Mythological Figures in Art

Engravings and lithographs showcasing mythological themes, featuring figures such as Cupid and Icarus, highlighting emotion and dramatic poses.

Sleeping Nymph watched by a satyr, Arnold Houbraken, Anonymous, 1700 - 1750

Two Boys, Francesco Bartolozzi, Italian, active England, 1727-1815, Giovanni Francesco Barbieri (called Guercino), Italian, 1591 - 1666, Engraving in brown ink on beige paper, The larger boy, at right, gestures to the right while holding high in his left hand the ends of a covering about the second boy, who stands with his back to the observer, looking towards the left., Italy, ca. 1769-1770, Print, Print

A Rossini , Composers, Fictitious characters, Sculpture, Rossini, Gioacchino, 1792-1868. Henri Fantin-Latour (1836-1904). Lithographs and Other Prints

Bartolomeo Schedoni's painting depicts Amor and Psyche, highlighting their figures, gestures, and interaction, executed with a paint brush.

Diana surprised while bathing Lefebvre, Jules, 1836-1911. Goupil & Cie. still image. Art reproductions. 1884 - 1886. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Picture Collection. Artemis (Greek deity), Bathing, Mythology, Nymphs (Greek deities), Diana (Roman deity), Goddesses, Surprise, Female nude in art

Venusberg, 1876. Henri Fantin-Latour (French, 1836-1904). Lithograph;

Baigneuse aux oies (Bather withgeese). Artist: Camille Pissarro, French, 1830-1903

Infant Hercules asleep 1625-77 Wenceslaus Hollar Bohemian Infant Hercules asleep; lying naked on a cloak, head to right, among leafy branches under tree, his club between his legs; two birds perched above his head, after Parmigianino. Infant Hercules asleep 361744

Copper engraving and etching by Pietro Bonato (c. 1810) depicting Susanna with the two elders, showing figures, gestures, and expressions in early 19th-century European religious art.

Diana and Endymion. Artist: After George Frederic Watts (British, London 1817-1904 London). Dimensions: Plate: 18 × 22 3/16 in. (45.7 × 56.3 cm)Sheet: 21 1/8 × 25 1/8 in. (53.7 × 63.8 cm). Etcher: Sir Frank Short (British, Stourbridge, West Midlands 1857-1945 Ditchling, East Sussex). Publisher: Robert Dunthorne (British, born ca. 1851). Date: December 1, 1891.Despite her sworn chastity, the moon goddess Diana fell in love with the beautiful shepherd Endymion and watched over him while he slept. This mezzotint shows the couple kissing and is based on a painting by Watts of 1869 (private collection). As part of a forward-looking cultural circle centered at Little Holland House in Kensington, the artist sympathized with the Pre-Raphaelites' reforming agenda but disapproved of their zealous medievalism. This print vivifies its mythic subject by contrasting Diana's urgent pose with Endymion's languid form. Short used a rocker to produce the darks and a burnisher for the lights, translating

Fortune. Reni, Guido, 1575-1642. 1601 - 1700. Cantarini, Simone, 1612-1648. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

Putto, Hendrik Willem Schweickhardt, c. 1756 - c. 1797 drawing Netherlands paper. chalk

Erato, anonymous, after Pierre Prud'hon, 1824 - 1856 print paper Erato (one of the Muses); 'Erato' (Ripa)

A God-like figure embraces a young fainting girl. Stipple engraving by B. Smith, 1797, after R. Westall.

