Ornamental Designs and Interiors

Decorative prints of intricate architecture and furniture, emphasizing classical ornamentation and design elements from various periods.

Oval terrine with lid that is crowned by an artichoke, standing on a thin plate with beveled corners., Anonymous, c. 1750 drawing France graphite (mineral). ink. chalk drawing

The tripartite entrance into a tent which is supported by two posts. The frieze behind the roof which has the shape of a base, is decorated with a drapery. Above, in the center of the main opening, are cords and two tassels. Usual background. Date: ca. 1790. Pen and brown ink, brush and brown wash on off-white laid paper, lined. Museum: Cooper Hewitt, Smithsonian Design Museum.

Print, The Gentleman's and Cabinet-Maker's Director; England; etching on off-white laid paper

Drawing, Design for Serving Table with Columnar Legs; Designed by A.N. Davenport Co.; graphite on thin cream paper; 18.7 x 18.7 cm (7 3/8 x 7 3/8 in. )

Print (France); Print Maker: Augustin Nicolas Foin (French, 1726-c. 1759)

Print

French crown, Paris, Chéreau, Jacques-François, Boucher, Juste Nathan François, unknown, F Buffetkasten, Elevations de Buffet à dessus de Marbre, Two low buffet cabinets, verso - stamped, Designs and profiles of two low buffet cabinets, with a lock on the bottom., print, ornamental print, prints, ornamental prints, height 360 mm, width 223 mm, print maker, printmaker, 1752 - 1794, paper, papier, etching, etchings, engraving, engraving (printing process), Work conception, 1736 - 1782-01, after a design by, Publication (Event), Publication, French, 1742-10-14 - 1794-05-16, publisher, granter of privilege

Drawing of a table, anonymous, c. 1650 drawing At the back is the drawing of the left front leg of the table, in the form of a sitting lion with a ball covered with red chalk, while the contours of the lion are grabbed. This way the image could be duplicated on the right; The drawing of the right front leg is based on that. Switzerland paper. ink. watercolor (paint) brush / pen table

Design for a réchaud (in full size), c. 1825 - c. 1830 Paris paper. ink. pencil drawing / brush dinner-service

Print, Design for a Confident (Sofa); Claude Delagardette (1762-1805); After Richard de Lalonde (French, active 1780-96); Published by Jacques-François Chéreau (French, 1742 - 1794); France; etching on white laid paper; Sheet: 24.8 x 38.7 cm (9 3/4 x 15 1/4 in.) Platemark: 18.7 x 29.7 cm (7 3/8 x 11 11/16 in.)

Drawing, Elevation of Section of a Wall with Columns and Arch at Left; Model maker: Adolph Bordeaux (French, active 1880-1890); France; graphite, brush and watercolor, pen and brown ink on cream laid paper; Sheet: 45.9 x 56 cm (18 1/16 x 22 1/16 in.)

Bedstede in the house De Pauw in Dordrecht ..

Design for two chairs. Wyspiański, Stanisław (1869-1907), draughtsman, cartoonist

Drawing, The elevation of an altar with alternative suggestions; Italy; pencil, pen, ink, brush and grey water color on paper.

Platter decorated with cupids and roses painted by Asselin. Mark of Madame du Barry, last mistress to Louis XV. Plateau au chiffre de Mme. du Barry, peinture d'Asselin. Chromolithograph by Gillot of an illustration by Edouard Garnier from The Soft Paste Porcelain of Sevres, Maison Quantin, Paris, 1891.

Interior decoration of states hunt with trophies; Interior decorations from the States Hunt of the Committed Councils of Holland. Designs for decorations of the interior of the Committee hunt of the committed councils of Holland: Room, side wall with trophies.

Side Chair. Dated: c. 1936. Dimensions: overall: 28 x 22.8 cm (11 x 9 in.). Medium: graphite on paperboard. Museum: National Gallery of Art, Washington DC. Author: Alfred Nason.

Cabinet Design with Glass Front, its Doors Adorned with Porcelain Plaques, with a Green Top. Artist: Anonymous, British, 19th century. Dimensions: sheet: 5 5/16 x 6 15/16 in. (13.5 x 17.7 cm). Date: 19th century. Museum: Metropolitan Museum of Art, New York, USA.

Graphite drawing of a paravent and night boxes in the Hofburg, Vienna I, by Ferdinand Kirschner, second half of the 19th century.

