Ornamental Design Sketches

Detailed etchings and sketches of ornamental designs, featuring intricate patterns with floral and animal motifs from various artistic styles.

Ornaments with flowers, monkey and mask, anonymous, after master P.R.K., 1720 - 1730 print Two ornaments on one leaf. Above a ornament of braid with flowers, a monkey, a vase, dogs and birds. Print number 117. Under an ornament of braid work with flowers, a mask and squirrels. Print number 118. paper etching ornaments ~ art. flowers ~ ornament. monkeys, apes. mask, mascaron ~ ornament

Design for a dress ..

Cardinal monument Fryderyk from the album: graves and monuments of Polish kings in Krakow; Dietrich, Fryderyk Krzysztof (1779-1847), Stachowicz, Micha (1768-1825), Lemercier, Rose Joseph (Paris 1851 (1851-00-00-1851-00-00);

A copper engraving by Antoine Jacquard from 1610-1652 showing various representations with ornamental designs, illustrating figures, decorative elements, and classical composition.

Design for a Ceiling for the Drawing Room at Milton Abbey, Dorset 1770-74 Sir William Chambers British, born Sweden. Design for a Ceiling for the Drawing Room at Milton Abbey, Dorset 362929

Kin, Pa-fou et Tchi chinois, in or before 1828 One of 103 designs for marqueterie from ribbons -hung musical instruments in round medallions, intended for the set of chairs made by Van Doren for the large room of the Prince of Orange's palace in Brussels in 1828. Brussels paper. ink. graphite (mineral) musical instruments; group of musical instruments. trophy, i.e.: decorative arrangement of symbolic or typical objects ~ ornament Royal Palace

Deraisme, Pierre -Georges (n.1859 - D.1932), brooch (main title), 1897. Graphite, ink and gouache on transparent rives vellum. Petit Palais, Museum of Fine Arts of the City of Paris.

Wall Paper Border. Dated: c. 1936. Dimensions: overall: 30.5 x 23.1 cm (12 x 9 1/8 in.) Original IAD Object: 1 1/16" wide. Medium: watercolor, gouache, and graphite on paperboard. Museum: National Gallery of Art, Washington DC. Author: Vincent Burzy.

Kind der See. Bauerle, Amalie Mathilde (1870-1916), graphic artist

Two reliefs with leaf ranks and faces, sculpted by Jean Herman, Charles Claesen (Possible), c. 1875 - in or before c. 1880 photomechanical print This print is part of a cover with 28 prints and a title page. Shutter paper collotype sculpture (+ relief ~ sculpture). face. foliage, tendrils, branches ~ ornament

Plate of Grafzerk Gijsbert Willemsz. Raet, David van der Kellen (1804-1879), in or before 1865 - 1878 print Geldoping plate from the Grafzerk van Gijsbert Willemsz. Raet, priest on the St. Johanneskerk in Gouda. paper etching gravestone, tombstone

Bas-reliefs of the Dancing Hours, Apollo with four muses, Cupido and Bacchus, Joseph Cundall, c. 1868 - in Or Before 1873 photograph paper carbon print sculpture (+ relief ~ sculpture). Apollo and the Muses, Apollo Musagetes. (story of) Cupid, Amor (Eros). early life, prime youth of Bacchus

Zdeněk Kratochvíl: Sv. Jiří. Gobelin. Provedla M. Teinitzerová. Z vánoční výstavy v Um. prům. museu.. Periodicals. 1911 - 1913. General Research Division. Modernism (Art), Czech literature , 20th century, Art, Arts , Czechoslovakia

Etching by Joseph Fischer after 1822 depicting multiple figures including Zacharie Dolndo, Abraham Heckius, Robert, Andre Stick, Cornely Drobel, Nicolas Braeu, Nicolas Cloock, and Gilles van Ben in a construction scene, showing detailed 19th-century European figures and activity.

