Narratives of Human Emotion

Etchings illustrating scenes of emotion and interaction, including rest during a journey and dramatic literary moments, emphasizing human expressions and relationships.

Strang, William, 'The Milkmaid's Song'.Illustration from The Compleat Agler by Izaak Walton and Charles Cotton, 1902, line etching, major category: printmaking, 15 cm x 11 cm

Bakker blows on a horn, François de Maleck, after Adriaen van Ostade, 1800 - 1884 print A baker blows on a horn while he leans on a lower door. unknown paper etching baker

On a country road, a man with a stick over his shoulder and a knapsack on his back walks toward a farmhouse, Walking man, print maker: Andries Cornelis Krijgeer, (mentioned on object), Amsterdam, 1810, paper, etching, h 64 mm × w 94 mm

Alphonse Legros, Fisherman with a Hoop net (La peche a la truble) Fisherman with a Hoop-net (La peche a la truble)

Arrest of a Poacher 1813-1839 France. Lithograph in black on ivory wove paper . Horace Vernet

Urns, 2 pcs., S 680, 28379

A Lord in the Time of Francis I , 1833. Eugène Delacroix (French, 1798-1863). Etching and drypoint; sheet: 45.5 x 27.7 cm (17 15/16 x 10 7/8 in.); platemark: 18 x 13.3 cm (7 1/16 x 5 1/4 in.).

The Sincerity. Draughtsman: Elias van Nijmegen. Dating: 1677 - 1755. Measurements: h 326 mm × w 208 mm. Museum: Rijksmuseum, Amsterdam.

The Miracle of Purun Bhagat, William Strang, 1859-1921, British, 1900, Etching and aquatint on laid paper, Sheet: 10 3/8 x 8in. (26.4 x 20.3cm) and Plate: 8 x 5 3/4in. (20.3 x 14.6cm)

Three performances with human figures, Johannes Josephus Aarts, 1881 - 1934 print Leaf with three performances. At the top right a bearded man who walks in rags who walks with a staff. Below a sitting woman who uses a footstew and wraps wool. At the top left a sitting woman who embraces a child. Japanese paper (handmade paper) etching foot-stove. clothed in rags. wool (material ~ textile industry). walking-stick, staff. child

Night scene in which a man at an open grave shows a baby skeleton to a young woman, Adrien Aubry, 1872 print Brussels paper etching night. thunderstorm. (human) skeleton

Jean-François Millet (French, 1814 - 1875). Shepherdess Knitting (La Grande Bergère), 1862. Etching printed in brown ink on Asian wove paper. Plate: 321 mm x 238 mm (12.64 in. x 9.37 in.). Only state.

Sanos y enfermos (The Healthy and the Sick), Plate 57 from Los desastres de la guerra (The Disasters ofWar). Artist: Francisco Goya, Spanish, 1746-1828

Man lying in the grass Drenthe farmer (title on object), print maker: Anthonie Willem Hendrik Nolthenius de Man, (mentioned on object), Nijmegen, 1828, paper, etching, h 103 mm × w 146 mm

Versuchung, from the series Vom Tode Zweiter Teil n.d. Max Klinger German. Versuchung, from the series Vom Tode Zweiter Teil 384488

Textile (England); cotton

. Mercury is in conversation with the giant argus. He keeps his flute in hand. Behind Mercury and Argus is the cow io. Scene from Ovid 'Metamorphoses (with. I, 682-687).

The Procession, from Boswell's Tour of the Hebrides. Thomas Rowlandson; English, 1756-1827. Date: 1786. Dimensions: 275 × 380 mm (sheet). Etching on paper. Origin: England. Museum: The Chicago Art Institute, USA.

Two Turbaned Magicians and a Boy. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: Giovanni Battista Tiepolo.

Mercury lulls Argus to sleep, Moyses van Wtenbrouck, Matheus Moysesz. van Wtenbrouck, 1600 - 1647

Tuba Mirum Spargens Sonum. Henri Fantin-Latour; French, 1836-1904. Date: 1883-1893. Dimensions: 235 × 155 mm (image); 327 × 246 mm (sheet). Lithograph in black on off-white China paper laid down on white wove paper. Origin: France. Museum: The Chicago Art Institute, USA.

