Mythological Depictions in Prints

A collection of mythological engravings featuring emotions, narratives, and allegory. The artworks include themes of death, virtue, and judgment among gods and figures.

Italy, Rossi, Giovanni Domenico de', Testa, Pietro, Young man arriving at Parnassus along the Way of Virtue, verso - stamped, Allegorical representation with a young man arriving at Parnassus after having walked along the Way of Virtue. On Parnassus various mythological figures and animals. Dedication in Italian in the lower margin., print, prints, height 421 mm, width 580 mm, Italian, 1612 - 1650, print maker, printmaker, 1621 - 1650, paper, etching, etchings, Work conception, after own design of, Publication (Event), Publication, publisher

Vuur, Antonio Tempesta, 1565 - 1630 print The male personification of the element of fire on a car with burning wheels that is pulled by four fire -breathing horses. The man's hand is a phoenix. A dragon flies in the air. paper etching Fire (One of the Four Elements). 'Fire', 'Carro del Fuoco' (Ripa)

The Last Judgment, Leaf F. a detail from the fresco 'The Last Judgment' by Michelangelo in the Sistine Chapel. Marked bottom left: F.

Silenus and Satyr. Artist: Nicolaus Chapron (French, Chteaudun 1612-1656 Rome). Dimensions: Sheet: 9 1/2 × 6 3/4 in. (24.1 × 17.2 cm)Plate: 8 7/8 × 6 3/8 in. (22.6 × 16.2 cm). Publisher: Pierre Mariette le fils (French, Paris 1634-1716 Paris). Date: 1634-56. Museum: Metropolitan Museum of Art, New York, USA. Author: Nicolaus Chapron.

Alkmaar, Schabaelje, Jan Philipsz, Brekegeest, Simon Cornelisz, Den Grooten Figuer-Bibel, Van d'Inrydingh Iesu, en eenige histories daer op gevolgt, Text sheet with a series of prints about the entry of Christ and the events that followed. Initial P at the top left. This sheet is part of an album., text sheet, tekstblad, albumblad, prints, prenten, height 257 mm, width 340 mm, 1592 - 1656-04, writer, 1646 - 1646, paper, papier, letterpress printing, woodcut, hand-colouring, printer, Publication (Event), Publicatie, publisher

Bacchanal with Wine Vat before 1475 Andrea Mantegna Italian. Bacchanal with Wine Vat 631775

Judgment of Paris. The Shepherd Paris in the foreground. He must judge the three most beautiful goddesses of Olympus on their beauty: Juno (right, with the peacock), Minerva (left, with shield, helmet and lance) and Venus (accompanied by Amor). He gives the golden apple to Venus. Mercury stands next to Paris. Some river gods in the background. Two putti in the air.

Geboorte Van Adonis, Girolamo Fagiuoli (ACTRUTED TO), After Francesco Salviati, 1544 print Adonis is born of a crack in the trunk of a tree (half woman half tree). The tree is his mother Myrrha, who was turned into a tree after an incestuous relationship with her father Cinyras. Around the tree are Myrrha's Min Lucina and the nymphs that provide Adonis. In the lower margin fresh in Latin. print maker: Italyafter design by: Italypublisher: Rome paper engraving birth of Adonis: the tree splits open to release the baby; the Naiads take care of him

Bacchanal with Silenus. Giovanni Antonio da Brescia (Italian), after Andrea Mantegna (Italian, 1431-1506). Engraving;

Krijgsman at a witch, Arnold Houbraken, 1699 print A warrior consults a witch; A devil grabs him from behind his neck. On the right is a half -naked female figure. The witch is kneeling in a circle in which a dead mouse, a skull and books. In her hands she has a staff and a book with characters. Perhaps Saul is depicted here at the Endor witch. At the top right: Fol 76 I 2. Print used in the book: Toneel der Accidents by Lambert van den Bos with a total of twenty prints by Arnold Houbraken. publisher: Dordrechtpublisher: Rotterdam paper etching witch, sorceress. devil(s) and demons

