Mythological Print Art

A series of prints depicting mythological scenes featuring nymphs, Venus, and Perseus, illustrated with fine detail using techniques like stone chalk and engravings.

Paris, Mariette, Pierre (II), Dorigny, Michel, France, Resting Bacchant with Putti, Goat and Female Bacchantes, verso - stamped, print, prints, height 256 mm, width 198 mm, French, 1617 - 1665-02-21, print maker, printmaker, 1626 - 1665, paper, papier, engraving, engraving (printing process), etching, Work conception, after own design of, Publication (Event), Publication, 1634 - 1716, publisher

Venus is honored by gods, Anonymous, After Correggio, 1510 - 1530 print Venus is naked on a large shell. She is surrounded by gods who put a laurel wreath on her head. Italy paper etching (story of) Neptune (Poseidon). (story of) Venus (Aphrodite)

French crown, Paris, Huquier, Gabriel, Boucher, François, Aveline, Pierre Alexandre, Quartieme Livre de Groupes d'Enfans, Putti with laurel wreath, verso - stamped, Three putti with a cloth and a laurel wreath., print, ornament print, prints, ornament prints, height 276 mm, width 238 mm, 1702 - 1760, print maker, printmaker, 1713 - 1760, paper, papier, etching, etchings, engraving, engraving (printing process), Work conception, after a design by, French, 1703-09-29 - 1770-05-30, Publication (Event), Publication, 1695 - 1772-06-11, publisher, granter of privilege

Part of the Last Judgment from Michael Angelo. Dated: published 1829. Medium: lithograph proof before letters. Museum: National Gallery of Art, Washington DC. Author: William Fairland after John Flaxman.

Competition between Apollo and Pan. Apollo has challenged Pan to a music competition. Pan plays on his pan flute while Apollo is listening. In addition to Apollo, King Midas who got from Apollo Ezelsoren. This print is part of an album.

Three Cupids with Military Trophies Louis Félix de La Rue French. Three Cupids with Military Trophies 394769

Les Jeux des Amours, composition in Tonda; Lucien, Jean-Baptiste (Ca 1748-1806), Cipriani, Giovanni Battista (1727-1785); 1768-1806 (1768-00-00-1806-00-00);Cupids, love, reproductive graphics, tonda, arc and Amor quil

Ceiling painting with allegorical figures, Bernard Picart, After Nicolas Poussin, 1692 - 1696 print Ceiling painting in the King's apartments in the Louvre. Father kidnaps truth and flies with her by the air, accompanied by a putto with the sickle and the snake that bites itself in its own tail (symbol of eternity). Along the edge of the ceiling, the personifications of Toorn and envy. In the margin a four -line caption in Latin and in French. Paris paper etching / engraving Envy; 'Invidia' (Ripa) ~ personification of one of the Seven Deadly Sins. Anger; 'Ira' (Ripa) ~ personification of one of the Seven Deadly Sins. Father Time, man with wings and scythe. Truth; 'Verití' (Ripa). Eternity, 'Aeternitas'; 'Eternití','Eternití o Perpetuití' (Ripa)

Della Bella, Stefano, work, Satyr sitting by the river, 1656, line etching, graphics, plate width 13.5 cm, plate height 14.2 cm, image diameter 12.9 cm

Pedro Pablo Rubens / 'Vertumnus and Pomona', 1636-1637, Flemish School, Oil on panel, 26,5 cm x 38,3 cm, P02044. Museum: MUSEO DEL PRADO, MADRID, SPAIN.

Vénus Anadyomène , Goddesses, Supernatural beings, Aphrodite Greek deity. Henri Fantin-Latour (1836-1904). Lithographs and Other Prints

Bacchanaal; A Bacchanalian. The Bacchus wine god, a bacchante, a Sater and a panther. Numbered bottom left: VO. II. No 30.

