Ornamental Ceiling Designs

Intricate etchings of ceiling designs, featuring floral motifs and allegorical figures, showcasing baroque and classical stylistic elements.

Lucas van Leyden (Netherlandish, 1489-1494 - 1533), Two Cupids Seated on Clouds in Two Circles, 1517, engraving

Abruzzo L'Aquila Pescocostanzo Basilica32. Hutzel, Max 1960-1990 Medieval: Wood statues (2) (9-10, 12th century); stone bust (10th century Post-medieval: Architecture, architectural sculpture, painting, sculpture, objects in the museum German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

War trophies and the coat of arms of Charles V of Habsburg, Anonymous, 1683 - 1783 print Five strips with war trophies in an ornamental list. In the upper strip the coat of arms of Charles V of Habsburg, German emperor and king of Spain. Around weaponry and the spiced heads of Ottomans. Netherlands paper etching / engraving ornaments ~ art. coat of arms (as symbol of the state, etc.). weapons

Woman with draperie and young man with Festoen, Susanne Maria von Sandrart, after Leonhard Heckenauer, 1668 - 1708 print On the left half a shield with a cherub on a pedestal, on the corner of the pedestal a woman with a drapery sits over her legs and a dolphin at her feet. On the right half a cartouche on a pedestal, on the pedestal is a young man who supports a festival of fruit. Leaf 4 from series of 6 blades, two compositions per leaf. print maker: Neurenbergafter design by: Germany (possibly)publisher: Neurenberg paper etching

Left area of a print of the scene of Cebes; Tabula Cebetis Carta Vitae. Allegory about the Salvation of Man. Life as a city with three walled sites, with a temple in the middle. At the outer gate, the souls of children are waiting, ready to enter the adult life. Before entering, they get something to drink seduction (Seductio), which makes them ignorant. The first walled terrain shows all kinds of and distractions, such as prejudice (Opinio), desire (Cupiduas), doubt (Error) and ignorance (Ignorantia). They prevent the youthful man to penetrate the next circle. Only by following the personifications from repentance (Poenitentia), hope (SPES) and good desire (Bonnem Desiderium) can manage to access the second circle. There he is taught in all forms of worldly knowledge. On the left are the seven artes liberales and on the right arguing different scholars. Man is put to the test in this circle and confronted with false knowledge (Falsa Disciplina). With the help of self-control (contin

Drawing (Italy); Designed by Felice Giani (Italian, 1758-1823); pen and brown ink, brush and brown wash over traces of graphite on cream laid paper

Lazio Latina Cori S. Oliva13. Hutzel, Max 1960-1990 Extensive coverage of exterior and interior including many views of Roman columns; many views of the renaissance frescoes and of the Renaissance cloister. General Notes: There were two sets of prints for this location; they have now been integrated into a single numerical sequence. There German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Bound Print, Two Quarters of a Ceiling; Designed by François de Cuvilliés the Elder (Belgian, active Germany, 1695 - 1768); Print Maker: Carl Albert von Lespilliez (German, 1723 - 1796); Germany; etching and engraving on paper; 19 × 27.8 cm (7 1/2 × 10 15/16 in.)

Susanna and the elders, 1643 print Susanna, who is sitting on the edge of a basin to bathe, is harassed by the two elders. Under the show a reference in Latin to the Bible text then. 13:19. This print is part of an album. Amsterdam paper engraving the elders making advances towards Susanna

Jupiter in Danae, Louis Surugue, after Jacques-Francois Courtin, 1722 print Paris paper engraving / etching Jupiter wooing Danae; she is usually lying in bed receiving a shower of gold

Three Distressed Women WearingCrowns. Artist: Benoît-Louis Prévost, French, 1747-ca. 1804 After: Charles-Nicolas Cochin the Younger, French, 1715-1790

Shell-shaped scale, worn by three women; Ne inteaser Vinum Quando Flauescit (...). From series of 14 sheets with scales, bowls and boxes.

One of the 50 daughters of Nereus mounted on a sea monster with the head of a horse. Copperplate engraving by Tommaso Piroli from his Antiquities of Herculaneum (Antichita di Ercolano), Rome, 1789.