Italy, Cortona, Pietro da, Bartoli, Pietro Sante, Daniel in the lions' den, verso - stamped, Daniel sits in the lions' den. God and a group of angels hover above him., print, prent, prints, height 423 mm, width 218 mm, Italian, 1615 - 1700-11-07, print maker, printmaker, 1645 - 1700, paper, papier, etching, etchings, engraving, engraving (printing process), Work conception, 1596 - 1669-05-16

After Albrecht Dürer, The Sea Monster (Das Meerwunder), After 1498, engraving on paper.

Night (NOx), Jacob Matham, after Karel van Mander (I), 1601 - 1605 print Night. Allegorical representation of the night. On the left a sleeping man with an owl and a bunch of poppies in his hand. In the clouds the winged Morpheus, the god of sleep. Blowing putti calls and painting dreams. Under that, people sleeping and in the background figures during a torch procession. Haarlem paper engraving night

Cornelis II Bloemaert, said the young (1603-1692). Table of the Muses Temple: Pandora (Dutuit p. 36, Le Blanc 95). Burin, 1655. Museum of Fine Arts of the City of Paris, Petit Palais. Pandora's box, chisel, deesse, drawing, Greek divinite, fertonditis, Greek mythology, mythological character, Muses temple, earth, 17th 17th XVII 17th 17th 17th century, engraving

Etching by Giovanni Lanfranco depicting Jacob's escape, showing figures in motion, surrounding landscape, and architectural elements, representing the biblical story.

Feast of the gods and marriage of Peleus and Thetis, 1597 print Netherlands paper engraving banquets, feasts of the gods (in general). (story of) Peleus and Thetis

Greeks in battle with Trojans; Graecrum Troianorumque Concursus; Metamorphoseon Sive Transformationum; Metamorphoses from Ovid. A litter of Greek and Trojan soldiers in a fight. Title in Latin in undermarge.

Antwerp, Jode, Gerard de, Floris, Frans (I), Cort, Cornelis, The history of Pluto and Proserpina, Venus gives Cupid orders to pierce Pluto's heart with an arrow, verso - stamped, In the foreground on the left sits Venus who points Cupid to Pluto who is riding in the sky in his chariot. Cupid aims an arrow at his heart., print, prints, Plutonem Veneris iussu ferit arte Cupid, lower right - engraved, I, height 262 mm, width 203 mm, Northern Netherlands, 1533 - 1578, print maker, printmaker, 1565 - 1565, third quarter 16th century, paper, engraving, engraving (printing process), Work conception, Southern Netherlands, 1520 - 1570-10-01, after a design by, Publication (Event), Publication, 1509 - 1591-02-05, publisher

Combat of Naked Men 1535-55 Jean Mignon French. Combat of Naked Men 336821

Galatea riding in a shell pulled through the water by dolphins, a cupid below and four more above, at left a triton embracing a nymph and behind them a man on horseback blowing a conch, at right a figure blowing a horn and behind him a nymph riding on a centaur. Artist: Marco Dente (Italian, Ravenna, active by 1515-died 1527 Rome); After Raphael (Raffaello Sanzio or Santi) (Italian, Urbino 1483-1520 Rome). Dimensions: Sheet (Trimmed): 15 3/4 × 11 9/16 in. (40 × 29.3 cm). Date: ca. 1515-27. Museum: Metropolitan Museum of Art, New York, USA.

The story of Jason and Medea at the left she carries off her son, in the middle she is shown in her madness, Jason stands at the right 1531-76 Giulio Bonasone Italian. The story of Jason and Medea at the left she carries off her son, in the middle she is shown in her madness, Jason stands at the right 392619

King Charles VI and five other men are dressed as wild and dancing at a wedding party. A man with a burning torch lights up one of them. The duchess of Berry throws her cloak over the king and thus saves his life. With an empty margin.