Drawing, Design for a Music Pavilion in the Tuileries Garden Fountain, 1834; Attributed to Félix-Jacques Duban (French, 1798 - 1870), Abel Blouet; France; brush and watercolor, pen and black ink, graphite on light tan paper mounted on off-white paper; sheet: 7 3/8 x 8 3/4 inches (18.7 x 22.2 cm) mount: 11 3/8 x 17 7/16 inches (28.9 x 44.3 cm)

Drawing, Design for Secretary Desk; Germany; graphite, pen and black ink, brush and watercolor on paper; 30.6 x 26.7 cm (12 1/16 x 10 1/2 in.)

Plate 1: cross-section of the Hall of the Institute of Bologna, which served as the residence for the Clementine Academy, with fresco paintings by Pellegrino Tibaldi in the vault 1756 Bartolomeo Crivellari. Plate 1: cross-section of the Hall of the Institute of Bologna, which served as the residence for the Clementine Academy, with fresco paintings by Pellegrino Tibaldi in the vault. "Le Pitture di Pellegrino Tibaldi e di Niccolò Abbate esistenti nell'Instituto di Bologna". Bartolomeo Crivellari (Italian, active 18th century). 1756. Etching

Print

Table piano of J. F. Neuman (Riga, around 1830-1840), from the collections of Feliks Jasiński in Krakow, deposit of the Society for the Care of Monuments in Warsaw in 1915 - general view on a scale of 1:10; Sztolcman, Władysław Roman (1873-1950); 1915 (1915-00-00-1915-00-00);

Rieß Carl (1831-1884), chair (1884): View. Ink on cardboard, 36.8 x 30.6 cm (including scan edges)

Ramy dlia zerkal.. Illustrations, Architectural drawings. 1877. General Research Division. Architecture , Russia, Decoration and ornament, Architectural , Russia

Design of Marine Motifs for Stained Glass 19th century John Gregory Crace British. Design of Marine Motifs for Stained Glass 363511

Bank, anonymous, after A. Duval, 1745 - 1775 print A couch with armrests and upholstery with floral motifs and a cow, ornamented with rocailles. Paris paper engraving couch, sofa, settee

Canapé executé pour Mr. le Comte de Bielenski, from 'Oeuvre de Juste Aurele Meissonnier'. Artist: Juste Aurèle Meissonnier (French, Turin 1695-1750 Paris). Dimensions: Plate: 12 1/2 × 14 5/16 in. (31.7 × 36.4 cm)Sheet: 22 3/4 × 17 in. (57.8 × 43.2 cm). Engraver: Gabriel Huquier (French, Orléans 1695-1772 Paris). Publisher: Gabriel Huquier (French, Orléans 1695-1772 Paris). Date: ca. 1742-48.Design for a canape executed for the interior of the palace of the Duke Bielenski (1735). The canape is characterized by heavily patterned upholstery with a palmette motif in the center. The canape is set against a wall with mouldings in the shape of C-volutes and rocaille motifs. Museum: Metropolitan Museum of Art, New York, USA. Author: Juste Aurèle Meissonnier.

Design for a Chair. Artist: Anonymous, French, 18th century. Dimensions: 8 15/16 x 9 3/4 in. (22.7 x 24.7 cm). Date: ca. 1770-90. Museum: Metropolitan Museum of Art, New York, USA.

Rustbank, anonymous, after A. Duval, 1753 - 1775 print A couch with upholstery with flowers, ornamented with garlands, shell motifs and pigeons on a arrow cooker, arch and torch. Paris paper engraving couch, sofa, settee

Design for a Surtout de Table (Centerpiece), Pen and black ink, brush and watercolor, gouache, graphite on off-white wove paper, A tray, supported by lion feet, whose central pavilion is flanked by vases on columns, by low and by higher bowls, the latter ones are supported by Atlantes standing on round pedestals. The tray is bordered at its edges by a series of pairs of posts connected by chains., Rome, Italy, early 19th century, metalwork, Drawing, Drawing

Print (France); Print Maker: Pierre Claude Delagardette (French, 1745 - 1792)

Design for Curtains with Pink, Green and White Floral Fabric and Pink and Green Fringes. Artist: Anonymous, British, 19th century. Dimensions: sheet: 8 9/16 x 12 5/16 in. (21.8 x 31.2 cm). Date: ca. 1820. Museum: Metropolitan Museum of Art, New York, USA.

