Ornamental Design Sketches

Sketches of ornamental and architectural designs featuring religious and mythical themes, highlighting intricate details and historical styles.

Huldebulent on the occasion of the twenty -five -year anniversary of the N.V. Philips light bulb factories, Carel Adolph Lion Cachet, 1916 print Ornament edge with the text in the middle: 'Huldebulent offered by Dutch electrical engineers and interested parties in the N.V. Philips light bulb factories on the occasion of the 25-year Jublieum 1891-1916'. paper. watercolor (paint) industries. light bulb (electric) Eindhoven

Hiker Friedrich Wilhelm (1840-1910), Window, Nuremberg (1885): Window Foundation for the Germanic Museum, Nuremberg. Windows in the lower area "The Nursing Berlin dates to the Germanic Museum 1882". Photo on cardboard, 34.7 x 20.7 cm (including scan edges) Wanderer Friedrich Wilhelm (1840-1910): Fenster, Nürnberg

Project for the Decoration of a Bed Alcove, Pen and brown ink, brush and brown, bistre wash, on off-white laid paper, lined, Edge to edge, the paper is filled with a depiction of the elevation of the front side of an alcove. The left pole of the alcove is in the shape of a column with a running putto; the right is like a plant, held by a boy. Inside this alcove is an image of another elevation, within the central arcade. There, the poles consist of plants rising from vases standing on pedestals, with curtains above all. At left, parts of a pilaster decorated with rinceaux and of a coffered arch appear inside the left arcade., Italy, ca. 1790, interiors, Drawing, Drawing

Fractur Paintings (Upper-a Hymn; Lower- Religious Motto). Dated: c. 1940. Dimensions: overall: 33.7 x 25.2 cm (13 1/4 x 9 15/16 in.) Original IAD Object: Upper 7 3/4"x3"high; Lower 3'wide x 4 3/4"high. Medium: watercolor, colored pencil, and graphite on paper. Museum: National Gallery of Art, Washington DC. Author: Albert Levone.

Bliżej Kultury unknown

Pa. German Stove Plate. Dated: c. 1936. Dimensions: overall: 22.9 x 30.6 cm (9 x 12 1/16 in.) Original IAD Object: 26" high; 29 1/2" long. Medium: graphite and colored pencil on paper. Museum: National Gallery of Art, Washington DC. Author: Edward L. Loper.

Eastern Europe, Kamyn, Erasmus, Teras Nowo widane y Drukowan, Oirband with a cartouche in which a warrior stands, verso below - stamped, On a console of scrollwork, flanked by two vases and two birds, sits a female satyr. Above it stands a man in armor and a cloak. The knob at the bottom is decorated with three mascarons, two of which are in the form of lions' heads. From a series consisting of a title page and 12 sheets., print, ornamental print, prints, ornamental prints, height 81 mm, width 27 mm, width 23 mm, print maker, printmaker, 1500 - 1552, first quarter 16th century, second quarter 16th century, third quarter 16th century, paper, engraving, engraving (printing process), Work conception, after a design by, Publication (Event), Publication, publisher

Bernhard von Breidenbach, politician in the Electorate of Mainz and author of Peregrinatio in terram sanctum, 1440-1497. From the grave effigy in Mainz Cathedral. Chromolithograph from Hefner-Alteneck's Costumes, Artworks and Appliances from the Middle Ages to the 17th Century, Frankfurt, 1889. Dr. Hefner-Alteneck (1811 - 1903) was a German museum curator, archaeologist, art historian, illustrator and etcher.

Andromeda's mask, by Unknown, 62 - 79, 1st Century, painted stucco. Italy, Campania, Naples, National Archaeological Museum, from Herculaneum, House of the Deer. Whole artwork. Mask face light blue: azure expression hat sadness terror columns garland.