Le Kaire Cairo. Monuments isolés. 1. La pharaon Psammétichus II fait la dédicace d'un propylon. ... ; 2. Le roi Nectanèbe fait l'offrande d'un sphinx à une divinité. .... Champollion, Jean-François, 1790-1832. Prints, Illustrations. 1845. General Research Division. Egypt , Antiquities

Plate XIX: St Stephen's Chapel, Print made by John Carter, 1748-1817, British, after John Carter, 1748-1817, British, 1811, Line engraving on slightly textured, moderately thick, cream wove paper, Sheet: 18 1/2 × 12 1/2 inches (47 × 31.8 cm) and Plate: 17 3/16 × 11 inches (43.6 × 27.9 cm), architectural subject, church, City of Westminster, England, House of Commons, London, Palace of Westminster, St. Stephen's Chapel, Palace of Westminster, United Kingdom

Untitled Composition. Le Corbusier; French, born Switzerland, 1887-1965. Date: 1932. Dimensions: 660 × 400 mm. Transfer lithograph on dark cream wove paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Deraisme, Pierre -Georges (n.1859 - D.1932), brooch (main title), 1910. Graphite on the front, gouache on the back on transparent vellum. Petit Palais, Museum of Fine Arts of the City of Paris.

Rebus: Béranger was not Really Strong, for he Never had the Key of the Fields. Charles Meryon (French, 1821-1868); printed by Pierron (French, 19th century); published by Rochoux (French, 19th century). Date: 1863. Dimensions: 291 × 125 mm (image); 306 × 151 mm (plate); 450 × 297 mm (sheet). Etching on ivory laid paper. Origin: France. Museum: The Chicago Art Institute, USA.

The title of the title "La Grande Dame"; Jasi Ski, Feliks Stanis AW (1862-1901), Grasset, Eugéne (1845-1917), Porcaboeuf A. & Succeseurs (Paris; Printing house; Fl. Ca 1890-1929); 1929 (print); 1892 (matrix) (1892-00-00-1929-00-00);La Grande Dame (magazine - Paris - 1893-1896) - Illustration, Wellsz, Leopold (1882-1972), Wellisz, Leopold (1882-1972) - collection, French (culture), French graphics, graphics Poland, Poland (culture) , sunflowers, purchase (provenance)

Ornamentation and Crowned Lion (Nobel), Bernard Willem Wierink, 1910 print paper fable of Reynard the Fox

Leather Medal Case. Dated: 1936. Dimensions: overall: 28.1 x 22.9 cm (11 1/16 x 9 in.) Original IAD Object: 3 1/2" high; 3 1/2" wide. Medium: watercolor, gouache, pen and ink, and graphite on paperboard. Museum: National Gallery of Art, Washington DC. Author: Marie Famularo.

Magdalena wife zu Stubenberg, bored Freyherrin von Herberstein, Bobles , The Decembr, of her age , year, Magdalena von Stubenberg, born of Herberstein, Johann Franck, realization

Oak decorated cupboard, anonymous, c. 1881 - in or before 1889 photomechanical print Antwerp paper collotype / photolithography sculpture. furniture for storage

Fra Antonio Lorenzini etched a print between 1700 and 1740 depicting nymphs of Diana surprised by a satyr, showing figures in a mythological scene.

Illustration for lyrics du Fu; 1959-1962 (1959-00-00-1962-00-00);

Plaster model for decoration of the Palais du Louvre by Hugon, c. 1855 - c. 1857 photograph Part of Réunion des Tuileries au Louvre 1852-1857, album 4. Paris paper. photographic support salted paper print permanent exhibition, museum. ornamenting, decorating ~ applied arts Palais du Louvre. Tuilerieënpaleis. Louvre Museum. Paris

Abraham Genoels created round-format etchings of landscapes around 1690, showing natural scenery with trees, rivers, hills, and architectural structures.

. Leaf with four performances of classic tokens. Top left: a temple for the forest godin Pomona. A man kneel down, a woman brings cafés. At the top right: four tokens, which were used as a kiss offered to the Greeks. Bottom left: Four tokens in honor of Hercules.Rechtsonder: Meding with the Egyptian goddess Anubis and four other coins.

Gypsum models for sculptures at the Palais du Louvre: "La Prudence et La Force" by Joseph Felon.Part of Réunion des Tuileries au Louvre 1852-1857, album 1.

XV. Initial P Q with Acanthus Mallve. State state plan Hamburg, collection of the history of photography

Copies after the 'Livre contenant passement de moresques' (plate 9). Artist: After Jacques Androuet Du Cerceau (French, Paris 1510/12-1585 Annecy). Dimensions: Sheet: 4 13/16 × 3 9/16 in. (12.2 × 9 cm)Plate: 4 1/2 × 3 5/16 in. (11.5 × 8.4 cm)Overall: 10 1/16 × 7 7/8 in. (25.5 × 20 cm). Date: 19th century ().Modern album containing 19 etchings with moresque designs after the French artist Jacques Androuet Du Cerceau. Museum: Metropolitan Museum of Art, New York, USA.

