Mythological Artworks

Depictions of mythological themes featuring figures like Pan and Diana, illustrated through engraving and print styles, with dramatic settings and emotional expressions.

Photo production of an engraving of the birth of Christ by Schelte Adamsz. Bolswert, to the painting by Peter Paul Rubens, Jean Louis Bargignac, After Schelte Adamsz. Bolswert, after Peter Paul Rubens, c. 1853 - in or before 1858 photograph Brussels photographic support albumen print Mary, Joseph and the new-born Christ (Nativity)

The Good Mother. Nicolas Delaunay (French, 1739-1792); after Jean Honoré Fragonard (French, 1732-1806). Date: 1779. Dimensions: 570 × 430 mm (image); 588 × 445 mm (plate); 610 × 460 mm (sheet). Engraving on ivory laid paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Venus on a shell in the water, Louise de Montigny, after Edme Bouchardon, 1757 print print maker: Franceprint maker: Francepublisher: Paris paper etching / engraving triumph of Venus Marina

Simon Thomassin. Apollo distributes awards to science and arts after Mignard. Etching and chisel. Museum of Fine Arts of the City of Paris, Petit Palais. 18th 18th 18th 18th 18th 18th century, engraving

Monument in honor of Colonel-General Hazar, Dissels 3 August 1787; Son Dernier Soupir / Fut Pour La Patrie; Brabant Review, 1787-1790. Allegorical monument in memory of the English Colonel-General Hazar of the Patriot Cavalry, Dissels on 3 August 1787 in Brussels. A man is trampled by a horse, down the lourging freedom, Minerva and Brabant lion. Part of a large group of prints related to the events of the Brabant Review and the period 1787-1790.

Lao had these cups on the table

Farewell to utopia , Nudes, Arrivals & departures, Utopias. George Bellows (1882-1925). Prints and Drawings

Post Meridies, from the Hours of the Day. Artist: Jean Mondon le fils (active Paris, 1736-45). Dimensions: plate: 14 3/8 x 17 13/16 in. (36.5 x 45.2 cm)sheet: 13 3/4 x 17 1/8 in. (34.9 x 43.5 cm). Date: 1736-45. Museum: Metropolitan Museum of Art, New York, USA.

Anonymous. Collection of ornamental patterns - Industrial drawing by Javet. "Untitled". Draw on albumin paper laminated on cardboard. 1880-1920. Museum of Fine Arts of the City of Paris, Petit Palais. 72896-48 Cardboard, industrial drawing, flower, ornamental motif, ornament, albumin paper, collection, draw

Świety Bonifacy (illustration in: Cesar Cantu, History Powszechny, Warsaw 1853-1857); Unknown, Orgelbrand, Samuel (Warsaw; Publisher, printing house; fl. 1836-1919); 1853-1857 (1853-00-00-1857-00-00);

Medallions with portraits of Demosthenes, Cicero, Demetrius from Phalerum, and Marcus Antonius. .

Landscape with pond, Abraham Genoels, 1650 - 1723 print Landscape with a pond on the left. On the right one road. In the background a temple Paris (possibly) paper etching mother and baby or young child. temple, shrine ~ Roman religion

Adam von Bartsch, Adam and Eve, 1786, etching and aquatint on laid paper.

Neptune Between Two Sea Horses ca. 1560-80 Anonymous, Italian, 16th century Italian. Neptune Between Two Sea Horses 367773

Trophy with victory symbols

Les Jeux des Amours, composition in tondo. Lucien, Jean-Baptiste (ca 1748-1806), graphic artist, Cipriani, Giovanni Battista (1727-1785), draughtsman, cartoonist

Needs must when the devil drives , Devil, Demons. George Cruikshank (1792-1878). Prints and Drawings

Artist: Stefano Della Bella, Italian, 1610-1664, Flight intoEgypt, ca.1641, Etching, sheet: 11.5 × 10 cm (4 1/2 × 3 15/16in.), Made in Italy, Italian, 17thcentury, Works on Paper -Prints