Young Woman Seated on a Bed, before 1764. Louis-Marin Bonnet (French, 1736-1793), after François Boucher (French, 1703-1770). Chalk manner etching and engraving printed in red; sheet: 46.9 x 33.1 cm (18 7/16 x 13 1/16 in.); platemark: 44.2 x 30.6 cm (17 3/8 x 12 1/16 in.).

Diana and a nymph for a tree; Diana and her nymphs. For a tree, the naked Diana (with arrow and bow) and one of its nymphs. The print is part of a three-part series of Diana and its nymphs and has a Latin caption.

The Prodigal Son. Dated: 1882. Dimensions: plate: 17.5 x 20 cm (6 7/8 x 7 7/8 in.) sheet: 25 x 34.9 cm (9 13/16 x 13 3/4 in.). Medium: etching on laid paper. Museum: National Gallery of Art, Washington DC. Author: William Strang.

Antwerp, Wtenbrouck, Matheus Moysesz. van, The Hague, Moyses van, Bacchus finds Adriadne on Naxos, verso lower left - stamped, Bacchus looks at the sleeping Ariadne. He has a bunch of grapes in his hand. Scene from Ovid's Metamorphoses (Met. VIII, 176-177)., print, prints, height 125 mm, width 146 mm, Northern Netherlands, 1600 - 1647, print maker, printmaker, paper, papier, etching, engraving, engraving (printing process), Publication (Event), Publication, - 1660, publisher, uitgever, 1645 - 1660

Ink lavated drawing by Johann Nepomuk Ender depicting Diana and Callto, created between 1815 and 1817.

Woman looking at a portrait of her lover 1747 Louis Surugue. Woman looking at a portrait of her lover. Louis Surugue (French, Paris ca. 1686-1762 Grand Vaux). 1747. Engraving. Prints

Battle of the Sea-Gods (right half) ca. 1485-88 Andrea Mantegna Italian. Battle of the Sea-Gods (right half) 360379

Jean François Pierre Peyron, Venus and the Graces Crowning Thémire, French, 1744 - 1814, 1795-1796, pen and black and brown ink with brown wash over traces of graphite, on laid paper, laid down

Diana and Callisto. Diana and her nymphs along the shore of the river. Then Diana discovers that Callisto, one of her nymphs, is pregnant with Jupiter. The nymphs indicate accusing to Callisto, which has fallen and in the case of shame. In the margin a three-legged caption in Dutch.

Print, Boys Playing with a Bird, ca. 1760-1770; Print Maker: Francesco Bartolozzi (Italian, 1727-1815); After Giovanni Francesco Barbieri (called Guercino) (Italian, 1591 - 1666); Italy; engraving in brown ink on white paper; 25.5 × 32.6 cm (10 1/16 × 12 13/16 in.); Bequest of George Campbell Cooper; 1896-3-288

Calypso Watches Telemachus with Cupid on His Knee, While Mentor Watches in Anger, from The Adventures of Telemachus, Book 7 1808 Italy. These twelve drawings depict scenes from the French novel The Adventures of Telemachus (Les aventures de TÈlÈmaque) by FranÁois FÈnelon. First published in 1699, it was one of the most popular books of the 1700s and 1800s.Telemachus is the son of Ulysses from Homerís Odyssey, the first four books of which describe the heroís search for his father. FÈnelon invented further adventures for Telemachus, in which he undergoes many trials while accompanied by his tutor, Mentor, who is actually the goddess Minerva (the embodiment of wisdom) in human disguise. A scathing critique of autocratic government and a diatribe against war, the book denounces luxury and decadence and calls for the simplicity and equality FÈnelon believed ancient Greece best exemplified.Pinelli illustrated scenes from books 1ñ8 and one scene from book 18, and probably planned to illustra

Shepherds and Shepherdesses, 1789. Conrad Martin Metz (German, 1749-1827). Red chalk over black chalk; sheet: 21 x 29.7 cm (8 1/4 x 11 11/16 in.).

