 1592 - 1656-04

Antwerp, Galle, Theodoor, Haarlem, Heemskerck, Maarten van, Coornhert, Dirck Volckertsz., Parable of a Wedding Feast, Preparations for the Wedding Feast, Preparations for the Banquet. The king has had his best fattened cattle slaughtered. He sends his servants out to invite the guests. The print has a Latin caption and is part of a six-part series on the parable of a wedding feast., print, prints, height 212 mm, width 260 mm, Northern Netherlands, 1522 - 1590-10-29, print maker, printmaker, 1558 - 1559, paper, papier, engraving, engraving (printing process), etching, Work conception, 1498 - 1574, after a design by, Publication (Event), Publication, Southern Netherlands, 1571 - 1633, publisher

Putti Testing a Man's Perception of Depth. Dated: c. 1613. Dimensions: overall: 9.7 x 14.6 cm (3 13/16 x 5 3/4 in.). Medium: pen and brown ink with brown wash over black chalk, heightened with white, on laid paper; indented with a stylus and chalked for transfer on the verso. Museum: National Gallery of Art, Washington DC. Author: PETER PAUL RUBENS.

Jester with phallus and female jester. A male and feminine jester faces each other in a conversation. They both wear a salskel with large donkey ears and feathers. The man has a phallus as an attribute. Insects fly in the air. Copy in mirror image on a wider format to a print of Hans Sebald

Master IB after Raphael, Children Harvesting Grapes Children Harvesting Grapes

Apollo, Pan, and a Putto blowing aHorn. Engraver: Giorgio Ghisi, Italian, 1520-1582 After: Francesco Primaticcio, Italian, 1504-1570

Accounting, Georg Pencz, 1539 - 1543 print Woman as personification of arithmetic, she counts and takes notes on a table. There are attributes on the floor such as a lineal and weights. A putto writes on a writing table. paper engraving Arithmetic '(~ quadrivious); "Aritmetic '(Ripa). drawing, measuring, calculating

The Cumaean Sibyl. Dated: probably 1517. Medium: engraving. Museum: National Gallery of Art, Washington DC. Author: Jean Duvet.

Hercules and Omphale 1595-1605 Flanders. Engraving in black on ivory laid paper . Aegidius Sadeler, II

Drunk Silenus and Putti with grape bunches, Andrea Mantegna (School of), After Andrea Mantegna, 1500 - 1550 print Italy paper engraving (Story of) Silenus. Cupids: 'Love' '' Amoretti '' Putti '

Dido's death; Speculum Aeneidis Virgilianae. Dido is dying with the sword of Aeneas, in the courtyard of her palace, where she had built a stake of Aeneas' possessions by her sister Anna. In the background, Aeneas sail 'ships away. In the margin a four-line caption, in two columns, in Latin.

Medusa and other figures; Sisyphus, Ixion and Tantalus. Etching by L.P. Boitard.

Copper engraving by Nicoletto da Modena depicting Vulcan forging winged Cupids, created in the first quarter of the 16th century.

Joseph fleeing from Potiphar's wife ca. 1515-25 Marcantonio Raimondi Italian. Joseph fleeing from Potiphar's wife 342525

Polyphemus devours the men of Odysseus; Metamorphoses from Ovid. The giant polyphemus devours two of Odysseus' men. In the background Odysseus and the Magicians Circe, which changed some of his comrades in pigs by having them drinking her magic drink. In the margin a four-line caption, in two columns, in Latin.

The Juggler and the Woman. Dated: c. 1495/1503. Medium: engraving. Museum: National Gallery of Art, Washington DC. Author: Israhel van Meckenem.

Samson at the Mill 1865-81 After Frederic, Lord Leighton British. Samson at the Mill 642841

Albrecht Altdorfer, Crouching Venus, c 1525 1530 Crouching Venus

Artist: Joachim von Sandrart, German, 1606-1688, Papirius, from Sculpturae VeterisAdmirata, Etching and engraving, image: 33 × 21.6 cm (13 × 8 1/2in.), Made in Germany, German, 17thcentury, Works on Paper -Prints

Plate 27: Proserpine give Psyche the box of beauty, from the Story of Cupid and Psyche as told by Apuleius. Artist: Master of the Die (Italian, active Rome, ca. 1530-60); After Michiel Coxie (I) (Netherlandish, Mechelen ca. 1499-1592 Mechelen). Dimensions: Sheet: 10 1/4 × 15 13/16 in. (26 × 40.2 cm)Plate: 8 1/16 × 9 5/16 in. (20.5 × 23.6 cm). Publisher: Antonio Salamanca (Salamanca 1478-1562 Rome). Series/Portfolio: The Story of Cupid and Psyche as told by Apuleius. Date: 1530-60.This book contains 32 plates bound together, 3 of which are by Agostino Veneziano. Museum: Metropolitan Museum of Art, New York, USA.