Relief on the tympanum on the rear of the Town Hall on Dam Square, Hubert Quellinus, After Artus Quellinus (I), 1664 - 1668 print Relief on the tympanum on the rear facade (west side) of the town hall on Dam Square in Amsterdam. In the middle the Amsterdam city of Amsterdam with her feet on a globe, adorned with a Mercury helmet. Against the globe an astrolabium, passer and Jacobs staff. Behind the Stedensmaag an Amsterdam cogs. At her feet on the left the river god of the Amstel, with a crown of piping, an otter and an enterhaak. On the right the river god of the IJ, with a ship's crown, a fishing net, an anchor and a dolphin. Around her, personifications of the four continents offer the city virgin merchandise from their regions. Left America (with a fence) and Asia (with turban, camel or dromedaris and incense barrel), on the right Europe (with emperor crown and horn of abundance) and Africa (with sun hat, neck chains and lion). Under the show the assignment to the four sitting mayo

Altaar van Amathus en de Wraak van Venus Virgil, 1569 print print maker: Neurenbergpublisher: Frankfurt am Mainpublisher: Frankfurt am Mainpublisher: Frankfurt am Main paper letterpress printing scrollwork, strapwork ~ ornament

fra' gli Accademici Gelati il Fedele, e principe al presente de' medesimi, Museo Cospiano: annesso a quello del famoso Vlisse Aldrovandi e donato alla sua patria dall' illustrissimo signor Ferdinando Cospi, Legati, Lorenzo, d. 1675, 1677

Print, Grotesque Frieze with Bear Hunt; Theodor Bang (German, 1575 - 1630); Germany; engraving on white laid paper; 5.4 x 22 cm (2 1/8 x 8 11/16 in.) matted with -1 Mat: 45.7 x 35.6 cm (18 x 14 in.)

Print (France)

Lazio Roma Rome Gesu36. Hutzel, Max 1960-1990 Exterior views of Baroque facade and cupola. Interior views of main altar and chapel altars. Extensive coverage of nave ceiling fresco by Baciccia, sculpted altar by Pozzo, and corridor by Pozzo and Borgognone. Paintings and sculpture in sacristy and church, and views of elaborately embroidered cope. Antiquities: Sarcophagus General Notes: Three numerical sequences have been fused into a single sequence. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Frieze designs with lions and dogs; Le Pautre, Jean (1618-1682), Stapf, Johann Ulrich (CA 1642-1706); around 1660-OK. 1670 (1601-00-00-1700-00-00);

Hemelkaart with Christian constellations, Anonymous, 1708 print Hemelaart of the autumn of shemels atmosphere with the Christian constellations, based on the Atlas of Julius Schiller from 1627. Instead of the usual constellations in the zodiac, apostles can be seen. Left and bottom right two bulbs in which parts of the map can be seen from closer. Left and top right the title. Numbered in the bottom right: 23. paper engraving zodiac; the twelve zodiacal signs together. star-chart, star map

Man bonded by disobedience and driven by sin; Heilsweg of man. Two biblical allegories in architectural frame. Left becomes the apostate man, which led himself through self-love, lust, desire and hosteen, bound by the personification of disobedience to a tree. On the right, the bound man is hunted by the personification of sin with a scour. Under both performances a four-line verse in the Nederduits and a four-line text in Latin. Number 3 and 4 from a reformational series about the sinity and justification of man.

Coat of arms of the Barbarigo family and the death of Saint Mattias, Robert van Audenaerd, 1673 - 1743 print Pedest in the form of a cartouche. Then a medallion with on the front the weapon of the Barbarigo family, flanked by two angels. Above that a crown and harness and the motto: A Victoria Nomen. On the back the facade of the church of Saint Mattias in Murano. On the pedestal, Saint Mattias is killed with sword and stones. The palm branch in his hand is the symbol of his martyrdom. The print is part of an album. paper engraving medal (considered as a piece of sculpture, regardless of its specific function). martyrdom and death of Matthias. armorial bearing, heraldry. violent death by stoning Murano

Diana en Actaeon, Virgil, 1569 print Prince Actaeon caught Diana and her nymphs while they bathe. As a punishment, he is turned into a deer by Diana, after which he is torn apart by his own hunting dogs. print maker: Neurenbergpublisher: Frankfurt am Mainpublisher: Frankfurt am Mainpublisher: Frankfurt am Main paper letterpress printing scrollwork, strapwork ~ ornament. Actaeon changed into a stag: as punishment for seeing her bathe, Diana changes Actaeon, the hunter, into a stag (Ovid, Metamorphoses III 193)

