Mythological Figures in Landscapes

Intricate etchings depict mythological scenes featuring figures like Venus, Cupid, and the Fates in detailed landscapes, showcasing dynamic poses and classical themes.

Drie schikgodinnen, Jacob Matham (attributed to), after Hendrick Goltzius, 1588 print The three branch goddesses in a landscape. The standing Schikgodin Clotho holds the spider skirt, with the rough flax in her other hand. The sitting Lachesis, seen on the back, holds the bobbin and measures the thread. The left hide, the old Atropos, cuts the thread with scissors. Haarlem paper engraving Fates, spare (Moir). spindle

Copper engraving by Hendrick Goltzius depicting the allegorical figures Justice and Prudence, created around 1582, showing classical virtues and symbolic representation.

Jupiter as a child fed with milk from the goat Amalthea, Schelte Adamsz. Bolswert, after Jacques Jordaens, 1596 - 1659 print The goat Amalthea is milked by a nymph for the little Jupiter. He sits on the right as a naked child on the floor with a bottle in his hand. On the left is a smiling sater with tambourine. Under the show is a verse in Latin. paper engraving Amalthea, the nymph, usually in the shape of a goat, suckles the new-born Jupiter. tambourine. satyr(s) (in general)

A young man flees Bacchus, Venus and Amor, Louis Fabritius Dubourg, 1720 print A young man, according to the Latin caption genius, flees Bacchus, Venus and Amor. Amsterdam paper etching Venus and Cupid (Cupid not being mere attribute). (story of) Bacchus (Dionysus), Liber

Dancend Sater En Maenaden, Marcantonio Raimondi, After Agostino Veneziano, After Rafaël, in OR After 1516 print A sater and two maenaden walk to the right dancing. In the middle, the Sater De Aulos (double flute) plays his forehead with ivy. Left and right the two dancing Maenaden. Italy paper engraving Satyrs, Faun, Silen. Maenad (s), female Bacchant (es). flute, tribes. dancing

Italy, Castiglione, Giovanni Benedetto, Zanetti, Anton Maria I, Zompini, Gaetano, Varii capricci e paesi, Various representations and countries, Achilles taught by Chiron, recto lower margin - handwritten in brown ink, The centaur Chiron gives music lessons to the young Achilles. Chiron holds a book with sheet music and Achilles plays the guitar. On the right a second centaur lies sleeping and in the foreground lie a trumpet and a recorder., print, engraving, prints, engravings, verso - stamped, verso - handwritten in pencil, Questas va dedicata a mj. mariette my adoration, but this is my dear pane... all in all, height 211 mm, width 297 mm, Italian, 1700-09-25 - 1778-05-20, print maker, printmaker, 1758 - 1759, paper, papier, etching, etchings, 1680 - 1757, 1610 - 1665, intermediary draughtsman

Time Banished by Truth n.d. Jean Jacques de Boissieu French. Time Banished by Truth 343290

Faun and Child, c. 1509. Marcantonio Raimondi (Italian, 1470/82-1527/34). Engraving;

Jean-Honoré Fragonard (French, 1732-1806). The Satyr's Dance, 1763. From Bacchanales. Etching on laid paper. Plate: 144 mm x 212 mm (5.67 in. x 8.35 in.). First of two states.

Venice, Bembo, Giovanni, Fialetti, Odoardo, Scherzi d'amore, Scenes with Venus and Amor, Sleeping Venus and Amor, verso - stamped, Venus and Amor sleeping in a landscape. Italian verse in bottom margin., print, prints, height 176 mm, width 92 mm, Italian, 1573-07-18 - 1638, print maker, 1617 - 1617, paper, etching, 1543 - 1618, grantor of privilege

Maria Met Kind in Johannes de Doper, Louis de Boulogne (I), 1619 - 1674 print paper etching Mary and the Christ-child with John the Baptist (as child)

Narcissus en Echo, Gérard Audran, Benoît Audran (I), Jean Audran, After Nicolas Poussin, 1650 - 1756 print print maker: Franceprint maker: Franceprint maker: Francepublisher: Paris paper etching / engraving .