America, Anonymous, After Hueber, 1705 - 1775 print Allegory of the continent of America. In a landscape there is a woman with a basket in the water. A man with loincloth with feathers on the bank reaches the basket. A second man with a arrow sleeve enters a thatched house on the right. Left between two trees is a hammock. The man in the middle carries a cloak and a parasol. In the lower margin a two -line German and Latin text. Publishing number 7. Augsburg paper etching America represented allegorically; 'America' (Ripa). Native peoples of the Americas Northern and Central America. South America

PYRAMUS en Thisbe, Anonymous, 1680 - 1800 print Thisbe finds her beloved Pyramus, who died. She grabs the dagger, who holds Amor in his hand, to commit suicide. On the left the fountain. Netherlands paper etching / engraving Thisbe discovers the dying Pyramus (the scene may be represented near a fountain). Thisbe kills herself with Pyramus' sword (the scene may be represented near a fountain)

River god Adige, Robert van Audenaerd, 1673 - 1743 print A console with a river god. A bearded man leans on a jug from which water flows. In his right hand he keeps a belt of a ship. It may be the personification of the Italian river Adige. The print is part of an album. paper engraving river-gods. personification of river Adige; 'Adige' (Ripa)

Two performances from the stories of Wilhelm Gottlieb Becker, Daniel Nikolaus Chodowiecki, 1798 print Different figures are etched in the margin in a sketchy way. Berlin paper etching mother and baby or young child. travelling; tourism. bench. lovers' meeting

Hannibal dream; Visione Misteriosa di Annibale, Avanti Il Suo Famoso Passaggio Sulle Alpi, per descendant Nell 'Italia; History of the Roman Empire; Frontespizio della Iistantia Romana. A dream face with Hannibal, a winged male figure and a large hose.

The Pigkillers, c. 1652. Adriaen van Ostade (Dutch, 1610-1684). Etching;

Le singe et la chat (The Monkey and theCat). Artist: Félix-Henri Bracquemond, French, 1833-1914

Company in the open air at Moonlight, Anonymous, 1750 - 1800 print A company consisting of couples meets in the open air in moonlight. A woman in the middle reads from a paper. Numbered at the top right: Fig. 4. paper etching / engraving Full Moon. Outdoor Gathering, 'dés in the countryside'

Baby Dionysis prints, engravings, works on paper

Man saves another man who is imminent from a cliff. .

. Two performances on a leaf, printed of two plates. Left: The personalized youth (with scepter) and old age (with keys). Right: The personification of the city of Venice sitting with a scepter in her hand on a globe, her foot is on the back of a lion in front of her. The prints are part of a 53-part series to paintings by Titian and Veronese.

Allegory of Heaven and Hell 1642-93 Claudio Coello Spanish. Allegory of Heaven and Hell 336947

Pomona, Cornelis Cort, after Frans Floris (I), 1564 print Pomona, goddess of the tree fruits and fruit growing, sitting on a horn of abundance filled with apples. This print is part of an album. paper engraving Pomona. 'Cornucopia', Horn of Plenty. fruits: apple

Self-Portrait of Jan van Huysum in oval on easel, draughtsman: Jan van Huysum, 1730, paper, h 346 mm × w 235 mm

Etching by Christian Wilhelm Ernst Dietrich from 1761 depicting Cain and Abel, showing figures, gestures, and interaction in a biblical scene.

Venus and Amor. Venus is situated at the foot of a tree and beats her arm around Amor. In the foreground lies Amor's arrow sleeve.

Print, Figure Playing Bells, from "Nouveau Cahier de Six Feuilles De Différents Sujets Chinois Historiés"; Designed by Jean-Baptiste Pillement (French, 1728-1808); France; etching on paper

Lazio Roma Rome S. Giovanni dei Fiorentini7. Hutzel, Max 1960-1990 Post-medieval: Architecture, architectural sculpture, sculpture painting, frescoes, stucco, decorative arts. Located on Via Giulia. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Calemburg from the Wood.. Unknown

Deucalion and Pyrrha. Deucalion and Pyrrha throw stones behind them that turn their backs into people. In the background possible the temple of the oracle. Leaf 47 Recto from a sketchbook with 63 sheets.