W. Collins - As Happy as a King; late 19th century; Collotype; 18 × 22 cm (7 1,16 × 8 11,16 in.)

Springtime, 1864. Charles-Émile Jacque (French, 1813-1894). Etching;

. Under the veranda of a summer house is a lady with a hat to work, she is possible the woman of the print maker. There is a cart for her, with a child in it, where a girl stands. The scene is displayed in an oval list.

Masks and Faces, Bohemes 3. Without Profession Sulpice-Guillaume Knight says Paul Gavarni (1804-1866). Masks and faces, bohems 3. No profession, 1853. Lithograph.

Le voyageur à l'abri , Travelers, Alphonse Legros (1837-1911)

6th arrondissement: the Luxembourg Garden (dummy title)

FOR THE SQUIRE'S HALL, DRAWN BY E.N. DOWNARD, 1871

THE RETURN FROM THE FIELD. AFTER DELOFFE

Sitting Sleeping Boy, Anthonie van den Bos, After Unknown, 1778 - 1838 print Sleeping shepherd, sitting next to a jug with wine. His hat lies next to him in the grass. Netherlands paper etching sleeping; unconsciousness

"Pencil and feder drawing by August Xaver Karl von Pettenkofen depicting Monsignor L. Brunner's travel adventure, showing figures and surrounding landscape, with dark brown laved washes in 1846."

Dune landscape with a sitting man near a basket Verscheyden Beaches and water gesichten gedaen by Jan Percelles (series title), print maker: Gillis van Scheyndel (I), print maker: Jan Porcellis, (rejected attribution), intermediary draughtsman: Jan Porcellis, Noord-Nederland, 1645, paper, etching, h 72 mm × w 93 mm

Honoré Daumier, Le Plus farceur de la société, 1847 Le Plus farceur de la société

Print of the painting titled 'The Sower' by Jean-François Millet (1814-1875) a French painter and one of the founders of the Barbizon School. Dated 19th Century

Left Side of Hottentots with Herd, from Set of Exotic Races, in Holzschnitte alter Meister gedruckt von den Originalstöcken der Sammlung Derschau im besitz des Staatlichen Kupferstich-kabinetts zu Berlin. Artist: Hans Burgkmair (German, Augsburg 1473-1531 Augsburg). Dimensions: Sheet: 12 1/2 × 7 3/8 in. (31.7 × 18.8 cm)Plate: 10 3/8 × 5 15/16 in. (26.3 × 15.1 cm). Editor: Max J. Friedländer. Publisher: Kupferstichkabinett, Staatliche Museen zu Berlin; E. A. Seemann. Series/Portfolio: Set of Exotic Races. Date: Printed 1922.From the 1922 publication in four volumes by Max Friedlander with impressions from wood blocks previously in the collection of Baron Hans Albrecht von Derschau. Derschau is said to have discovered hundreds of original wood blocks by German masters in a trunk in Nuremberg, and in 1808 Rudolph Zacharias Becker produced the first of three volumes with restrikes from these blocks. This print, however, comes from the 1922 series of impressions, made after the collection

The making of Panama Hats, Peru, illustration from L'Illustration, Journal Universel, No 749, Volume XXIX, July 4, 1857.

Pythagoras and the Countryman. Pythagoras meets a peasant who points to a kite he has nailed to the wall of a barn for killing roosters. The yokel stands with one foot on a ladder. Copperplate engraving by Peter Mazell after an illustration by William Kent from Fables by John Gay, with a Life of the Author, John Stockdale, London, 1793.

Paul Frenzeny, The Artist in the Country, 1872, wood engraving on paper.

The Ingenuous Wobbler, 1865. George Louis Palmella Busson Du Maurier (British, 1834-1896). Wood engraving;

Study sheet with figures and heads Study prints, Etudes grav, print maker: Jacob Ernst Marcus, (mentioned on object), Amsterdam, Jul-1808, paper, etching, h 123 mm × w 219 mm

Reaping, William Ward, 1766-1826, British, after James Ward, 1769-1859, British, 1810, Mezzotint, proof before all letters, Sheet: 19 x 24 1/4in. (48.3 x 61.6cm)

Etched by Joseph Mallord William Turner, 1775-1851, British, Juvenile Tricks, 1811. Etching and mezzotint, printed in brown ink Engraver's proof (b) on medium, slightly textured, cream laid paper.