Two Nude Children Supporting a Blank Shield ca. 1510 Lucas van Leyden Netherlandish. Two Nude Children Supporting a Blank Shield 364716

François Perrier, The Medici Wrestlers, side view, turned to left (plate 36), 1638 The Medici Wrestlers, side view, turned to left plate 36

Lupercalia, c. 1677 print Figures during the Lupercalia. A naked young man hits a young woman with a goat's skin belt. On the right an altar on which a fire burns. The inscription is on the basis of the altar: ut iucunda sic foecunda. The print maybe originally belonged to Liber 22 of the Atlas of Rome by Michiel Hinloopen (Schijnvoet Book 10). paper etching / engraving 'Lupercalia', feast in honour of Faunus-Lupercus

Ecce Homo 1511 Hans Baldung (called Hans Baldung Grien) German. Ecce Homo 395044

Saint Sebastiaan, HL monogrammist (16th century), 1505 - 1533 print Saint Sebastiaan as a martyr, tied to a tree, with three arrows in his body. Germany paper St. Sebastian, tied to a tree or a pillar, is pierced by arrows

La Force 16th century Jean Chartier French. La Force. Jean Chartier (1500-1580). 16th century. Etching. Prints

Vulcanus forges the wing of Cupid.

Copper engraving by Marcantonio Raimondi depicting Christ as a suffering figure, emphasizing pain and expression in early 16th century religious art.

Emblem of a dead lion, A vignette with the personification of Poetry, along with some putti. They sit around a pedestal with a depiction of a dead lion around which flies fly. The emblem bears the motto: 'Hinc utile hinc dulce', Jan Goeree (mentioned on object), Amsterdam, 1680 - 1731 and/or 1758, paper, engraving, w 149 mm × h 91 mm

Bacchanaal with Bacchus and Silenus. Allelei silverware filled with drink is scattered in a cave. Bacchus sleeps in the foreground and has hit his arm around a leopard. Silenus drinks behind him. In the background a love couple in embrace.

Drunk bacchus supported by a Satyr, according to Rubens (Dutuit 66) Drunk bacchus supported by a satyr, according to Rubens (Dutuit 66). Burin, 17th century. Museum of Fine Arts of the city of Paris, small palace.

Joseph in prison explains the dreams of the cupbearer and the baker of Pharaoh. Above the head of the cupbearer is depicted the cupbearer's dream: he pours wine into a cup for Pharaoh. Above the head of the baker his dream: birds peck at the bread he carries in a basket. Below the depiction a reference in Latin to the Bible text in Gen. 40, Joseph explains the dreams of the cupbearer and the baker History of Joseph Thesaurus sacrarum historiarum veteris testamenti , print maker: Hans Collaert (I), (attributed to), Michiel Coxie (I), publisher: Gerard de Jode, Antwerp, 1579 and/or 1585, paper, engraving, h 211 mm × w 265 mm

Figurine: A Warrior. Salvator Rosa (Italy, Naples, 1615-1673). Italy, circa 1656-1657. Prints; etchings. Etching with drypoint

Sebald Beham, Lycus Bringing the Garment of Nessus to Hercules, 1542 1548 Lycus Bringing the Garment of Nessus to Hercules

Anonymous after Master of the Die (Italian, born ca. 1512, active 1532/1533), possibly after Raphael (Italian, 1483-1520) or Giulio Romano (Italian, probably 1499-1546). Sacrifice to Priapus, 16th century. Etching. Plate: 120 mm x 178 mm (4.72 in. x 7.01 in.) (Trimmed partially within platemark, especially at lower right).

Spranger, Bartholomeus, Amsterdam, Muller, Jan Harmensz., Venus honored by the nymphs, Venus Honored by Nymphs and a Faun, verso - stamped, Venus, with Amor at her side, receives baskets of flowers and fruits from the nymphs. A satyr brings a basket of birds., print, prent, prints, prenten, height 271 mm, width 204 mm, Noord-Nederlands, 1571 - 1628, print maker, prentmaker, 1589 - 1593, paper, papier, engraving, engraving (printing process), Work conception, Zuid-Nederlands, 1546-03-21 - 1611-08

Hercules and the Hydra by Lerna. Hercules tries to kill the multi-headed Hydra of Lerna with a burning torch. In the background a monument with a coat of arms

Flagellation of Christ. School of Guercino; Italian, 1591-1666. Date: 1610-1700. Dimensions: 369 x 266 mm. Pen and brown ink, with brush and brown wash and traces of graphite, on cream laid paper, laid down on cream laid paper. Origin: Italy. Museum: The Chicago Art Institute, USA. Author: School of Guercino.