Title page for the drawing book by Abraham Bloemaert, part 1, 1650 - 1656 print A student sits, leaning against a chair, on the floor of a studio. He draws a cast of an image of a naked man. There are parts of other casts all around. Utrecht paper engraving working situations of artist

Susanna and the elders, Susanna is harassed by two elders during her bath. She sits by a fountain while the men grab hold of her dress, the elsewhere making advances towards Susanna, Christoffel Jegher (mentioned on object), Southern Netherlands, 1606 - 1640, paper, h 471 mm × w 640 mm

Table of Museum Temple: Salmacis and Hermaphrodite (Dutuit 36, White 121) Cornelis II Bloemaert, said the young person (1603-1692). Table of the Temple of Muses: Salmacis and Hermaphrodite (Dutuit 36, White 121). Burin, 1655. Museum of Fine Arts in the city of Paris, small palace.

Bacchanal. Artist: Pierre Parrocel (French, 1664-1739). Dimensions: sheet: 3 1/8 x 3 13/16 in. (7.9 x 9.7 cm)plate: 3 1/16 x 3 11/16 in. (7.7 x 9.4 cm). Date: 17th-18th century. Museum: Metropolitan Museum of Art, New York, USA.

Earth element as a naked woman with cornucopia; Terra; The four elements. Element earth as a naked woman sitting with cornucopia. In a picture frame with animals, plants, flowers, fruit, vegetables and products of agriculture and livestock.

La Pittura, e la Poesia' by Cesare Dandini, created between 1743 and 1800. Engraving with a plate mark measuring 14 3/16 x 10 1/16 inches (36 x 25.5 cm) on cream laid paper

The Lovers 16th-17th century Anonymous, Italian, 16th to 17th century Italian. The Lovers 391587

Venus in Love, Pietro Sante Bartoli, after Rafaël, 1645 - 1700 print Venus sits on a rock and holds the hand of Amor. Print is part of an album. paper etching / engraving Venus and Cupid (Cupid not being mere attribute)

Print made by Bernard Lens, 1659-1725, British, Bacchus, undated. Mezzotint on medium, moderately textured, cream laid paper.

Christ, John the Baptist and two putti. Christ and John the Baptist sitting like children, accompanied by two putti, under a vine with a lamb. Left in the foreground are fruit.

Statue of two putti with a torch, anonymous, 1600 - 1699 drawing paper. chalk piece of sculpture, reproduction of a piece of sculpture. cupids: 'amores', 'amoretti', 'putti'. torch

Silenus at the Wijnvat, Jusepe de Ribera, 1628 print Silenus, the teacher of Bacchus, lying next to a wine barrel. A Sater places a wreath of wine ranks on his head, another Sater pours its cup full of wine. There are two drunk children at his feet, above it a head of a beaming donkey. Naples paper counterproof / etching / engraving (story of) Silenus. satyr(s) (in general). ass, donkey. drunkenness

Venus and Vulcan Seated on a Bed and Three Putti. Artist: Giorgio Ghisi (Italian, Mantua ca. 1520-1582 Mantua); After Perino del Vaga (Pietro Buonaccorsi) (Italian, Florence 1501-1547 Rome) . Dimensions: plate: 11 1/4 x 8 1/8 in. (28.6 x 20.7 cm)sheet: 11 11/16 x 8 1/2 in. (29.7 x 21.6 cm). Date: mid-1550s. Museum: Metropolitan Museum of Art, New York, USA.

Print made by William Faithorne, 1656-ca. 1701, British, Sylvio and Dorinda, between 1680 and 1703. Mezzotint on moderately thick, slightly textured, cream laid paper.

Copper engraving by Lucas Hugensz. van Leyden titled 'Lot and His Daughters', created in 1530, depicting the biblical story of Lot and his daughters.