Ora sesta di giorno , Engravings, Bats, Allegories. Nicholas Catsimpoolas Collection

Seated Female Nude, Willem Witsen, 1870 - 1923 drawing paper. chalk the (nude) human figure; 'Corpo humano' (Ripa) - AA - female human figure. anonymous historical person portrayed alone - BB - woman

Palma Vecchio: Venus. Dresdner Gallerie; Hanns Hanfstaengl (German, 1820 - 1885); about 1875; Albumen silver print

Southern Netherlands, Cardon, Antoine Alexandre Joseph, Children with an eagle, Sculpture of two children at the water's edge with an eagle. Statue made by François Somers. Numbered top right in the plate: 16. Part of the collection of figures and statues made of snow in the streets of Antwerp in January 1772., print, book, Frederik Muller Historieplaten, height 172 mm, width 98 mm, 1739-12-07 - 1822-09-10, print maker, printmaker, 1772 - 1773, paper, papier, etching, engraving, engraving (printing process)

Sleeping Venus and Amor, Adriaen van der Werff, 1669 - 1722 print Rotterdam paper Venus asleep. Venus and Cupid (Cupid not being mere attribute)

Nine fantastic women's figures. Bottom left a woman with wings, right from the middle a gorgoon, a woman with snakes instead of her. Above the middle a woman on a throne.

Iris or Dawn goddess, Herculaneum, Campania, Italy, engraving by Pietro Campana from a drawing by G E Morghen, from Le antichita di Ercolano esposte (The antiquities of Herculaneum exposed), Vv.Aa., volume V, plate 15, 1757-1787, Naples.

Riviergod in Een Niade, Bernard Picart, After Eustache Lesueur, 1740 print Nich with a river god, which is accompanied by a niad, a water nymph. In the middle of a ornamental cartouche with the vignette of Bernard Picart: a large star in the midst of other stars. To the grisaille painted by Lesueur in a niche at access to the stairs in the Hôtel Lambert. Print is part of a series of prints to the paintings in the Hôtel Lambert in Paris. print maker: Amsterdampublisher: Paris paper etching / engraving river personified, 'Fiumi' (Ripa). Naiads, river- and spring-nymphs; usually carrying an urn; 'Naiadi, ninfe de' fiumi' (Ripa) Lambert Hotel

Farblithography by Wilhelm List depicting the mythological figure Daphne, created around 1899 on yellowish cardboard.

A half-naked youth offers food to a snake coiled round a tree trunk. Engraving by C.-C. Bervic after J.-F.-L. Mérimée, 8th () April, 1798.

Pierre Claude François Delorme, Zephyr and Psyche, c 1820 Zephyr and Psyche

Photo production of an engraving to a painting or drawing: echo. .

François Nicolas figure (1825-1901). "Gilliatt took this brood". Albumin paper. 1868. Paris, house of Victor Hugo.

Bathers, 1881. Henri Fantin-Latour (French, 1836-1904). Lithograph;

Golden Age, Pieter Nolpe, After Nicolaes Pietersz Berchem, 1652 print Imagination of the Golden Age, the first era of the world, in which people lived in innocence with each other and with the animals under the government of Saturn. Seen a river god on the back on the left. Two people make music in the background, there are two lions and the three graces. On the right in the foreground a minnekozend pair and a naked woman with an apple in her hand. On the far left two boys, one of which is peeing, and a man who picks apples. The show here has been given the title of the month of September, because of the picking of the apples. Amsterdam paper etching / engraving September; 'Settembre' (Ripa). the golden age, 'Aetas aurea'; men live happily, gathering fruits under the reign of Saturn

Ink lavated drawing with red highlights by Johann Nepomuk Ender depicting the Triumph of Bacchus, showing figures, gestures, and celebratory scene, 1815-1817.

Drawing by Friedrich Rehberg depicting Amor and Psyche, executed in black chalk with brown brush, white highlights, and traces of a black chalk edging line around 1800-1810.