Sophonisba drinks poison. Sophonisba sitting with the poison cup to her mouth. In addition to her a servant of her second man Massinissa, who has brought the poison cup. On the wall a cartouche with a four-line text in Latin.

Apollo felt Marsyas; Marsyas Victus ab Apolline Excoriatur; Metamorphoseon Sive Transformationum; Metamorphoses from Ovidius.apollo felt the Sater Marsyas. Title in Latin in undermarge.

Dialectic. Medium: engraving. Museum: National Gallery of Art, Washington DC. Author: Georg Pencz.

Vertumnus and Pomona, Anonymous, After Arnold Houbraken, 1700 - 1750 print Vertumnus, disguised as an old woman, in conversation with Pomona, sitting in a classic garden. Copy to the print of Houbraken from part 2 of a series of prints with emblems. Northern Netherlands paper etching / engraving Vertumnus and Pomona

Saters support Drunken Silenus, Schelte Adamsz. Bolswert, after Peter Paul Rubens, 1596 - 1659 print Two Saters support the drunk Silenus. Under the show is a verse in Latin. paper etching / engraving (story of) Silenus

Saters support Drunken Silenus, Schelte Adamsz. Bolswert, after Peter Paul Rubens, 1596 - 1659 print Saters support the drunk Silenus. Under the show is a verse in Latin. paper etching / engraving (story of) Silenus

Domenico Campagnola, Twelve Children Dancing, 1517 Twelve Children Dancing

Four soldiers, Salvator Rosa, c. 1656 - c. 1657 print A sitting soldier, leaning with his arm on a shield and turning his head around to a soldier standing next to him. Two more soldiers on the left. Italy paper etching / drypoint the soldier; the soldier's life. protective weapons: shield

Der Welt Lauf (Sleeping Justice) (copy) early 16th century Barthel Beham German. Der Welt Lauf (Sleeping Justice) (copy) 392894

Biblical story, St. Jerome in the desert, a lion on the left, Michelangelo Marelli, Historical, digitally restored reproduction from a 19th century original.

Standing woman with sitting man with dog, Jurriaan Andriessen, 1752 - 1819 drawing paper. ink. chalk pen / brush dog

Jode, Gerard de, Vos, Maerten de, Antwerpen, Passe, Crispijn van de (I), Dood en Verlossing, Antwerp, verso - gestempeld, Allegory of Death and Redemption. In the middle sits the angel of Redemption. On either side Adam and Eve who are chained by Death. In the background the snake with the forbidden fruit. In the frame under the representation two Bible quotations from Rom. 7 and Gal. 1 in Latin., print, prent, prints, prenten, height 172 mm, width 179 mm, 1564 - 1637, print maker, printmaker, 1580 - 1588, paper, engraving, engraving (printing process), Work conception, Southern Netherlands, 1532 - 1603-12-04, after a design by, Publication (Event), Publication, Northern Netherlands, 1509 - 1591-02-05, publisher

The Courtesan Punished, from The Story of the Magician Virgil. Georg Pencz; German, c. 1500-1550. Date: 1541-1542. Dimensions: 57.5 x 82 mm (image/plate); 59 x 83 mm (sheet). Engraving in black on ivory laid paper. Origin: Germany. Museum: The Chicago Art Institute, Chicago, USA.

Dirce is bound to a bull, Giuseppe Vasi, After Unknown, 1772 print Antique sculpture known as the Farnese bull. The Amphion and Stehus brothers tie the braided hair of Dirce to the horns of a bull. In lower margin titles, five -line Italian text and seven -line French text. paper etching Amphion and Zethus avenge their mother by tying Dirce to the horns of a bull. piece of sculpture, reproduction of a piece of sculpture

Adam and Eve conceal their nakedness; in the distance they receive clothes from God. Line engraving by J. Haeyler after C. van den Broeck.

Andrea Zoan (active in Mantua, around 1475, and in Milan to the vicinity of 1520). "Allegory or ignorance seated on a globe". Bartsch 16. Bartsch illustrated volume 25 (volume 13, 2nd part), page 158. Chisel. 1490-1505. Museum of Fine Arts of the City of Paris, Petit Palais. 112277-29 16th 16th XVI 16th 16th 16 Center, engraving

Copper engraving print by Nicolas Beatrizet depicting the Laocoön group sculpture, created between 1540 and 1566.

