Narrative Scene Engravings

Engravings depicting scenes from mythology and history, highlighting human emotion and detailed landscapes.

Copper engraving and etching by François Chereau from 1700-1729 depicting the plague, showing urban scenes, figures, and historical context.

Copper engraving and etching by Alexis Loir, created between 1660 and 1713, showing Mary with the Christ Child accompanied by young John the Baptist.

Cornelius Peter, Romeo and Julia (1837): Reproductive graphics for the members of the art association in Munich for 1837. Pressure on paper, 63.4 x 80 cm (including scan edges) Cornelius Peter : Romeo und Julia

An etching by Alexandre Chaponnier, made in the period ca. 1770-1830, depicting a scene titled Nina Prelude. Technique: etching. The work reflects Chaponniers engraving style during late 18th to early 19th centuries.

Copper engraving and etching by Laurent Cars depicting iris flowers on a riverbank, created between 1719 and 1771.

Etching by Giacinto Gimignani depicting Saints Castulus and Irene tending to the wounds of Saint Sebastian, created in 1649, showing figures in a devotional scene with detailed anatomy and clothing.

Venus and Mars Embracing as Vulcan Works at His Forge (right half only) 1543 Engraved by Enea Vico Italian This is a fragment of B.27 which includes only the figure of Vulcan. In Mariette Album, folio 68, bottom. Venus and Mars Embracing as Vulcan Works at His Forge (right half only) 366658

Etching by Nicolas Joseph Voyez l'âiné depicting an elderly person in a study room, created between 1760 and 1806, showing interior details and 18th- to early-19th-century figure composition.

Etching by Hubertus Quellinus circa 1668 showing a female arch figure accompanied by a ship.

Copper engraving and etching by Pierre Biard the Younger from 1592-1661 depicting the Sibyls of the Sistine Chapel, showing seated figures with classical drapery and architectural background.

Etching by Domenico Maria Bonaveri dated 1697 showing an apostle with three boys, depicting figures, gestures, attire, and religious interactions.

Putti around a bust of Jacob Campo Weyerman, monogramemist AVLB, After Cornelis Troost, 1747 - 1750 print An elevation is a bust of the artist and author Jacob Campo Weyerman. There is a putto in front of the bust, which points with one hand to the bust and with his other hand to the mourning putto next to him. At the back left a putto with painting supplies at a donkey. Left front are some open books. In front of the right, two young saters embrace each other. print maker: Low Countriesafter design by: Amsterdamafter drawing by: Amsterdam paper engraving title-page. historical persons. cupids: 'amores', 'amoretti', 'putti'. weeping. satyr(s) (in general). painting (including book-illumination, miniature-painting)

Etching by Johann Friedrich Ludwig Oeser between 1770 and 1792 depicting the biblical scene of Christ and the adulteress with detailed figures.

Young woman with a shoemaker, Eugène François de Block, 1842 print paper counterproof / etching shoe-maker, cobbler. adult woman

Bliżej Kultury Verlag Gerlach & Schenk in Vienna (1882 1901)

Copper engraving by Francesco Brizio depicting Mary Magdalene in penitence, created between 1580 and 1600, showing the figure in a contemplative pose with detailed features and drapery.

Etching by Matthys Pool, 1690-1732, depicting Jupiter and Semele, showing figures, gestures, and mythological narrative.

Copper engraving by Jan Harmensz. Muller around 1590 depicting Arion, a legendary musician from Greek mythology, saved by a dolphin.

Personification of transience, Melchior Küsel (I), After Johann Wilhelm Baur, 1682 print Text in German in the lower margin. Numbered in the bottom right: 32. Print is part of an album. Augsburg paper etching (Personifications of) 'Vanitas', The Vanity of Human Life; Humana fragility, fleeting of sizes & of world glory, meditation of death, vain work, vain pleasure, vain glory, vanita (Ripa). Symbols and Personifications of Death. The Ages of Man

Copper engraving and etching by Jean Michel Moreau depicting Bathsheba in her bath. Created in 1763, illustrating a biblical scene from the Old Testament.