Design for a Plate, Brush and gold gouache, pen and black ink, graphite on cream paper, Design for a plate with blue and gold border, dentils with arabesques and roses on scrolls and small hanging banners., Japan, 1880-1910, tableware designs, Drawing, Drawing

Photo production of a drawing, representing two pilasters with animal ornaments for the Salle du Manège in the Palais du Louvre in Paris, Édouard Denis Baldus, After Anonymous, c. 1865 - in or before 1870 photomechanical print France paper capital (~ column, pillar)

Bliżej Kultury unknown

Decorative motif, Carel Adolph Lion Cachet, 1874 - 1945 print White decorative motif on black background. paper printing block

Photo production of a print of an allegory with an old woman, Bibois, After Anonymous, c. 1852 - in or before 1857 photograph photographic support salted paper print old woman. symbolic representations, allegories and emblems ~ drawing

Drawing, Designs for embroidery.; France; black crayon on tracing paper; 1963-37-1-l

A wooden stitch illustration by Oscar Pletsch depicting a child on a high chair and another in a pillow, created between 1850 and 1900.

Interior of farm, Rodolphe Bresdin, 1843 print paper etching interior of the house

Arabic with Lier, Hourglass, vase and arrows, Jean Baptiste Fay, 1784 - 1796 print Four vertical panels with arabesks and vases, a winch, birds, insects, a winged hourglass, arrows and a mask. Paris paper etching / engraving ornament ~ arabesque. lyre, cithara, psaltery. hourglass. vase ~ ornament. archer's weapons: arrow

Dress (detail). Dated: 1937. Dimensions: overall: 26.8 x 35.7 cm (10 9/16 x 14 1/16 in.) Original IAD Object: exact size. Medium: watercolor and graphite on paper. Museum: National Gallery of Art, Washington DC. Author: Irene M. Burge.

Roman Majuscule Alphabet, 1525, Woodcuts, 13/16 x 13/16 in. (2 x 2 cm), Paper/Sheet 7/8 x 7/8 in. (2.2 x 2.2 cm), Thirteen letters on one sheet

Salt Cellar. Dated: c. 1936. Medium: watercolor, graphite, and gouache on paperboard. Museum: National Gallery of Art, Washington DC. Author: John Dana.

Two performances with human figures, Antoon Derkinderen, 1896 print Above two figures next to a temple with an image of a figure playing a pan flute. Under Jonah, sitting on an island, looking at the big fish that had swallowed him up. On the water a boat that is plagued by a personification of the wind. paper piece of sculpture, reproduction of a piece of sculpture. panpipes. Jonah in the fish's belly (Jonah 2:1 - 3:2). wind as a human face, blowing with rounded cheeks

An etching by Virgil Solis the Elder from 1529-1562 depicting Dagate ornaments with intricate decorative motifs and patterns.

Etching by Joseph Fischer after 1822 depicting multiple artists including Antoine Benoist, Germain Audran, Etienne Picart, and others, demonstrating 19th-century French etching techniques.

Print (Germany)

Designs for Gothic Ornamentation, Augustus Welby Northmore Pugin, 1812-1852, British, Augustus Charles Pugin, 1762-1832, French, undated, Graphite and pen and brown ink on medium, smooth, cream wove paper, Sheet: 7 1/4 × 5 1/2 inches (18.4 × 14 cm), Mount: 7 1/2 × 5 7/8 inches (19.1 × 14.9 cm), and Mount: 10 1/4 × 8 3/4 inches (26 × 22.2 cm), architectural subject, designs, Gothic (Medieval), leaves, ornamentation

Chapter 4, plate 3, The antiquities of Magna Graecia, Watts, Richard, Wilkins, William, 1778-1839, Engraving, 1807

Color sketch (History of education), center section of mural for the Levi Warren Junior High School, Newton , History, Education. The Massachusetts WPA Federal Art Project Photograph Collection

Details of the table's in -layer from the set of furniture from the collections of Arkadiusz Strzacki from Minsk Mazowiecki in 1917 - two fragments; Sztolcman, Władysław Roman (1873-1950); 1917 (not after September 21, 1917) (1917-00-00-1917-00-00);

Fitting for the cabinet from the Leopold Méyet collection, in the collections of the National Museum in Warsaw since 1915; Masha, Mariusz (1888-1944); 1916 (not after 27.05.1916) (1915-00-00-1915-00-00);