Taddeo Copying Raphael's Frescoes in the Loggia of the Villa Farnesina, Where He is Also Represented Asleep. Federico Zuccaro (Italian, about 1541 - 1609)

MTI1-CANTIGA STA MARIA Nº115-F165R-NIÑO ENGENDRADO QUEBRANTANDO EL VOTO DE CASTIDAD-S XIII. Author: ALFONSO X EL SABIO (1221-1284). Location: MONASTERIO-BIBLIOTECA-COLECCION. SAN LORENZO DEL ESCORIAL. MADRID. SPAIN.

Canon Table Page; T'oros Roslin, Armenian, active 1256 - 1268; Hromklay, Armenia, Asia; 1256; Tempera and gold paint on parchment; Leaf: 26.5 x 19 cm (10 7/16 x 7 1/2 in.)

$The leader of W Gierski (szabolcs) sitting on the throne, according to the illustration with: "Chronica Hungarorum" by Johannes Thurocz (János Thur \ 'Odzi) published in Augustburg 1488; Lesser, Aleksander (1814-1884), Thurocz, Johannes de (Ca 1435-INTER 1488 ET 1489), Ratdolt, Erhard (1447-1527); 1830-1884 (1830-00-00-1884-00-00);Lesser, Aleksander (1814-1884), Lesser, Aleksander (1814-1884) - collections, Lesser, Wiktor Stanisław Zygmunt (Baron - 1853-1935), Lesser, Wiktor Stanisław Zygmunt (Baron - 1853-1935) - collection, lesser, Wiktor Stanisław Zygmunt - collections of Aleksander Lesser - Dar, Thurocz, Johannes de (Ca 1435 -INTER 1488 ET 1489), Chronika Hungarorum ..., Hungary, gift (provenance), copy, copy from engravings, throne, clothing, men's clothes, men Foreign clothing, rulers$

Figures tombstones and women from the von Holzhausen family in costumes from the fourteenth century, found In the so -called Caesarean cathedral Bart Omiey in Frankfurt am Main; Lesser, Aleksander (1814-1884); 1839 (1839-00-00-1839-00-00);Frankfurt am Main (Germany), Holzhausen (family), Lesser, Aleksander (1814-1884), Lesser, Aleksander (1814-1884)-collections, Lesser, Wiktor Stanisław Zygmunt (Baron-1853-1935), Lesser, Wiktor Stanisław Zygmunt (Baron - 1853-1935) - collection, Germany, 14th century, gift (provenance), tombstones, cathedral of St. Bartłomiej (Frankfurt am Main - Germany), tombstones, sculpture (artist), Gothic sculpture, sepulchral sculpture, clothing, women's clothing, men's clothing

Italy, Anonymous, c. 1880 - c. 1910 photograph photographic support albumen print Italy

Wszyscy Święci w MNK Unknown, Heneczek, Teodor (1817 1872), player, Johann (fl. 1850)

Side busts of two bishops of Bamberg, Eckbert von Andechs-Meranien and Berthold von Leiningen. Lesser, Aleksander (1814-1884), draughtsman, cartoonist

Study of 'Altarpiece of Saint-Germer-de-fly,' Paris, France, Francis Augustus Lathrop, American, 1849 - 1909, Brush and watercolor, graphite on paper, Sketch of the altarpiece of Saint-Germer-de-fly. The Virgin Mary and Saint John are shown beside the cross with Saint Peter and Saint Paul., USA, ca. 1870, architecture, interiors, Drawing, Drawing

The drawing concerns a design for a mural., The five wise virgins, draughtsman: Antoon Derkinderen, c. 1869 - c. 1925, paper, brush, h 170 mm × w 240 mm

Fanière Brothers, Pampilles brooch (main title), 1865. Graphite. Ink, gouache on white vellum. Petit Palais, Museum of Fine Arts of the City of Paris.