Princess surrounded by warriors, Theodoor Schaepkens, 1825 - 1883 print paper. etching princess. the soldier; the soldier's life

Three performances: landscape with resting woman and child, Christ and a winter landscape. The resting woman is sitting against a tree and leans on her plunge. Behind her is a child and in the distance a house with smoking chimney. Christ looks left. He has raised his right arm. In winter landscape a man walks with a fully loaded cart. Right still two figures and there is a house.

Haan next to a tree trunk, Pieter Gerardus van Os, 1811 print Probably a title print for a series. Other prints from the series not known. Netherlands paper etching fowl (cock, hen, chicken, etc.)

Street musicians and monkeys, 1780-1795, England, by Lady Diana Beauclerk.

Drawing, Ceiling Design Depicting Iris and the Rainbow; Designed by Felice Giani (Italian, 1758-1823); Italy; pen and brown ink, brush and watercolor on off-white laid paper; 33.5 x 30.8 cm (13 3/16 x 12 1/8 in.) Mat: 32.5 x 29.8 cm (12 13/16 x 11 3/4 in.) Frame H x W x D: 39.7 x 50.2 x 2.5 cm (15 5/8 in. x 19 3/4 in. x 1 in.)

Cuirassier. Lithographer: Joseph Volmar, French, 1796-1865 After: Théodore Géricault, French, 1791-1824

Prayer for Happiness, Illustration for 'Königl: Grosbrit anische Genealogischer Kalender auf das 1780 Jahr Lauenberg bey J.G. Berenberg', Daniel Nikolaus Chodowiecki, German, 1726 - 1801, Stipple and line engraving on paper, A man and two children in a garden. The poem says that the gardem, though small, is big enough to deliver sufficient food and fresh enough for the speaker t o enjoy. He prays that his happiness be like his garden. Vertical line separating the prints on the sheet as -355., Germany, 1779, Print, Print

Antwerp, Galle, Theodoor, Heemskerck, Maarten van, Haarlem, Philips, History of Simson, Simson kills the lion, verso - stamped, Simson kills a lion with his bare hands at the vineyards of Timna, by pulling the jaws of the animal apart. On the left are Simson's parents with whom he is on his way to Timna., print, prints, diameter 256 mm, South Netherlands, 1537 - 1612-03-29, print maker, printmaker, 1596 - 1633, paper, papier, engraving, engraving (printing process), North Netherlands, 1498 - 1574, intermediary draughtsman, after a drawing by, Publication (Event), Publication, 1571 - 1633, publisher

Phyllis and Demophon, print maker: Johann Esaias Nilson, (mentioned on object), Augsburg, 1731 - 1788, paper, engraving, etching, h 166 mm - w 195 mm

Putti around a crowned coat of arms. Four putti sit on clouds around a crowned coat of arms with the depicting of a knight on horseback. Above the coat of arms is a phoenix that rises from flames. There are objects like a crown and scepter for the weapon. The Putto completely right blows the trumpet and laurels the coat of arms. Completely left a second putto holds a sword and a scale.

Grave monument for Prince Frederik, 1799; Willem George Fredrik. Prince of Orange and Nassau (...) Died like chef of imperial Armée in Italien, within Padua, the 6th Janury 1799. Grafmonument for Willem George Frederik, Prince of Orange-Nassau, died in Padua, January 6, 1799. Monument to Urn In landscape with oval portrait of the prince, with weapon weapon trophy and banners.

Personification of the time that the truth reveals, Gérard Audran, After Nicolas Poussin, 1650 - 1703 print print maker: Francepublisher: ParisFrance paper etching / engraving Time revealing Truth; Time carrying Truth aloft. armorial bearing, heraldry

Taste. Artist: François Boucher (French, Paris 1703-1770 Paris). Dimensions: Sheet: 14 7/8 x 10 13/16 in. (37.8 x 27.5 cm)Plate: 14 13/16 x 10 13/16 in. (37.6 x 27.4 cm). Publisher: Gabriel Huquier (French, Orléans 1695-1772 Paris). Series/Portfolio: The Five Senses(Les Cinq Senses). Date: 18th century. Museum: Metropolitan Museum of Art, New York, USA.