Three drunks around a table. Three men sit at a round table; The judge of the couple breed on the ground, the middle holds a jug into the arm and drinks from a glass, the left lies with the head on the table to sleep. In the background a gallows with two resembles, a fight and two beggars that require a wealthy gentleman to have an alms. Under the show four lines text in Latin.

Four Women Dancing. Dated: c. 1497. Dimensions: sheet: 23.9 x 33.6 cm (9 7/16 x 13 1/4 in.). Medium: engraving. Museum: National Gallery of Art, Washington DC. Author: Workshop of Andrea Mantegna or Attributed to Zoan Andrea.

Haarlem, Goltzius, Hendrick, Matham, Jacob, Mythological and allegorical representations, The seven virtues, verso lower left - stamped, The seven personified virtues in a landscape. In the foreground, seen from the back, sits Prudence (Prudentia), with two snakes and a hand mirror, and with a second face on the back of her head. On the right in the foreground sits Strength (Fortitudo), with a column. In the middle stands Love (Caritas) with two children. On the right stands Temperance (Temperantia), pouring liquid from a jug into a glass. In the background stands Justice (Justitia) with sword and scales and Faith (Fides) with crucifix and chalice. On the left, the chained Hope, with an anchor at her feet. Lower left incorrectly numbered 7., print, prent, prints, prenten, height 298 mm, width 210 mm, Noord-Nederlands, 1571-10-15 - 1631-01-20, print maker, printmaker, 1588 - 1588, paper, papier, ink, inkt, engraving, engraving (printing process), pen, Work conception, 1558-01 - 1617-01-

Torture: Send in a burning boat, Antonio Tempesta, 1565 - 1630 print paper etching torture. violent death ~ maltreatment, torture

Copper engraving print 'Lichas Brings Hercules the Nessus Robe' by Sebald Beham, depicting Lichas presenting the robe to Hercules, detailed figures and drapery.

Four men pull on limbs of Saint, Antonio Tempesta, 1565 - 1630 print Numbered in the middle: 55. print maker: Italyafter own design by: Italypublisher: RomeVaticaanstad paper etching torture. violent death ~ maltreatment, torture

Venus en Amor, Cornelis Bos, after Marcantonio Raimondi, after Rafaël, 1546 print Venus is in her car that is drawn by a number of pigeons. Two putti help the animals push by. Amor floats on a cloud with his face to Venus twisting. Nuremberg paper engraving (story of) Venus (Aphrodite). Venus and Cupid (Cupid not being mere attribute)

Print made by Adamo 'Ghisi' Scultori, ca.1530-1585, Jesse, Ancestor of Christ, 1550 to 1585. Engraving on medium, slightly textured, cream laid paper.

Sculpture group with pan that Daphnis teaches flute games; Satiri Signum Puerum Dercentis Romae in Aedibus Farnesy; Antique sculptures in Rome; Antiquarum Statuarum Urbis Romae Quae in Publicis Locis Visuntur Icones. Caption in Latin. Print is part of an album.

Children's Game 17th-18th century Pierre Parrocel French. Children's Game 399543

Icarus receives his wings from Daedalus. Icarus receives his father's wings from his father Daedalus. Daedalus is in a wicker chair and confirms a wing with straps at the right arm of Icarus. Some picked birds are in the foreground. In the background is a boiler with hot.

A man kneeling and placing a laurel branch upon a pile of burning books ca. 1515-27 Marco Dente Italian. A man kneeling and placing a laurel branch upon a pile of burning books 342508

Nederlanden, Cornelisz. van Oostsanen, Jacob, The Little Passion, Flagellation of Christ, Cornelisz van Oostsanen, verso center - stamped, From a series of 66 prints. Proof, no text on verso., print, prints, height 110 mm, width 76 mm, Northern Netherlands, 1475 - 1533, print maker, printmaker, 1520 - 1521, first quarter 16th century, paper, woodcut

Sadeler, Johann (I), Judas betrays Christ and receives thirty pieces of silver, verso lower left - stamped, print, prints, height 38 mm, width 54 mm, South Netherlandish, 1550 - 1600-08, print maker, printmaker, 1580 - 1600, paper, papier, engraving, engraving (printing process)

"Ink and feather drawing by Giulio Benso depicting the reward of Amor, focusing on figure and gesture."

Procession of Monstrous Figures. Artist: Wendel Dietterlin, the Younger (German, active Strasbourg ca. 1614-69). Dimensions: sheet: 3 3/4 x 12 5/16 in. (9.6 x 31.3 cm). Date: 1615. Museum: Metropolitan Museum of Art, New York, USA.