Udine Giovanni da (1487-1564), Certosa monastery of Florence. Window (without date): View of the window in the Certosa del Galluzzo (also Certosa di Val d'EMA). Photo on paper, 38.9 x 24.4 cm (including scan edges)

Saint, fresco painting in San Petronio Basilica in Bologna, Italy

Peinture représentant un diacre, tirée d'un MS. exécuté vers l'an 989.. Willemin, N. X. (Nicolas Xavier), 1763-1833. Prints. 1839. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Art & Architecture Collection. Art , France , History

Decoratie op de Herengracht bij de Amstel, 1816. Tekeningen van de decoraties te Amsterdam bij het bezoek van de prins en prinses, 1816 (series title). Draughtsman: anonymous. Dating: 1816. Place: Netherlands. Measurements: h 231 mm × w 170 mm. Museum: Rijksmuseum, Amsterdam.

Design for a Memorial Window, John La Farge, American, 1835-1910, Graphite and watercolor on paper, Unfinished project, showing two standing figures. Renaissance-type enframement with arabesques at top, flanking colonettes and inscriptional plaque below., USA, 1880-1900, figures, Drawing, Drawing

Window with coats of arms with a castle with three spiers, three heads and four round windows with text including "Henricus, Wilhelm, Petrus and Udo ...", Anonymous, c. 1600 - c. 1699 Window in which seven painted windows. Two of these forms a weapon. With caption. In the left half of the coat of arms, among other things, a castle with three spiers. glass. lead (metal).

Renaissance ornament

Dome decoration by Giulio Romano in the Renaissance-style rural palace Villa Madama, Rome, 16th century. Kuppeldecoration in der Villa Madama, Giulio Romano, Rom, XVI Jahrh. Chromolithograph by G. Stibral from Ernst Ewalds Farbige decorationen, alter und never Zeit (Color decoration, ancient and new eras), Ernst Wasmuth, Berlin, 1889.

Drawing, Design for Doorway and Bookcase, probably for King's Library, Royal Pavilion, Brighton; Frederick Crace (English, 1779-1859); England; brush and watercolor, graphite on white wove paper; Mat: 40.6 x 55.9 cm (16 x 22 in.) 10.3 x 18.8 cm (4 1/16 x 7 3/8 in.)

Baroque facade, possibly from a church. Draughtsman: George Hendrik Breitner. Dating: 1882 - 1885. Place: Gorinchem. Measurements: h 227 mm × w 126 mm. Museum: Rijksmuseum, Amsterdam.

A section of a marvellouscollection of mosaics found ata Roman Villa site at Bignor,W.Sussex. This particular corner motif is a depiction ofwinter. Date: 1811

Italian knights from the early 15th century from a bronze basrelief by Simone di Bardi, Donatello's brother, and Antonio Silarete in St. Peter's in Rome. Chromolithograph from Hefner-Alteneck's "Costumes, Artworks and Appliances from the early Middle Ages to the end of the 18th Century," Frankfurt, 1883. IIlustration drawn by Hefner-Alteneck, lithographed by C. Regnier, and published by Heinrich Keller. Dr. Jakob Heinrich von Hefner-Alteneck (1811-1903) was a German archeologist, art historian and illustrator. He was director of the Bavarian National Museum from 1868 until 1886.

Portrait de François 1 sur son trône. Tiré de l'histoire des rois de France par Dutillet.. Willemin, N. X. (Nicolas Xavier), 1763-1833. Prints. 1839. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Art & Architecture Collection. Art , France , History

Design for ex libris for DA Delprath-Veth. Draughtsman: Richard Roland Holst. Dating: 1915. Measurements: h 268 mm × w 328 mm. Museum: Rijksmuseum, Amsterdam.

William McAuley, Wall Painting (Reredos), 1939 Wall Painting (Reredos)

Rectangular Cartouche with Alexander the Great and Victoria, 1595 Rectangular cartouche from a map of the Expedition by Alexander the Great. On top of the image of the front and back of a coin with the portrait of Alexander on the left and Victoria on the right. The print is part of an album. Antwerp paper engraving Rectangular cartouche from a map of the Expedition by Alexander the Great. On top of the image of the front and back of a coin with the portrait of Alexander on the left and Victoria on the right. The print is part of an album. Antwerp paper engraving

Matteo di Giovanni: The murder of innocent children, detail of the floor in the cathedral of Siena. .