Daphne Embracing Her Father, the Rivergod Peneus. Master of the Die (Italy, active circa 1530-1560)Baldassare Peruzzi (Italy, Siena, 1481-1536). Italy, 1530-1560. Prints; engravings. Engraving

. Pan is sitting on a ton against a rock and keeps the lead of a goat nonchalant in his left hand. He is companished by the young Syrinx and three young saters. This print is part of a four-part series about mythological figures.

The Seven Cardinal Virtues: 7 Planks - 4. CAUTION (CAUTENCIA) - Bartsch 130 Lucas de Leyde (1494-1533). The seven cardinal virtues: 7 boards - 4. Caution (prudence) - Bartsch 130. Burin. 1530.

Apollo and the Cumean Sibyl. Salvator Rosa (Italy, Naples, 1615-1673). Italy, circa 1661. Prints; etchings. Etching with drypoint

Chalk drawing by Gaetano Manini depicting the lost Magdalena in a wasteland, showing figure, posture, and surrounding barren landscape.

Red chalk drawing by Anton Joseph von Prenner depicting the mythological figures Flora, Ceres, and Pomona, showing classical posture and attributes.

Cornelis Schut I (Flemish, 1597 - 1655), Three Flying Putti, engraving and etching on laid paper

Sitting young man with two children; Paintings in the Sixtin Chapel. Figures from Michelangelo's ceiling painting. Numbered at the bottom right: 49.

Susanna and the elders. During her bath, Susanna has been harassed by two elders. She is sitting at a fountain while the men grabbed her rug.

Lot and his Daughters. Lucas van Leyden; Netherlandish, 1494-1533. Date: 1530. Dimensions: 189 x 243 mm (image/sheet, trimmed to plate mark). Engraving in black on ivory laid paper. Origin: Netherlands. Museum: The Chicago Art Institute, Chicago, USA.

Endymion and Diana, Print made by Bernard Lens, 1659-1725, British, after Abraham van Diepenbeeck, 1596-1675, Flemish, undated, Mezzotint on moderately thick, moderately textured, blued white, laid paper, Sheet: 8 7/8 × 7 1/16 inches (22.5 × 17.9 cm) and Image: 8 5/8 × 6 15/16 inches (21.9 × 17.6 cm), arrows, beauty, cliff, clouds, clouds, crescent moons, descending, goddess, love, mountains, night, religious and mythological subject, rocks, sleeping

Maria Met Kind En Johannes de Ovener, Antonio da Trento, After Parmigianino, c. 1520 - c. 1550 print Maria with the Christ child on her lap and a bunch of roses in her hand. On the right the young John the Baptist. Italy paper Mary sitting or enthroned, the Christ-child on her knee (Christ-child to Mary's left). Mary and the Christ-child with John the Baptist (as child)

Christoffel Jegher, Susannah and the Elders, c. 1635, Woodcut on paper.

Sarcophagus. Artist: Anonymous, Italian, 16th century (Italian, active Central Italy, ca. 1550-1580). Dimensions: 8 x 5-1/2 in. (20.3 x 14.0 cm). Date: 16th century. Museum: Metropolitan Museum of Art, New York, USA.

A red chalk drawing of Clio, the Muse of Poetry, in a standing pose within an oval format, showing oxidized paper and washed shading.

Triton and Nimf.triton and a nymph in embrace, with two putti.

Shepherd and shepherd in landscape.