Etching by Francesco Londonio from 1743-1783 depicting a shepherd family, showing figures in a pastoral setting and daily rural life.

Copper engravings and etchings by Jules Jacquet from 1861-1913 depicting the muses Melpomene, Erato, and Polymnie, showing figures, gestures, and symbolic attributes.

Copper engraving by Paulus Pontius from 1654 depicting Christina of Sweden as Minerva, showing facial features, attire, helmet, and compositional elements.

Etching by Benoît Audran around 1732 depicting The Fileer with detailed linework and classical composition.

Etching and engraving depicting an elegant company playing cards on a terrace, showing figures, clothing, furniture, and architectural elements. Produced between 1640 and 1677, emphasizing social activity and composition.

Photo production of a drawing by a man who gives a woman flowers, anonymous, after A. Müller, c. 1871 - c. 1881 photomechanical print maker: Germanypublisher: München paper collotype lovers' meeting. cut flowers; nosegay, bunch of flowers

Copper engraving and etching of Altargemar by Étienne Fessard, produced in 1756, showing traditional engraving style and detailed figure rendering.

Etching and copper engraving by Cornelis Visscher depicting smokers and a surgeon, showing figures and 17th-century European printmaking techniques, created between 1650 and 1660.

Etching in punctuation manner by Franz Valentin Durmer created in 1788 depicting Jupiter and Io, showing human figures from classical mythology in late 18th-century style.

Requirement of Christ, Adriaen Collaert, After Cornelis Galle (I), After Maerten de Vos, c. 1580 - c. 1590 print The temptation of Christ in the wilderness by the devil. Part of the press series about the life of Christ: Vita iesu Salvatoris Varijs Iconibus Ab Adriano Collaert Expressa. In Prentalbum with two series of 34 and 25 engravings with scenes from life and the suffering story of Christ respectively. paper. gold (metal). silver (metal) engraving story of the temptation of Christ in the wilderness (Matthew 4:1-11; Mark 1:12-13; Luke 4:1-13)

The Empress Marie Louise.

Young man offers his beloved a pearl cord, Reinier Vinkeles (I), after Adriaan Pietersz. Loosjes, 1803 print On a market, a young man offers his beloved a chain. The market woman shows a second cord. The print is part of an album. print maker: Amsterdampublisher: Haarlem paper etching / engraving pearl; pearl necklace (+ women's clothes). couple of lovers. stall, booth (~ market)

Copper engraving and etching by Jacques Chéreau the Younger depicting the Holy Family, created between 1710 and 1776, showing 18th-century French religious engraving techniques.

Copper engraving and etching by Francois Dequevauviller titled 'The setback', created in 1786, depicting a scene of figures in action with detailed gestures and composition.

Copper engraving by Aegidius Sadeler the Younger created in 1603 depicting Emperor Rudolf II in portrait format, showing facial features, attire, and upper-body pose.

A copper engraving by Jacob Matham depicting Moses and Miriam, created in 1602, illustrating biblical figures and a scene from the Old Testament.

Copper engraving and etching by Benoit Audran depicting the biblical story of David and Goliath, created around 1715, illustrating combat between the figures.

Etching and engraving depicting Jupiter and Callisto, showing figures, gestures, drapery, and setting. Produced between 1670 and 1690, emphasizing classical mythological composition.

Photo production from a print to a painting, representing an interior with a family at the table. .

Copper engraving and etching by Cornelis Visscher depicting Susanna confronted by the elders, created between 1638 and 1662, illustrating the biblical story from the Book of Daniel.

Interior with grieving family, Franciscus Bernardus Waanders, After Aloïs Pieter Paul Hunin, 1841 print A soldier brings a message from the battlefield to the family members of a fallen comrade. The Hague paper. receiving bad news, bad message

Etching and copper engraving by Nicolas Joseph Voyez l'âiné titled 'The Right Opinion'. Created between 1752 and 1779, illustrating allegorical or symbolic content.