Keiserburg Ko O Kissingen (Bavaria). Fragment of the wall from the gates, with architectural details and the Gothic triforium - sketches; Lesser, Aleksander (1814-1884); 1851-1862 (1851-00-00-1862-00-00);Bavaria (Germany), Lesser, Aleksander (1814-1884), Lesser, Aleksander (1814-1884) - collections, Lesser, Emiljan Stanisław (Baron - 1847-1912), Lesser, Emiljan Stanisław (Baron - 1847-1912) - collection , Lesser, Wiktor Stanisław Zygmunt (Baron - 1853-1935), Lesser, Wiktor Stanisław Zygmunt (Baron - 1853-1935) - collection, architecture, German architecture, foreign architecture, gift (provenance), details, architectural details, Gothic (style )

Album n � 1. Stained glass project: Decorative grounds Gsell-Laurent workshop. Album n � 1. Stained glass project: Decorative motifs. Pencil and watercolor.

Anarchy 1840..

Woodcut on pear wood by Leonhard Beck illustrating Emperor Maximilian I in the Weißkunig series, showing English and Picardian archery, 1514-1516.

Art nouveau door panels painted on pine wood, Lent Villa, Berlin, 1883. Painted by Ernst Johannes Schaller, architecture by Hermann Ende and Wilhelm Boeckmann. Thurfullungen auf Kiefernholz gemalt, Villa Lent, Ende u Boeckmann Arch., J. Shcaller maler. Chromolithograph by G. Wehling from Ernst Ewalds Farbige decorationen, alter und never Zeit (Color decoration of ancient and new eras), Ernst Wasmuth, Berlin, 1889.

Tuscany Grosseto Massa Marittima S. Cerbono (Duomo)83. Hutzel, Max 1960-1990 Medieval: Architecture, architectural sculpture (13th-early 14th century); Fresco (14th century); Panels/Crucifix (14th century); pascal candle; sculpture including the Arca di S. Cerbone; architectural relief (c. 1267); Tabernacle (mid-14th century). Post-medieval: Paintings, fresco (14th century), sculpture Antiquities: Relief German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Lavalley, the cemetery of the Saints-Innocents, monument to Nicolas Flamel, copy according to the statements of Bernier. (Dummy title). Carnavalet museum, history of Paris.

Campania Caserta Carditello Plazzo Reale, Italy, 20th century, photo, photography, Europe

Chaucer's 'Legend of Good Women' - Thisbe and Philomela, 1864. Sir Edward Burne-Jones. Design for stained glass

Design for the first Bossche Wand: De Pope, Antoon Derkinderen, c. 1869 - c. 1925 drawing The drawing is a design for a wall painting. paper. pencil. chalk pope. coat of arms (as symbol of the state, etc.)

Ornamental design with names from Van Stolk's Committee. Draughtsman: Carel Adolph Lion Cachet. Dating: 1874 - 1945. Measurements: h 282 mm × w 285 mm. Museum: Rijksmuseum, Amsterdam.

Costume of Frederick I, Holy Roman Emperor, Frederick Barbarossa or Friedrich der Rothbart, d. 1190. From a manuscript in the Vatican in Rome. Chromolithograph from Hefner-Alteneck's Costumes, Artworks and Appliances from the Middle Ages to the 17th Century, Frankfurt, 1889. Illustration by Dr. Jakob Heinrich von Hefner-Alteneck, lithographed by C.R. Dr. Hefner-Alteneck (1811 - 1903) was a German museum curator, archaeologist, art historian, illustrator and etcher.

Abruzzo Pescara Penne S. Domenico5. Hutzel, Max 1960-1990 Post-medieval: Architecture, architectural sculpture (13-17th century), sculpture. Also views of Piazza Luca da Penne German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Beaded Purse. Dated: c. 1936. Dimensions: overall: 29.8 x 22.8 cm (11 3/4 x 9 in.). Medium: watercolor and graphite on paperboard. Museum: National Gallery of Art, Washington DC. Author: Jessie M. Benge.