Photograph of print: Marcantonio Raimondi (c. 1470 or 1482 - 1527 or 1534), Jupiter embrassant l'Amour ; sheet from: Notice sur la vie de Marc Antoine Raimondi Graveur Bolonais accompagnée de reproductions photographiques de quelques unes de ses Estampes . Blanquart-Évrard, Louis-Désiré (1802-1872), printing house, Delessert, Benjamin (1817-1868), photographer, Goupil & Cie (Paryż ; firma wydawniczo-fotograficzna ; 1850-1884), publisher, Colnaghi, D. & Co. (Londyn ; galeria sztuki ; 1760- ), publisher

Stone chalk and brush drawing by Christian Wilhelm Ernst Dietrich depicting a vision of St. Maria Magdalena, executed in dark brown laviert, 1736.

Iris, Giovanni Folo, After Guy Head, 1774 - print Iris floats above a river with a jug. In the background a stone arch over the water. Rome paper engraving Iris

Hercules as a victor (in box with 43 drawings), Louis Fabritius Dubourg, 1747 drawing paper. ink. pencil pen / brush (story of) Hercules (Heracles)

Andromeda chained to a rock, Hendrick van Beaumont, after Claude Mellan, 1696, Sheet 39 recto from a sketchbook containing 91 sheets., draughtsman: Hendrick van Beaumont, Claude Mellan, 1696, paper

Photo production of an Echo engraving, 1850 - 1900 visit card. photograph photographic support. cardboard albumen print single named nymphs: Echo

The barricade, first stone , Barricades, Punishment & torture, Soldiers, Nudes, Raising hands. George Bellows (1882-1925). Prints and Drawings

Le Paradis et la Péri. Début. (2e planche) , Fictitious characters, Angels, Schumann, Robert, 1810-1856. Paradies und die Peri. Henri Fantin-Latour (1836-1904). Lithographs and Other Prints

La Fontaine d'Amour n.d. Jean-Baptiste Audebert French. La Fontaine d'Amour 369293

Umbria Perugia Limigiano S. Michele. Hutzel, Max 1960-1990 Exterior views of romanesque church and cloister, with details of west facade reliefs and double-window. Interior views of the kitchen and refectory. Interior views of the church focus on frescoes: the Martyrdom of St. Sebastian, Madonna and Child, Crucifixion, Saint Michael. Also, a view of a 15th century bapitsmal font and painting of the Madonna and Child with Saint John the Baptist. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Summer 1907 Anders Zorn Swedish. Summer. Anders Zorn (Swedish, Mora 1860-1920 Mora). 1907. Etching; only state. Prints

. Psyche fulfills a task that was dedicated by Venus and receives a cup with water from the Jupiter's eagle from the Styx. The performance is caught in an oval frame.

Lucretia Preparing to Kill Herself. Artist: After Parmigianino (Girolamo Francesco Maria Mazzola) (Italian, Parma 1503-1540 Casalmaggiore); Engraved by Enea Vico (Italian, Parma 1523-1567 Ferrara). Published in: Rome. Date: ca. 1542-43.In Mariette Album, folio 67. Museum: Metropolitan Museum of Art, New York, USA.

Odalisque Standing with Fruit Tray. Henri Matisse; French, 1869-1954. Date: 1924. Dimensions: 375 × 275 mm (image); 480 × 327 mm (sheet). Lithograph in black on cream wove Japanese vellum (discolored to tan). Origin: France. Museum: The Chicago Art Institute, USA.

Sultane with freshwater in Constantinople Louis Candid Boulanger (1806-1867). "Sultane with fresh waters in Constantinople". Lithograph on paper. Paris, Victor Hugo House.

"Iris carrying the water of the River Styx to Olympus for the Gods to swear by" after Guy Head. Unknown

Prospero, Miranda, Caliban and Ariel. Jean Pierre Simon (British, born before 1750-c. 1810); after Henry Fuseli (Swiss, active in England, 1741-1825); published by John Boydell (English, 1719-1804). Date: 1797. Dimensions: 496 × 631 mm (plate); 592 × 883 mm (sheet). Engraving on ivory wove paper. Origin: England. Museum: The Chicago Art Institute, Chicago, USA.

