Ornamental Designs and Symbols

A collection of intricate ornamental engravings featuring themes of love, astrology, and geometry, with decorative elements like animals, figures, and instruments.

Augsburg, Hertel, Johann Georg (I), Rösch, Georg Sigmund, The months of the year, Majus, May, verso - stamped, In a rocaille cartouche people are dancing around the maypole. Around the image rocaille ornaments, putti with flowers, twins and the associated sign of the zodiac. Publisher number 74., print, ornamental print, prints, height 297 mm, width 188 mm, print maker, printmaker, 1705 - 1766, paper, papier, etching, etchings, German - 1766, intermediary draughtsman, after a drawing by, Publication (Event), Publication, 1695 - 1775, publisher

Rocaille Cartouche Met Minervakop, Georg Christoph Götz, After Jacques de la Joue (II), 1744 print Design for oval rocaille cartouche with miner -pole, spear, women's head and passer. paper etching rocaille ornament. (story of) Minerva (Pallas, Athena)

Physics; Phisiqve; The sciences, proposed by women; Ornament with physica. The physics with a branch and a vase, standing under a canopy at the top left and at the top right is an eagle. From series of 6 sheets.

Design for a Catafalque for Charles Emanuel III of Sardinia, Carlo Marchionni, Italian, 1702-1786, Pen and brown ink, brush and wash, black chalk on off-white laid paper, mounted, Two winged genii, symbolizing death, sit on pilasters supporting a sarcophagus to Carl Emanuel III. Pedestals on either side support two candle brackets with burning candles and two putti. Above, a broken pediment supports a putto sitting at left and holding a medallion of the King. Two additional putti support the crown. All is adorned with festoons and swags. Below are groups of men, of whom one is extinguishing a candle and another is walking with new lights. At right, two women appear, one running and the other accompanied by a dog., Rome, Italy, 1773, architecture, Drawing, Drawing

Lutma, Johannes (1584-1669), Various serpents useful for goldsmiths, sculptors, stonemasons and all who love art. Published by Jacobus Lutma de O., 1654, print, engraving, ornamental print, prints, engravings, Northern Netherlands, 1584 - 1669-01

Collection of Various Caprices and New Designs of Cartouches and Ornaments: No 13, 1646. Stefano Della Bella (Italian, 1610-1664). Etching;

Title card: Se Vendent Chez Le Blond Rue St. Denis a la cloche d'Argent Avec Privilege du Roy I. Le Potre in et fe., B.R.; Le Pautre, Jean (1618-1682), Le Blond, Jean (Ca 1594-1666); around 1660-OK. 1670 (1601-00-00-1700-00-00);

Jörg Sandrart coat of arms; Coats of arms for portrait medallions and watch covers. Coat shield on a drapery in an oval. Under the weapon text in Mirrorbeld: for the Friendly and Imperious Conflict I Have Moennem Fleet / Cousins Jörg Sandrart You Made / Mayner in Freud and Friendly to Memorize .... 1623.

Cartouche with text of bias between two saters in Rolwerk, Johannes or Lucas van Doetechum, after Cornelis Floris (II), 1558 - 1630 print At the bottom left and bottom right is on the rolling work that blows on a trumpet. One of 4 magazines from a series of 6. Second edition of a series of flat decorations designed by Cornelis Floris (Orn Cat I-77.1 to 77.6). Netherlands (possibly) paper etching

Heraldic bookplate. unknown, graphic artist

Dessein d'une Fontaine orné avec les quatre Elements (Design for a Fountain Decorated with the Four Elements). Dated: c. 1755/1760. Dimensions: plate: 26.7 x 19.9 cm (10 1/2 x 7 13/16 in.) sheet: 40.3 x 24.7 cm (15 7/8 x 9 3/4 in.). Medium: etching and engraving on laid paper. Museum: National Gallery of Art, Washington DC. Author: Johann Esaias Nilson.