Mens costumes of the mid 15th century. Charles the Bold, Karl I der Kühne, wearing a fur-lined coat over puff sleeved doublet. From a miniature in the titlepage of Froissarts Chronicles. B shows an angel and knight in armour with heraldic shields, and C the crests of the Count of Nassau and the Wheel of Mainz taken from a prayer book in the castle library of Aschaffenburg. Chromolithograph from Hefner-Alteneck's Costumes, Artworks and Appliances from the Middle Ages to the 17th Century, Frankfurt, 1889. Illustration by Dr. Jakob Heinrich von Hefner-Alteneck, lithographed by C.R. Dr. Hefner-Alteneck (1811 - 1903) was a German museum curator, archaeologist, art historian, illustrator and etcher.

Decoration in the cloister of the collegiate church at Aschaffenburg, Bavaria, Germany, (1928). 'End of 14th Century...Floral ornament from the soffit of a stilted-arch niche...in the cloister of the Abbey Church of SS. Peter and Alexander at Aschaffenburg'. After R. Borrmann. Plate LXXI, fig 151, from "An Encyclopaedia of Colour Decoration from the Earliest Times to the Middle of the XIXth Century" with explanatory text by Helmuth Bossert. Ernst Wasmuth Ltd., Berlin, 1928

N.N., church window. (From: Prints of seminar works by the Royal Technical University of Berlin, Vol. III) (1898-1904): View. Print on paper, 32.4 x 23.6 cm (including scan edges) N.N. : Kirchenfenster. (Aus: Drucke von Seminararbeiten der Königlich Technischen Hochschule Berlin, Bd. III)

The Belles Heures of Jean de France, Duc de Berry by Limbourg brothers (active 1385-1416) / The Cloisters Museum and Gardens / 1412-1416 / The Netherlands / Tempera and gold on parchment / Mythology, Allegory and Literature,History / 23,8x17

Wall painting from Room F of the Villa of P. Fannius Synistor at Boscoreale. Culture: Roman. Dimensions: 70 x 33in. (177.8 x 83.8cm). Date: ca. 50-40 B.C..Section of wall and floor with column, a vine-leaf on panelling: from small room near the summer triclinium. Museum: Metropolitan Museum of Art, New York, USA.

Window with Susanna and the old men, anonymous, c. 1525 A round -roasted diamond with the presentation of the Kuise Suzanna grabbed by the ancient. In the background, two figures and a few buildings that go to aid. glass. lead (metal).. silver stain A round -roasted diamond with the presentation of the Kuise Suzanna grabbed by the ancient. In the background, two figures and a few buildings that go to aid. glass. lead (metal).. silver stain

Coat of arms of the kingdom, 14th century, marble, originally located in the Convent of Paradise, Museum of Evora, Evora, Alentejo, Portugal, Europe.

Woodcut by Hans Burgkmair showing Emperor Maximilian I utilizing the son of the previous king within his territory. Created 1514-1516 on wooden stick.

Shrine for statuette. Dated: probably 1940. Dimensions: overall: 35.7 x 28.2 cm (14 1/16 x 11 1/8 in.) Original IAD Object: 32 1/4"high; 18"wide at base.. Medium: watercolor, colored pencil, pen and ink, and graphite on paper. Museum: National Gallery of Art, Washington DC. Author: Albert Pratt.

Hartel August (1844-1890), Münster in Strasburg. (From: architecture. Details and ornaments of church architecture in the stylish types of Middle Ages, 2nd series, Berlin 1896.) (1896-1896): View detail portal. Light pressure on paper, 48.9 x 34.6 cm (including scan edges)

Domi Manere. Draughtsman: Antoon Derkinderen. Dating: 1869 - 1925. Measurements: h 152 mm × w 125 mm. Museum: Rijksmuseum, Amsterdam.