Giorgio Ghisi after Giovanni Battista Scultori, The Fall of Troy and the Escape of Aeneas, c 1545 The Fall of Troy and the Escape of Aeneas

Cupid with Bandaged Eyes 1500-1545 Italy. Engraving on dark cream laid paper . Léon Davent

Clair-obscur woodcut by Giuseppe Nicola Vicentino (Rossigliani) circa 1539-1545 depicting the flight of Cloelia in brown on three plates, showing figures in motion and narrative scene.

Birth of Adonis; The story of Adonis. Adonis, the son of Myrrha and her father Cinyras, is born from the trunk of a tree. During her pregnancy, his mother changed to her own request in a mirre tree. Help the nymphs at birth. The print has a Latin caption and is part of a series about Adonis' life.

Allegory of Love, Anonymous, After Baccio Bandinlli, 1500 - 1549 print Venus and Amor play with dice at a round table. There are also human hands, eyes, a heart and a mouth on the table. In the meantime, Amor has a heart for two dogs behind him. Putti in the foreground light a fire under a kettle with another putto. Around different gods who are watching. Three cartouches with Italian text in the lower margin. Italy paper engraving / etching Venus and Cupid (Cupid not being mere attribute). dice-games. cupids: 'amores', 'amoretti', 'putti'. kitchen-utensils: cauldron

Carl Wilhelm Kolbe, The Damned, 1798 1800 The Damned

Agostino dei Musi, The March of Silenus The March of Silenus

Kindermoord Bethlehem, Marcantonio Raimondi, after Rafaël, 1511 - 1512 print paper engraving the massacre of the innocents

The procession of Silenus who is carried on an ass preceeded by a bacchant playing the cymbals and other figures ca. 1531 Agostino Veneziano (Agostino dei Musi) Italian Veneziano had arrived in Rome by 1516 and begun to work with Marcantonio Raimondi and Marco Dente da Ravenna, engraving the drawings of Raphael and his students. This print is probably based on a design by Raphael or Giulio Romano. Most of the figures in the compositionincluding the drunken Silenus, the dancing Pan, and the maenad are free adaptations from an ancient Roman sarcophagus that during the sixteenth century was in the Church of Santa Maria Maggiore.. The procession of Silenus who is carried on an ass preceeded by a bacchant playing the cymbals and other figures 342852

The Abduction of Dejanira Battista Franco Italian. The Abduction of Dejanira 371749

The Trinity (copy). Artist: After Albrecht Dürer (German, Nuremberg 1471-1528 Nuremberg). Dimensions: sheet: 5 3/4 x 4 1/4 in. (14.6 x 10.8 cm). Date: n.d.. Museum: Metropolitan Museum of Art, New York, USA.

The Beast with Seven Heads and the Beast with Lamb's Horns. Albrecht Dürer (German, 1471-1528). Woodcut;

Jan Muller, after Cornelis Cornelisz van Haarlem, Fortune Distributing her Gifts, 1590 Fortune Distributing her Gifts

Offer from Cain and Abel, Caspar Luyken, 1712 print Amsterdam paper etching the fume of Abel's sacrifice goes straight to heaven, whereas the smoke of Cain's offering is beaten down

Perseus changes his enemies in stone with the head of Medusa, Carlo Cesio, After Annibale Carracci, 1656 print View in a party room in the palace of the Ethiopian king where there is fighting. In the middle is Perseus who shows the head of Medusa to the men trying to attack him with spears. The men turn into stone. print maker: Romeafter drawing by: Romeafter design by: Italypublisher: RomeVaticaanstad paper etching the wedding-feast of Perseus and Andromeda is interrupted by Phineus, a former suitor; a fight ensues. Phineus and his attendants are turned into stone

Two Friezen, Jean Lepautre, c. 1664 print Frisians with leaf vines and tritons in Roman style. Magazine from the second edition. print maker: France (possibly)after own design by: France (possibly)publisher: Paris paper etching

Death of Absalom; History of David and Absalom; Thesaurus Sacrarum historiarum Veteris Testamenti (...). Joab bumps into the breast of Absalom with its lance, which is still alive in the tree where he has become entangled with his hair. Under the show a reference in Latin to the Bible text in 2 SAM. 18.