Caricature portrait of the painter Paul Gabriel, Elchanon Verveer, 1850 - 1899 drawing Caricature portrait of the painter Paul Gabriel ("Paul Joseph Constantin") (1828-1903), searching for a motif in a landscape with mill and water. paper.

Della Bella, Stefano (dit Étienne de la Belle) (n.1610-05-18-D.1664-08-22), various heads and figures. Title. First issue of a sequence of 17 rooms. (A. de Vesme 308; Dutuit 168) (main title), 1650. Eau-tie. Petit Palais, Museum of Fine Arts of the City of Paris.

Alphonse Legros, The Departure, French, 1837 - 1911, 1905, pen and brown ink with brown wash over graphite on wove paper

The Declaration, from "Illustrated London News". Artist: After Frederick Goodall (British, London 1822-1904 London). Dimensions: Image: 9 3/4 × 9 3/16 in. (24.7 × 23.3 cm)Sheet: 10 3/8 × 9 7/16 in. (26.3 × 24 cm). Engraver: William Luson Thomas (British, London 1830-1900 Chertsey, Surrey). Date: August 29, 1868.The costume of these lovers places them in the 17th century Netherlands. Sitting by a leafy pond, a man whispers endearments to a young woman. The wood engraving reproduces a painting by Goodall exhibited at Leeds. Museum: Metropolitan Museum of Art, New York, USA.

Théophile Alexandre Steinlen, The Distant City (La ville lointaine), 1914 The Distant City (La ville lointaine)

PAREJA EN EL BOSQUE - ILUSTRACION PARA EL CUENTO DE PERRAULT LAS HADAS. Location: PRIVATE COLLECTION. MADRID. SPAIN.

Les DeuxPaquerettes.. Artist: Paul Gavarni, French, 1804-1866

Auguste Louis Lepère (French, 1849 - 1918). Bucolique Moderne, 1901. Color woodcut on laid paper. Image: 260 mm x 420 mm (10.24 in. x 16.54 in.). Second of five states.

Les DeuxPaquerettes.. Artist: Paul Gavarni, French, 1804-1866

François Nicolas figure (1825-1901). "She crossed his ten fingers behind his neck." Albumin paper. 1868. Paris, house of Victor Hugo.

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Rijn, Rembrandt van, Baillie, William, De Honderdguldenprent, Predikende Christus (De Honderdguldenprent), Christ preaching (The hundred guilder print), verso - stamped, print, prints, height 151 mm, width 112 mm, Irish, 1723-06-05 - 1810-12-22, print maker, printmaker, 1733 - 1810, paper, papier, etching, etchings, Work conception, Northern Netherlands, 1606-07-15 - 1669-10-08

Samson slays the Lion - Old Testament

French 18th Century, Alix malade Alix malade

Retour des champs, 1878. Jules Bastien-Lepage (French, 1848-1884). Etching;

Shifting, Reinier Craeyvanger, 1822 - 1880 print A skipper helps a family of a father, a mother and a daughter on the rowing boat. Amsterdam paper etching family group, especially parents with their child(ren). rowing-boat, canoe, etc.. seaman

Podolski Lirnik; from "Tygodnik Ilustrowany" 1864, No. 230 (February 20), p. 69; Kossak, Juliusz (1824-1899), Krzy Anowy, Kazimierz (Fl. 1863-1878), Weekly Ilustrowany (Warsaw; magazine; 1859-1939); 1864 (1850-00-00-1875-00-00);

Honoré Daumier, On nous avait dit de venir dans ce pays , 19th century On nous avait dit de venir dans ce pays ...

THIRLBY HALL, DRAWN BY WILLIAM SMALL, 1883; I was lying on the ground at her feet, and looking up onto her beautiful face.

drawing by F. Barrias: Virgil scene from the Bucolica man with winch in landscape, Anonymous, 1858.