Etching by Isaac de Moucheron depicting a garden view with architectural elements, created around 1700, showing trees, paths, and decorative structures in 18th-century landscape design.

Copper engraving and etching by Auguste Gaspard Louis Boucher Desnoyers depicting the Little Holy Family, created between 1799 and 1857, illustrating religious 19th-century French portraiture.

The assignment in the temple. Draughtsman: Helmlehner. Dating: 1657. Measurements: h 312 mm × w 274 mm. Museum: Rijksmuseum, Amsterdam.

Woman with baskets with fruits in hand by the window, Henricus Wilhelmus Couwenberg, after Gerard Dou, 1848 print A young woman with a basket with fruits in hand hangs from a window. She holds the curtain aside so that the interior is visible behind her. In the departure, a man and a woman are making music. There is a birdhouse in the windowsill, there is a dead rooster and is a vase with flowers. Amsterdam paper. etching human figure at (open) window, seen from outside. shop-window, show-window

'Light of the World' is a copper engraving print by Étienne Baudet, created between 1658 and 1711, representing religious themes with detailed figures and composition.

Wszyscy Święci w MNK Payne, Albert Henry (1812 1902), Santi, Raffaello (1483 1520), Glücksberg, Michał (1838 1907)

Bliżej Kultury Hanfstaengl, Fr.

This etching by Martin Elias Ridinger, dated between 1750 and 1780, presents a portrait of Johann Elias Ridinger. The artwork emphasizes facial features, attire, and the sitter's expression, reflecting 18th-century German portraiture.

Etching and copper engraving by Bernard Lépicié depicting The Statement, created in 1744, showing a figure in expressive gesture and period attire.

Lorenz Froelich (1820-1908), Hyldemon, 1844

Photo production of a scene from Goethe's Alexis und Dora, Anonymous, After Wilhelm von Kaulbach, c. 1880 - c. 1885 photograph Part of a cover with 21 plates. photographic support albumen print painting, drawing and the graphic arts. literary characters and objects. (lovers) kissing each other

Print, Title Page; Designed by François-Thomas Mondon (French, ca. 1709 - 1755); Print Maker: Antoine Aveline (French, 1691 - 1743); France; etching on laid paper

Copper engraving by an unknown artist showing a pancake cook and an interior scene illustrating vanity, created between 1620 and 1652, highlighting moral allegory and Baroque design.

Print (France)

An etching by Wenzel Hollar from 1666 depicting fables, showing animals, human figures, and scenes illustrating moral and educational narratives.

Wife and children mourning around sick man, Pierre Prud'hon, after Constance Mayer, 1822 print Paris paper family, relationship, descent. patient, sick person

Stellina in Edouard, Barthélémy Joseph Fulcran Roger, after Pierre Prud'hon, c. 1799 print UIT scene "The Indian tribe" van Lucien Bonaparte. paper etching / engraving literary characters and objects. couple of lovers

This etching by Claudine Bouzonnet-Stella (1690-1697) depicts Christ before Annas, a scene from the Passion, showing figures in dialogue within an interior setting.

Sleeping boy, Jan Baptist Tetar van Elven, 1815 - 1889 print Netherlands paper steel engraving sleeping; unconsciousness

Reproduction of an engraving of a portrait of Peter van Bedael by Conrad Lauwers, Joseph Maes, After Conrad Lauwers, After Hendrik Abbé, c. 1872 - In or Before 1877 photomechanical print This print is part of a cover with 150 prints and a section with a list of images. Antwerp paper. cardboard collotype historical persons

Three figures on the meal in a hut at night, Reinier Vinkeles (I), 1797 - 1811 print Amsterdam paper etching / engraving evening meal, dinner, supper. hut, cabin, lodge. night. forest, wood

The etching by Maria Anna Angelika Catharina Kauffmann from the late 18th to mid-19th century depicts a scene from Yorick's sensitive journey, showing figures, gestures, attire, and landscape in European style.