Germany, Aldegrever, Heinrich, Claesz., Allaert, Netherlands, Monogrammist AC (16th century), Ornament with bear and five putti, verso below - stamped, Flat decoration with two children holding the stem of a double goblet with one hand. In the other hand they carry a club. Above them three putti holding up a shield with sticks. A bear lies on the shield., print, ornament print, prints, height 131 mm, width 41 mm, print maker, printmaker, 1529 - 1562, second quarter 16th century, third quarter 16th century, paper, engraving, engraving (printing process), 1508, Work conception, German, 1502 - 1561

Bird on an ornamental monument, Bernard Picart (workshop or), After Bernard Picart, 1725 print Amsterdam paper etching / engraving musical instruments; group of musical instruments. ornament ~ hybrid beings; human and animal forms mixed

Engraving after a fresco by Giulio Romano in Palazzo Te. Gustavo Reiger (Italian, active Rome, Italy 1860s)

Etching and copper engraving by Elisha Kirkall from 1722 depicting Christ and the adulteress, illustrating figures, biblical scene, and religious narrative.

Florence. Babtysterium San Giovanni - Lorenzo Ghiberti (1388-1455), Porta del Paradiso (Paradise door) - fragment; around 1870 1890 (1865-00-00-1900-00-00);

Frisian with two women in the middle. Ornament with two women with leaf drinks as legs, the backs against each other in the middle. They each keep a leaf and in the other a liquute with leaf rights in the other.

Cartouche with Dragon and Bird, Livre de Cartouches Irréguliers (Book of Irregular Cartouches), François de Cuvilliés the Elder, Belgian, active Germany, 1695 - 1768, Carl Albert von Lespilliez, German, 1723 - 1796, François de Cuvilliés the Elder, Belgian, active Germany, 1695 - 1768, Etching and engraving on paper, Asymmetrical oblong cartouche in Rococo style topped with a dragon; a large bird perched on the frame at upper right. Vegetation at the sides. At left and right, two winged putti support the ornamental frame. Within cartouche, a landscape scene of a figure in a clearing within a town--a church building visible at right., Munich, Germany, 1738, albums (bound) & books, Bound print, Bound print

Etching by Hubertus Quellinus showing a frieze ornament with putti, wine tendrils, and various animals. Produced 1668.

Album Containing Architectural, Ornament, and Figure Drawings 1630-31 Giovanni Battista Mola Italian. Album Containing Architectural, Ornament, and Figure Drawings 338810

Bound Volume, Oeuvres de Juste-Aurèle Meissonnier; Designed by Juste-Aurèle Meissonnier (French, b. Italy, 1695-1750); France; bound volume; Overall: 59.1 x 43.8 cm (23 1/4 x 17 1/4 in.) Image: 27.9 x 19.7 cm (11 x 7 3/4 in.)

Chandelier with five burning candles and two putti, 1714 print Numbered in the top left: no. 40. print maker: Romeafter drawing by: Italyafter design by: ItalyVaticaanstad paper etching Chandelier, a candlestick. Candle. Cupids: 'Love' '' Amoretti '' Putti '

Deux frises sur une même planche. 1601 - 1700. Della Bella, Stefano, 1610-1664. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

Man subjects a harpy; Wanderings of Aeneas; L'ENEA Vagante Pitture Dei Caracci. Sheet with two performances of consoles with naked men, soldiers of Aeneas, sitting on harpies. The print originally belonged to Liber 22 of the Atlas of Michiel Hinloopen (seem to book 10).

Jason and the fighters born of the teeth, René Boyvin, After Léonard Thiry, 1563 print The whole is framed by an ornamental list of putti and mythological figures. paper engraving the story of the Argonauts: the quest for the Golden Fleece. after ploughing, Jason sows dragon's teeth; armed men emerge. the dragon-men kill each other when Jason throws a stone among them

Thisbe kills himself with the sword of Pyramus, Anonymous, Virgilius Solis, 1524 - 1612 print Nuremberg paper Thisbe kills herself with Pyramus' sword (the scene may be represented near a fountain)

Decorated arch with putti and a garland of fruit, Alexandre Bettou, after Francesco Primaticcio, 1622 - 1693 Albumblad contains two prints, a left and right part of a bow. The left part has serial number 15, the right part is numbered with a 10. Print is part of an album. Fontainebleau paper etching Albumblad contains two prints, a left and right part of a bow. The left part has serial number 15, the right part is numbered with a 10. Print is part of an album. Fontainebleau paper etching