Hans Baldung Grien, Saint Sebastian, 1514 Saint Sebastian

Fries with eight children playing and putti, Cornelis Schut (I), 1618 - 1655 print Frisian with six children playing. One of the children tries to seduce a pigeon to sit on his hand. The child with the grapesros presents Bacchus. On the right two putti. paper etching / engraving cupids: 'amores', 'amoretti', 'putti'. child playing with animals

A pen and brush drawing by Jan van der Straet depicting Giovanni Medici before Franz I, using brown and gray lavated tones with heightened white on brownish paper.

Design for a Panel with Two Variants containing a Hippocamp and a Griffin, from: Ornements de panneaux à la romaine 1651 Jean Le Pautre French. Design for a Panel with Two Variants containing a Hippocamp and a Griffin, from: Ornements de panneaux à la romaine 399256

A pen and brush drawing on brownish paper showing the Amalekite battle, executed with ink, bister, and chalk traces.

Netherlandish 16th Century, Sacrifice Scene (Gaius Mucius Scaevola), late 16th century Sacrifice Scene (Gaius Mucius Scaevola)

Judgment of Paris.

Allegory of the summer; The four Seasons. Allegorical representation of the Summer season. Apollo and other figures float on clouds in the air. To the right, Juno floats with her peacock and the wind gods. Juno sprinkles water about the people who suffer drought on the ground. Left ceres with a dragon and turns grain to a figure with donkey ears, minerva and a naked woman with painting pallet.

Guaymures, the most savage People of all America; of a Gigantic size, devour Mans-flesh like Tygers.. Ogilby, John, 1600-1676. Maps, Atlases. 1671. Lionel Pincus and Princess Firyal Map Division. America, West Indies, British , History

Last Judgment, Ambrogio Brambilla, After Michelangelo, 1589 print The fresco 'The Last Judgment' by Michelangelo in the Sixtine Chapel. Print Maker: ItalyaFter Painting by: Vatican City paper engraving Last Judgement

Bacchanal. Artist: Pierre Brebiette (French, Mantes-sur-Seine ca. 1598-1642 Paris). Date: 17th century. Museum: Metropolitan Museum of Art, New York, USA.

The Four Elements, after a painting by Hendrick Goltzius, Historical, digitally restored reproduction from an original from prehistoric times

Tha Abduction of Helen (L'Enlèvement d'Hélène) 1540-83 Etienne Delaune French. Tha Abduction of Helen (L'Enlèvement d'Hélène) 399351

The conversion of Paulus, Jacques de Gheyn (II) (workshop of), After Karel van Mander (I), 1595 - 1596 print A travel group in a mountain landscape is startled by a voice and bright light from heaven (depicted by the text 'Savl Savl Qvid Persequeris Me' in a beam of light). Left in the foreground, Paul sits on the ground after he has fallen from his horse; Travel companions are worried around him. On the right in the foreground, a man and a woman are fascinated by a mess of riders. A city is visible in the background. Under the performance an eight -line Latin poem. print maker: Netherlandsprint maker: Netherlandspublisher: Amsterdam paper engraving on the way to Damascus Christ appears to Saul, who falls from his horse and is blinded by the light

Child with a sater head at a seabike; Putti on sea statement. Obachi copy to a print of Giovanni Andrea Maglioli.

Minerva, Hercules and fame with coat of arms. A crowned coat of arms is held by Minerva and Hercules, and at the top by the winged fame, blowing on a trumpet. They are in an interior with a curtain on the left.

Anakreon portrait medallion. A portrait medallion of the Greek poet Anakreon is held by Cyther, Bacchus and Cupid. The time is on the ground. His wings are cut by a putto, another has tapped his sickle. With an explanation of the show in French.