Jupiter and Semele, from 'Game of Mythology' (Jeu de la Mythologie) 1644 Etched by Stefano della Bella Italian. Jupiter and Semele, from 'Game of Mythology' (Jeu de la Mythologie) 376757

Charitas and Fides () For a frame. Allegorical performance: charitas and fides () Sitting for a picture frame in which an allegorical female figure stands for an image of Mercury. Design for a book illustration.

Neptune and Amphitrite

Drunken Silenus by Jusepe De Ribera, 1591-1652

Four Nude Women Surrounded by Putti, Approaching an Altar 1765-1800 Carl August Ehrensvärd Swedish. Four Nude Women Surrounded by Putti, Approaching an Altar 651681

Drawing, Two Cupids Kissing; Tommaso Todeschini (Italian); Italy; pen and brown, black ink on white laid paper, mounted on heavy white laid paper; 25.2 x 19.6 cm (9 15/16 x 7 11/16 in.) Mat: 45.8 x 34.5 cm (18 1/16 x 13 9/16 in.)

Playing naked boys, Arnout Rentinck, 1722 - 1774 drawing paper. pencil. watercolor (paint) brush children's games and plays

Vijf naakte mannen.Five naked men with a pouring jug in the foreground on the right and left a feathered helmet.

Plate 1: the genius of drawing, a child with wings, seated on a rock in center turned towards the right, holding a drawing pad and pen, ruins including a triumphal arch to right in the background, the title page from The Principles of Design (I principii del disegno) ca. 1641 Stefano della Bella Italian. Plate 1: the genius of drawing, a child with wings, seated on a rock in center turned towards the right, holding a drawing pad and pen, ruins including a triumphal arch to right in the background, the title page from The Principles of Design (I principii del disegno) 412513

The First Sin. Engraving. "Los Héroes y las Grandezas de la Tierra". Volume I. 1854.

Venus and Cupid 1799 Thomas Rowlandson. Venus and Cupid. After () Giovanni Battista Cipriani (Italian, Florence 1727-1785 Hammersmith (active London)). 1799. Etching and stipple, hand-colored. Prints

. Venus kneels on the floor and suckers amor. Two other putti, one with wings The other with dragonflies wings are waiting in line to also get the chest.

Kent, William, Domenichino, Frey, Jacob (der Ältere), Lot and his daughters, verso - stamped, In the background a woman runs away from the burning cities of Sodom and Gomorrah., print, prent, prints, height 274 mm, width 233 mm, 1681 - 1752-01-11, print maker, printmaker, 1718 - 1719, paper, papier, engraving, engraving (printing process), Italian, 1581-10-21 - 1641-04-06, after, after a painting by, 1684 - 1748-04-12, intermediary draughtsman

Old Italian Masters: The Entombment, 1889. Timothy Cole (American, 1852-1931), after Titian (Italian, c. 1488-1576). Wood engraving;

The four seasons

Man and wife in a cave, Cornelis Visscher (II) (Rejected Attribution), after Pieter Bodding van Laer, 1609 - 1692 print A man and a woman embrace each other in a cave. A dog is sleeping behind them. A hilly landscape in the background. paper etching embracing each other, kissing. cave, grotto. dog. low hill country

This early 16th-century Clair-obscur woodcut, attributed to an anonymous artist, depicts a naiad, emphasizing flowing water, draped figure, and naturalistic surroundings across three plates.

Tarquin and Lucretia Made 1764 France. Etching in black on off-white laid paper . Hutin, Charles François

The nightmare of the aristocracy. (TF)

Naked man with globe, 1660 print In the front of a naked man on a block with masks. He leans on a globe. In the air a winged figure with trumpet. Hugging, working and fighting figures on either side. This print is part of an album. paper etching / engraving the (nude) human figure; 'Corpo humano' (Ripa) (+ sitting). globe. mask

Putto with spear and horn; Diana's life. .