Hoorn and other instrument, in or before 1828 One of 103 designs for marqueterie from ribbons -hung musical instruments in round medallions, intended for the set of chairs made by Van Doren for the large room of the Prince of Orange's palace in Brussels in 1828. Brussels paper. ink. graphite (mineral) trophy, i.e.: decorative arrangement of symbolic or typical objects ~ ornament. wind instruments Royal Palace

Hartung Adolf (1850-1910), stove coat made of cast iron (for a factory in Kaiserslautern). Monthly competition May 1882 (05.1882): vertical cut, horizontal cut; Scale bar. Ink over blueprint on paper, 56.1 x 38.2 cm (including scan edges) Hartung Adolf (1850-1910): Ofenmantel aus Gusseisen (für eine Fabrik in Kaiserslautern). Monatskonkurrenz Mai 1882

Amor takes a chained love couple, Elias Baeck, c. 1690 - c. 1755 print The arms of the couple are chained together. Amor takes the couple. Around an ornamental edge with rocailles and busts. In the lower margin a two -way caption in Latin and a two -way caption in German. Above possibly a calligraphy letter. Augsburg paper. chalk etching couple of lovers. (story of) Cupid, Amor (Eros)

Design for a Candelabra. Artist: Anonymous, French, 18th century. Dimensions: 10 5/8 x 16 7/16 in. (27.05 x 41.7 cm). Date: ca. 1770-90. Museum: Metropolitan Museum of Art, New York, USA.

Photo reproduction of a drawing, representing a capital with animal ornaments for the Salle du Manège in the Palais du Louvre in Paris; Nouveau Louvre. Manége; Palais du Louvre et des Tuileries. .

GIPS models for sculptures on the Palais du Louvre: left "La Marine" by Georges Clère and on the right "L'art égyptien" by François Gaspard Aimé Lanno, c. 1855 - c. 1857 photograph Part of Réunion des Tuileries au Louvre 1852-1857, album 2. Paris paper. photographic support salted paper print permanent exhibition, museum. piece of sculpture, reproduction of a piece of sculpture Palais du Louvre. Tuilerieënpaleis. Louvre Museum. Paris

Jacobsthal Johann Eduard (1839-1902), grammar of the ornaments (without dat.): Head tile of the zeust temple on Aegina, issue 2nd sheet 10 .. lithograph on paper, 71.7 x 56.3 cm (including scan edges) Jacobsthal Johann Eduard (1839-1902): Grammatik der Ornamente

Butterfly and flames; No spirit in them. A butterfly above a water. Four flames at the top.

Decor design with a face under the stands of an amphitheater. Print is part of an album.

Hoffmann Ludwig (1852-1932), (not yet recorded) (1902): Not yet recorded (L.H., new buildings of the city of Berlin, Vol. I). Print on paper, 52.5 x 39.2 cm (including scan edges) Hoffmann Ludwig (1852-1932): Gemeindeschule in der Grenzstraße, Berlin. (Aus: Neubauten der Stadt Berlin, Bd. I, 1902)

Vignette with allegorical representation

Pilier du Sanctuaire de granit du Palais de Karnac (Bas-relief représentant Thotmès III et la Déesse Athor) 1849-50 Maxime Du Camp French Maxime Du Camp's mission to Egypt and the Near East in 1849-51 to make a photographic survey of monuments and sites is well documented in his writings and in those of his fellow traveler, Gustave Flaubert. After an initial stay in Cairo, the two friends hired a boat to take them up the Nile as far as the second cataract, after which they descended the river at leisure, exploring the archaeological sites along its banks. In July 1850 they left Egypt for Palestine, Turkey, and Greece before they parted in Italy the following April. Du Camp's album "Egypte, Nubie, Palestine et Syrie," published in 1852 and containing 125 photographs printed by Blanquart-Evrard, brought its author instant fame. In addition to the published edition, Du Camp arranged for a private printing of a few portfolios, such as the one in the Gilman collection, which numbers 174 ima

Schmalz Otto (1861-1915), travel sketches from Italy (02.1901): Berlin: Gate wing at the castle courtyard (view, detail). Ink on paper, 42.9 x 31 cm (including scan edges)

Ex Libris by Henriëtte Haitsma Mulier and Simon Moulijn, Simon Moulijn, 1876 - 1926 print A fountain flanked by cypresses. paper ornamental fountain. trees: cypress