Twins of Catania. Anonymous Fontainebleau School (c. 1542 - 1547)Rosso Fiorentino Giovanni Battista di Jacopo (Italy, Florence, 1494-1540). France, 1540-1550. Prints; engravings. Etching and engraving

The fall; expelled from Eden, Adam and Eve raise a family and set to work. Engraving by Scotin, c. 1765.

Aurora asks Jupiter to honor Memnon, Antonio Tempesta, 1606 print Aurora appears for Jupiter on clouds. She asks Jupiter to honor her dead son Memnon. Title in Latin in STUDMARGE. print maker: Italypublisher: Antwerp paper etching (story of) Memnon, son of Aurora. (story of) Aurora (Eos); 'Aurora' (Ripa)

The robbery of Europe, Jacob de Gheyn (II), c. 1592

Neptunus and the river gods cause a flood, Hendrick Goltzius (workshop or), after Hendrick Goltzius, 1589 print Standing in a mountainous coastal landscape, Neptunus pounds with its trident on the earth's surface and pushes up a water mass from the sea. River gods cast jugs empty and cause a flood together with Neptune. Jupiter has determined that humanity must be wiped out with a great flood, as a punishment for their behavior. Two times two lines of Latin text under the performance. This print is part of a series of 52 prints that represent stories from Ovid's metamorphoses. This series falls into three numbered series: two of 20 prints and one of 12 prints. This print belongs to the first series. Haarlem paper engraving (story of) Neptune (Poseidon). Deucalion's flood; Jupiter sends a great flood to destroy mankind; Deucalion and Pyrrha afloat

The Apocalyptic Riders, from The Apocalypse 1523-24 Hans Burgkmair German Plate 3 from a series of 21 woodcuts with scenes from the Apocalypse for Martin Luther's translation of the New Testament. Four editions were published in Augsburg by Silvan Otmar between March 1523 and April 1524.. The Apocalyptic Riders, from The Apocalypse 430640

S 709, Unknown, Scenes from the life of Jesus (Cabinet, 15 paintings), 1600, museum/owner: SFF, 54 x 60.5 x 31.5, art industry, image number: 28772.1-3, photographer: Antti Kuivalainen, KKA 1995, scan: AgfaT5000+/PS6.01/adobeRGB-98/170901

The Apocalyptic Woman, from the Apocalypse series 1511 Albrecht Dürer German. The Apocalyptic Woman, from the Apocalypse series 397135

The marriage of Psyche and Cupid, Felice Giani, Italian, 1758-1823, Felice Giani, Italian, 1758-1823, Pen and brown ink, brush and wash, black chalk on paper., Jupiter seated in the centre embraces Psyche and Cupid who join hands. A putto accompanies Psyche. Three gods are shown on either side., Italy, 1795-1800, Drawing, Drawing

Italy, Titian, Mitelli, Giuseppe Maria, Sacrifice of Isaac, verso - stamped, An angel stops Abraham who is about to sacrifice his son Isaac., print, prints, height 334 mm, width 298 mm, Italian, 1634 - 1718-02-08, print maker, printmaker, 1668 - 1668, paper, papier, etching, etchings, intermediary draughtsman, after a drawing by, 1488 - 1576-08-27

The Two Deaths by Wierx, Hieronymus (1553-1619)/ Private Collection/ Second half of the16th cen./ Flanders/ Etching/ Baroque/ 30x32,5/ Mythology, Allegory and Literature

A woman prays as a man sleeps drunkenly on the ground; allegory of the melancholy temperament. Engraving by R. Sadeler, 1583, after M. de Vos.

