Mythological Etchings and Engravings

A collection of antique etchings showcasing mythological themes, featuring heroes, gods, and allegorical figures in detailed, historical art styles.

Bismarck, Europe, Annual regent Jupiter title page of Der Floh, Carl von Stur -, caricaturist

Mr Laurence Clinch and Mrs Mary Ann Yates as the Duke and Duchess of Braganza in Dr. Robert Jephson's tragedy Braganza, 1785. Mrs Yates died of dropsy two years later. With members of the Edinburgh audience. Copperplate engraving by John Kay from A Series of Original Portraits and Caricature Etchings, Hugh Paton, Edinburgh, 1842.

Two Ladies Converse at a Step-Well (Baoli) in a Walled Garden 1701-1800 India. Black ink, charcoal, and touches of color on buff paper .

The rural ...

A lithograph by Lovis Corinth from 1916 depicting John on Patmos from the Revelation of John, printed on handmade paper, showing the figure of John and island landscape.

Panel of the hat industry of Norwalk, Norwalk, Conn. , Hat industry. The Massachusetts WPA Federal Art Project Photograph Collection

Festoen with a pineapple in the middle, c. 1654 - Before 1677 print Leaf 4 from series of 12 blades. Amsterdam paper etching

Le soir même... (The same evening...). Dated: 1878. Dimensions: plate: 11.5 x 17.4 cm (4 1/2 x 6 7/8 in.) sheet: 15.2 x 20.2 cm (6 x 7 15/16 in.). Medium: etching, drypoint, and roulette in black on moderately thick cream wove paper. Museum: National Gallery of Art, Washington DC. Author: Félix-Hilaire Buhot.

Meerminnen in the waves, Louise Anne Saint, 1875 - 1931 drawing Singing mermaids lure the crew of a sinking ship in a storm. paper. pencil brush merman - AA - mermaid, siren. shipwreck. luring ships to shipwreck

Jupiter sends discord to the Greek vessels (Jupiter Wysyła Boginię Niezgody Discardię (Eris) na statki Greków, Z: L 'Iliade d'Arhre ), W: Oeurvre de Flaxmann Collection of his compositions serious by back, with analysis of the divine comedy of the Dante and notice on Flaxman. Various subjects. Paris 1847 . FERRERI, Vincenzo (Fl. 1845), Flaxman, John (1755 1826), Audot, bookseller editor, Paris rue du Paon 8, school of medicine

The New Neapolitan Buffoon Receiving the congratulations of the DEVIL instead of being carried off by him, plate 229 from Actualités 1855 France. Lithograph in black on white wove paper . Honoré-Victorin Daumier

Figure with Mask, Jean-Baptiste Pillement, French, 1728-1808, Etching on paper, France, 1728-1808, Print, Print

Three putting each other on a clover-shaped plateau; Das Neuw Grottesken Buch Nürnberg 1610; Three putti on a pedestal. On the left is a putto with helmet, shield and lance, on which a roasting chicken is stabbed. Right a putto runs with a banner. Leaf from a series of flat decorations with grotesken, cartouches, ovals, mascarons, putti and fantastic beings. The series consists of three title sheets, two text sheets with the assignment and the preface and 60 sheets, spread over three books.

Pencil drawing by Josef von Führich illustrating Psalm 77, showing Moses confronting the fiery serpent while the people struggle below.

Quatre petits poèmes libertins ou L'Examen de Flora. Félicien Victor Joseph Rops (Belgium, Namur, 1833-1898). Belgium, no date. Prints; etchings. Etching

Le Joyeux bidet. Félicien Victor Joseph Rops (Belgium, Namur, 1833-1898). Belgium, no date. Prints; etchings. Etching

Reproduction of a painting: Kaczor-Batowski, Stanisław (1866-1946), Angels; from: "Tygodnik Ilustrowany" 1903, 1, 3. Tygodnik Ilustrowany (Warszawa ; czasopismo ; 1859-1939), publisher

Two horizontal trophies with armor and weapons, Johannes or Lucas van Doetechum, after Hans Vredeman de Vries, 1558 - 1572 print Two horizontal trophies with a harness in the middle, flanked by shields, helmets, lances, spears and banners (Hollst. 347-i) paper etching

Cartouche with agricultural objects. A cartouche surrounded by agricultural objects such as a rake, pigeons, a hat, a cage, flowers and flutes.