Artist: Jean-François Millet, French, 1814-1875, Le Paysan rentrant du fumier (Peasant with aWheelbarrow), Etching, platemark: 16.5 × 13.3 cm (6 1/2 × 5 1/4in.), French, 19thcentury, Works on Paper -Prints

Northern Netherlands, The Dutch Garden Cleansed of Weeds, Cartoon on the Purification of the Councils of Amsterdam and Rotterdam, 1787, verso - stamped, Patriot cartoon on the purification of the councils of Amsterdam and Rotterdam, 1787. In front of a walled garden, two militiamen overturn their wheelbarrows containing the severed heads of the nine deposed Amsterdam councilors and the seven Rotterdam councilors. In the background on the right, the Dutch Freedom is watering the her garden, on the left a view of a wheelbarrow with the heads of the four dismissed colonels. From the clouds a hand crowns the bust of Hendrik Hooft Danielsz. On the sheet below the plate a verse of fourteen lines., print, engraving, cartoon, prints, Frederik Muller Historieplaten, height 375 mm, width 235 mm, print maker, printmaker, 1787 - 1787, paper, papier, etching, etchings, engraving (printing process), letterpress printing, letterpress

THE FAGOT GATHERER

Belgian Farmyard from the WarSeries. Artist: George Wesley Bellows, American, 1882-1925

Chivalry. Engraving by R. Slvedersege after a canvas of the British painter Sir Francis Bernard Dicksee (1853-1928), 1885. "La Ilustracion Iberica", 1886.

Shifting, Reinier Craeyvanger, 1822 - 1880 print A skipper helps a family of a father, a mother and a daughter on the rowing boat. paper etching family group, especially parents with their child(ren). rowing-boat, canoe, etc.. seaman

drawing by F. Barrias: Virgil scene from the Bucolica, hunters path, Anonymous, 1858.

Old man sleeping., 1759, Italy, by Francesco Londonio. Gift of Bishop Monrad, 1869.

Théophile Alexandre Steinlen, The Distant City (La ville lointaine), Swiss, 1859 - 1923, 1914, etching and drypoint

GIPSY LIFE ROUND LONDON

Famine is coming. Painting by I. Vladimirov

Voltaire, penname of Francois-Marie Arouet, 1694-1778. French writer and philosopher. Etched by S.A. Schoff from an old print by Bromley. From the book ' Lady Jackson's Works, IV. The Old Regime II, Court, Salons, and Theatres' Published London 1899.

THE WANDERING HEIR, 1872 engraving

Alleto, Bernard Essers, 1903 - 1931 print paper

Les Bêcheurs (Two MenDigging). Artist: Jean-François Millet, French, 1814-1875

Piece of English toile printed with part of 'Doctor Syntax taking possession of his living' , Carriages & coaches, Passengers, Rowlandson, Thomas, 1756-1827. Doctor Syntax drawings. Thomas Rowlandson (1756-1827). Prints and Drawings

Engraving depicting an Island Carib, also known as a Kalinago or a Carib, is an indigenous person of the Lesser Antilles in the Caribbean. Dated 19th Century

Mazeppa. Artist: Théodore Géricault, French, 1791-1824 Artist In collaboration with: Eugene Lami, French, 1800-1890

The Sower 1851 Jean-François Millet French. The Sower 363029

Moses Striking a Shepherd. Dated: c. 1745. Dimensions: sheet (trimmed to plate mark): 51.7 x 34 cm (20 3/8 x 13 3/8 in.). Medium: etching and engraving on laid paper. Museum: National Gallery of Art, Washington DC. Author: Joseph Wagner (publisher) after Jacopo Amigoni.

'Sheep Shearing', (1912).Artist: William Hamilton

Help rescues Christian from the Slough of Despond into which he had tumbled. Date: first published 1678

Study for the Oil Painting 'The Children of Theophilus Levitt, Esquire.', James Ward, 1769-1859, British, 1820 to 1830, Black chalk and white chalk on medium, slightly texture, brown wove paper mounted moderately thick, slightly textured, beige wove paper, Sheet: 5 1/8 x 3 3/4 inches (13 x 9.5 cm) and Contemporary drawn border: 8 5/8 x 7 1/4 inches (21.9 x 18.4 cm), children, donkey, genre subject, study (visual work)