Title page for a collector's album with a coat of arms flanked by two angels, draughtsman: anonymous, 1600 - 1625, paper, pen, brush, h 265 mm × w 250 mm

Hongarije, Jean Charles Delafosse, 1768 - 1771 print An ornamented vase with two female semi -figures and rams heads. Below that a square list of weapons, a water flow, a sword, a horn of abundance, the papal tiara and burning hearts. Print number 49. Paris paper etching / engraving vase ~ ornament. Hungary

Print, The Roman Emperor Vitellius (69), in escutcheon; Print Maker: Étienne Charpentier (French, 1707 - after 1792); France; engraving with etching on paper; Plate: 69.8 × 51.6 cm (27 1/2 × 20 5/16 in.) Paper: 80.3 × 57.7 cm (31 5/8 × 22 11/16 in.); 1914-49-3

Wealth produces pride, Crispijn van de Passe (I), 1601 print The female personification of wealth, with a horn of abundance. Left in the background a castle with a castle garden. The performance has a frame with a border script in Latin that is caught in a richly decorated cartouche. Second print from a series of eight with the cycle of human action. Cologne paper engraving Wealth, opulence; 'Option', 'RECEIVED' (RIPA)

Scrollwork Escutcheon with Representation of Saint Mark the Evangelist, Pieter van der Heyden, Flemish, 1530 - 1572, Jacob Floris the Elder, Flemish, 1524 - 1581, Engraving on paper, Saint Marc reading under a tree; his right hand lies upon the lion. Two children with palm boughs., Netherlands, ca. 1565, Print, Print

Rebus with different objects that together form the words Ci-Git La Vendetta Surannee; Rebus here lies the old fat; Rebus Ci-Git La Vendetta Surannee.rebus with objects that are arranged that when coming out their names the words Ci-Git La Vendetta Surannee (here the old fat) is formed. The design was probably intended as a New Year card for the year 1863.

Friedrich III., Roman-German Emperor.

Portraits of William IV, Prince of Oranje-Nassau, Willem V, Prince of Oranje-Nassau, Wilhelmina van Pruisen, Louise, Princess of Oranje-Nassau, William I Frederik, King of the Netherlands, and Frederik, Prince of Oranje-Nassau, Anonymous , 1780 - 1849 print Portraits of Willem IV, Willem V, Wilhelmina, Louise, Willem I Frederik and Frederik. Each in an ornamented frame with their names and titles. In the middle of two weapons with a crown. Two columns with eight lines each Dutch text each in the lower margin. Low Countries paper engraving / etching

Can be formed with an ear by the upper body of a naked woman; VASA A Polydor (...). The belly of the can be decorated with a frieze on which people are on either side of a vase. Obachiep copy to RP-P-1964-2388.

Coat of arms of Hessen's landgraves. Design for a print.

Vignette with poetry with Lier and Zwaan in landscape with frame, Leendert Brasser, After Hendrik Hoogers, 1727 - 1793 print Vignette with female personification of poetry that plays a winch on the banks of a water in a southern landscape. Behind her is a pedestal with a relief Bellerophon who beats the Chimeraa, a swan on the shore spreads its wings. The truth is shown in a small medallion. A garland and a banderole with motto Studium Scientiarum Genitrix swing around a list. Rotterdam paper etching (story of) Bellerophon. water-birds: swan. symbolic representations, allegories and emblems ~ poetry; 'Poesia' (Ripa)

Savoy's coat of arms flanked by two lions. Savoy's coat of arms flanked by two lions, crowned under a canopy with an emperors.

Stairoets Van de Hertog van Ossuna, 1713; Face of the deriere train of the first gilded carbon; First of the magnificent carosses of Monseigneur The Duke of Ossuna ambassador Extraordinary and first plenipotentiary of Her Majesty Catholic Philippe: V. For peace made for the public entire Excellency at Utrecht mdccxiii.leaf with oven examples of the ornaments on the Golden CARRIAGE. Part Of a Series Of 7 Flats With The Stickers' Test Of The Spanish sent The Duke of Ossuna, Used At His Public Entry in Utrecht for The Peace Negotiations in 1713. Numbered at the Bottom Right: 7.