Eugène Bléry, Le Charlemagne (forêt de fontainebleau), 1861 Le Charlemagne (forêt de fontainebleau)

Music, Georg Leopold Hertel, after François Boucher, 1750 - 1778 print Allegory of music. Two musician putti surrounded by sheet music and musical instruments. Publishing number 190. Augsburg paper etching / engraving 'Music', Symbolic Representations, Allegories and Emblems ~ Music; 'Music' (Ripa). Cupids: 'Amores', 'Amoretti', 'Putti'

Apotheosis

River landscape with two men in a boat, Antoine de Marcenay de Ghuy, after Jean François Millet (I), 1754 - c. 1778 print paper etching / engraving river. rowing-boat, canoe, etc.

Allegory on transience; Quis Evadet. A putto sits on the floor and leans against a skull, while he holds a pipe in his right hand with which he has blown. He holds a shell in his left hand. Behind him whose smoke vessel from which smell rises.

Horticulture exposure to Champs-Elysées

Page 109, vol. 1, Delle antichità di Ercolano, Morghen, Filippo, 1730-ca. 1807, Paderni, Camillo, d. ca. 1770, Engraving, 1757-1792

Peter Haas (1756-1904); Erik break (1749-1790), Vignette for Samuel Richardson "Sir Carl Grandison's history", 1780 - 1782

Allegorical title page with the portrait of writer Edward Simson, Jan Wandelaar, 1752 print Minerva sits next to history and looks over her shoulder to the book in which she writes. History is looking up to three allegorical female figures (truth, poetry and a third figure). Behind them father Time, fame and a two -headed figure who hits an inscription in a pyramid with a chisel. Four putti fly in the air, with eternity symbols in the hands, who carry the portrait of writer Edward Simson. Print Maker: Northern Netherlands Publisher: Leiden paper etching / engraving Father Time, Man with wings and scythe. Eternity, 'Aetertas'; 'eternitã ','Eternitã o perpetuitã ' (ripe). Fame; 'Fama', 'Fama Buona', 'Fama Chiara' (rippa). (Story of) Minerva (Pallas, Athena). 'History'; 'History' (ripe). Symbolic representatives, allegories and emblems ~ poetry; 'poesia' (ripe). Truth; 'Veritã ' (ripe). Pyramid (Historical Grave Form)

Design for decoration around clock face with bat wing pattern.

Night face with two women looking at the broken sky. .

Woman with burning lamp, Joannis Jacobus Bijlaert, 1749 - 1809 print Vignette with allegory on labor and industry: woman with a burning lamp in the left hand and foot on turtle, sitting in landscape with beehive, hand tool and in the background a winged horse near haystack; Presentation framed with Garlande in which harp and painting palette. Leiden paper etching Abstract Ideas and Concepts (+ abstract concept represented by female figure). oil-lamp. bee-hive. palette. crafts and industries

Membership certificate from a Rotterdam Society. Membership certificate for a Rotterdam Society. Two allegorical figures symbolize unit and breeding. In the foreground a lot of cannons and weapons and a standard of the armed civil guard.

Glorification of Saint. probably after Ciro Ferri; Italian, 1634-1689. Date: 1654-1689. Dimensions: 575 x 415 mm. Pen and brown ink, graphite, and brush and gray wash on cream laid paper, laid down on cream wove card. Origin: Italy. Museum: The Chicago Art Institute, Chicago, USA.

Allegorical memorial for Willem George Frederik, Prince of Orange-Nassau. Allegoric memorial for Willem George Frederik, Prince of Orange-Nassau, died in Padua, January 6, 1799. With a monument overshadowed by a treurrence, there is a grieving putto with a delighted torch. Another putto shows a helmet and the third is in the portrait. On the ground for the monument a seat of armor, in the background a equestrian fight.

Rijkdom, Carlo Innocenzo Carlone, 1696 - 1775 print Fragment of a ceiling painting (possibly a co -decoration) with the personification of wealth on a cloud surrounded by angels with a basket of coins. Numbered at the top right: W. 3. print maker: Italyafter own design by: Italypublisher: Augsburg paper etching Wealth, opulence; 'Option', 'RECEIVED' (RIPPA). angels

Shorter, Catherine .