Study of a Coffin Lid from Houghton Churchyard, Norfolk, attributed to John Sell Cotman, 1782-1842, British, ca. 1822, Gray and yellow wash over graphite on medium smooth cream wove paper, Sheet: 14 3/4 x 10 3/4 inches (37.5 x 27.3 cm) and Contemporary drawn border: 12 x 5 1/2 inches (30.5 x 14 cm), architectural subject, coffin, Houghton, Norfolk, United Kingdom

Leine Christian Friedrich von (1814-1892), Palais of the Crown Prince of Württemberg (Villa Berg) in Stuttgart (1845-1845): View of the fountain. Ink, pencil on paper, 50.7 x 35.9 cm (including scan edges)

Coat of arms with the signs of David II of Scotland and his wife on the Trent Bridge in Nottingham, Anonymous, 1871 photograph On the left a lion, on the right three lions, above a thistle. Nottingham photographic support albumen print bridge in city across river, canal, etc.. coat of arms (as symbol of the state, etc.) Trent Bridge

Scheppig Carl (1803-1885), sketchbook: Croyland Abbey (1830-1830): Perspective views, details. Pencil on paper, 20.4 x 13.7 cm (including scan edges) Scheppig Carl (1803-1885): Skizzenbuch: Croyland Abbey

Diebitsch Carl von (1819-1869), Villa, Cairo. () (Without Dat.): Ceiling design ornament, sketches with size information on the back of the cardboard. Pencil on transparent on transparent, 25 x 22.5 cm (including scan edges) Diebitsch Carl von (1819-1869): Villa, Kairo ()

Bas-relief of a group of putti and horses, Reinier van Persijn, after Joos de Pape, 1640 print Roman bass relief of a group of putti, who walk in a parade, and feed horses on the rein with them. In the middle of the coat of arms of Vincenzo Giustiniani. Print from a publication with reproduction prints to the sculptures in the collection in the Galleria Giustiniani in Rome. Rome paper engraving piece of sculpture, reproduction of a piece of sculpture. cupids: 'amores', 'amoretti', 'putti'. leading a horse by the reins; rider beside his horse

Left: dwarf, seen from front, resting on a stool, hood or large collar on head, right arm raised cramped, left leg on a leg rest. Right: dwarf, seen on the right side, a floppy hat with fur trim on the head, the right hand on the scabbard of his sword, the left hand on the hilt. These two prints, printed side by side on 1 sheet, are part of a series of 21 prints (printed on 11 sheets, so except for the title print always 2 plates per sheet) with grotesque figures, almost all of these figures are dwarfs, many are hunchbacks, Dwarf with stool and leg rest, Dwarf with sword, in attacking pose Varie figure gobbi di Jacopo Callot (series title) Various grotesque figures (series title) Dwarfs and hunchbacks (series title), Jacques Callot, print maker: Abraham Bosse, Paris, 1621 - 1676, paper, etching, engraving, h 60 mm × w 83 mm, h 58 mm × w 87 mm, h 151 mm × w 279 mm

Trompe l'Oeil Stem of Basil Thyme.

Knights and dragons, Antoon Derkinderen, 1894 - 1901 print A vertical decorative edge containing the images of seven knights on seven towers. Every knight has a different coat of arms and is fighting with a dragon. paper knight. dragon

Relief of a female saint and a Corinthian capital of the San Marco in Venice, Carl Heinrich Jacobi, c. 1880 - in or before 1885 photomechanical print These prints are part of a cover with 58 prints on 50 sheets. Venice paper collotype piece of sculpture, reproduction of a piece of sculpture. capital (~ column, pillar) (+ classical art). Corinthian order ~ architecture Basilica of San Marco

The illustrious French // Jules Hardouin Mansart; François Mansart.