Vase and Meermannen, 1729 - 1737 print A vase rests on the hands of two major men or sitting on a fountain in the form of a face and a shell. Below that the serial title. Paris paper etching vase ~ ornament. merman. ornamental fountain

Portrait of Karel VII Albrecht surrounded by Allegorical Decoration, Gottfried Bernhard Götz, 1742 - 1774 print Augsburg paper engraving / etching historical persons. emperor. double-headed eagle. Father Time, man with wings and scythe. rocaille ornament. cupids: 'amores', 'amoretti', 'putti'. trees: olive-tree (+ branch, stick). trees: palm-tree (+ branch, stick). knighthood order of the Golden Fleece - insignia of a knighthood order, e.g.: badge, chain (with NAME of order). knighthood order (with NAME) - insignia of a knighthood order, e.g.: badge, chain (with NAME of order). Fides (faith) as Roman personification. Justitia (justice) as Roman personification. Honour, Glory; 'Ampiezza della Gloria', 'Gloria', 'Gloria de prencipi', 'Gloria & Honore', 'Honore', 'Sublimatí della Gloria' (Ripa). Fortitude, 'Fortitudo' ~ one of the Four Cardinal Virtues - MM - triumph

Cartouche. Dated: probably 1646. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: François Collignon after Stefano Della Bella.

Left edge of the arms of a map of the Water Board of Schieland (lower part), Johannes Vinckboons, 1660 print Coat of arms with a broken sword by Bernhard Zwaerdencroon, steward and secretary of the Schieland Water Board. Bottom part of the left arms of arms of the first edition of 'The Hooge Heemraedtschap van Schielandt'. paper engraving armorial bearing, heraldry Schieland

. Leaf XXVII. Cartouche with the text Note Glorifics Ni Ensoberuezcas .... On the inside of rolling frame there are volutes in which a chain of sequins lies. From series of 21 numbered cartouches with calligraphy in a picture frame of roller and fitting work with grotesken, garlands and mascarons.

. The female personification of work (sedulitas), with a spin skirts. She is accompanied by a chicken with chicks, who symbolizes strolling. In the background women are diligently weaving and spinning. The show has a frame with a peripheral peripheral that is caught in a richly decorated cartouche. First print from a series of eight with the cycle of human action.

Fokke, Simon, Northern Netherlands, Sheet with five scenes from Vondel's Gijsbrecht van Amstel, Sheet with five theater scenes in round medallions from the play Gijsbrecht van Amstel by Joost van den Vondel. In the center a large round representation surrounded by four small circles., print, picture, history print, prints, pictures, Frederik Muller History plates, height 194 mm, width 231 mm, 1712-09-01 - 1784-04-10, print maker, printmaker, 1775 - 1775, fourth quarter 18th century, paper, etching, etchings, Work conception, after own design by

Rococo Fountain with Lovers and the Four Elements. Dimensions: overall: 23.2 x 15.4 cm (9 1/8 x 6 1/16 in.). Medium: pen and black ink with gray wash on laid paper. Museum: National Gallery of Art, Washington DC. Author: Johann Esaias Nilson.

Trades Practiced in Bologna. Francisco Curti (Italy, circa 1603-1670)Agostino Parisini (Italy, 17th century, active Bologna 1625-1639). Italy, circa 1640. Prints; etchings. Etching, laid down

Title page, from 'Recueil de Toutes Sortes d'Ornements Propres à Orner Les Eglises Maisons et Jardins', Jean Le Pautre, French, 1618-1682, Etching on paper, The Baptism of Christ has been carefully cut out, in its stead is written the title of a set of prints., Europe, France, 1652-1700, Print, Print

Four plates of ornamental panels. Artist: Johannes van Doetecum the elder (Netherlandish, active 1554-ca. 1600, died 1605); Lucas van Doetecum (Netherlandish, active 1554-72, died before 1589); Cornelis Floris II (Netherlandish, Antwerp before 1514-1575 Antwerp). Dimensions: 14 7/16 x 11 7/16 x 5/16 in. (36.6 x 29 x 0.8 cm). Date: n.d.. Museum: Metropolitan Museum of Art, New York, USA.

Second version of the title page of Le Francq van Berkheys 'Kort message' about the visit of the Prince and Princess of Orange to Leiden, 1788; That Leydens Maejes: Now Flowers Sprinkle / Orange Honor Adds Deeze TOOJ.Second Version of the Title Page of Le Francq from Berkheys 'Kort Message' About The Visit of the Prince and Princess of Orange to Leiden and Offering Flowers by 25 Leiden Flower Girls, October 4, 1788. Two Girls on Either Side of a Medallion with the Portraits of the Prince and Princess. With Flowers on the Princess's face. At the top of a Pelican That Pockets Itself in Breast, Down a Family Swans.

Allegoric vignette with beehive. Bijenkorf surrounded by three people and flanked by two muses. In the foreground, books by players are vondel, Langendyk and Focquenbroch and lie sheets with titles of different plays. Above the show, the city's city of Amsterdam.