Master IB, The Triumph of Bacchus, 1528 The Triumph of Bacchus

Italy, Chiari, Fabrizio, Poussin, Nicolas, Venus and Mercury, verso - stamped, Venus and Mercury lie in a landscape. In the foreground a putto is fighting a young satyr. A putto with two wreaths in his hands looks on. On the left a group of putti making music. In the foreground on the right a lute., print, prent, prints, prenten, height 283 mm, width 381 mm, 1615 - 1695, print maker, prentmaker, 1636 - 1636, paper, papier, etching, etchings, counterproof, tegendruk, Frans, 1594-06 - 1665-11-19, after, after a painting by, Publication (Event), Publication, publisher, uitgever

Copper engraving from 1509-1550 depicting the Massacre of the Innocents, the biblical event in Bethlehem where children were killed by order of King Herod.

Vulkanen en stormen; Brantbergen et Tempeesten / Volcans et Ouragans dans la Sicile, etc.; Les Indes Orientales et Occidentales et autres lieux.Volcanoes and storms. In the foreground on the right the people are blown by the wind. A man has hit his hands around a tree. In the water is a man next to a turned boat. With a legend in Dutch and French. The print is part of an album.

Stoning of the elders, Crispijn van de Passe (I), After Maerten de Vos, 1574 - 1637 print The two elders are tied to a tree and are stoned by four executioners. In the margin a two -way caption in Latin. Fifth print from a series of six about the history of Susanna. Antwerp paper engraving the elders are stoned to death ~ story of Susanna

Big Fishes Eat Small Ones. Artist: after Maerten de Vos (Netherlandish, Antwerp 1532-1603 Antwerp); Anonymous, Netherlandish, late 16th century. Publisher: Johannes Baptista Vrints (Netherlandish, active Antwerp, ca. 1575--1610). Date: late 16th Century. Museum: Metropolitan Museum of Art, New York, USA.

Young man on the coast, fleeing from a sea monster, monsters, swimming mammals, flight, running away, pursuing, Lodewijk de Deyster, Zuid-Nederland, 1666 - 1711, paper, etching, h 110 mm × w 94 mm

Rape of Persephone with Pluto on horseback at right. Artist: Giuseppe Scolari (Italian, active Venice, 1562-1607). Dimensions: Sheet: 17 13/16 in. × 14 in. (45.3 × 35.5 cm)Mount: 20 1/4 in. × 15 3/8 in. (51.4 × 39.1 cm). Date: 1590-1607.Smitten by love for Proserpina, Pluto (also known as Hades), lord of the Underworld, carried her off violently in his infernal chariot, plunging through the Bay of Cyane into his subterranean realm. Scolari, who was also a painter, is best known today for his technically inventive and highly expressive woodcuts, which he both designed and cut. In his only depiction of a mythological subject, the artist captures the moment when the earth splits open, the waters of the bay pour into the void, and the fires of Hades issue forth, while the maiden struggles to free herself from her captor. Museum: Metropolitan Museum of Art, New York, USA.

Summer, Philips Galle, After Maarten van Heemskerck, 1563 print In the foreground the personification of the summer: an adult man, crowned with a corn wreath. In his hands, some of the people of Koren. Summer scenes in the background: having and harvesting farmers. Sheep that are washed and shaved and a shepherd with his sheep. At the top of the air the three astrological signs of the summer: lobster, lion and virgin. The print has a Latin caption and is part of a four -part series about the four seasons. Haarlem paper engraving summer landscape; landscape symbolizing summer (the four seasons of the year) (+ with zodiacal signs of the summer season). summer landscape; landscape symbolizing summer (the four seasons of the year) (+ with scenes showing human occupations ~ seasons and months). summer, 'Aestas'; 'Estate' (Ripa)