Two performances from the educational work of Luise von Krockow, Daniel Nikolaus Chodowiecki, 1797 print Berlin paper etching adolescent, young woman, maiden. child. parts of ship's exterior: anchor. Offering; 'Offerta overo Oblatione' (Ripa). rural housing, e.g. country-house, villa, cottage

La peinture, panneau allégorique d'après Chaplin.. Chaplin, Charles (1825-1891). Avery, Samuel Putnam, 1822-1904. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. Painting

Cephalus en Procris, Magdalen van de Passe, after Adam Elsheimer, 1617 - 1634 print Forest landscape with Cephalus who accidentally shot his wife Propris during hunting. Cephalus has just found her and is looking for herbs to cure her wound. In the background grieving figures and the faun that procris told that her husband would have a secret mistress. In the margin a four -line caption, in two columns, in Latin. Utrecht paper engraving Cephalus inadvertently kills Procris

Marie, Princess of England.

Plate 2: The Bust: a bust of a female wearing a diadem at top left, two amphoras at bottom left, surrounded by trees and greenery, from "Les soirées de Rome" Hubert Robert French 1764

The Exposition of Cyrus, Print made by Richard Earlom, 1743-1822, British, after Giovanni Benedetto Castiglione, c.1610-1665, Italian, Published by John Boydell, 1720-1804, British, 1781, Mezzotint and etching on moderately thick, moderately textured, cream wove paper, Sheet: 11 15/16 x 15 1/4 inches (30.3 x 38.8 cm), Plate: 11 x 14 1/2 inches (28 x 36.9 cm), and Image: 9 5/16 x 14 1/2 inches (23.7 x 36.9 cm), ancient history, birds, blanket (covering), boys, children, coat of arms, cows, crest, crooks (object genres), crown (symbol of sovereignty), dogs (animals), forest, frieze (ornamental band), gown, helmets, heraldic motif, herdsman, historical subject, king (person), landscape, nude, oxen, Persian, relief, sheep, shepherd, shield (armor), sleeping, surprise, sword, the infant Cyrus suckled by a bitch, trees, vines, woodland

Portrait of Anne Bracegirdle as Queen, William Vincent, 1689 - c. 1695 print Bracegirdle as the queen of original inhabitants of America, from Aphra Behns 'The Widow Ranter, OR, the History of Bacon in Virginia'. London paper historical persons - BB - woman. portrait of actor, actress. Native peoples of North America

Design for a Garden Vase with Hunting Theme ca. 1740 Paul Egell Large sheet with a design for a garden vase placed on a pedestal. The vase is decorated with a boars head and has two dogs in the place of its handles, suggesting the theme of the hunt. As one of the most outstanding German sculptors of the late Baroque and early Rococo period, Egell was involved in the decoration of some of the most important pleasure palaces of Central Europe, but many of his work has gone lost during the Second World War.. Design for a Garden Vase with Hunting Theme. Paul Egell (German, Waibstadt 1691-1752 Mannheim). ca. 1740. Pen and brown ink over black chalk, watercolor and white heightening

Fortuna, Unknown, After Pierre Jean Baptiste Isidore Choquet, 1784 - 1824 print Numbered at the top right 5. France paper engraving Luck, Fortune, Lot; 'Fato', 'Fortuna', 'Aurea fortune', 'Good luck', 'peaceful luck overo Clemente', 'fate' (Ripa)

Songrent in memory of Maria Stuart, 1695; Mariae Reginae Sarcophagus. Allegorical show manufactured in memory of Maria II Stuart, died on January 7, 1695. A grieving Cupid is at the Queen's grave. With a Latin caption under the print and name on the tomb. On the strip of paper that is on the floor is the text 'Virtus in Astra'.

Depiction of an angel playing a violin with two angels listening and a sleeping putto, rendered in a circular tondo format using feather and lavated technique.

The Three Marys, 1887. Caroline Amelia Powell (American, 1852-1935). Wood engraving;

Bacchus enfant. Dated: published 1782. Medium: etching and engraving. Museum: National Gallery of Art, Washington DC. Author: Jeanne Antoinette Poisson, marquise de Pompadour after François Boucher after Jacques Guay.