Steeple of the Oostpoort in Delft. Draughtsman: George Hendrik Breitner (signed by artist). Dating: 1884. Place: Delft. Measurements: h 196 mm × w 117 mm. Museum: Rijksmuseum, Amsterdam.

Band design for: Louis Couperus, Metamorfoze, 1897, Jan Toorop, in Or Before 1897 drawing Book title and author's name in a web of overlapping lines. On the left a woman with hair to the floor that her head turns up. Her eyes are closed and her left hand rests on her chest. linen (material). cardboard. pencil standing figure - AA - female human figure. interlace ~ ornament. eyes closed

Grigorii, Mitropolit Novgorodskii, S. Peterburgskii, Estliandskii I Finliandskii.. Timm, Vasili Fëdorovich, 1820-1895. Prints. 1851 - 1862. Rare Book Division. Russia , Social life and customs, Russia , History, Arts, Russian

Daguerreotype of the Wagner figure by Hans Gasser, created for the Arsenal in Vienna between 1853 and 1855, showing sculptural details and form.

Colored woodcut by Albrecht Altdorfer around 1500 depicting Christ on the cross, showing religious iconography and figure details.

Part of a page with illuminated capital P from the 1459 edition of Fust and Schoiffer's Latin psalter. From The National and Domestic History of England by William Aubrey published London circa 1890

Villa of Poppea, remains of frescoes, historical town of Oplontis, now Torre Annunziata, Campania, Italy, Europe

Chapel Window, c. 1850-1910. John La Farge (American, 1835-1910). Watercolor with gouache over graphite; framing lines in black ink; image: 63.5 x 35.5 cm (25 x 14 in.); sheet: 71.9 x 44.1 cm (28 5/16 x 17 3/8 in.).

Marble Mosaic Wall. Dated: c. 1936. Dimensions: overall: 33.3 x 25.5 cm (13 1/8 x 10 1/16 in.) Original IAD Object: 162" high; 120" wide. Medium: watercolor, graphite, and pen and ink on paper. Museum: National Gallery of Art, Washington DC. Author: Ellen Duncan.

Johann I, King of Denmark and Norway.

Portraits of Landfried, Waldram and Eliland, three abbots of the Benediktbeuern monastery in Bavaria, according to the image of Michael Wolgemut in Munich; Lesser, Aleksander (1814-1884), Wolgemut, Michael (1434-1519); 1830-1884 (1830-00-00-1884-00-00);Lesser, Aleksander (1814-1884), Lesser, Aleksander (1814-1884) - collections, Lesser, Wiktor Stanisław Zygmunt (Baron - 1853-1935), Lesser, Wiktor Stanisław Zygmunt (Baron - 1853-1935) - collection, XV W W ., benedyktyni (zakon), dar (proweniencja), duchowieństwo, herby, malarstwo, malarstwo niemieckie, osobistości, osobistości obce, ubiory, ubiory duchownych

Guide for Constructing the Letters f and g; Joris Hoefnagel, Flemish / Hungarian, 1542 - 1600; Vienna, Austria, Europe; about 1591 - 1596; Watercolors, gold and silver paint, and ink on parchment; Leaf: 16.6 x 12.4 cm (6 9/16 x 4 7/8 in.)

Design for wall decoration in a gallery of the Chateau de Lude, Sarthe second half 19th century Jules-Edmond-Charles Lachaise French. Design for wall decoration in a gallery of the Chateau de Lude, Sarthe 384801

Calligraphic Design of a Ewer (Ibrik) with a Long Spout. Turkey, circa 1815-1825. Manuscripts; folios. Opaque watercolor and gold on paper

Design from Proposed Portfolio. Dated: 1935/1942. Dimensions: overall: 35.5 x 27.9 cm (14 x 11 in.). Medium: watercolor and gouache on paperboard. Museum: National Gallery of Art, Washington DC. Author: American 20th Century.

Glasramen in de Oude Kerk te Amsterdam, 1810-1825; Représentation des fameuses Vitres peintes de l'Eglise vieille.Three stained glass windows in the Oude Kerk in Amsterdam, ca. 1810-1825. Part of a sheet metal from approx. 1824-1825 with 74 (unnumbered) plates of the most important topographical faces and several morals and habits in the United Kingdom of the Netherlands.