Kaïn doodt Abel; Kains Broedermoord..Cain is about to kill Abel with the big bat he holds in his hand. Two sacrifices can be seen in the background. On the left the nozzle of Cain and on the right the sacrificed lamb of Abel.

Children play with boats, Joseph Antoine Cochet, After Johannes Popels, c. 1645 - c. 1670 print Four naked boys play with boats on the water. Probably print from a print series with the elements. Antwerp paper engraving water (one of the four elements). games using special objects (marbles, top, hoop, etc.)

Two children with Duif, Jean Daullé, After Anthony Van Dyck, 1750 print print maker: Francepublisher: Paris paper engraving / etching Fettered Cupid, 'Love'. Child

Paris and Helen

Andromeda going down of the rock accompanied by Perseus; from his chlamys, the head of Medusa can be seen, Herculaneum, Campania, Italy, engraving by Carlo Nolli from a drawing by G E Morghen, from Le antichita di Ercolano esposte (The antiquities of Herculaneum exposed), Vv.Aa., volume IV, plate 7, 1757-1787, Naples.

A happy Arcadian family, Jurriaan Andriessen, c. 1752 - c. 1819 drawing Design for a painting. paper. watercolor (paint). graphite (mineral) brush

First day of creation: separation of light and darkness, Jan Harmensz. Muller, after Hendrick Goltzius, 1589 print The first day of creation: an angel separates the light from the dark and day of night. The light is presented as a naked white young man in Stralenkrans, the dark as a naked black woman with a star mantle. To the Bible text in Gen. 1: 3-5. print maker: Amsterdampublisher: Haarlem paper engraving division of light and darkness

Gevecht tussen twee antieke veldheren.Two antique warlers fight against each other. The one has already been disarmed and is on the floor, the other threatens him with his sword. Their troops are waiting in the background.

Element Water as a child with fish rod leaning on jug where water flows out at Oever in Ovaal, Cornelis van Dalen (II), After Abraham van Diepenbeeck, 1648 - 1664 print paper engraving water (one of the four elements). sports, games ~ animals (+ fishing-rod)

Death of Saint Cecilia. Johann Evangelist Scheffer von Leonhartshoff; Austrian, 1795-1822. Date: 1821. Dimensions: 334 × 430 mm (image); 446 × 539 mm (sheet). Tint lithograph on ivory wove paper. Origin: Austria. Museum: The Chicago Art Institute, USA. Author: Johann Evangelist Scheffer von Leonhartshoff.

Water 1647 Formerly attributed to Wenceslaus Hollar Bohemian Three putti with vase, water, fish and shells. From a set of four prints devoted to the elements. Not etched by Hollar. Water 398749

Schikgodin Clotho, Jean Prud'hon, After Pierre Prud'hon, 1788 - 1819 print Paris paper etching / engraving Clotho, usually with distaff

Allegory on faith. Design for a painting.

Venus leaves Juno and Ceres, François Perrier, After Rafaël, 1624 - 1649 print paper etching (story of) Venus (Aphrodite). (story of) Juno (Hera). (story of) Ceres (Demeter)

The Drunkenness of Noah 1599-1661 Andrea Sacchi Italian. The Drunkenness of Noah 341144

Naked man with globe The dream, At the front a naked man on a block of masks. He leans on a globe. In the sky a winged figure with a trumpet. Hugging, working and fighting figures on both sides. This print is part of an album, the (nude) human figure, 'Corpo humano' (Ripa) (sitting), globe, mask, Franciscus van der Steen (mentioned on object), 1660, paper, engraving, h 334 mm × w 228 mm

Eros and Anteros with Psyche Looking at Them. Artist: Johannes Riepenhausen (German, Goettingen 1788-1860 Venice). Dimensions: sheet: 13 1/4 x 12 1/16 in. (33.6 x 30.6 cm). Date: 1810-60. Museum: Metropolitan Museum of Art, New York, USA.