Putti on clouds with flowers and arrows, François de Meersman, 1882 print paper etching cupids: 'amores', 'amoretti', 'putti'. attributes of Cupid: arrow(s)

2. (Registered title (letter)) | Babies. (Title of all)

Hercules attacks a snake that tears a sheet of paper with dedication, Johann Wilhelm Baur, 1636 Rome paper etching (story of) Hercules (Heracles). snakes

Print, Trophy of Arms (Un trophée d'armes au-dessus d'un cintre); Engraved by Jean Le Pautre (French, 1618-1682); engrapving on off-white laid paper; Overall: 12.6 x 21 cm (4 15/16 x 8 1/4 in.)

Two genii with two horses to heads. Two genii with two horses on the center on hemisphere bow field.

Sem, Pp. 14 & 15 of Album: Le Nouveau Monde (à l'Envers), 1873-1934, lithograph on paper.

Fisherman at the chessboard, near the Bercy Bridge (dummy title)

Autumn, Christoffel van Sichem (II), 1581 - 1658 print Bacchus with a bunch of grapes in a circular frame. Amsterdam paper specific aspects, allegorical aspects of Bacchus; Bacchus as patron. bunch of grapes

Allegory in wisdom with Minerva, Anonymous, 1837 - 1880 print Upstairs Minerva sits with a wreath in her hair and a spear in her hand on the stairs of a small, round temple. Behind her is an owl. On the right a few owls fly down, where a woman with raised arms stands. The identical looking woman next to her holds her hands in front of her face. For her, a few putti fly up in the direction of the woman near the temple. paper adult woman. owls. (story of) Minerva (Pallas, Athena). casting weapons: spear. column, pillar ~ architecture. attributes of Minerva: owl. cupids: 'amores', 'amoretti', 'putti'

Frame for a memorial print with portrait. Oval frame for a portrait. At the bottom is an angel with an urn.

Design for a sepulchral monument with an allegory of Time late 17th-early 18th century Pieter Verbruggen the Younger Flemish. Design for a sepulchral monument with an allegory of Time 394916

Fire; Ignis; The four elements. The fire element, personalized by the naked Jupiter. It is surrounded by flames and holds a sunbeam in his one hand. Jupiter rides an eagle. The print has a Latin caption and is part of a four-part series about the four elements.

Holder of the Navarrois Ciampolo. (Ukaranie Nawaryjczyka Ciampolo, Z: The Divine Comedie du Dante ), W: Oeurvre de Flaxmann Collection of its serious compositions by back, with analysis of the divine comedy of the Dante and notice on Flaxman. Various subjects. Paris 1847 . FERRERI, Vincenzo (Fl. 1845), Flaxman, John (1755 1826), Audot, bookseller editor, Paris rue du Paon 8, school of medicine

A Woman and a Horse, Let Someone Else Master Them, plate ten from Los Proverbios. Francisco José de Goya y Lucientes; Spanish, 1746-1828. Date: 1815-1824. Dimensions: 212 x 315 mm (image); 244 x 350 mm (plate); 332 x 495 mm (sheet). Etching with aquatint and drypoint in black on ivory wove paper. Origin: Spain. Museum: The Chicago Art Institute, Chicago, USA.

Portada de la revista Crónica del Sport. Madrid, enero de 1895.

Girl scatters crumbs in a wak, Gijsbertus Johannes van Overbeek, 1892 - 1947 drawing A richly dressed girl kneels on a frozen pond. She has made a wak in the ice and scatters crumbs in it. A building with a column gallery can be seen behind her. On a second drawing behind this performance a landscape with trees and mills on the water. There are remains of ice on the water. paper. India ink (ink). pencil pen ice ~ state of water. feeding wild animals in winter. kneeling figure - AA - female human figure. windmill in landscape

Soldier of the Republican Guard of the City of Paris (Garde municipal). Dimensions: 38.2 cm x 28.2 cm, 25 cm x 15 cm. Museum: Van Gogh Museum, Amsterdam. Author: PIERRE BONNARD.

An allegorical picture representing Britannia starting on the path of 'pleasure and joyousness while fate intervenes and holds her back.' Date: 2nd July 1902

Common-Wealth, The Colossus 1766 Anonymous, British, 18th century British. Common-Wealth, The Colossus. Anonymous, British, 18th century. 1766. Etching. Published London by Thomas Ewart (British, active 1745-81). Prints

News. / 252 // Aerial allopathy. / 68.