Brass plate for Sir John Andrew, from Hayes Church, Daniel Lysons, 1762-1834, British, between 1796 and 1811, Pen and black ink and watercolor over graphite on medium, slightly textured, cream wove paper, Sheet: 14 × 10 5/8 inches (35.6 × 27 cm), architectural subject, brass, church, memorial, plate, England, Greater London, London, United Kingdom

Sintra, Portugal. St. Martin illustration.

Panel. unknown, creator

Corona delle Nobile et Virtuose Donne, Libro Terzo, page 5 (recto) 1620 Cesare Vecellio Italian Designed by Cesare Vecellio, Italian, Pieve di Cadore 1521-1601 Venice, Venice, published by Alessandro de' Vecchi, Italian, active 17th century, Venice.From top to bottom, and left to right:Design composed of 2 horizontal registers. Top register is decorated with 3 rounded triangular motifs; left and right motifs frame 2 human figures, while the middle motif frames a composite man and plant creature inside of a diamond. Bottom register is decorated with a curving vine in the form of a composite female figure, dragon, and dog.. Corona delle Nobile et Virtuose Donne, Libro Terzo, page 5 (recto) 358318

Monument of Jerzy Tyszkiewicz, Vilnius Bishop in the Vilnius Cathedral. Lemercier, Rose Joseph (Paryż ; zakład litograficzny ; 1827-post 1899), lithography atelier, Moulin, Sainte Marie Ludovic Hardouin Hippolyte (1809-post 1864), graphic artist, Rypiński, Karol (1808-1892), draughtsman, cartoonist, Wilczyński, Jan Kazimierz (1806-1885), publisher

Carl O'Bergh, Santo (Lady of Guadaloupe), 1939 Santo (Lady of Guadaloupe)

Drawing, Design for Clock; Manufactured by Lefebvre Manufactory, Tournai; Belgium; graphite, pen and black ink, brush and yellow, red-brown watercolor on cream laid paper; 44.4 x 30.8 cm (17 1/2 x 12 1/8 in.)

Third design for marble decoration in the Hoge Raad in The Hague. Draughtsman: Richard Roland Holst. Dating: c. 1868 - c. 1938. Measurements: h 1000 mm × w 390 mm. Museum: Rijksmuseum, Amsterdam.

Early Christian (Coptic) Monastery at Esna Edwin Howland Blashfield (American, 1848-1936). Early Christian (Coptic) Monastery at Esna, March 1, 1887. Graphite on cream, medium-weight, smooth wove paper, Sheet: 8 1/4 x 10 3/4 in. (21 x 27.3 cm). Made during a trip down the Nile, these two precise drawings by Edwin Howland Blashfield depict architectural landmarks of Egypt. In his image of the twelfth-century Coptic monastery Deir el-Shuhada, the artist juxtaposed linear hatch marks with dark shading to capture the play of light amid the transept arches. He also included a careful study of a mural painting of Saint Stephen, as well as color and light notations. (This drawing helped archaeologists in the 1960s discover the mural, which had been covered with whitewash in the intervening years.) In Temple of Khonsu at Karnak, Blashfield recorded the famous ancient forest” of colossal columns, focusing primarily on their regularized geometric arrangement rather than their decorative hierog

Tuscany Siena Montalcino Museo Civico82. Hutzel, Max 1960-1990 Medieval: Entire manuscript. Manuscripts. Post-medieval: Sculpture and ceramics from local workshops (2nd half 12th century; Sienese maiolica; 14th century weapons German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Attributed to Daniel Lysons, 1762-1834, British, Brass Plate of a Woman from Layton Church, between 1796 and 1811. Pen and black ink and watercolor on medium, slightly textured, cream wove paper.

Thomas Grieve, 1799-1882, British, Design for an Egyptian Column, undated. Watercolor and graphite; verso: graphite on medium, slightly textured, cream wove paper.