Landscape with Hercules and Omphale, Matthijs Pool, After Barend Graat, 1696 - 1727 print The effeminate Hercules and Queen Omphale, with the attributes of Hercules, caress each other. Pan - who is in love with the queen - is stretched out on the ground. He has just been kicked away by Hercules. Omphales servants are rushed in the background. Amsterdam paper etching / engraving Hercules, in female garment, kicks Pan from Omphale's bed

Antwerp, Wijngaerde, Frans van den, Dyck, Anthony van, Lamentation of Christ, recto top left - handwritten in brown ink, Angels mourn the body of Christ. His body is supported by Mary and Mary Magdalene. On the left in the background, the foot of the cross is still visible. In the margin two lines in Latin and a caption with a dedication in Latin., print, prints, verso lower left - stamped, height 255 mm, width 365 mm, South Netherlands, 1614-07-08 - 1679-03-17, print maker, printmaker, 1636 - 1679, paper, papier, etching, etchings, engraving, engraving (printing process), Work conception, Flemish, Dutch, 1599-03-22 - 1641-12-09, after a design by, Publication (Event), Publication, publisher

ornamental Frieze with two Putti and a Monster 16th century Giulio Bonasone Italian. ornamental Frieze with two Putti and a Monster 392855

Lot and his daughters, Lucas Vosterman I, from the work of Orazio Gentileschi, Museo de Bellas Artes, Bilbao, Spain, Europe

Venus en Amor, anonymous, after Agostino Veneziano, after Rafaël, in or after 1516 print Venus is on the right in an interior, leaning her arm on Amor standing next to her. In his left hand, Amor holds his arrow and with his right arm he supports his bow. The arrow sleeve is located next to him on the floor. On the left a glimpse to a landscape. paper engraving (story of) Cupid, Amor (Eros). (story of) Venus (Aphrodite)

Susanna and the elders in oval. Presentation in an oval. The two elders spying Susanna when bathing.

A copper engraving by Hieronymus Wierix depicting the biblical Fall of Man, created around 1600, showing Adam, Eve, and the serpent in the Garden of Eden.

Ixion misled by Juno and Jupiter. The drunken Ixion embraces the image of clouds of Juno. Jupiter, on a cloud with his eagle, and Juno, with her peacock, watch. In the background Medusa. Under the print an assignment in Latin.

An allegory of Peace; Peace personified as a woman standing in a landscape holding the left hand of a winged genius ca. 1517-20 Marcantonio Raimondi Italian. An allegory of Peace; Peace personified as a woman standing in a landscape holding the left hand of a winged genius 685307

Studies Van Hoofden, Jean Lepautre, 1682 - 1706 print In the middle is a young man, in the corner at the top left of the head of a Sater. From the second edition. print maker: France (possibly)after own design by: France (possibly)publisher: Paris paper engraving

Minerva instructs Cadmus to sow some of the teeth of the dragon he has just killed. He does so, upon which armed men rise from the earth. Below the depiction two times two lines of Latin text. This print is part of a series of 52 prints depicting stories from Ovid's Metamorphoses. This series is divided into three numbered series: two of 20 prints and one of 12 prints. This print belongs to the third series, Cadmus sows the teeth of the dragon Ovid's Metamorphoses (series title), print maker: Hendrick Goltzius, (workshop of), print maker: Robert de Baudous, (workshop of), Hendrick Goltzius, (mentioned on object), print maker: Haarlem, print maker: Netherlands, publisher: Netherlands, 1615, paper, engraving, h 176 mm × w 254 mm

Apollo and Marsyas, Antonio Maria Zanetti, Italian, 1680 - 1757, Francesco Mazzola, called Parmigianino, Italian, 1503 - 1540, Chiaroscuro woodcut from four blocks in blue inks on off-white laid paper, Within a central oval: Apollo standing, playing the violin at left with a sheath of arrows on his back; at right, the satyr Marsyas, seated, holds a set of pipes. Outside the oval frame, a dedication to Pierre Crozat, and the date., Italy, 1724, figures, Print, Print

Group of Nude Male Figures Kneeling and Standing in Supplication ca. 1598 Giovanni Baglione Italian As pointed out by O'Neil (2002, see here Bibliography), the present drawing records an early, discarded idea for the fresco painted by Baglione in 1598 in the church of Santa Maria dell'Orto, Rome. Group of Nude Male Figures Kneeling and Standing in Supplication 338117

Drawing, St. John the Baptist; Francesco Saverio Mergolo (Italian, 1746-1786); Italy; brush and wash, pen and ink on paper; 31.4 x 22.2 cm (12 3/8 x 8 3/4 in.)