Petrarca, Francesco.

1) frontispis; Frankenberger, Tobias (1627-1664; m 1662 (1662-00-00-1662-00-00);

Cartouche with the worship by the Shepherds, Jan Caspar Philips, 1736 print The birth of Christ in the stable. Rads from heaven describe the child. The shepherds kneel in worship. Left in the background the kings on their way to Bethlehem. The show is caught in a cartouche with putti as shepherds and putti with flowers. paper etching / engraving adoration of the Christ-child by the shepherds; Mary and Joseph present. the star appears again and guides the three Wise Men to Bethlehem

Design for a glass window with blank coats of arms and putti. Draughtsman: Jan de Bray (rejected attribution). Draughtsman: Pieter Jansz.. Dating: 1630 - 1672. Measurements: h 278 mm × w 116 mm. Museum: Rijksmuseum, Amsterdam.

Arc de Triomphe, Place Dauphine. August 26, 1660. (TF)

Flat decoration with trophy with helmets; Flat decorations with weapent trophies; Ornament, trophy of Roman weapons, a mask in the middle. In den l.o.h. Cb. At the top of the trophy hangs a helmet, underneath a shield, the head of a lion and a second helmet. Shaded background. Belongs to 5 blades from a series of 7.

Le chasteau de Ruel. Dated: probably 1665. Medium: engraving. Museum: National Gallery of Art, Washington DC. Author: François Le Febvre.

Ex libris from Sir William Stirling Maxwell. Ex libris of book collector Sir William Stirling Maxwell. His coat of arms and its mottos are faced in an ornamental frame. Ex libris stuck on the deck top. This print is part of an album.

Praag, Sadeler, Aegidius, Polidoro da Caravaggio, Vasa a Polydor, Can with an ear on the left, formed from leaf vines, The belly of the jug is decorated with a frieze with centaurs. Opposite side copy after RP-P-1964-2386., print, ornament print, prints, ornament prints, height 233 mm, width 159 mm, South Netherlands, 1570 - 1629, print maker, printmaker, 1580 - 1605, fourth quarter 16th century, first quarter 17th century, paper, engraving, engraving (printing process), Work conception, Italian, 1490 - 1543, after a design by, Publication (Event), Publication, publisher

Epitaaf van Spiritual, Jean Lenfant, After Nicolas Blasset, 1625 - Before 1641 print The spiritual is depicted in an oval niche. From series of 7 magazines. France paper engraving

Baroque list of the presentation of a martyr in knee piece, with a cross and ax in hand, Anonymous, 1600 - 1699 drawing paper. ink. pencil pen / brush saints. picture, painting

Praal grave for Admiraal Jacob Baron van Wassenaer van Obdam, Jan Lamsvelt, Jan Claesz ten Hoorn (Possible), 1711 - 1729 print Praal grave for Admiraal Jacob Baron van Wassenaer van Obdam in the Grote or Sint-Jacobskerk in The Hague. The Admiraal died in the explosion of his flagship De Eendracht during the Battle of Lowestoft on 13 June 1665. At the top right marked: fol. 27. paper etching / engraving grave-building, monumental tomb. Battle of Lowestoft Big church

Two Weapons, Anonymous, 1611 - 1711 Two performances on an album magazine. At the top of the coat of arms of Cornelis Bicker, lord of Swieten. The show was originally part of the print entitled 'Amphitheatrum Vespasiani, Nunc Vulgo Il Coliseo'. Below that an unprotected weapon with three horns and four waves. In addition, a Moor as a helmet sign. The prints are part of an album. Amsterdam paper engraving Two performances on an album magazine. At the top of the coat of arms of Cornelis Bicker, lord of Swieten. The show was originally part of the print entitled 'Amphitheatrum Vespasiani, Nunc Vulgo Il Coliseo'. Below that an unprotected weapon with three horns and four waves. In addition, a Moor as a helmet sign. The prints are part of an album. Amsterdam paper engraving

Wenzel, king.