Dom Jarmarczny. Knusman, Daniel (Warszawa ; zakład litograficzny ; 1821-1826), lithography atelier, Schmidtner, Leonhard (1799-1873), graphic artist

Print, The Gentleman's and Cabinet-Maker's Director; England; etching on off-white laid paper

Design for Red Curtains with Red Fringes and a Gold Pediment. Artist: Anonymous, British, 19th century. Dimensions: sheet: 9 5/8 x 11 13/16 in. (24.4 x 30 cm). Date: early 19th century. Museum: Metropolitan Museum of Art, New York, USA.

Paris, Chéreau, Jacques Simon, Lalonde, Richard de, Carrée, Antoine, Ier Cahier de Menuiserie pour Façade et Elévation de Boutique, Façade with pilasters, verso - stamped, A façade with two doors in the middle with garlands. On either side windows with curtains and pilasters. At the top consoles and in the middle a medallion with flowers and tendrils., print, ornamental print, prints, ornamental prints, height 220 mm, width 342 mm, French, print maker, printmaker, 1788 - 1788, paper, papier, etching, etchings, aquatint, intermediary draughtsman, after a drawing by, Publication (Event), Publication, publisher

Decor for the entrance of the hotel of General Clarke Paul-Thomas Bartholomé (XVIII-XIX). "Decor for the entrance of the hotel of General Clarke". Feather and watercolor, early nineteenth century.

Bridge. Page 81 From a sketchbook with 86 pages.

Vogel E., tunnel (approx. 1858): TRAMITION and WHOTE. Tusche watercolor on the box, 66.6 x 48.1 cm (including scan edges) Vogel E. : Tunnel

Print (France)

Upcoming unity and undivided, of the Batavian Commonwealth and the Alliance, Decoration on the Town Hall on Dam Square, 1795, A. Verkerk, 1795 print The Alliance closed between the French and the Batavian Republic on 16 May 1795 and the upcoming unity and undividedness of the Batavian Commonwealth. Two allegorical decorations on the facade of the Town Hall on Dam Square in Amsterdam at the Alliantiegeest on June 19, 1795. Part of a series of ten records. print maker: Netherlandspublisher: Amsterdam paper etching festivities on events of national importance (+ festive decoration ~ festive activities) Amsterdam. City Hall of Amsterdam (1655-1808)

Design for Chamber wall, Jurriaan Andriessen, c. 1752 - c. 1819 drawing paper. watercolor (paint). ink. graphite (mineral) pen / brush

Drawing, Carlo Amati, 1776-1852, Pen, ink, watercolors on white paper, Design for a sofa with high, upholstered sides, seen frontally. The frame is adorned with arabesques or garlands with oxen skulls, in alternate suggestion., Milan, Italy, ca. 1802, furniture, Drawing

Design for Portion of Stairway in Chteau-sur-Mer, Newport, Rhode Island, Charles Salagnad, French, Brush and ink and watercolor, graphite on paper, Paris, France, 1872, architecture, interiors, Drawing, Drawing

Milan, Vallardi, Pietro & Giuseppe, Italy, Roccheggiani, Lorenzo, Ruga, Pietro, Various designs for sacred and profane objects for the community of life, Various designs for sacred and profane objects, Designs for religious and profane objects, Two carriages and the interior of a carriage, The print is part of an album., print, album leaf, ornamental print, prints, height 170 mm, width 216 mm, Italian, print maker, printmaker, 1817 - 1817, second quarter 19th century, third quarter 19th century, fourth quarter 19th century, paper, papier, etching, etchings, intermediary draughtsman, after a drawing by, Publication (Event), Publication, publisher

Design for a Center Table ca. 1770-85 Anonymous, French, 18th century French. Design for a Center Table 343173

Fun bed with hornsucopia; Lit à thyrse; Meubles et objets de goût.a design for a four-poster bed decorated with horns of excessive. The crowning has been decorated with a laurel wreath, hornsucopia and two thyrsi. Print number 571.

The Gentleman's and Cabinet-Maker's Director, Etching on off-white laid paper, England, 1755, furniture, Print, Print

Decorative Panel Under Window. Dated: c. 1938. Dimensions: overall: 25.4 x 35.6 cm (10 x 14 in.) Original IAD Object: 1'x4 1/2'. Medium: watercolor, colored pencil, and graphite on paper. Museum: National Gallery of Art, Washington DC. Author: Albert Pratt.