Jupiter a selle, Bernard Picart, 1683 - 1733 drawing Design for a print. paper. ink pen / brush Jupiter kills Semele by coming to her with his lightning and thunderbolts

Triumph of Galatea; Galatée .. The Zeenimf Galatea sits on a shell and is accompanied by a triton, a nereïde and a putto.

Three pairs of frosting naked children, Joseph Antoine Cochet, After Johannes Popels, c. 1633 - c. 1663 print Three pairs of frightening naked children, probably from a press series with the five senses. Antwerp paper engraving feeling (one of the five senses). rough-and-tumble; fighting (+ out of doors (sports, games, etc.))

Venus, Cherubino Alberti (Possibly), After Cherubino Alberti, 1563 - 1615 print Venus stands on her shell at sea and keeps her robe in the wind so that it serves as a sail. Italy paper engraving Venus, standing on a shell, sails with her veil over the water (alternatively she is riding on a dolphin): Venus Marina

Venus and Amor on the clouds, Jan Harmensz. Muller, 1590 - 1594 print Venus lying on a cloud, resting her hand on a shield with a heart pierced with arrows. Next to her the kneeling amor with his bow. Amsterdam paper engraving Venus and Cupid (Cupid not being mere attribute)

Chiron Teaching Achilles to Shoot with the Bow 1810-1844 Denmark. Black chalk with white chalk on tan wove paper . Bertel Thorvaldsen

Paris and Oenone, Jan Saenredam, After Cornelis Cornelisz. van Haarlem, 1575 - 1607 print At a stream in a forest near the Ida mountain, Paris sits next to his first wife, the Bergnimmer Oenone. Both are naked. Paris cuts their initials in a tree with a knife, the print has a Latin caption. paper engraving Paris and Oenone carving their names in a tree

Winged woman with putto and lion, anonymous, c. 1787 print France paper etching / engraving beasts of prey, predatory animals: lion - FF - fabulous animals (sometimes wrongly called 'grotesques'); 'Mostri' (Ripa). cupids: 'amores', 'amoretti', 'putti'

Venus & Cupid 1575-1650 Germany. Pen and black ink, with brush and gray wash, on ivory laid paper, laid down on ivory laid paper . Melchior Heinrich

. The female Personification of the continent America, in the middle of wild animals. She wears arrow and bow and holds a chopped head. An Indian offers her even more heads. A woman is sacrificed in the background. On the right in the background a group of Indians. In the margin a six-line caption, in three columns, in Latin.

Venus en Cupido, Zachary grief (possibly), after Hendrick Goltzius, c. 1590 - c. 1600 print Round show of Venus and Cupido at a tree. Venus has a bunch of grapes in hand, Cupido gives her a bundle of grain. In the background grain harvesters and grape pickers. Around the show the title in Randschrift in Latin. Netherlands paper engraving Without the COVER AND BACCHO CLOVE VENUS

. The Zeenimf Galatea is on a shell and is being pulled by a sea horse. She is surrounded by Tritons and Nereïden. Two putti flies in the air.

Coming to Amor, Gilles Demarteau, After François Boucher, 1732 - 1776 print Paris paper etching Venus and Cupid (Cupid not being mere attribute)

. Diana, or the personalized moon, with arrow and bow and on her head the crowbar. To the left of her hair astronomical symbol. Standing in an oval cartouche with the two signs at the top: moon and lobster.