NEW YORK

Famme Samayede; Tilliard, Jean-Baptiste (1740-1813), Le Prince, Jean-Baptiste (1734-1781); 1768 (1768-00-00-1768-00-00);Chappe d`auteroche, Jean-Baptiste (1722-1769). Voyage en sibérie en 1761 - illustrations, dupuy, dome (filigree - letter), collection from Sucha - collection, Russia, French (culture), genre scenes

Fernand-Anne Cormon dit Piestre (1854-1924). Sketch for the museum's paleontology amphitheater: "bronze and iron". 1897. Museum of Fine Arts of the City of Paris, Petit Palais. 78705-1 Allegorie, amphitheater of paleontology, academic art, firefighter, bronze, drawing, iron, sketch, woman, iron, furnace, man, man, iIieme III III 3rd 3rd 3rd republic, industry, their musee, academic painting, work, Women's work, Pour, 19th 19th 19th 19th 19th 19th century, Couple, Museum

Houtprokkelaarster, Willem Witsen, 1870 - 1923 drawing paper. chalk. watercolor (paint) brush woodgathering, woodgatherer. female sex; woman. forest, wood

I Stood Like One Thunderstruck Illustration by Walter Paget from Robinson Crusoe by Daniel Defoe published by Cassell and Company 1896

"The Poor Man's Grave", 1860. '...Mr. Routledge has commenced the issue of his usual series of magnificent gift-books. This is a volume got up in the very first style of richness and ornamentation...and crowded with illustrations to poems selected by the author. The artists who have been chosen to deal with the subjects are familiar for their excellence, being John Gilbert, J. Wolf, Harrison Weir, J. D. Watson, &c.; while the execution of the engravings has been committed to the trusty hands of the Messrs. Dalziel... "The Poor Man's Grave. There is not one of kindred clay To

Chahine, Edgar (n.1874-D.1947), Winter morning boulevard Ney or La Clinonnière (Tabanelli 72) (main title), 1901. Eau-tie and aquatin on Japan paper, small palace, Museum of Fine Arts from the city of Paris.

''The Graphic, Front Cover Saturday, October 4, 1890', 1890. From "The Graphic. An Illustrated Weekly Newspaper", Volume 42. July to December, 1890.

Drawing of 'At Sunset'. by Giovanni Segatini (1858-1899) Italian painter known for his large pastoral landscapes of the Alps. In later life he combined a Divisionism painting style with Symbolist images of nature. He was active in Switzerland for most of his life.

Image reproduction: Feliks Cichocki (1861-1921), Grajek; Z: "Wędrowiec" 1904, No. 21, pp. 401; Wanderer (Warsaw; magazine; 1863-1906); 1904 (1904-00-00-1904-00-00);

Trapping in the Adirondacks, 1870. Winslow Homer (American, 1836-1910). Wood engraving;

Trapping in the Adirondacks - Drawn by Winslow Homer (Every Saturday, Vol. I, New Series). Designer: Winslow Homer (American, Boston, Massachusetts 1836-1910 Prouts Neck, Maine). Dimensions: Image: 8 7/8 x 11 5/8 in. (22.5 x 29.5 cm)Block: 9 1/8 x 12 1/16 in. (23.2 x 30.6 cm)Sheet: 10 9/16 x 14 1/2 in. (26.9 x 36.8 cm). Engraver: John Parker Davis (American, active 1867-82). Date: October 24, 1870. Museum: Metropolitan Museum of Art, New York, USA.

Reproduction of a painting: Henryk Siemiradzki (1843-1902), Taniec wśród mieczów The Sword Dance proof for magazine. Frühauf, Paul X.I. (Lipsk ; zakład reprodukcyjny ; fl. ca 1885-?), printing house, unknown, publisher

Winter. Date/Period: Ca. 1650-80. Painting. Oil on canvas. Height: 67 cm (26.3 in); Width: 42.9 cm (16.8 in). Author: DAVID TENIERS THE YOUNGER.

Deer-Stalking in the Adirondacks in Winter (Every Saturday, Vol. II, New Series) January 21, 1871 After Winslow Homer American. Deer-Stalking in the Adirondacks in Winter (Every Saturday, Vol. II, New Series). After Winslow Homer (American, Boston, Massachusetts 1836-1910 Prouts Neck, Maine). January 21, 1871. Wood engraving. James R. Osgood & Co. (Boston, Massachusetts). Prints

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