Door with mercury helmet; II Cahier Desseins des Portes; Dessoints de la fashion Neuve au Gout Antique (...). Design for a door with panels, floral motifs and garlands. Above a Mercury helmet and staff. On the left a niche with vase on pedestal.

Gilded chair ("Empire" style), from a tomb in the Valley of the Kings Smith, Joseph Lindon, 1863-1950. still image. 1905-11. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Picture Collection. Furniture, Ancient, Chairs, Furniture , Egypt

Side Board-Sheraton. Dated: c. 1936. Dimensions: overall: 22.8 x 27 cm (9 x 10 5/8 in.) Original IAD Object: 5'6"long; 28 1/2"deep. Medium: watercolor, colored pencil, and graphite on paper. Museum: National Gallery of Art, Washington DC. Author: Edgar L. Pearce.

Window with curtains, Léon Laroche, after Eugène MAINCEN, c. 1885 - c. 1895 print Cross window with chair and draped curtains in oriental style. Print from 326th Livraison. paper hangings and drapery. window

Chair. Dated: c. 1936. Dimensions: overall: 28.1 x 22.8 cm (11 1/16 x 9 in.) Original IAD Object: Seat 16"high, 17"wide. Height overall 2'9". Medium: watercolor, gouache, pen and ink, and graphite on paper. Museum: National Gallery of Art, Washington DC. Author: Walter W. Jennings.

Carved Wooden Door. Dated: c. 1936. Dimensions: overall: 35.8 x 26.8 cm (14 1/8 x 10 9/16 in.). Medium: watercolor on paper. Museum: National Gallery of Art, Washington DC. Author: Ray Price.

Design for a stage decor for 'The Adonisfeest, fifteenth idyll by Theokritos', Henricus, 1877 - 1921 drawing Pulpy gallery with a smoking sacrifice and some figures. paper. pencil stage design

Sketch of a chandelier (Luster) in the Hofburg, Vienna, drawn in graphite with black pen, gold-colored and gray washes, early 19th century, by an anonymous architect.

Warsaw. Standing (so-called Psyche) mirror in the Bedchamber (Royal or 'Yew' bedroom) of the Royal Castle - side and front views in the scale of 1:5. Maszyński, Mariusz (1888-1944), draughtsman, cartoonist

Project for the bridge of peace, near the garden garden Anonymous. Project for the bridge of peace, near the garden of plants. Paris (Fifth arr.). Feather, brown ink and gray wash.

Door with Curtains, Anonymous, 1878 - In Or After 1904 print A door with draped curtains. Print from 61st Livraison. paper door. hangings and drapery

Warsaw. Mural art in oil in the Entertainment (Chinese) room at the White House at the Royal Łazienki Park - wall fragment, with woodwork, wall paper and paint work in the scale of 1:20. Kotarbiński, Mieczysław (1890-1943), draughtsman, cartoonist

Design for a Chair, "For Lord Grosvenor's Dining Room". Artist: Attributed to Gillows (British, 19th century). Dimensions: sheet: 7 7/16 x 4 3/8 in. (18.9 x 11.1 cm). Date: early 19th century. Museum: Metropolitan Museum of Art, New York, USA.

Print (France)

Upper row: at left, a tent, the pointed roof of which is in front of a kind of shell which is laterally framed by feathers. At right, a tent with a high pointed roof, behind which the wall forms a niche which has above the entablature the shape of the upper half of a quatrefoil, with drapery hanging from the upper corners in front of the roof. Lower row: at left, a variation of the last motif, without the drapery. Bunches of flowers frame the lower part of the quatrefoil. At right, a tent with a pointed roof above an entablature and with feathers on top. Behind the roof is a niche, beside which the wall is decorated with a pillar and a figure in a triangle. Only the lowest parts of the posts in all the projects are not covered by curtains. Date: ca. 1790. Pen and brown ink, brush and brown wash on off-white laid paper. Museum: Cooper Hewitt, Smithsonian Design Museum.