Question, the Sphinx, 1875 Dante Gabriel Rossetti, Tree, Spear, Drawing, Pencil, Pre-Raphaelite, Male, Dead, Young

Nymph and Cupid, Francesco Bartolozzi RA, 1728-1815, Italian, active in Britain (1764-99), after Francis Vieira, 1765-1806, 1800, Engraving

Domenico Campagnola (Italian, before 1500-1564), Venus Reclining in a Landscape, 1517, engraving

Rape of Lucretia, Pieter Tanjé, after Luca Giordano, after Charles François Hutin, 1752 print Lucretia tries to ward Sextus Tarquinius, who raped her will. On the left, a servant watches frightened. Amsterdam paper engraving / etching the rape of Lucretia: Sextus Tarquin threatens her with a dagger or a sword (+ variant)

Die keusche Susanna. The chaste Susanna.. Rubens, Peter Paul, 1577-1640. Prints. 1837 - 1842. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Art & Architecture Collection. Painting , Germany , Munich, Lithography, German, Dogs, Surprise, Female nude in art

Leander and Ismene; He dreamed of his nobility. Landscape with Leander fell asleep along the shore of a river. From the forest Rent ismene to him. Illustration of a scene from 'Leander and Ismene'.

Relief with allegory in the silence above the right door to the secretary in the town hall on Dam Square, Hubert Quellinus, after Rombout Verhulst, 1719 - 1783 print Relief with allegory in the silence above the right door to the secretary in the southern gallery of the town hall on Dam Square in Amsterdam. In the foreground a woman with a finger on her lips and a fish. Left in the background a goose with a stone in the mouth. Imagined at the bottom: LX. Amsterdam paper etching / engraving Taciturnity; 'Secretezza', 'Secretezza overo silent' (Ripa). putting a finger to the lips, 'silence'; "Silence" (Ripa). Fishes. Water-Birds: Goose City Hall of Amsterdam (1655-1808)

Love Requests Venus to Return His Weapons to Him, 1768. Louis-Marin Bonnet (French, 1736-1793), after François Boucher (French, 1703-1770). Chalk-manner etching and engraving printed in color; sheet: 30 x 39.8 cm (11 13/16 x 15 11/16 in.); platemark: 27.3 x 36.7 cm (10 3/4 x 14 7/16 in.). For his aristocratic patrons, Boucher made numerous paintings of intriguing female nudes, thinly veiled as Roman goddesses lounging in luxury. Bonnets color chalk-manner prints of similar subjects offered middle-class buyers sumptuous yet affordable versions of Bouchers wildly popular images. Here, a tiny cupid pleads with Venus for his quiver of arrows as she gazes teasingly at the viewer. Their feathered ends simultaneously conceal and draw attention to her nudity. With cupids arrows in her control, it is Venus—rather than cupid—who has the power to arouse feelings of love.

Imogen in the Cave, 'Cymbeline', Act III, Scene VI, Mary Hoare, 1753-1820, British, 1782, Watercolor and graphite with pen and black ink on thick, slightly textured cream wove paper mounted on moderately thick, slightly textured cream laid paper with contemporary drawn border, Mount: 23 1/16 x 18 5/16 inches (58.5 x 46.5 cm), Contemporary drawn border: 22 5/8 x 18 1/16 inches (57.5 x 45.8 cm), and Sheet: 21 7/8 x 17 1/8 inches (55.6 x 43.5 cm), cap, cape, cloaks, cross-dressing, Cymbeline, Act III, Scene VI, Cymbeline, play by William Shakespeare, gathering, gesturing, hunters, literary theme, men, play, plays by William Shakespeare, plumes, rocks (landforms), sandals, spears, standing, starvation, watching, woman, Cymru, United Kingdom, Wales

Paul Cézanne, The Bathers (Large Plate), 1896 1897 The Bathers (Large Plate)