The Seasons 1793 Benedictus Antonio van Assen British, born The Netherlands A nymph with her eyes covered with a scarf holds a laurel crown over a bust of Janus while putto dance or warm themselves at a brazier near the base of the sculpture. Oval image.. The Seasons 424185

Gray and gray-brown wash over graphite drawing on brownish paper by Johannes Glauber depicting an Arcadian landscape with ancient ruins and a large stone vase.

The Holy Family. Plersch, Jan Bogumił (1732-1817), draughtsman, cartoonist

Et Spes & ratio Studiorum in Caesare tantum. Just.. 1761. Hogarth, William, 1697-1764. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

Dianens schlafende Nymphen von Waldgœttern belauscht.. Rubens, Peter Paul, 1577-1640. Prints. 1837 - 1842. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Art & Architecture Collection. Painting , Germany , Munich, Lithography, German, Diana (Roman deity), Sleeping, Female nude in art

Woman by masked men robbed in a forest, Reinier Vinkeles (I), 1780 print Amsterdam paper etching / engraving robbery. mask. riding a horse, ass, or mule; rider, horseman. forest, wood

Harp playing woman with five music -making putti, Reinier Vinkeles (I), 1764 print Amsterdam paper etching / engraving cupids: 'amores', 'amoretti', 'putti'. instrumental popular music - CC - out of doors

Personifications of day and night, Adrian Schleich, after Ernst Rietschel, 1850 - 1859 print München paper steel engraving day and night

Allegory at the twenty-five anniversary. Two putti with a sacrifice column. One kneel and is veiled. The standing putto holds two burning hearts and a snake that bites itself into its own tail, the symbol of eternity.

Part of promotional print of Antoine Talon.

. Oval representation of a company at a table that plays a card game at the light of a single candle. In the middle is a lady who helped by a Lord to determine her next move. Behind her is a man who with a mirror shows the woman's cards to the player opposite her. Right at the table is a harp player. To the show a peripheral in Latin.

Mentor throws Telemachus from a rock and jumps after him, Rienk Keyert, 1719 - 1775 drawing Mentor throws Telemachus from a rock and jumps after him. At the bottom of the margin description of the show. Design for a wallpaper painting. paper. ink. watercolor (paint) pen / brush (story of) Telemachus

Drawing (Italy); Giuseppe Bernardino Bison (Italian, 1762 - 1844)

Project for Ceiling Design: Aurora. Date/Period: 1810-25. Drawing. Pen and brown ink, brush and watercolor, black chalk on off-white laid paper. Author: Felice Giani.

The destruction of the old constitution, decoration on the butter market, 1795; Destruction of old constitution / butter market. The envy with burning torch at the aristocracy wheel. On top of a bust of Prince Willem V. In the background, civilians. Not used design for the decoration "Destruction of old constitution" on the Botermarkt in Amsterdam at the Alliance party on 19 June 1795.

Title print with sheep for a stretched sheet, Sauveur Legros, 1796 print paper etching sheet. sheep

Pyrrhus tab Fabricius to buy.design for a Painting.

Ticket for the Benefit of Mr. Sal Pietro, Francesco Bartolozzi RA, 1728-1815, Italian, active in Britain (1764-99), after Francesco Bartolozzi RA, 1728-1815, Italian, active in Britain (1764-99), 1773, Etching and Line engraving on medium, slightly textured, cream laid paper, Sheet: 4 1/4 x 4 7/8 inches (10.8 x 12.4 cm), Plate: 3 7/8 x 4 1/2 inches (9.8 x 11.4 cm), and Image: 3 1/2 x 4 3/8 inches (8.9 x 11.1 cm)

Portret Van Guercino, Francesco Bartolozzi, After Guercino, 1764 print Portrait of artist Guercino with palette and brushes for an easel. On the donkey there is a cloth on which the painter works with Amor, a dog and in the foreground an Ouroboros. Title in the end margin. Italy paper etching / engraving portrait, self-portrait of artist. (story of) Cupid, Amor (Eros). serpent Ouroboros

Winged putti at a banquet second half 19th century Jules-Edmond-Charles Lachaise French. Winged putti at a banquet 386256

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