Coat of arms with Maltese Kruis, Bernard Picart, 1730 print A coat of arms with the order of the order of Malta. Above the weapon the motto: Suum Cuique (everyone is his). The coat of arms is surrounded by leaf ornaments. Amsterdam paper etching / engraving coat of arms (as symbol of the state, etc.). foliage, tendrils, branches ~ ornament

Augsburg, Hertel, Johann Georg (I), Verhelst, Placidus, Rocaille motifs with the seasons, Der Somer, Aestas, Zomer, verso - stamped, On a rocaille ornament sits a boy with a hat and a sickle on ears of corn. Publisher number 69., print, ornament print, prints, ornament prints, height 228 mm, width 186 mm, print maker, printmaker, 1737 - 1775, paper, etching, etchings, 1727, intermediary draughtsman, after a drawing by, Publication (Event), Publication, 1695 - 1775, publisher

Ignaz Flurer's draft for a ceiling picture depicting a mythological-allegorical apotheosis of the initials E., representing Empress Elisabeth Christine, executed with a lead handle in gray ink and laved.

Descripcion, de, diferentes, piezas, de, historia, natural, las, mas, del, ramo, maritimo, En, La, Havana, En, la, Imprenta, de, la, Capitania, General, 1787, Cuba, natural, history, marine, animals, Caribbean, area, The scene depicts a grand, intricate arrangement showcasing a central figure, possibly representing a deity or a significant mythological entity, elevated above a lavishly adorned structure. Surrounding this figure are muscular human forms, each engaged in various dynamic poses, conveying a sense of movement and energy. Decorative elements such as elaborate drapery, floral motifs, and intricate patterns embellish the composition, enhancing its opulent feel. The overall atmosphere suggests a mythological or allegorical narrative, inviting viewers to contemplate the relationship between the figures and their symbolism in the context of art and mythology.

Josef II, Roman-German Emperor Stecher: Nilson, Johannes Esaias

Title Priter Met Lijst, Cartees a Drapery Met Tit title, Maximum Joseph Lipacia, After Giovanni, 1714 print print maker: Romeafter design by: ItalyVaticaanstad paper etching ornament ~ cartouche

Allegory at the marriage of Prince William IV and Anna van England, 1734, Claude Duflos, After Louis Fabritius Dubourg, 1734 print Allegory at the marriage of Prince William IV and Princess Anna of England on March 25, 1734. Angels and allegorical figures in the clouds with the weapons of the prince and princess. This plate includes a separate leaf with an explanation of the performance in rhyme. France paper etching (civil) marriage ceremonies. armorial bearing, heraldry

Medal in honor of schout-at-night Willem Crul, killed at English attack on his ship on 4 February 1781. Front and downside of the medal with portrait and allegorical emblem. In an ornamental frame with a delighted torch at the top. At the bottom of a four-line fresh and a reference to Bladz. 174.

A funerary monument with putti with medallions. In the middle a medallion with a portrait of a man. Around arms and flags. At the top two lions flanking a crowned coat of arms with rafters and a tree, funerary monument with medallions and putti., draughtsman: anonymous, 1650 - 1800, paper, h 368 mm × w 273 mm, FTZYC Doctype

Title vignette of "De Kwakzalver", Hendrik Post, 1718 - 1751 print Vignette with a group of players within an ornamental frame with musical instruments and masks and two monkeys with fools, those books and documents with stamps hold. The title of the farce is on a wall under the stage. paper etching group of actors, troupe; actors on the stage. monkeys, apes

Allegory on William Cadogan, Nicolas Dorigny, After Carle van Loo, 1735 - 1741 print Paris paper etching / engraving monument, statue. the warrior martyr George (Georgius); possible attributes: banner (red cross on white field), (red) cross, dragon, (white) horse, broken lance, shield (with cross), sword

Picart, Bernard, Amsterdam, Crowned coat of arms carried by a hybrid eagle and a lion, verso - stamped, print, prints, height 144 mm, width 202 mm, Northern Netherlands, 1673-06-11 - 1733-05-08, print maker, printmaker, 1722 - 1722, first quarter 18th century, paper, papier, etching, etchings, engraving, engraving (printing process), intermediary draughtsman

Bookplate: Coat of Arms with Thomas Russell inscribed below. Joseph Callender (American, 1751-1821). Engraving;

Rocaille cartouche with minerva cup. Design for oval rocaille cartouche with minerva cup, spear, woman's head and passer.