The Book of Job: Pl. 13, Then the Lord answered Job out of the Whirlwind, 1825. William Blake (British, 1757-1827). Engraving;

Maskerade of the Leiden students, 1865 (title), 1865 Historically costumed parade of the students of the Leidse Hogeschool held on 6 June 1865 on the occasion of the 290th anniversary of the Hogeschool. The parade depicts the entry of the Dutch within Zierikzee on August 12, 1304. The fame with a banner. TitlePent, part of the series of 16 stuck magazines. print maker: Netherlandsprinter: Netherlandspublisher: Leiden paper To lead. Zierikzee Historically costumed parade of the students of the Leidse Hogeschool held on 6 June 1865 on the occasion of the 290th anniversary of the Hogeschool. The parade depicts the entry of the Dutch within Zierikzee on August 12, 1304. The fame with a banner. TitlePent, part of the series of 16 stuck magazines. print maker: Netherlandsprinter: Netherlandspublisher: Leiden paper To lead. Zierikzee

Cartoon on the future November parties, 1863; De Nederlandsche Virgin Hare Annotations of 1813 sorting. Cartoon on the next November parties. The Dutch virgin sitting behind her desk sorts her papers. On the floor the Dutch lion plays with the freedom hat. Plate appeared at the Weekblad De Nederlandsche Spectator, no. 15, 11 April 1863.

Britannia Roused, or the Coalition Monsters Destroyed February 3, 1784 Thomas Rowlandson British. Britannia Roused, or the Coalition Monsters Destroyed. Thomas Rowlandson (British, London 1757-1827 London). February 3, 1784. Etching. Prints

Paul de Cassagnac´s heroenthate, Mac Mahon title page of humorous leaves, Karl Klic -, Caricaturist

Gewelfdecoratie uit Pallazzo Barberini; Plafondschilderingen in de salon van het Palazzo Barberini; Barberinae Aulae Fornix.Part of the vault decor in the salon of Palazzo Barberini with the triumph of Divina Providentia. Barberini House Apotheosis and Urbanus VIII papacy. Above and under text in Latin.

Ceiling detail with two seated figures and escutcheon, Jean-Robert Ango, French, active in Rome 1759 -1770, d. 1773, Red chalk on paper, Two seated female figures on either side of an escutcheon, with the indication of an inscription below. The figures are wearing headgear. They touch their left hand to their chest and rest their right on their knee., France, ca. 1759-70, ornament, Drawing, Drawing

Modern Bucolic Made 1901 France. Woodcut in salmon, olive, fawn and red-brown from two blocks on cream wove paper . Louis Auguste Lepère

Hands holding a crayon , Artists, Hands, Drawing, Haden, Francis Seymour, 1818-1910. Francis Seymour Haden (1818-1910). Prints and Drawings

Man surrounded by Devils, Célestin François Nanteuil, 1823 - 1873 print Two devils saw his head through. paper tools, aids, implements ~ crafts and industries: saw. devil(s) and demons. popular music, street music. drum (musical instrument). church bell. horn, trumpet, cornet, trombone, tuba. panpipes

The Ane of Sedan / German Bulldog.

The Return 1907 United States. Color woodcut on paper . Helen Hyde

Zd. Kratochvíl: Illustrace.. Periodicals. 1911 - 1913. General Research Division. Modernism (Art), Czech literature , 20th century, Art, Arts , Czechoslovakia

A Candlestick and Handled Ornamental Ewers in a Landscape with Ruins, from Sculpturae VeterisAdmirata. Artist: Joachim von Sandrart, German, 1606-1688

1871 (her)

Cartoon on the university professors, 1865; Ronding dance of the high teachers who can stay in their old ZOG again. Cartoon on the professors who do a round dance of joy after no university cuts were found in the Throne speech. Plate appeared at the Weekblad De Nederlandsche Spectator, no. 38, September 23, 1865.

The Pledge of Love 1786 Jean Mathieu French. The Pledge of Love 360094

Un excellent placement pour ceux qui ont envie de voir monter leurs valeurs.. Cham (Count Amédée-Charles-Henry de Noé) (France, Paris, 1819-1879). France, 1867. Prints; lithographs. Lithograph

Four warriors on one horse, Edouard Dujardin, 1827 - 1889 print paper. riding a horse, ass, or mule; rider, horseman. horse in motion. the soldier; the soldier's life. casting weapons: spear

Hercules Slays Diomedes and his Flesh-Eating Mares (Apollodorus, II, 5, 8 and Quintus Smyrnaeus, VI, 247-250) 1806 Johann Heinrich Lips. Hercules Slays Diomedes and his Flesh-Eating Mares (Apollodorus, II, 5, 8 and Quintus Smyrnaeus, VI, 247-250) 698601

Bliżej Kultury Werdeker, Władysław (1886 ), Wyczółkowski, Leon (1852 1936)

Revolutionary sketch by Pilotell 3, the god of armies taking care of the cylinder head.