Portrait of Nicolo Barbarigo and the personifications of persuasion and knowledge, Robert van Audenaerd, 1673 - 1743 print Pedest in the form of a cartouche. Then a medallion with the portrait of Nicolo Barbarigo on the front. On the back a caduceus with laurel wreath. In the middle a Herme with the bust of Mercury, symbol of eloquence. The pedestal is flanked by two female personifications. On the left is the personification of persuasion. She has an eye and a tongue on her head. A dog, cat and monkey are tied to a cord in her hands. The woman on the right is the personification of knowledge or mind. She has a flower wreath in her hair and as attributes an armillarium and snake. The print is part of an album. paper engraving medal (considered as a piece of sculpture, regardless of its specific function). caduceus (staff with two snakes, attribute of Mercury). armillary sphere, skeleton celestial globe. (story of) Mercury (Hermes). cat. dog. monkeys, apes. Intellect, Intelligence; 'In

Bas -relief of a group of putti and horses, 1636 - 1647 print Roman bass relief of a group of putti, who walk in a parade, and feed horses on the rein with them. In the middle of the coat of arms of Vincenzo Giustiniani. Print is part of an album with a series of prints to the sculptures in the collection in the Galleria Giustiniani in Rome. paper engraving piece of sculpture, reproduction of a piece of sculpture. cupids: 'amores', 'amoretti', 'putti'. leading a horse by the reins; rider beside his horse

Portrait of Francesco Barbarigo and the personifications of, among other things, generosity and politics, Robert van Audenaerd, 1673 - 1743 print Pedest in the form of a cartouche. Then a medallion with the portrait of Francesco Barbarigo on the front. On the back an empty field with the text: Cyprus in Potestatem Reipublicae Edacta. The pedestal is surrounded by three personifications. On the left is generosity. The woman with crown on the head provides a golden chain. Her left hand is on the head of a lion. In the middle is politics with scales. The woman on the right has a rod and leans her arm on a pillar. She points to a globe with the signs of the zodiac. The print is part of an album. paper engraving medal (considered as a piece of sculpture, regardless of its specific function). government, the State; 'Politica', 'Auttorití o Potestí' (Ripa). Generosity, Liberality; 'Generosití', 'Liberalití' (Ripa). beasts of prey, predatory animals: lion. scales

Car with a woman, pushed by a man and pulled by a man who drives on the back of a bear, 1552 print At the front is a man with a lance. There is a monkey behind the woman's back. Belongs to series of 4 sheets. Netherlands (possibly) paper etching chariot, triumphal car. ornament ~ grotesque

Vase 1543 Antonio Fantuzzi. Vase 697508

Deer hunt; Yacht scenes. Print from a series of five prints with the theme yacht scenes.

Print, Vignettes with Angels and Instruments of the Passion; Print Maker: Jakob Frey; After Giovanni Passari (Italian); Switzerland; engraving on paper; 6.7 × 14.4 cm (2 5/8 × 5 11/16 in.); 1907-7-4-b

Three fragments of frame lists; Bordures the tableau a la romaine. The middle list with an eagle flanked by two children. From first edition.

Detail plafondschildering; De bijeenkomst van de goden; Deorum concilium in Pinciis Burghesianis hortis.A detail of the ceiling painting 'The meeting of the gods' by Giovanni Lanfranco in Villa Borghese, with ornament and naked figures. The print originally belonged to Liber 22 of the Atlas of Michiel Hinloopen (seem to book 10).

Minerva, 1635 - 1660 print Landscape with Minerva and the owl as a symbol for wisdom. Minerva wears a plume hat, holds a rocket and leans on her Aegis (shield with the medusa head). In the frame an edge script in Latin that refers to the role that Minerva played in the opinion of Paris. She is one of the three goddesses who had to judge Paris and offered him the victory in the fight. This print is part of an album. paper engraving (story of) Minerva (Pallas, Athena)

Pelops et Oenomai Mors. Romano, Giulio, 1499-1546. 1825. Pinelli, Bartolomeo, 1781-1835. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