Triumph Venus, 1696 Venus on her victory cart pulled by two pigeons with amor who is flying with her. Page 10 Recto from a sketchbook with 91 sheets. paper. chalk Triumph of Venus; 'Carro di Venere' (Ripa)

Fire The four elements (series title), A sleeping child is sitting by a fire with a cooking pot on it. A bellows and tongs lie at his feet. Behind him a fire broke out, fire (one of the four elements), camp-fire, watch-fire, bellows, sleeping, unconsciousness - BB - out of doors, Cornelis Schut (I) (mentioned on object), 1670 - 1726, paper, engraving, h 69 mm × w 90 mm

Riviergod, Jean Lepautre, After François Bourlier, After François Perrier, 1628 - 1682 print publisher: ParisFranceVaticaanstad paper etching / engraving river-gods. landscape with bridge, viaduct or aqueduct

Sappho Listening to Love 1747-1815 Italy. Stipple engraving on ivory laid paper . Francesco Bartolozzi

Study for a door top of the Lannoy Hotel Wealth Fair: the evening

Anthonisz., Cornelis, Germany, Aldegrever, Heinrich, Virtues and Vices, Fortuna, Fortune, Personification of Fortune (Fortuna). A woman standing with one foot on a ball, in her right hand a sail with the wheel of Fortune on it. Fourth print from a series of fourteen with personifications of virtues and vices., print, prent, prints, height 70 mm, width 48 mm, German, 1502 - 1561, print maker, printmaker, 1549 - 1549, second quarter 16th century, paper, engraving, engraving (printing process), Work conception, 1499 - 1553

French crown, France, Heince, Zacharie, Bignon, François, Mythological figures at the water, Putto with burning and pierced heart among a pair of water nymphs, verso - stamped, print, prints, height 131 mm, width 375 mm, 1620, print maker, printmaker, 1630 - 1720, paper, papier, etching, etchings, engraving, engraving (printing process), Work conception, 1611 - 1669-06-22, after a design by, after, after a painting by, granter of privilege

Francisco Ribalta (Attributed to) / 'The Trinity'. Late XVI century. Grey-brown wash, White lead, Pencil, Pencil ground on yellow paper. Museum: Museo del Prado, Madrid, España.

Relief with personification of the element Air above arch in the civilian hall of the town hall on Dam Square, Hubert Quellinus, after Artus Quellinus (I), 1719 - 1783 print Relief with winged personification of the element air above the left (northern) arch on the east side of the Burgerzaal in the town hall on Dam Square in Amsterdam. A cloud in her hands. In her hair, which goes up in the cloud, a star crown. At her feet an eagle, underneath a cloud with another bird. Numbered in the bottom right: C. N. 2. Amsterdam paper etching / engraving air (one of the four elements). stars. clouds. predatory birds: eagle. birds Burgerzaal. City Hall of Amsterdam (1655-1808)

Juno. Juno is wearing a cloak over her naked body. In addition to her a peacock. Leaf 7 Recto from a sketchbook with 91 sheets.

Antwerp, Collaert, Adriaen, Florence, Straet, Jan van der, Jan (II), Venvs et Mavors, Venus and Mars, verso middle - stamped, Mars, dressed as a soldier, lies in the arms of a naked Venus. In the air fly two turtledoves and Cupid, bow and arrow at the ready. At the top of the print in an oval frame the portrait of the Roman poet Lucretius. At the top in the corners: on the left the personification of Abundance, on the right the personification of Cruelty. At the bottom in the corners: on the left a feast, on the right the war. The print has a Latin caption., print, prints, width 174 mm, height, 210 mm, Southern Netherlands (before 1775), 1566 - 1628-05-26, print maker, printmaker, 1576 - 1628, paper, engraving, engraving (printing process), Work conception, Southern Netherlands, 1523 - 1605-11-02, after a design by, Publication (Event), Publication, 1560 - 1618-06-29, publisher

A statue of the goddess Juno with her peacock, placed in a niche. Juno holds a pomegranate and a scepter with a cuckoo in her hands. On her head she has a crown. With a Latin caption, Juno with Peacock Ivno (title on object) Antique Gods (series title), print maker: Cornelis Jacobsz. Drebbel, (mentioned on object), Karel van Mander, (mentioned on object), Cornelius Schonaeus, (attributed to), print maker: Netherlands, Haarlem, 1598, paper, engraving, h 268 mm × w 163 mm