An etching by Hamlet Winstanley from 1728-1729 titled Love of Sciences, depicting scholars, instruments, and scientific study in an interior scene.

Ceres is crowned by Fortuna (Lot), Gerhard Ludwig Lahde, 1787 - 1833 print paper etching Luck, Fortune, Lot; 'Fato', 'Fortuna', 'Aurea fortune', 'Good luck', 'peaceful luck overo Clemente', 'fate' (Ripa). (Story of) Ceres (Demeter)

Etching by Jacques-Philippe Le Bas between 1726 and 1774 depicting various human figures, arranged in detailed composition with fine line work.

Bliżej Kultury Verlag Gerlach & Schenk in Vienna (1882 1901)

Etching by Salomon Gessner showing the mythological figures Leda with a swan and Apollo confronting a slain dragon.

1790 etching by Maria Anna Angelika Catharina Kauffmann titled 'Take Care of Yourself!', showing a figure emphasizing self-care and composed posture.

Woman Reclining upon a Jar from which Water is Pouring. Artist: After François Boucher (French, Paris 1703-1770 Paris); George William Thornley (French, 1857-1935). Dimensions: Sheet: 7 5/16 x 8 15/16 in. (18.5 x 22.7 cm)Mount: 12 3/8 x 17 11/16 in. (31.5 x 45 cm)Image: 5 1/2 x 7 1/4 in. (14 x 18.4 cm). Date: 1881. Museum: Metropolitan Museum of Art, New York, USA.

"Time" from The Complete Works of Béranger 1836 J. J. Grandville. "Time" from The Complete Works of Béranger. Oeuvres complètes de Béranger. 1836. Wood engraving. Fournier & Perrotin (French). Prints

Colored point animal manner etching by Cornelis Ploos van Amstel from 1766 depicting an interior with a person reading a newspaper, illustrating eighteenth-century Dutch domestic life.

Frankfurt am Main, Prestel, Ferdinand August Christian, Hendschel, Albert, Huth, Theodor, From A. Hendschel's Skizzenbuch, Photographic reproduction of a sketch of a couple in love by Albert Hendschel, recto - embossed, This photograph is part of a cover with 50 photographs on 48 sheets, a list of illustrations and a title page., photograph, photo, reproduction, photographs, photographically illustrated books, 12, recto - handwritten, AH, height 118 mm, width 101 mm, photographer, 1865 - 1870, photographic paper, photo paper, albumen print, albumine print, Work conception, German, 1834-06-08 - 1883-10-22, after a design by, Publication (Event), Publication, 1826-03-14 - 1890-11-01, publisher

Night face with figures with a money bag. In a forest at night, two men exchange a money bag and something else with each other, under the watchful eye of a few. In the background, two men are looking at the scene, hidden behind it.

Copper engraving and etching by Jean Jacques Aliamet, created between 1745 and 1788, depicting a philosopher asleep in contemplation.

Stipple manner etching by Jacques Louis Copia created between 1784 and 1799 titled 'Oh! What Taste!,' showing expressive figures in a scene.

Anthonis van Dyck engraved 'Mary with Child and Musician Angels' in the 17th century, depicting Mary and infant Jesus with angels playing musical instruments in copper engraving format.

Copper engraving and etching by Nicolas de Larmessin IV from the 18th century depicting scenes of a game from various regions, showing figures, gestures, and interaction.

Six performances from Shakespeares Macbeth, Daniel Nikolaus Chodowiecki, 1784 print The prints are numbered at the top right of one to six. With caption and page reference in German. paper etching Macbeth. Literature. groups of witches. lightning, flash of lightning, thunderbolt. hacking and thrusting weapons: dagger. conversation, dialogue; conversation piece

Artwork from 1797 depicting Danae, showing figure, posture, drapery, and classical composition, created by an unknown contributor.