La Vera Perfettione del Disegno di varie sorti di recami, page 29 (recto) 1567 Giovanni Ostaus Italian Published by Giovanni Ostaus, Venice, woodcut of Lucrezia designed by Giuseppe Salviati (Giuseppe Porta, called Il Salviati), Italian, Castelnuova di Garfagnana ca. 1520-1575 Venice.From top to bottom, and left to right:Design composed of 3 horizontal registers. Top register is decorated in the center with a pot from which curving vines of leaves emanate; interspersed throughout the vines are monkeys and birds. Middle register illustrates a hunting scene; on the right side a kneeling hunter holds a crossbow aimed at a flying duck in the center. Bottom register illustrates another hunting scene in which 2 men (one on horseback) and their dogs hunt a fleeing buck.. La Vera Perfettione del Disegno di varie sorti di recami, page 29 (recto) 662552

Lazio Roma Rome S. Caterina dei Funari9. Hutzel, Max 1960-1990 Post-medieval: Architecture, painting, fresco, sculpture. In the vicinity of Palazzo Mattei in Jewish quarter German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Delaune, Jean, Etienne, Classical gods in niches, Divinités de l'Antiquité Païenne, Three niches with Hercules, Mars and Vulcan, verso - stamped, print, prints, height 55 mm, width 82 mm, French, 1519 - 1583, printmaker, 1578 - 1578, paper, papier, engraving, engraving (printing process), stipple work, Work conception, 1559 - 1580

Left: the left half is shown. A burning heart in a glory of rays in a barrel wreath is shown in the panel of the front. A gaine of a kind is disposed obliquely at the corner, having on top a cherub. Right: somewhat more than the left half is shown. A similar burning heart is surrounded by laurel branches. Framed by a frame, the upper side of which is shaped as a triangular cornice. A cherub on top of a volute is at the corner. Colored background. Date: ca. 1780. Pen and brown ink, brush and brown wash, red ink on off-white laid paper, lined. Museum: Cooper Hewitt, Smithsonian Design Museum.

Wedding table, Hans Bol, c. 1550 - 1593 print A wedding party takes place in the open air. The guests are eating at a table. In the middle the bride with her bridal girls on either side. paper etching wedding feast, wedding meal

Lunette with putti, fish and horns of abundance in the eastern gallery of the town hall on Dam Square, Hubert Quellinus, after Artus Quellinus (I), 1655 print Lunette with two putti, two fish and two inverted horns of abundance in the southern part of the eastern gallery of the town hall on Dam Square in Amsterdam. This is one of the two lunettes left and right of the statue of Diana. Marked in the middle: N. paper etching / engraving cupids: 'amores', 'amoretti', 'putti'. 'Cornucopia', Horn of Plenty. fishes City Hall of Amsterdam (1655-1808)

Procne Bevrijdt Philomela, Virgil, 1569 print During a Bacchian party, Procne frees her sister Philomela who was locked up by the Thracian king Tereus after having imprisoned. print maker: Neurenbergpublisher: Frankfurt am Mainpublisher: Frankfurt am Mainpublisher: Frankfurt am Main paper letterpress printing scrollwork, strapwork ~ ornament. during a festival of Bacchus Procne liberates her sister Philomela

The Last Judgment, Blad H, Giorgio Ghisi, After Michelangelo, 1530 - 1582 print A detail from the fresco 'The Last Judgment' by Michelangelo in the Sixtine Chapel. Marked bottom left: H. paper engraving Last Judgement

Wandelaar, Jan, Northern Netherlands, Allegorical representation on the occasion of the silver wedding anniversary of Jacobus de Vos and Katharina van de Ryp, verso lower - stamped, Allegorical representation made on the occasion of the silver wedding anniversary of Jacobus de Vos and Katharina van de Ryp, celebrated in Haarlem on 13 April 1723. On a bench a married couple is seated. They are accompanied by Love and Faithfulness. On the right, at an altar, Piety and the god of marriage Hymen. The representation is set in an ornamental frame, above a representation of the married couple Philemon and Baucis. They are visited by two strangers, after which they decide - despite their poverty - to slaughter their goose. The guests turn out to be Jupiter and Mercury, who then fulfill the couple's wishes in gratitude for their hospitality., print, wedding print, prints, verso lower left - stamped, height 129 mm, width 147 mm, Noord-Nederlands, 1690-04-14 - 1759-03-26, print maker, printmaker,

Lazio Roma Frascati Episcopal Palace2. Hutzel, Max 1960-1990 Exterior views of the castle, formerly called Rocca, that is now the Episcopal Palace. Interior views of dining room and living room, along with paintings and frescoes. Antiquities: Assorted Roman and Etruscan antiquities in the courtyard, including two sarcophagi, statues, stele, an urn, busts. General Notes: There were two sets of prints made from the same set of negatives. One set is labelled Episcopio and the other Vescovado; they have now been integrated into a single numerical sequence. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geog