Woman pulling Her Hair. Artist: School of Marcantonio Raimondi (Italian, Argini () ca. 1480-before 1534 Bologna ()); Designed() by Francesco Francia (Italian, Bologna ca. 1447-1517 Bologna). Dimensions: 4 1/8 x 2 3/8 in. (10.5 x 6.0 cm). Date: ca. 1515. Museum: Metropolitan Museum of Art, New York, USA. Author: School of Marcantonio Raimondi. Designed () by Francesco Francia.

Two winged boys, one of whom holds a lighted torch. Etching, unfinished, after A. Carracci.

Print made by Luigi Schiavonetti, 1765-1810, Italian, Death of the Strong Wicked Man, 1808, published 1813. Etching on moderately thick, slightly textured, cream wove paper.

Venus Catching Love or Venus Flogging Love. Artist: After Edme Bouchardon (French, Chaumont 1698-1762 Paris); Engraved by Etienne Fessard (French, Paris 1714-1777 Paris); Etched by Anne Claude Philippe de Tubières, comte de Caylus (French, Paris 1692-1765 Paris). Dimensions: Sheet (trimmed): 12 15/16 × 9 13/16 in. (32.8 × 25 cm). Publisher: François Joullain (French, Paris 1697-1778 Paris). Date: ca. 1741. Museum: Metropolitan Museum of Art, New York, USA. Author: After Edme Bouchardon. Engraved by Etienne Fessard. comte de Caylus Etched by Anne Claude Philippe de Tubières.

. Ceres as an embodiment of the abundance of the earth. On her head she wears a crown of ears of corn, in her arm she has a horn of sickle in her hand. In addition to her, her daughter is Proserpina. The top corners of the list are decorated with two dragons, the blades with agricultural products.

A copper engraving by Hendrick Goltzius showing Venus and Cupid on clouds, with allegorical figures and classical composition, created circa 1590.

A brown ink and gray wash drawing by Moyses van Uyttenbroeck depicting a forest water source with a nymph bathing alongside a child, over graphite pencil.

Bacchus andSatyr. Artist School of: Hendrick Goltzius, Dutch, 1558-1617

Illustration for the Decamerone of Boccaccio, Romeyn de Hooghe, 1697 print Illustration for the Decamerone of Boccaccio, History XXX. Pinses Sigismonda, daughter of the Prince of Salerno, eats the heart of her deceased lover. Netherlands paper etching (scenes from) specific works of literature: Boccaccio, Decamerone

Diana and Endymion. Dated: 1720s. Dimensions: overall: 45.8 x 76 cm (18 1/16 x 29 15/16 in.). Medium: black chalk heightened with white and squared for transfer on brown paper. Museum: National Gallery of Art, Washington DC. Author: Charles-Antoine Coypel.

River god in a landscape 1725 Frederik Ottens. River god in a landscape. Frederik Ottens (Dutch, active 1717-70). 1725. Etching. Prints

. Hope female personification, one of the three divine virtues, with an anchor among her legs. Putti fly above her head with a laurel wreath and flowers.

Leda and the swan. Leda is depicted half-leaving, with the swan (Jupiter) between her legs. They kiss each other. On the right, Castor and Pollux, the children who originate from this commitment. An egg is still on the ground. According to Latin verse in the undermaster, the girl is Helena in this egg. This is Helena van Troje as a daughter of Leda and Jupiter.

Morning (Aurora), Jacob Matham, Simon Sovius, 1601 - 1605

Two women representing the alliance of Peace and Abundance 1627 1642 Bartolomeo Coriolano Italian. Two women representing the alliance of Peace and Abundance 397555

Pen and chalk drawing by Paolo Farinato depicting the robbery of a Sabine, executed with washes and whitewashed areas.

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