Etching depicting King Frederick II watching a parade in Potsdam with Frederick the Great on horseback, created by Daniel Nikolaus Chodowiecki in 1777.

Bliżej Kultury Voysard, Etienne Claude (1746 Ca 1812), Elluin, François Rolland (1745 Ca 1810), Blanchon, Jean Andre

The Andalusian Letter Writer, by J. Philip sic. Caldesi & Montecchi (British, active 1850s)

Cléry's children in the garden, Daniel Nikolaus Chodowiecki, 1799 print Berlin paper etching child. garden. twigs ~ building material

Caprichos: What a Sacrifice!. Francisco de Goya (Spanish, 1746-1828). Etching and aquatint;

Etching depicting a farmers' wedding, showing figures, clothing, decorations, and landscape. Produced between 1653 and 1712, emphasizing rural life, social activity, and composition.

Print (France); Designed by François Boucher (French, 1703-1770)

Family in an Interior.

An etching by Johann Leonhard Raab from 1881-1888 depicting a scene of cross acceptance.

Landscape with resting figures by a wall, Dominique Vivant Denon (Baron), 1784 print Landscape with resting figures by a wall. In the foreground, a woman sits in front of a pan and a boy is urinating on the right of her. paper etching (traveller) resting in the open air. urination

Farmers interior with two figures near a fireplace and a man in a doorway, Louis Michel Halbou, after Sigmund Freudenberger, 1781 - 1782 print Interior with a man on a stool near a fireplace, standing standing next to him. There is another man in a half -open door. Bern paper etching communal rooms. closing, shutting the door

Etching by Auguste Claude Simon Legrand depicting Genevieve, Comtesse de Brabant, created between 1785 and 1815, representing the historical figure in classical attire.

Four children with a dog and a cat. Four richly covered children with a dog and a cat look into a garden through an arch construction, along which a winger is growing.

Amalthea suckers the young jupiter. On the right is the Nymph with Jupiter. Left blowing two men on a decorated horn. In the background a mountain landscape with a water feature. This print is part of an album.

(Prières sur une tombe) ,. Paul Gavarni (1804-1866). Lithographs and Other Works

Die Kraniche des Ibykus. Josef Albert (German, 1825 - 1886)

Charles Auguste Mengin (1853-1933). "To monarchy dreamers". Illustration for "the terrible year" in the National Edition. Plume, graphite mine, wash, ink, white gouache on thick beige paper. 1888. Paris, house of Victor Hugo. 100234-5 DRAWING

Etching by Nicolas de Larmessin III depicting a morning scene, created in 1741.

Fotoreproductie van Palace of the Caesars in the 19th Century door Frederick Yeates Hurlstone, Leonida Caldesi, after Frederick Yeates Hurlstone, c. 1853 - in or before c. 1858 photograph photographic support albumen print card games (+ sportsman, player, etc.). boy (child between toddler and youth)

Monument for Johannes Noordink, Walraad Nieuwhoff, 1822 print Monument for the Zutphense pastor Johannes Noordink, with his silhouette portrait on it. On top of the column two putti that holds a snake, as a symbol for eternity. The crucifixion is shown on the base. The monument is flanked by faith with a Bible on her lap and in her hand a writing spring and by the grieving religion. She points to an image of a church interior, held by a putto. On the ground a extinguished torch and lamp and an hourglass as a sign of death. On the left in the background are two figures between Korenschoven, one of which points up to the sunlight, the other to the grain: Noordink will harvest in heaven what he has sown on earth. A caption states the death date and function of Noordink. With accompanying text sheet with explanation. print maker: Amsterdamafter drawing by: Amsterdamprint maker: Amsterdampublisher: The Hague paper etching / engraving Faith, 'Fides'; 'Fede', 'Fede catholica', 'Fede christian

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