Le Pautre, Jean, work, 'Frizes Feuillages ou Tritons Marins antiques et modernes...', 12 pieces of decorative frieze on six leaves, (1000 - 2000), engraving and line etching, graphics, image width 21 cm, image height 13.9 cm

Raphaël, le Parnasse (fresque du Vatican). James Anderson (British, 1813 - 1877)

Putti met globe, anonymous, after Cornelis Schut (I), in or after 1607 - 1800 drawing Six putti with a lute, a globe and a flag. Light rays at the top. paper. ink pen / brush Cupids: 'Amores', 'Amoretti', 'Putti'. globe

Lazio Viterbo Bagnaia Villa Lante96. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Military Trophy after Polidoro da Caravaggio, Polidoro da Caravaggio, Italian, 1499 - 1543, Pencil, pen, brush and sepia, brown ink on paper, Horizontal rectangle showing a design for a military trophy. At center, a helmet in the antique style with a feathered crest. Below are two large shields and clusters of spears. At left, an eagle headed ewer; at right, a rams head., Italy, 1775-1800, architecture, Drawing, Drawing

Each trophy consists of six putti. Sheet 11 from series of 6 sheets with opposing German copies after Louis Testelin. The sheet features copies to sheets 5 and 6 from the original series, Two trophies with putti Trophies of putti (series title), Louis Testelin, (mentioned on object), print maker: anonymous, publisher: Jeremias Wolf, (mentioned on object), France, (possibly), publisher: Augsburg, 1663 - before 1724, paper, engraving, h 371 mm × w 204 mm

Cartouche surrounded by a man and two putti, Pieter Jansz, 1657 - 1662 drawing Cartouche surrounded by a man and putto with a tape measure and a putto with a compass. Design for a print. paper. ink pen / brush measuring-instruments. compasses. cupids: 'amores', 'amoretti', 'putti'. ornament ~ cartouche

Drawing, Two male figures and a decorative motif; Jean-Robert Ango (French, active in Rome 1759 -1770, d. 1773); France; red chalk on paper; 1977-110-4-6

Triomf van neptunus in amphitrite, Augustin Jacques Renard de Saint-André, After Charles Le Brun, 1695 print Paris paper etching triumph of Neptune and Amphitrite, with a retinue of tritons and Nereids, i.e. marriage train. other Nereids (or sea-nymphs)

Dood Van H. Anna, Cesare Fantetti, After Andrea Sacchi, c. 1675 print Anna, the mother of Maria, on her deathbed surrounded by those present including Mary with the Christ child. Anna looks up to two cherubs and three putti that hold a curtain. print maker: Italyafter painting by: Romepublisher: Rome paper engraving / etching death of Anna, usually Mary and Christ present. cupids: 'amores', 'amoretti', 'putti'

Lazio Viterbo Bagnaia Villa Lante46. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Drawing, Design for an Overdoor; Netherlands; pen and ink, brush and bistre wash on paper; 11.4 × 13.9 cm (4 1/2 × 5 1/2 in.)

Drawing, Bacchus and Ceres; Felice Giani (Italian, 1758-1823); Italy; pen and brown ink, brush and brown wash, over graphite support: cream-colored wove paper; 21.3 x 19.5 cm (8 3/8 x 7 11/16 in.) 8 7/16 x 7 11/16 in.

Decoration of a Panel, Pen and brown ink, brush and brown wash on off-white laid paper, Horizontal rectangle. In the center is a circular frame with a woman wrapped in a coat, so that only the nose and the eyes are unprotected, possibly representing Winter. Above are festoons from which entwined garlands hang. On both sides a paper with an inscription is put upon a slope. The motif at right includes two oil lamps. Below at right is a bird standing upon two chalices, with two griffins sitting below upon a base. At left is a tripod; two legs supporting the bowl of a lamp are visible. Below the circle are crossed branches. (RB '45), Roundel with a vestal, flanked by grotesques, for decoration over mirror, noble cabinet, Palazzo Altieri. (PDM '91), Italy, 1789-1793, architecture, Drawing, Drawing

Allegorical female figure on a sphere in a niche, Edouard Taurel, 1834 - 1892 print Allegorical naked female figure is in a bol in a niche. In her hands a staff and a palm branch. Amsterdam paper engraving allegorical representation of human figure of ideal proportions - AA - female human figure of ideal proportions; 'Bellezza feminile' (Ripa)

Detail plafondschildering; De bijeenkomst van de goden; Deorum concilium in Pinciis Burghesianis hortis.A detail of the ceiling painting 'The meeting of the gods' by Giovanni Lanfranco in Villa Borghese, with ornament and naked figures. The print originally belonged to Liber 22 of the Atlas of Michiel Hinloopen (seem to book 10).