Cupid and Psyche, Francesco Bartolozzi, Italian, active England, 1727-1815, Giovanni Battista Cipriani, Italian, 1727-1785, active England, 1755-1785, Emmanuel Matthias Diemar, German, 1761 - 1796, Stipple engraving on white paper, The two playing in the clouds. Cupid has one arm about Psyche, the quiver slung on his back, and is teasing her by holding a weath aloft. With one foot on a globe, she attempts to reach it., England, ca. 1789, figures, Print, Print

Satyr and Bacchante ca. 1650-95 Alexander Voet II. Satyr and Bacchante. After Peter Paul Rubens (Flemish, Siegen 1577-1640 Antwerp). ca. 1650-95. Engraving. Prints

Niello-like print by an anonymous artist depicting a parisonal judgment scene, showing human figures, gestures, and symbolic elements on the top leaf.

The Bathers, 1898. Henri Fantin-Latour (French, 1836-1904). Lithograph;

Hiding of Moses, from "Remember Me!, or a Pocket Companion" 1825 William Blake British. Hiding of Moses, from "Remember Me!, or a Pocket Companion" 375901

A satyr, according to Rubens (Dutuit 62) Pierre-Paul Rubens. A satyr, according to Rubens (Dutuit 62). Burin, 17th century. Museum of Fine Arts of the city of Paris, small palace.

. Neptunus, in the form of a stallion, seduces Ceres. On the right in the background Two tritons at the wagon of Neptune. A caption in French in the margin.

The Bride, 1829. Edward Calvert (British, 1799-1883). Engraving;

Design for a wallpaper painting with Coronis and Minerva, Rienk Keyert, After Gerard de Lairesse, 1751 drawing Coronis is turned into a crow by Minerva. paper. watercolor (paint) brush (story of) Minerva (Pallas, Athena). Coronis changed into a crow: to escape the love of Neptune, Coronis, daughter of Coroneus, is changed into a crow by Minerva (Ovid, Metamorphoses II 569)

A red chalk drawing by an anonymous artist depicting the mythological story of Diana and Actaeon, where the hunter surprises Diana bathing with her nymphs and is transformed into a deer torn by dogs.

Angelica and Medoro, plate 26, from Raccolta di alcuni disegni del Barberi sic da Cento detto il Guercino (Collection of Some Drawings Engraved after Barbieri da Cento, called Guercino). Engraver: Giovanni Ottaviani, Italian, 1735-1808 After: Guercino (Giovanni Francesco Barbieri), Italian, 1591-1666

Shakspeare. Two gentlemen of Verona, act V, scene III , Forests, Shakespeare, William, 1564-1616, Characters, Shakespeare, William, 1564-1616. Two gentlemen of Verona. Thomas Pennant Barton Collection

Engraving by Richard Earlom from 1779 depicting the mythological figure Galatea, showing figure, posture, and symbolic elements.

TheBathers. Artist: Paul Cézanne, French, 1839-1906

Venice receives the honorary evidence of Neptunus, Giovanni Domenico Tiepolo, After Giovanni Battista Tiepolo, 1745 - 1804 print Woman in royal clothing as a personification of Venice receives gifts from Neptune. Neptunus empties a horn of abundance filled with jewelry and gold pieces on her feet. Italy paper etching specific aspects, allegorical aspects of Neptune; Neptune as patron. personification of a city, town-patron(ess) Venice

Saint Mary Magdalen. Engraving by D. Cunego, 1772, after Annibale Carracci.

Without Ceres and Bacchus; Venus Would Freeze c. 1600-1603 Ink and oil on canvas Hendrick Goltzius Dutch (active Haarlem) Born 1558; died 1617

Etching by Jacques Gabriel Huquier from 1750-1805 depicting figures in states of sleep and awakening, showing posture, expression, and interaction.