The Skeletons, from Grotteschi (Grotesques) ca. 1748 Giovanni Battista Piranesi Italian Piranesi made his series of print the Grotteschi when he returned to Rome after a stay in Venice, where he is said to have worked briefly with Tiepolo. The four etchings reflect encounter with the remarkable prints of the famous Venetian. In The Skeletons, the light, sketchy strokes of varying lengths found in some areas of the print recall Tiepolo's technique, while the combination of skulls, vegetation, and crumbling ruins, as well as the ambiguity of the subject, are characteristics shared with Tiepolo's Scherzi (1976.537.19) and Capricci series. A few direct quotations from Tiepolo are seen in the Grotteschithe smiling herm who appears here and in The Triumphal Arch has its source in one of Tiepolo's Scherzi. Whether Piranesi worked for Tiepolo or merely became acquainted with him, it appears likely that the older artist introduced Piranesi to the work of his favorite seventeenth-century printm

Golden Age. Allegorical performance with the imagination of one of the eras of the world according to Ovidius: The Golden Age, the first era of the earthly paradise in which man lives in harmony with his fellow man and the animals and nature supplies him in his needs. In the middle a huge rich apple, with a cornucopia. In the air Saturn, the Roman God of agriculture.

. Frisians with leaf raft and tritons in Roman style. Leaf from second edition.

Putti a monkey mocking, master of the dice, after Giovanni Martini, after Rafaël, c. 1530 - c. 1560 print On a large garland is a monkey with a fabric wrapped in fabric. On the right a putto with a fruit in hand and on the left a putto with a rattle. On the ground a snail, a turtle and a butterfly. print maker: Italyafter design by: Italyafter design by: Italypublisher: Rome paper engraving monkeys, apes. rattle ~ acoustic signalling. molluscs: snail. insects: butterfly. tortoises, turtles

Triumph of Bacchus, left plate. Procession in honor of the God Bacchus. On a triumphander, Bacchus is filled with a horn with grape vents beside himself and a jug with wine in his hand. The procession walks SATERS and Putti exceeded. Left part of a print consisting of three plates.

Apollo and Diana kill the children of Niobe, Philips Galle, After Giulio Romano, 1557 print In the clouds Apollo and Diana. With arrows, they register the children of Niobe, who found herself better in her pride than the divine twins. The ground is littered with dead and dying children. Some try to flee in vain. The print has a Latin top in a frame. print maker: Haarlempublisher: Antwerp paper engraving Apollo and Diana kill Niobe's children

Plate 4: Alexander Battling the Persians, from The Deeds of Alexander the Great 1608 Antonio Tempesta Italian. Plate 4: Alexander Battling the Persians, from The Deeds of Alexander the Great. Antonio Tempesta (Italian, Florence 1555-1630 Rome). 1608. Etching, first state of two (Bartsch). Johannes Baptista Vrints (Netherlandish, active Antwerp, ca. 15751610). Prints

The Fall of Phaeton, c. 1545. Nicolas Beatrizet (French, active Italy, 1507 or 1515-about 1565), after Michelangelo Buonarroti (Italian, 1475-1564). Engraving; sheet: 41.9 x 29 cm (16 1/2 x 11 7/16 in.).

The Beast with Two Horns Like a Lamb, from The Apocalypse, Latin Edition 1511 ca. 1496 Albrecht Dürer German. The Beast with Two Horns Like a Lamb, from The Apocalypse, Latin Edition 1511 388595

Reconciliation between Odysseus and the Ithacan rebels, Theodoor van Thulden, After Francesco Primaticcio, 1632 - 1633 print Under the watchful eye of Minerva, Odysseus and the hostile Ithacans reconcile. They fall into each other. Paris paper etching / engraving Minerva intervenes; reconciliation of Ulysses and the Ithacan rebels

Workshop of Hendrick Goltzius, after Hendrick Goltzius, Jupiter Taking Counsel from the Gods about the Destruction of the Universe, 1589 Jupiter Taking Counsel from the Gods about the Destruction of the Universe

Vatican City, Raphael, Italy, Borgianni, Orazio, Paintings in the Loggia of Raphael, Moses is Found, verso - stamped, Moses is found in a basket on the river by Pharaoh's daughter and her maidservants. One of the women pulls the basket towards her., print, prent, prints, prenten, height 161 mm, width 201 mm, 1578 - 1616-01-11, print maker, prentmaker, 1615 - 1615, paper, papier, etching, etchings, 1483-04-07 - 1520-04-07, after a painting by

Death of Phaeton. Dimensions: overall (approximate): 22.3 x 33.2 cm (8 3/4 x 13 1/16 in.). Medium: pen and brown ink with gray wash on laid paper. Museum: National Gallery of Art, Washington DC. Author: Michael Burghers after Johann Liss.