Feston: 6; Quellinus, artus (1609-1668); around 1650 () (1640-00-00-1660-00-00);

Bliżej Kultury Czapski Hutten, Marian (1816 1875), Busse, Michał (1810 1881), Żupański, Jan Konstanty (1804 1883)

Etching and aquatint by Francisco José de Goya from 1815-1824, fourth edition 1902, depicting 'Bobalicón' from 'The Proverbs (The Nonsense)', showing human figures and symbolic allegorical gestures.

Catharina the Great flies on the Austrian eagle to the Halve Maan, Anonymous, 1787 - 1788 print Cartoon on Keizerin Catharina II the Great who sat on the Austrian eagle with glasses with pulled saber flies to the Half Maan (= goes to battle against the Turks). With her saber she cuts off part of the wing of the eagle. With four-line French caption in which the Russian Tsarina is called the Catin-du-Nord (the whore of Van het Noorden). Related to March 1788. Part of a large group of prints relating to the events of the Brabant Revolution and the period 1787-1790. Southern Netherlands paper etching / engraving flying Brabant

Woodwood reproduction: Fig. Juliusz Kossak (1824-1899), rite. Franciszek Szyma Kossak, Juliusz (1824-1899), Szyma Ski, Franciszek (fl. Ca 1880-1885), End of the 19th century (1890-00-00-1900-00-00);

Design for a ceiling painting with a balustrade with putti and birds. Draughtsman: Dionys van Nijmegen. Dating: 1715 - 1798. Measurements: h 332 mm × w 210 mm. Museum: Rijksmuseum, Amsterdam.

Herberstein, Johann Josef Graf.

Titz Oskar (1845-1887), Putti (without date): puzzle, two putti sitting on a floating door. Ink on paper, 19.8 x 14.1 cm (including scan edges) Titz Oskar (1845-1887): Putti

Vanitas still life with a wreathed skull, violin, portrait album, precious candlestick with extinguished candle, and clock. Vanitas still life with a skull and violin, print maker: Pieter Schenk (I), (mentioned on object), publisher: Pieter Schenk (I), (mentioned on object), Staten van Holland en West-Friesland, (mentioned on object), Amsterdam, 1670 - 1713, paper, engraving, h 243 mm × w 181 mm

This is a scene from what Alice saw once she went through the Looking Glass and into the Looking Glass room in Lewis Carroll's "Through the Looking Glass." It shows the Jabberwock, and the caption reads, "Beware the Jabberwock, my son! The jaws that bite, the claws that catch." The Jabberwock is a monster, and the nonsense poem about killing this monster is called "Jabberwocky."

Design for a room decoration: two panels with birds. Draughtsman: Abraham Meertens. Dating: 1767 - 1823. Measurements: h 309 mm × w 200 mm. Museum: Rijksmuseum, Amsterdam.

Maximilian I., Elector of Bavaria.

. The French eagle is used by the Russian eagle in a landscape. On the left the French weapons, flags and deeds fall into the abyss. A Frenchman is on the floor in the background. He is monitored by two eagles. Dark clouds and lightning in the sky. Allegory on the fall of the Napoleontic regime.

Creation of heaven and earth; Paintings in the Loggia of Rafaël. God, an old man with beard, floats above the earth.

Study of an Oak Leaf, John Ruskin, 1819-1900, British, undated, Pen and brown ink with watercolor over graphite heightened with gouache and gum; verso: graphite on medium, smooth, white wove paper, Sheet: 7 9/16 × 6 7/8 inches (19.2 × 17.5 cm) and Frame: 12 3/16 × 11 7/16 × 13/16 inches (30.9 × 29 × 2.1 cm), botanical subject, leaf, leaves, oak, study (visual work)

Caricature of Man, Woman and Dog. Alfred Henry Forrester; English, 1804-1872. Date: 1869. Dimensions: 145 × 185 mm. Pen and brown ink on gray wove paper. Origin: England. Museum: The Chicago Art Institute, Chicago, USA. Author: Alfred Henry Forrester.

Two studies of a foot.

Apotheose van een krijgsheld.Apotheosis of a warhead. On the right on a boat is a man in armor. To the left of him is a woman with staff and laurel branch. Above them is a woman on clouds with a laurel branch and the cornucopia. To the right of the man is a lion with a sword in his mouth. To the right of the boat Neptune with two horses.

The abandoned by Moloch. (IT)

Cartoon about foreign politics, 1863; Bird of prey study. Cartoon about the foreign policy of Prussia, Russia and Austria. Three heraldic eagles watched by a fourth bird of prey. Plate appeared at the Weekblad De Nederlandsche Spectator, no. 9, 28 February 1863.

The Orrery.