Design for a Mirrored Dressing Table with Baroque Ornament, and a Casket early 19th century Anonymous, British, 19th century British. Design for a Mirrored Dressing Table with Baroque Ornament, and a Casket. Anonymous, British, 19th century. early 19th century. Pen and ink, watercolor

Fasada kamienicy Hurtiga i Roeslera. Knusman, Daniel (Warszawa ; zakład litograficzny ; 1821-1826), lithography atelier, Schmidtner, Leonhard (1799-1873), graphic artist

Design for a Salt Cellar, Luigi Righetti, Italian, 1780 - 1819, Pen and ink, brush and wash on paper, Elevation of a salt cellar. The cup is a breast-shaped mastos form with fluting on the body and gadrooning at the rim. The vessel is supported by two Egyptian-style terms on a stepped, beveled platform., Italy, ca. 1800, tableware designs, Drawing, Drawing

Window with curtains, Léon Laroche, after Eugène MAINCEN, c. 1885 - c. 1895 print Cross window with armchair and draped curtains (three -part). Print from 319th Livraison. paper hangings and drapery. window. armchair, seat

Design for a Sofa, from: Nouvelle Iconographie Historique III, series Q 1771 or after Duval French Design for a large sofa in a late Louis XV style. The sofa is divided up in five parts. In the center on top of the sofa a Chinese figure is depicted holding up a parasol. The upholstery of the sofa is decorated with the fables of Fox and Crane and Wolf and Heron (Jean de la Fontaine).. Design for a Sofa, from: Nouvelle Iconographie Historique III, series Q 352748

Design for a cananpé or sofa, Gabriel Huquier, Juste Aurèle Meissonnier, 1738 - 1749 print This print is part of an album. paper etching couch, sofa, settee. work of applied art

Designs for an Art Nouveau Table and Chair. Artist: Anonymous, French, 19th century. Dimensions: sheet: 12 5/8 x 16 7/16 in. (32 x 41.7 cm). Date: 19th century. Museum: Metropolitan Museum of Art, New York, USA.

Freedom, brotherhood and equality, decoration on the Hogesluis, 1795; Hooge Sluis. Three columns for freedom, brotherhood and equality, allegorical decoration established on the Hogesluis on the Amstel in Amsterdam at the Alliance party on 19 June 1795. Three columns awarded the symbols of freedom, brotherhood and equality. Illustration in the Batavian Revolution and Alliance Almanach before 1796.

Two cupboards, Midart, 1839 - 1885 print Two cupboards with open ups in the styles of Louis XIII and Hendrik II. Print from 243rd Livraison (41st Année). paper furniture for storage

Drawing, "Un des cotes du Pavillon orchestre dans le Jardin des Tuileries, en Juillet 1838"; Félix-Jacques Duban (French, 1798 - 1870); France; brush & pen & watercolor, graphite support: light tan paper mounted on off-white laid paper; 24.5 x 16.8 cm (9 5/8 x 6 5/8 in.) 9 11/16 x 6 5/8 in. Mat: 35.6 x 45.7 cm (14 x 18 in.)

Palisander -tree armchair from the first half of the 19th century from a set of furniture in the collections of the Society for the Care of the Monuments of the past in Warsaw in 1916 - front views, a fragment from above (cross -section) and from a side on a scale of 1: 5; Maszyński, Mariusz (1888-1944); 1916 (not after 23/03/1916) (1916-00-00-1916-00-00);

Design for a Jardiniere 19th century Anonymous, French, 19th century French. Design for a Jardiniere 355641

Decorated Eikhout cabinet, Anonymous, c. 1882 - in or before 1887 photomechanical print Belgium paper collotype / photolithography ornamental cupboard (+ wood and other phytogenic material)

Carskie Sioło. Willa lorda Withwortha. Elewacja tylna. Quarenghi, Giacomo (1744-1817), draughtsman, cartoonist

Design drawing for a niche, Guillaume Thomas Raphaël Taraval (Possible), c. 1735 - c. 1750 drawing A niche decorated with a gesture mask with a partially put aside curtain, behind which a bed appears. Paris (possibly) graphite (mineral). ink. cardboard brush

Inner elevation of the Olympia hall, stage side L�on Carle (1843-1899). Inner elevation of the Olympia room, stage side. Feather, black ink, watercolor.

Mahogany arelon from the 1st half of the 19th century from the collection of Karol Malczewski from Warsaw in 1918 - views from the front and from the side on a scale of 1: 5; Sztolcman, Władysław Roman (1873-1950); 1918 (1918-00-00-1918-00-00);

Empty Stage 19th century Anonymous, Italian, 19th century Italian. Empty Stage 390439

Drawing, Design for ink stand; Manufactured by Lefebvre Manufactory, Tournai; Belgium; brush and yellow, red watercolor, black wash, graphite, on cream laid paper; 23.4 x 25.2 cm (9 3/16 x 9 15/16 in.)