Relief with allegory on spring, with (presumably) flora and putti, c. 1875 - c. 1900 photograph cardboard. photographic support albumen print (story of) Flora. spring ~ other concepts (e.g. biblical scenes) (the four seasons of the year). cupids: 'amores', 'amoretti', 'putti'. decorating 'en relief', appliquéing. sculpture (+ relief ~ sculpture)

Three tires with leaf motifs, 1876 - 1924 drawing paper. chalk foliage, tendrils, branches ~ ornament

Mosaic floor with watchdog at home in Pompeii, Italy, Anonymous, 1851 - 1900 photograph Pompeii cardboard. paper albumen print watch-dog, dog watching. floor-covering Pompeii

Portfolio, Historic Ornament; Elizabeth A. Nedwill; USA; watercolor, ink

A bronze decoration of the glass wardrobe from the collections of Bronisław Gembarzewski from 1915, formerly recognized as the property of General Zajączka - views from the front and from the side; Sztolcman, Władysław Roman (1873-1950); 1915 (not after 12/06/1915) (1915-00-00-1915-00-00);

Albert Levone, Pa German Butter Mold, c 1938 Pa. German Butter Mold

Watch case, medallion and edge with flowers, 1661 - 1726 print In the middle a watch case with the baptism of Christ, on the left a medallion with John the Baptist surrounded by an edge of flowers. after design by: France (possibly)publisher: Amsterdam paper engraving

Gypsum models for sculptures at the Palais du Louvre: Left "La Science Modern" by Emile Knecht and right "L'Art" by Emile Seurre.Part of Réunion des Tuileries au Louvre 1852-1857, album 1.

Escalier de la Bibliothèque. Édouard Baldus (French, born Germany, 1813 - 1889)

Klingholz Fritz (1861-1921), floral ornaments (without date): View. Pencil watercolored, gold heighted on the cardboard, 32.4 x 24.5 cm (including scan edges) Klingholz Fritz (1861-1921): Florale Ornamente

Lucae Richard (1829-1877), Neue Theater (Opera) in Frankfurt/Main (1871-1871): grid 1:20. Ink, pencil watercolored, gold heighted on cardboard, 11.3 x 28.2 cm (including scan edges) Lucae Richard (1829-1877): Neues Theater (Oper), Frankfurt/Main

Photo production of a print of a bacchanal, Libois, After Anonymous, c. 1852 - in or before 1857 photograph photographic support salted paper print bacchanal: Bacchus with his wine-flushed train (thiasos)

Baby's Petticoat: Details. Dated: c. 1937. Dimensions: overall: 44.8 x 36.3 cm (17 5/8 x 14 5/16 in.). Medium: graphite and watercolor on paper. Museum: National Gallery of Art, Washington DC. Author: Ray Price.

Triptics in Sculpture, 13th century, Anonymous, 1857 - 1864 print Triptych of the Crucifixion in Sculpture and Sculpture of Mary with Christ on his lap, 13th century paper piece of sculpture, reproduction of a piece of sculpture

City coat of arms of Delft, flanked by Putti, Hendrik de Leth, 1738 print The city coat of arms of Delft, flanked by putti with attributes referring to the righteous and good governance of the city. The far left and right are various coats of arms. The print is printed from two plates and is part of a four -part (originally possible five -part) series dedicated to the men's forty in Delft. paper etching armorial bearing, heraldry. cupids: 'amores', 'amoretti', 'putti'. coat of arms (as symbol of the state, etc.) (+ city; municipal). good government

9, from 0-9. Jasper Johns (American, born 1930); printed by Zigmunds Priede; published by Universal Limited Art Editions (American, founded 1955). Date: 1963. Dimensions: 400 x 310 mm (image); 520 x 399 mm (sheet). Lithograph from one stone in gray on unbleached gray wove handmade paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Koch Friedrich (1828-1922), travel studies from Sicily 1851-53 (May 25, 1852): Catania: Bronze lamp in the Biscari Museum (view from below, cross-section). Pencil on paper, 39.5 x 34.8 cm (including scan edges) Koch Friedrich (1828-1922): Reisestudien aus Sizilien 1851-53

Bauern Hochzeit, Baurn Hochzeit, Göbl, Andreas Benedictus, 1765-1792, ink, gold board, with gilt edges, ca. 1765, 1 boxed deck of playing cards, etching, stencil, hand col., 11.5 x 7 x 3 cm.

Pin. Dated: 1935/1942. Dimensions: overall: 30.3 x 22.8 cm (11 15/16 x 9 in.). Medium: watercolor and graphite on paperboard. Museum: National Gallery of Art, Washington DC. Author: Vincent Burzy.

Schede with a young man at the top, c. 1500 - 1526 print At the top is a young man under a bare tree. Germany (possibly) paper engraving

Anarchy. .

Seven Frisians with Ornaments, After 1600 - Before 1630 print The ornaments are largely inspired by architecture, but also consist of leaf vines, some gothic and others with acanthus leaves. print maker: Germany (possibly)after design by: Colognepublisher: Cologne paper engraving

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