Two Frieze Designs with Acanthus Scrolls combined with a Lion and Eagle on top and Two Rams below, Plate 5 from: 'Decorative friezes and foliage' (Ornamenti di fregi e fogliami). Artist: Stefano della Bella (Italian, Florence 1610-1664 Florence). Dimensions: Sheet: 3 1/4 × 9 1/2 in. (8.3 × 24.2 cm). Publisher: Nicolas Langlois (French, Paris 1640-1703). Series/Portfolio: 'Decorative friezes and foliage' (Ornamenti di fregi e fogliami). Date: ca. 1645-50. Museum: Metropolitan Museum of Art, New York, USA.

Grotesque, putti, goat and woman; Frisians with grotesque figures in stylized tiles. From left to right: a grotesk in the shape of a siren, two playing putti, a goat and a woman washing her hair. On the rank of a console condition: mk.f. Sheet from series of 16 () Sheets.

Drawing, Sheet from a Sketchbook: Triumph of Silenus and Triumph of Bacchus and Ariadne; Felice Giani (Italian, 1758-1823); Italy; pen and brown ink, brush and brown wash over traces of graphite on cream laid paper; 37.7 x 24.1 cm (14 13/16 x 9 1/2 in.)

Reproduction of drawing: Juliusz Kossak (1824-1899), March; from: "Tygodnik Ilustrowany" 1866, 1, 241. unknown, publisher

Portrait of IOH. Hedwig

Le Pautre, Jean, work, 'Frizes Feuillages ou Tritons Marins antiques et modernes...', 12 pieces of decorative frieze on six leaves, (1000 - 2000), engraving and line etching, graphics, image width 21 cm, image height 13.9 cm

. The ceiling is supported by columns, pilasters and a cornice of the corintean order. In the corners, medallions are present from below. Obachi copy to print out series with ceilings designed and published by Daniel Marot.

Ornament with Two Genii Riding on Two Chimeras, 1544, Sebald Beham, German, 1500-1550, 1 3/8 x 3 15/16 in. (3.49 x 10 cm) (image), Engraving, Germany, 16th century, Sebald Beham was one of the Little Masters, followers of Albrecht Dürer known for their small, jewel-like prints. Beham's engravings were in demand both as collector's objects and as workshop models. This ornamental frieze with its counterpoised genii would have been copied by makers of furniture, armor, and plaquettes. The design evidently has its source in Italy, where it has been traced to a tapestry and a painting above a palace window in Vicenza.

Dryope turned into a lotus tree, Virgilius Solis, 1569 print print maker: Neurenbergpublisher: Frankfurt am Mainpublisher: Frankfurt am Mainpublisher: Frankfurt am Main paper letterpress printing scrollwork, strapwork ~ ornament. Dryope changed into a lotus-plant: Dryope is changed into a lotus-plant, when to please her little boy she picks a flower from a lotus-plant (i.e. Lotis metamorphosed) which then starts to bleed (Ovid, Metamorphoses IX 331)

Lazio Viterbo Bagnaia Villa Lante06. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Jacques Callot (1592-1635). "The life of the Blessed Virgin, birth of the Virgin: second issue of a series of 14 pieces" (Lieure 1358, Meaume 77). Etching. 1631. Museum of Fine Arts of the City of Paris, Petit Palais. 99590-29 Etching, engraving

Minerva; Gods and goddesses involved in the judgment of Paris. Landscape with Minerva and the owl as a symbol for wisdom. Minerva carries a plume hat, holds a spear and leans on her Aegis (shield with the medusa head). In the frame a peripheral in Latin that refers to the role that Minerva played in Paris's judgment. She is one of the three goddesses who had to judge Paris and offered him the victory in battle. This print is part of an album.