Schaffers, Nestor, Hemelbed, recto - printed, photograph, photo, page, photos, photographically illustrated books, PL. VII., No 58., height 135 mm, width 91 mm, Belgian, 1826 - 1896, photographer, 1899 - 1904, paper, carbon print

The Madame B Album Made 1870-1879 France. Albumen print with watercolor (in album) . Marie-Blanche Hennelle Fournier

Wedding basket and nursery furniture. Handcoloured copperplate engraving by D. Sluyter after an illustration by Cornelis Borsteegh from Anna Barbara van Meertens Penelope, Or Maandwerk aan het Vrouwelijk Geslacht Toegewijd (Penelope, Monthly Magazine dedicated to the Female Sex), G.J.A. Beijerinck, Amsterdam, 1821. Van Meerten was an educator, writer and pioneer in womens rights in Holland.

Design for a Title Page, Pen and ink, brush and wash on paper, A frame with curved, chamfered corners decorated at the top with putti, one holding a ribbon inscribed 'Dum Spiro Spero,' above an escutcheon showing a rampant lion and three crescents. At either side, flying putti hold rose garlands. At the bottom, water and fruit spill from three overturned vases, two other escutcheons, a mace and oars. The frame rests on a stone base with attached rings at either side., France, 1760-1770, drawing, drawing

Study of an Antique Armchair 1849 David Cox British During the 1830s Cox began to represent historic interiors at Haddon Hall, Hardwick Hall, Bolsover Castle and Chatsworth, all in Derbyshire, and extends that interest here. This drawing of a massive, early British chair demonstrates the expressive potential of historic objects and likely was made during one of the artist's annual visits to the Welsh village of Betws-y-coed, where he stayed at the Royal Oak Hotel.. Study of an Antique Armchair 659420

Twee Lambriseringen, Pierre Gabriel Berthault, after just Nathan François Boucher, 1752 - 1794 print Designs and profiles of two paneling. Paris paper etching / engraving panelling

Twee Confidents, Léon Laroche, 1895 - 1935 print Two confidents (two seats next to each other where people look in the opposite direction), in the styles of Louis XVI and Louis XV. Print from 373rd number (Livraison). paper seating furniture

GOTHIC MANTEL PIECE, BY WYNNE AND LUMSDEN, THE GREAT EXHIBITION

Highboy. Dated: 1939. Dimensions: overall: 48.4 x 39.3 cm (19 1/16 x 15 1/2 in.). Medium: watercolor, colored pencil, graphite and heightening on paperboard. Museum: National Gallery of Art, Washington DC. Author: M. Rosenshield-von-Paulin.

The Repository of Arts, Literature, Fashions &c., 3rd series, volume 6 July-December 1825 Rudolph Ackermann, London British. The Repository of Arts, Literature, Fashions &c., 3rd series, volume 6. July-December 1825. Illustrations: etching, engraving, aquatint, hand-coloring. Rudolph Ackermann, London (active 1794-1829)

Fasada pałacu Sapiehów. Knusman, Daniel (Warszawa ; zakład litograficzny ; 1821-1826), lithography atelier, Schmidtner, Leonhard (1799-1873), graphic artist

Bedstead. Dated: 1935/1942. Dimensions: overall: 30.6 x 40.6 cm (12 1/16 x 16 in.) Original IAD Object: none given. Medium: watercolor, gouache, and pen and ink over graphiteon paper. Museum: National Gallery of Art, Washington DC. Author: Robert Gilson.

Geoffrey Holt, Restoration Drawing Wall Decoration Over Doorway in Mission House, 1937 Restoration Drawing: Wall Decoration Over Doorway in Mission House

Wall table. Draughtsman: anonymous. Dating: 1775 - 1800. Place: Netherlands. Measurements: h 240 mm × w 313 mm. Museum: Rijksmuseum, Amsterdam.

Circus Wagon. Dated: c. 1938. Dimensions: overall: 33.2 x 51.3 cm (13 1/16 x 20 3/16 in.) Original IAD Object: 22' long; 10'9" long. Medium: watercolor and graphite on paper. Museum: National Gallery of Art, Washington DC. Author: Frank M Keane.

Warsaw. Gilded couch with velvet upholstery from the equipment of the Conference Study of the Royal Castle - side views and fragment from the front in the scale of 1:5. Sztolcman, Władysław Roman (1873-1950), draughtsman, cartoonist

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