Caution, Agostino Veneziano, 1516 print The female personification of virtue caution (prudentia), with a Janus head. She is in a niche and looks in a round mirror, which is held in front of her by Amor. Italy paper engraving / etching Prudentia (Prudence) as Roman personification. (story of) Cupid, Amor (Eros). Janus' head, two-faced head

Folter, Tortur, Inquisition, Verurteilter, der gezwungen wird, über glühende Kohlen zu laufen, während ihm geschmolzenes Blei, kochendes Pech oder ähnliche Substanzen über den Kopf gegossen werden, Illustration, Reproduktion von einer Vorlage aus dem 16. Jahrhundert, Mittelater, Authentisch, Datei restauriert für optimale Verwendung, genaues Datum der Vorlage unbekannt gallonio-tortures-1591-p26-d599ce

Lichas Bringing the Garment of Nessus to Hercules, from The Labors of Hercules Artist's working dates 1520-1550 Germany. Engraving in black on ivory laid paper . Hans Sebald Beham

Zeus (Jupiter) and Hera (Juno) sit with his eagle, visited by Poseidon (Neptune) Hermes (Mercury) and his son (by Alkmene, not Hera, hence her gesture) Herakles

Sculpture of a man with a cornucopia; Geny simulacrum in capitoli; Antique sculptures in Rome; Antiquarum Statuarum Urbis Romae Quae in Publicis Locis Visuntur Icones. Caption in Latin. Print is part of an album.

Susanna, 1558 - 1562 print Susanna stands naked for a fountain with water basin. In the background her story: she bathes herself, while two elders bother her. Under the performance an explanatory text in Latin. This print is part of an album. paper engraving the elders making advances towards Susanna

Landscape with putti with allegorical attributes, including peace hat, writing utensils, a harp and a beehive, Five putti with allegorical attributes, print maker: Reinier Vinkeles (I), Amsterdam, 1751 - 1816, paper, etching, engraving, h 85 mm × w 122 mm

Sculpture of Silenus, Anonymous, 1584 Caption in Latin. Print is part of an album. print maker: Italypublisher: Rome paper engraving Caption in Latin. Print is part of an album. print maker: Italypublisher: Rome paper engraving

Suite of Vases: Title Page, 1746. Jacques François Saly (French, 1717-1776). Etching;

Lunette with putti, roosters and horns of abundance in the western gallery of the town hall on Dam Square. Lunette with two putti, two roosters and two reverse horns of plenty in the southern part of the western gallery of the town hall on Dam Square in Amsterdam. This is one of the two Lunettes left and right of the image of Apollo. Legal under numbered: LXVI.

Beham, Hans Sebald, Frankfurt am Main, Die Nacht, Sleeping naked woman as the Night, verso center bottom - stamped, Sleeping naked woman on a bed as personification of the Night (Nux). On the headboard of the bed is the Latin inscription Nox et Amor, vinvmqve, nihil mo derabile svadent, print, prent, prints, prenten, height 110 mm, width 78 mm, German, 1502 - 1550-11-22, print maker, prentmaker, 1548 - 1548, second quarter 16th century, paper, papier, engraving, engraving (printing process), Work conception, after own design by

David and Batseba, Pieter van den Berge, 1692 - 1737 print Batseba washes her feet in a source while King David spied her from his roof terrace (2 Samuel 11: 2). He sends a messenger with the assignment to bring Batseba to the palace. Amsterdam paper engraving David, from the roof (or balcony) of his palace, sees Bathsheba bathing

Copper engraving depicting the biblical marriage of Adam and Eve, showing both figures in a garden setting, created by Jean Duvet around 1540-1555.

Bacchanal. Bacchanal where the wine flows richly and plays a sater on a tambourine. The drunken Bacchus is lifted by two men from a donkey. Latin fresh in four lines.

After Lucas van Leyden, Flagellation, engraving.

Antwerp, Galle, Philips, Collaert, Adriaen, Sea gods, Neptune, recto lower right - stamped, In an oval frame the sea with Neptune, in a large seashell, drawn by two hippocampi (sea horses). He holds his trident in his hand. Around him are three mermen, each blowing on a triton's horn. The print is part of a four-part series on mythological sea gods., print, prints, verso middle - stamped, width 169 mm, height, 115 mm, South Netherlandish (before 1775), 1560 - 1618-06-29, print maker, printmaker, 1570 - 1618, paper, engraving, engraving (printing process), Work conception, South Netherlandish, 1537 - 1612-03-29, after a design by, Publication (Event), Publication, publisher

A Boy is Slapped by a Girl, Gravelot, French, 1699 - 1773, active in England, Louis-Simon Lempereur, French, 1728 - 1808, Etching on paper, France, 1760-1761, Print, Print

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