Deugd in violation of the ignorance, error and bias, Anonymous, After Andrea Andreani, 1585 - 1595 drawing paper. ink pen / brush strife between Virtues and Vices, Psychomachy

Nobody can serve two masters; Foolishness of mature life. A couple dressed as a hunter is on a cross-jump. He has a stick in hand and a hunting horn on his belt. Next to him his hunting dog. A rabbit from him runs away on both roads. The cort must now choose which animal he will pursue. It is silly with only one dog to hunt two hare. The print can be interpreted as an Allusion on human life. He will have to choose between the virtuous road at a certain moment, leading to the paradise and the road of earthly lusts. The print has a Dutch and Latin caption.

Atlas Door Perseus in Een Berg Veranderd, Cherubino Alberti (Possibly), After Polidoro da Caravaggio, After Cherubino Alberti, 1563 - 1615 print Perseus pits Atlas by showing him the severed head of Medusa. Italy paper engraving Atlas turned into a mountain as punishment for his inhospitality. (story of) Perseus

Combats and Triumphs, probably 1560s. Etienne Delaune (French, 1518/19-c. 1583). Engraving; image: 6.5 x 21.9 cm (2 9/16 x 8 5/8 in.); secondary support: 7 x 22.5 cm (2 3/4 x 8 7/8 in.).

A monkey holding a bound putto standing on a garland in front of which are two winged putti, from a series of tapestries made for Leo X. Artist: After Raphael (Raffaello Sanzio or Santi) (Italian, Urbino 1483-1520 Rome); Master of the Die (Italian, active Rome, ca. 1530-60). Dimensions: sheet: 8 1/4 x 11 1/4 in. (21 x 28.5 cm). Publisher: Antonio Lafreri (French, Orgelet, Franche-Comte ca. 1512-1577 Rome). Date: 1530-60. Museum: Metropolitan Museum of Art, New York, USA.

Juno complains with Thetis and Oceanus, Hendrick Goltzius (workshop of), After Hendrick Goltzius, 1590 print Juno arrives on her car pulled by two peacocks at the Zeegehoden Thetis and Oceanus, to complain about the honorable treatment that Callisto and her son Arcas received from her husband Jupiter. Two times two lines of Latin text under the performance. This print is part of a series of 52 prints that represent stories from Ovid's metamorphoses. This series falls into three numbered series: two of 20 prints and one of 12 prints. This print belongs to the second series. Haarlem paper engraving (Stomory) Mes). (Stomory. (Settry.) Thess; 'Hin the Men, Norfu't Mirgin' (rea)

This early 16th-century woodcut by Jan Wellens de Cock depicts soldiers dancing, showing figures, gestures, costumes, and military elements in German printmaking.

Triumph of Bacchus. Enea Vico (Italy, Parma, 1523-1567). Italy, 1543. Prints; engravings. Engraving

Battle of Hercules and the Giants 15th century Anonymous, Italian, 15th century Italian. Battle of Hercules and the Giants 360389

The lost son wastes his money, Dirck Volckertsz. Coornhert, after Maarten van Heemskerck, c. 1548 print The lost son wastes his inheritance in a brothel. Women surround him, make music for him and bring him food and drink. In the background, he is shown the door after the money has run out. Netherlands paper the prodigal son in the midst of prostitutes feasting and dissipating his patrimony, usually in a brothel or inn. when all his money is squandered the prodigal son is chased away by the harlots

Angels in cloud playing.

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