Lazio Viterbo Caprarola Palazzo Farnese20. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Palemon, Daniel Nikolaus Chodowiecki, 1771 print Ninety -year -old Palemon turns into a cypress, standing next to his wife Mirta's grave. Children singing around him. Nummered in the bottom left: 6. paper etching Literature. pastorals, Arcadian scenes. grave, tomb. transformation, metamorphosis of person

Pierre Woeiriot (French, 1532 - 1599), Pharaoh and the Plague of Frogs, engraving

Campania Napoli Naples S. Lorenzo Maggiore71. Hutzel, Max 1960-1990 Medieval: Sculpture, architecture, architectural sculpture (including Roman spolia) 13-14th century Chapter house; sarcophagi, gravestones; wall painting. Fragment of mosaic; sculptural fragments in the Sala Capitolare. Post-medieval: Architecture, architectural sculpture, ceiling painting fresco cycle; prints depicting Venice c. 1845 (4), sculpture; life-size creche figures dressed in original Neapolitan costume Church restored in 1882, 1926, 1944; excavations under the transept undertaken between 1958-1962, and in the cloister in 1976, have revealed remains of a Roman macellum (market), street, and the paleochristian basilica of the 6th c. AD. Antiquities: Pottery: black-glazed, archaic banded, domestic wares, bucchero; architectural terracottas, statuettes, lamps, sculpture fragments Object Notes: 3 color negatives with no prints at the end. General Notes: Most objects/paintings/frescoes unidentified. Three batches

Youth Fountain, consisting of two parts, Anonymous, After Hans Sebald Beham, 1510 - 1550 print paper fountain of youth, 'Fontaine de Jouvence'. fountain of Love, 'Fons Amoris'

Relief on the tympanum on the facade of the town hall on Dam Square, Hubert Quellinus, After Artus Quellinus (I), 1658 - 1668 print Relief on the tympanum on the facade (east side) of the Town Hall on Dam Square in Amsterdam. The Amsterdam city stunn is sitting in the middle, with the Keizerskroon on her head. In one hand the weapon of the city, in her other hand an olive branch as a sign of peace. Two lions on her feet. Around her nereches who give her laurel wreaths. To the right of this group of Nereids Neptune. Around the Stedensmaag further tritons, hippocampuses, fishing, seals, swans and a crocodile. Under the show the assignment to the four sitting mayors from the year 1658 (Gerard Schaep, Cornelis de Graeff, Cornelis Jansz. Witsen and Joan van de Poll) and the two thesaurians of the same year (Joan Huydecoper and Nicolaes Tulp). paper etching / engraving personification of a city, town-patron(ess). coat of arms (as symbol of the state, etc.) (+ city; municipal). beasts of pre

Print (France)

Companions of cadmus devoured by a dragon; Ovidius' metamorphoses; Reflections by P. Ovidius Naso. If Cadmus with his cow has reached the place where he will found the city of Thebes, he lets his companions get sacrifice water in a nearby forest. If the men in the forest fill their water tubs, Mars dragon fails to them. They drop the urns from shock. At the show, the dragon bites one of the men. Under the show twice two fresh rules in Latin. The print is part of an album.

Ornamental frieze with putti, acanthus leaves, and garlands of fruit, from Recueil de Différentes Compositions Frises et Ornements dessinées et gravées à la manière du lavis par La Grenée le Juene Se trouve chez l'Auteur, au Louvre et chez Basan, rue et Hôtel Serpente A Paris, in an album containing Recueil de Compositions par Lagrenée Le Jeune (Collection of Compositions by Lagrenée the Younger) 1784 Jean Jacques Lagrenée French. Ornamental frieze with putti, acanthus leaves, and garlands of fruit, from Recueil de Différentes Compositions Frises et Ornements dessinées et gravées à la manière du lavis par La Grenée le Juene Se trouve chez l'Auteur, au Louvre et chez Basan, rue et Hôtel Serpente A Paris, in an album containing Recueil de Compositions par Lagrenée Le Jeune (Collection of Compositions by Lagrenée the Younger) 424222

3310. Roma. Capp. Sistina, Vatican, Sistine Chapel, fresco by Michelangelo: The Creation of the World, 3310. Roma. Capp. Sistina. Creazione del mondo, photograph, foto, foto's, height 202 mm, width 258 mm, photographer, 1870 - 1880, third quarter 19th century, fourth quarter 19th century, paper, photographic paper, photo paper, cardboard, albumen print

of 3