Kąpiące się. Rustem, Jan (1762-1835), painter

Allegory of July. Projects for the "eternal calendar in paintings", part I, 1881-1901 (Immerwährender Bilderkalender); Thoma, Hans (1839-1924); 1881-1901 (1911-00-00-1911-00-00);Summer (personification), Schlesisches Museum der Bildenen Künste (Wrocław - 1880-1945) - collection, zodiac, allegories, astrology, illustrations, calendars, summer, myth, mythology, Nordic mythology, personification (iconogr.), Seasons, signs of zodiac

A gray and red brush drawing by Matthäus Loder depicting the Pandora rifle, showing the firearm, details, and artistic composition.

Photo production of the Fresco Mercury leads Psyche to the Olympus in the Loggia di Psiche, Villa Farnesina in Rome, Anonymous, 1851 - 1900 photograph Rome paper. cardboard albumen print picture, painting Loggia of psyche. Villa Farnesina. Rome

La Fleur lascive oriental. Félicien Victor Joseph Rops (Belgium, Namur, 1833-1898). Belgium, no date. Prints; etchings. Etching

Augustin Hirschvogel, Death of Cleopatra, 1547 Death of Cleopatra

Half -naked wife, Cornelis Bloemaert (II), After Giovanni Citosibio Guidi, c. 1636 print Image of a half -naked woman lying on the floor and holds her head up. The image comes from the Vincenzo Giustiniani collection, whose weapon can be seen on the pedestal. paper engraving female persons from classical history (+ full length). piece of sculpture, reproduction of a piece of sculpture

Two women in Grecian style dress dancing. From an early 19th century print engraved by Luigi Cunego after a design by sculptor Antonio Canova.

Michelangelo: Pieta. Řím. Palazzo Rondanini.. Periodicals. 1911 - 1913. General Research Division. Modernism (Art), Czech literature , 20th century, Art, Arts , Czechoslovakia

Hylas Howard, Henry, 1769-1847. still image. Art reproductions. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Picture Collection. Nymphs (Greek deities), Streams, Kidnappings, Hylas (Greek mythology)

A Robert Schumann (2e planche) , Composers, Parades & processions, Supernatural beings, Schumann, Robert, 1810-1856. Henri Fantin-Latour (1836-1904). Lithographs and Other Prints

The vision of Beatrice Cenci, David Pièrre Giottino Humbert de Superville, 1780 - 1849 drawing paper. chalk brush historical persons. vision. dream

Le Crépuscule des Dieux. Acte III. Siegfried et les Filles du Rhin , Composers, Wagner, Richard, 1813-1883. Henri Fantin-Latour (1836-1904). Lithographs and Other Prints

Italy, Parmigianino, Schiavone, Judith with the head of Holofernes in a sack, verso - stamped, Judith standing with raised sword. Her servant carries a bag containing the severed head of Holofernes. In the background a curtain., print, prints, height 160 mm, width 85 mm, Italian, 1500 - 1563-12-01, print maker, printmaker, 1532 - 1563, paper, papier, etching, etchings, Work conception, 1503-01-11 - 1540-08-24

AVANT LE PECHE. Artist: Paul Gavarni, French, 1804-1866

La descente de Croix a Hautecombe. L. Demay (French, active 1860s - 1870s)

Maenad dancing and playing cymbals, Herculaneum, Campania, Italy, engraving by Filippo Morghen from a drawing by Paderni, from Le antichita di Ercolano esposte (The antiquities of Herculaneum exposed), Vv.Aa., volume I, plate 21, 1757-1787, Naples.

The Dream ca. 1849-62 After Narcisse-Virgile Diaz de la Peña. The Dream. After Narcisse-Virgile Diaz de la Peña (French, Bordeaux 1808-1876 Menton). ca. 1849-62. Lithograph. Prints

The Soul Attains. From the portfolio: The Work of E. Burne-Jones., 1878, Great Britain, by Edward Burne-Jones, The Berlin Photographic Company.