Thomas Rowlandson, 1756-1827, British, Album Drawing, undated. Graphite and pen and ink on medium, slightly textured, cream wove paper.

LA MUERTE DEL CONDESTABLE DE BORBON (CARLOS III) A LAS PUERTAS DE ROMA EN 1527 - GRABADO SIGLO XVI. Author: ANONIMO SIGLO XVI. Location: BIBLIOTECA NACIONAL-COLECCION. MADRID. SPAIN.

Knabe auf einem Grab schlafend (Boy sleeping on a grave) Cut Christian Friedrich German Designed by Caspar David Friedrich German probably 1803 View more. Knabe auf einem Grab schlafend (Boy sleeping on a grave). Cut Christian Friedrich (German, 1770-1843). probably 1803. Woodcut on wove paper. Prints

Diplomatic love stories, Andrassy in Bosnia - Herzegovina title page of Die Bomb, László frecskay -, artist

Charles Heath, Apollo as a Warrior, 1804 Apollo as a Warrior

Saturn; Bonato, Pietro (Ca 1765-Ca 1827), Rafael (1483-1520), Tofanelli, Stefano (1752-1812); 1780-1820 (1780-00-00-1820-00-00);

Giovanni Battista Bracelli (Italian, active c. 1624-1649), From "Bizzarie di varie Figure", 1624, etching

A question stamp depicting a coin thrown into a bag with text: on a common room and summer colonies; Trzebiński, Jan Kanty (Radom; Litographic Plant); around 1915 1920 (1914-00-00-1939-00-00);

Barbarella. Jan Krejci; Czech, born 1942. Date: 1969. Dimensions: 396 × 232 mm (plate); 558 × 381 mm (sheet). Etching on white wove paper. Origin: Czech Republic. Museum: The Chicago Art Institute, Chicago, USA.

Modern Laokoonids, Bland, Charles, plaintiff, Modern Laokoonids, the actresses Bland, Charles and plaintiffs, Heinrich Laube with a snake tongue title page of Der Floh , Henri Demare -, Caricaturist, Johann Tomassich, Engraver

The Battle of the Pictures 18th century Barlow. The Battle of the Pictures. Barlow (British, active late 18th century). 18th century. Etching

The Snow Queen, illustrations to Hans Christian Andersen. Artist: Franz Wacik (Austrian, Vienna 1883-1938 Vienna). Dimensions: 4 7/16 x 9 5/8 in. (11.2 x 24.5 cm). Date: early 20th century. Museum: Metropolitan Museum of Art, New York, USA.

Man stabs a dragon, Daniël Vulaard (I), After Jacob Smies, 1802 - 1809 print A man puts a spear in the mouth of a dragon. In the background women with their arms raised in the air. Top right: pl. Ii. Bottom right: p. 71. Haarlem paper etching political caricatures and satires. dragon

Novela. La araña negra, de Vicente Blasco Ibáñez (1867-1928). Dibujos de Eusebio Planas. Barcelona, 1892.

Plattegronden van Breisach, Neuss, Germersheim en Kaiserswerth, approx. 1702, 1702 - 1703 print Leaf with four floor plans of the defenses around the city of Breisach, Neuss, Germersheim and Kaiserswerth. Plate no. 37 In the printed work consisting of a total of 276 numbered plates of renowned strong cities and fortresses in the context of the Spanish Succession War. For the most part these records have been copied to the anonymous French records: in Les Forces de l'Europe and in: Le Theater de la Guerre, Dans Les Pays-Bas, both originally published by Nicolas de Fer in Paris (1693-1697) in the framework of the nine -year war. Titles and inscriptions in the plate in French. print maker: Northern Netherlandspublisher: Amsterdam paper etching maps of cities. fortress Breisach. Neuss. Kezizersweerd. Germersheim

Drawing, Summer, Lunette for Ceiling, Sala Ottagonale, Palazzo Milzetti, Faenza; Designed by Felice Giani (Italian, 1758-1823); Italy; pen and brown ink, brush and light brown wash over graphite on white laid paper; 13.8 x 19.8 cm (5 7/16 x 7 13/16 in.) matted w/ -1191 Mat: 35.6 x 45.7 cm (14 x 18 in.)

Gustave Doré (1832-1883), designer and Adrien Lavieille (1818-1862), engraver. "The figurine clock." Illustration for Honoré de Balzac, "Les Contes Drolatiques", Paris: Société Générale de Librairie, 1855 ". Wood engraving. Paris, Maison de Balzac. 101789-10 Wood engraving, illustration of literary work, 19th 19th 19th 19th 19th 19th century, engraving

Anatomical fugitive sheets

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