Paris, Cordier Daubigny, Philippe, Black ornaments for gunsmiths, Key with three grotesque terms, Sheet from a series of 14., print, ornament print, prints, ornament prints, height 107 mm, width 30 mm, Work conception, after a design by, 1635 - 1635, second quarter 17th century, paper, etching, etchings, print maker, Publication (Event), Publication, publisher

Cartouche Surmounted by a Bust. Artist: Anonymous, Italian, first half of the 18th century. Dimensions: 4 7/8 x 2 13/16 in. (12.4 x 7.1 cm). Date: 18th century. Museum: Metropolitan Museum of Art, New York, USA.

Grobnitsa.. Illustrations, Architectural drawings. 1880. General Research Division. Architecture , Russia, Decoration and ornament, Architectural , Russia

Illustration by Aubrey Beardsley; Frederick H. Evans (British, 1853 - 1943); about 1895; Platinum print; 9.2 x 23.3 cm (3 5,8 x 9 3,16 in.)

Antoni Padewski from Radecznica; Unknown, Kostrycki, Maciej (p Azów; People's Woodmark; Fl. Ca 1830-Ca 1838), Azarski, Zygmunt (1885-1943); 1921 (print); 1838 (matrix) (1838-00-00-1921-00-00);Antoni from Padua (St. - 1195-1231), Purchase (provenance), Łazarski, Football Football Football.

Timpaan van Egmond: Boogtrommel with Petrus, Count Dirk VI van Holland and his mother Countin Petronella, ca. 1120, 1857 - 1864 print Timpaan of the Abbey of Egmond: Boogtrommel with Petrus, Count Dirk VI van Holland and his mother Countin Petronella. The whole surrounded by Latin inscriptions. The stone comes from the former Benedictine Abbey of St. Petrus and St. Adelbert in Egmond-Binnen. Muller places the representations of this stone in the year 1009, in reality the stone is made around 1120. print maker: Netherlandsprint maker: Netherlandsprinter: Haarlem paper art (+ relief ~ sculpture). piece of sculpture, reproduction of a piece of sculpture Abbey of Egmond

Leipzig. A fragment of a wall with niches and decoration (old Paulinum building); Lesser, Aleksander (1814-1884); 1830-1884 (1830-00-00-1884-00-00);Lesser, Aleksander (1814-1884), Lesser, Aleksander (1814-1884) - collections, Lesser, Emiljan Stanisław (Baron - 1847-1912), Lesser, Emiljan Stanisław (Baron - 1847-1912) - collection, Lesser, Wiktor Stanisław Zygmunt (Baron - 1853-1935), Lesser, Wiktor Stanisław Zygmunt (Baron - 1853-1935) - collection, Leipzig (Germany), University of Leipzig, architecture, brick architecture, German architecture, foreign architecture, buildings, brick buildings, Dar (provenance)

Tuscany Siena Montalcino Museo Civico66. Hutzel, Max 1960-1990 Medieval: Entire manuscript. Manuscripts. Post-medieval: Sculpture and ceramics from local workshops (2nd half 12th century; Sienese maiolica; 14th century weapons German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Ter Rust tends the year in Mantel van Koude, December, Willem Arondéus, c. 1929 - in Or Before 1930 drawing Man in a cloak with the head leaning on the right arm, against a golden background with blue and white lanes. paper. watercolor (paint) brush December; 'December' (ripe)

Initials with bird, dragon, monk, design elements and frames from documents of the Roman period, 12th century. Taken from a New Testament, the Great Canterbury Psalter, Latin manuscripts, etc. Periode Romane. Documents du XIIeme Siecle. 1-3 Nouveau Testament Latin 254, 4 manuscrit Latin 8, Bib. Nat., 5-12 manuscrit Latin 8846. Chromolithograph designed and lithographed by Ernst Guillot from Elements dOrnementation pour lEnluminure (Elements of Ornamentation for Illumination), Renouard, Paris, 1890.

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