François-Nicolas Chifflart was an important member of the etching revival in 19th-century France. This print, from his 1865 series Improvisations on Copper, reveals the freedom and experimentation that Chifflart found in this medium. He drew directly on prepared copper plates, sketching as he would on a sheet of paper, to create both anecdotal studies and imaginative finished compositions. Executed on an intimate scale, the prints encouraged close looking and private contemplation. Improvisations sur cuivre: Perseus, 1865. Nicolas-François Chifflart (French, 1825-1901), Auguste Delâtre, CADART & LUQUET. Etching; image: 31.1 x 23.3 cm (12 1/4 x 9 3/16 in.); plate: 31.5 x 23.8 cm (12 3/8 x 9 3/8 in.); sheet: 57 x 37.1 cm (22 7/16 x 14 5/8 in.).

The lovers that passed him by , Couples, Love. George Bellows (1882-1925). Prints and Drawings

Rot de query Henri-Guillaume Chatillon / According to Anne-Louis Girodet-Trioson (1767-1824). Engine of Pomone. Engraving.

Beeld van Psyche, anonymous, Pierre Langlumé (possibly), after Henry Corbould, after Richard Westmacott, c. 1822 - c. 1825 print Paris paper Psyche

Vénus et l'Amour (2e planche) , Goddesses, Gods, Venus Roman deity, Cupid Roman deity. Henri Fantin-Latour (1836-1904). Lithographs and Other Prints

William P Babcock, Nude with Cherub Holding a Mirror, 1860s 1870s Nude with Cherub Holding a Mirror

Vatican City, Alexander VII, Rome, Collignon, François, Italy, Carracci, Annibale, Cesio, Carlo, Galeria nel Palazzo Farnese in Roma, Paintings in Palazzo Farnese in Rome, Putti with Palm Branch, Putti with Torch, Sheet with two representations. Left: two putti carrying a palm branch. Right: two putti with a torch., print, prints, height 190 mm, width 159 mm, Italian, 1622 - 1682, print maker, printmaker, 1656 - 1656, paper, papier, etching, etchings, intermediary draughtsman, after a drawing by, Work conception, 1560-11-03 - 1609-07-15, after a design by, Publication (Event), Publication, French, 1610 - 1687, publisher, uitgever, 1599-02-13 - 1667-05-22, gever van privilege

Die büssende Magdalena. The penitent Magdelene.. Werff, Adriaen van der, 1659-1722. Prints. 1837 - 1842. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Art & Architecture Collection. Painting , Germany , Munich, Lithography, German, Skulls, Mary Magdalene, Saint, Nude in art

Time cuts the wings of Cupido, James Mcardell, After Anthony Van Dyck, c. 1745 - 1765 print London paper punishment of Cupid. Father Time, man with wings and scythe

Northern Netherlands, Suitable punishment of exiled patriots, Justice whips a Keeshond, 1787, verso - stamped, Cartoon on patriots, after the restoration of the Prince of Orange in 1787. Justice whips a Keeshond that is tied to a pole with its front paws. In the background, Keeshonds attack Liberty., print, cartoon, prints, Frederik Muller Historical plates, height 160 mm, width 118 mm, print maker, printmaker, 1787 - 1787, paper, etching, engraving, engraving (printing process)

A witch, raising her arm above a flaming cauldron, recites a spell; a young woman kneels in front of the cauldron. Mezzotint by J. Dixon after J.H. Mortimer, 1773.

The Figure of Religion (recto/verso) 1820-21 Eugène Delacroix French. The Figure of Religion (recto/verso) 336583

Nude with Raised Leg, Nudes

Nymph; illustration from the periodical `Zorza polarna`, vol. I. F.A. Brockhaus (Amsterdam, Lipsk, Wiesbaden ; wydawnictwo ; 1808-1953 ), printing house, unknown, graphic artist, Henkel, W. E. (Petersburg ; wydawnictwo ; ca 1850-1870), publisher, Neff, Timofey Andreyevich (1805-1876), painter

Public house Constantine Guys (1802-1892). Public House. Watercolor.