Amor punishes a Sater, Anonymous, After Annibale Carracci, 1688 - 1698 print Amor punishes a sater who dropped his pan flute on the floor. In addition, there are two nymphs, which were probably spied on by the Sater. Netherlands paper engraving Finty Free) (use) (thive lm). ymm also (REPl chadti); 'Sin's wife is tonttien' (pari). (Stomothrry) Eld, else, Elore (RYer)

Actaeon surprises Diana and her companions, draughtsman: Willem van Mieris, 9-Dec-1693, parchment (animal material), h 175 mm × w 205 mm

Two Cupids Riding a Dolphin. Adamo Scultori (Italy, Mantua, circa 1530-1585)Giulio Romano (Italy, Rome, circa 1499-1546). Italy, 16th century. Prints; engravings. Engraving

Antwerp, Jode, Gerard de, Broeck, Crispijn van den, Sadeler, Johann (I), Thesaurus sacrarum historiarum veteris testamenti, elegantissimis imaginibus expressum excellentissimorum in hac arte virorum opera: nunc primum in lucem editus, Historia creationis mundi, Creation and the Fall, Creation of Eve, God the Father creates Eve from the side of the sleeping Adam and helps her up. On the left in the background, God points Adam and Eve to the tree of the knowledge of good and evil. On the right in the foreground, a dog. At the bottom, a reference to the Bible text in Latin. The print is part of an album., print, prent, albumblad, prints, enten, height 194 mm, width 267 mm, South Netherlands, 1550 - 1600-08, print maker, printmaker, 1579 - 1579, fourth quarter 16th century, paper, engraving, engraving (printing process), Work conception, 1524 - 1591, after a design by, Publication (Event), Publication, Northern Netherlands, 1509 - 1591-02-05, publisher

Venus, Amor, Bacchus and Ceres; Sine Cerere et Baccho Friget Venus. Round performance with busts from Venus, Amor, Bacchus (with a glass of wine in hand) and Ceres. Zandschrift 'Sine Cerere et Baccho Friget Venus'. In the corners outside the round show a arrow sleeve, a rosary, a vine and corners.

Arthur-Joseph Guéniot (1866-1951). Milled woman in front of a child, in a landscape. Religious scene (). Graphite pencil. Museum of Fine Arts of the City of Paris, Petit Palais. Drawing, 19th XIXth 19th 19th 19th 19th century, 20th XXth XX 20th 20th 20th century

Ceres, Venus, Bacchus and sleeping Amor, Jacob de Wit, c. 1705 - c. 1754, Design for a chimney piece., draughtsman: Jacob de Wit, c. 1705 - c. 1754, paper, brush, h 148 mm × w 153 mm

. Pygmalion and Galatea (his statue have become alive) to a dining table. Pygmalion serves his beloved wine while enjoying some delicacies. The print is part of a series about the story of Pygmalion.

Ceres with a horn of abundance, anonymous, 1688 - 1698 print This print is part of an album. Netherlands paper engraving (story of) Ceres (Demeter). 'Cornucopia', Horn of Plenty

Paris, Edelinck, Gerard, Boullogne, Louis I, Audran, Benoît (I), The Cabinet of Fine Arts, or Collection of the Most Beautiful Statues, engraved after the Original Tables, Architecture, Ceiling piece with the personification of Architecture. In her hand she holds a construction drawing with the elevation and plan of a building. On the right, children moving a building block with a cart. Print is part of an album., print, picture, album sheet, prints, pictures, height 170 mm, width 269 mm, print maker, printmaker, 1695 - 1695, paper, papier, etching, etchings, engraving, engraving (printing process), Work conception, 1661 - 1721-10-02, after print by, 1609 - 1674-06-13, after, after painting by, after design by, Publication (Event), Publication, South Netherlands, French, 1640-10-20 - 1707-04-02, publisher

Martyrdom of Saint Sebastian. Engraving by G. Folo after A. Tofanelli after G.F. Barbieri, il Guercino.

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