William Blake, British (1757-1827), The Circle of the Thieves; Agnolo Brunelleschi Attacked by a Six-Footed Serpent, 1827, engraving

Le Gray, Gustave. Murale paintings by Henri Lehmann, from the Hall of the Town Hall, 4th arrondissement, Paris. "First union of song and poetry". Salted paper. in 1853-1853. Paris, Carnavalet museum. 156880-16

De Drie Gratiën, Domenico Marchetti, After Giovanni Tognolli, After Antonio Canova, 1814 - 1815 print Sculpture of the three graces (Talia, Aglaia and Eofrosine) by the Italian sculptor Antonio Canova. Assignment under the performance. Italy paper engraving / etching Thalia (one of the Graces). Euphrosyne (one of the Graces). Aglaia (one of the Graces). Graces (Charites), generally three in number; 'Gratie' (Ripa). piece of sculpture, reproduction of a piece of sculpture

Jean Mignon, French (active 1543-active c. 1545), Sphinx Wearing a Crescent on Her Head, etching

Bookplate of Angela Antonelli. unknown, graphic artist

Sheet from the Liechtensteinalbum by Peter Fendi showing an angel writing on a grave, executed in pencil and watercolor, dated 1824.

Pygmalion and the Image - The Soul Attains, 1900. After: Sir Edward Burne-Jones. Publisher: Berlin Photographic Company

Etching, aquatint, and cold needle print by Rudolf Jettmar depicting a night scene with atmospheric effects, created in 1899.

William Blake, The Circle of the Corrupt Officials; the Devils Mauling Each Other, 1827 The Circle of the Corrupt Officials; the Devils Mauling Each Other

Secluded Garden. Lipinsky, Sigmund (1873-1940), graphic artist

Lazio Roma Rome Gesu61. Hutzel, Max 1960-1990 Exterior views of Baroque facade and cupola. Interior views of main altar and chapel altars. Extensive coverage of nave ceiling fresco by Baciccia, sculpted altar by Pozzo, and corridor by Pozzo and Borgognone. Paintings and sculpture in sacristy and church, and views of elaborately embroidered cope. Antiquities: Sarcophagus General Notes: Three numerical sequences have been fused into a single sequence. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Night monster and vampire, of Babylonian origin, supposed to haunt wildernesses. In Rabbinical writings she is supposed to have been Adam's first wife.

Minerva with Ganzepen. Minerva is sitting on the clouds and holding an oval shield with her left hand, on which she writes with a ganzepen.

Gustave Doré; The Goddess Fortune saves the Little Child from the Well, from Jean de la Fontaine's Fables

The snake Plansza No. III Z: Max Klinger, Eva and the Future Opus III , Druk. Wilhelm Felsing, Berlin Leipzig 1898, Wyd. Max Klinger Klinger, Max (1857 1920)

Kaulbach, Short toil, eternal rest!, Photographic reproduction of a print after a painting, depicting an angel with a child in his arms, photograph, photo, reproduction, page, photos, photographically illustrated books, height 103 mm, width 81 mm, photographer, 1860 - 1865, photographic paper, photo paper, albumen print, albumine print, Work conception

LILITH, night vampire probably of Babylonian origin, supposed to haunt wildernesses. In Rabbinical writings she is supposed to have been Adam's first wife.

Gebhard, Albert, work name: Ruukinpatruuna A.N:son Keirkner, portrait practice, 1904, oil on canvas, painting, PORTRAIT; man; A. Keirkner; iron cartridge; knee shot; INTERIOR; armchair; column, 54 cm x 37.5 cm

Achille Devéria, Sommeil (Sleep), 1829, lithograph on chine appliqué on wove paper.

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