Coat of arms of the Van Heussen family, Hendrick Goltzius, 1579 - 1584 print Family crest of the Van Heussen family from Haarlem (twice three windows and twice three rosettes) in Ovaal. Belongs to a portrait of Jan van Heussen. Haarlem paper engraving armorial bearing, heraldry

Cartouche with large mask, Daniel Rabel (Possibly), After Daniel Rabel, 1634 print The compartment shows a landscape with a river and a building. Leaf 12 from series of 13 sheets with cartouches in French lobe style. From the first edition. print maker: France (possibly)after own design by: France (possibly)publisher: Paris paper etching

Title print with empty coat of arms flanked by two Genii, Israel Silvestre, 1631 - 1661 print France paper etching / engraving Genii (Roman tutelary spirits); 'Genio' (Ripa). landscapes. coat of arms (as symbol of the state, etc.) Rome

Apollo in coach; Livre d'Orgenens; Oeuvre de Juste Aurele Meissonnier.apollo in a carriage drawn by four horses. Around the show a Rocaille frame. Print number 23.

Pichegru, Charles Stecher: Ernst, Karl Mathiasverlag: Behrensian bookstore publisher: Frankfurt (Main)

Paris, Tavernier, Melchior, France, Rabel, Daniel, Cartouches de Differantes Inventions, Cartouche with large mask, The compartment shows a landscape with a river and a building. Sheet 12 from a series of 13 sheets with cartouches in French auricular style. From first edition., print, ornament print, prints, ornament prints, height 124 mm, height, 170 mm, 1578 - 1637-01-03, print maker, printmaker, 1634 - 1634, second quarter 17th century, paper, etching, etchings, Work conception, after own design by, Publication (Event), Publication, South Netherlands, 1564 - 1641, publisher

Venice, Rossetti, Domenico, Fight on a Bridge in Venice, verso - stamped, A large group of men fighting on a bridge in Venice., print, prints, height 585 mm, width 1305 mm, Italian, 1650 - 1736-04-13, print maker, printmaker, 1660 - 1736, paper, papier, engraving, engraving (printing process), etching

Titus Livius (59 BC-17 AD). Roman historian. Titi Livii, Patavini: Historiarum Libri qui extant. 1679 classic edition by Joannes Dujatius from a monumental history of Rome (Ab Urbe condita) written by Titus Livius between 27 and 9 BC. Printed in Paris by Fredericum Leonard. Frontispiece. Engraving depicting Arion, carrying his lyre, being thrown into the sea by sailors. A dolphin approaches to save him. A banner bearing the words "trahitur dulcedine cantus" waves between Arion and the dolphin. Two winged figures flank the coat of arms of the Dauphin (upper part), and two tritons do the same with the name of Titus Livius.

Karl VII., Roman-German Emperor.

Ancient warriors in armour leading a sacrificial bull to an altar. Engraved on carnelian and dactylotheca from the collection of the antiquarian Charles Francis Greville. Mezzotint copperplate engraving by John Spilsbury from his Collection of Fifty Prints from Antique Gems, John Boydell, London, 1785.

Arms of the Overlanders family. Possibly a design for a glass window.

Italy, Giardini, Giovanni, Rome, Limpach, Maximilian Joseph, Disegni diversi inventati e delineati da Giovanni Giardini da Forlì, Various church objects, Ornamental table, verso - stamped, Table with ornamental legs with two lions, an eagle and satyrs. On the table is a bowl with flowers. Numbered top left: no. 55., print, ornamental print, prints, ornamental prints, height 178 mm, width 280 mm, Czech, print maker, printmaker, 1714 - 1714, paper, papier, etching, etchings, Italian, 1646 - 1722, intermediary draughtsman, after a drawing by, Work conception

A brown and black ink drawing by the Straßburger Meister showing the Musler coat of arms with a windscreen tear and remnants of a reddish frame, dated 1510-1540.

Portrait bust in oval to the left of Louis Napoleon, King of Holland The portrait is framed by allusive symbols, such as palm branches and a variety of arms Above it floats a crown Below the portrait is the coat of arms of the Kingdom of Holland, flanked by a crowned lion and a crowned eagle Beneath this is a flag with the motto 'eendragt maakt magt', Portrait of Louis Napoleon, King of Holland, print maker: George Kockers, (mentioned on object), Middelburg, 1808, paper, etching, h 262 mm × w 191 mm

Title page: Some new compartement, Johannes Lutma (1624-1689), c. 1653 - c. 1655 print Kwabcartouche with the series title, at the top, a putto with laurel wreath floats at the bottom of two naked children with drawing and measuring instruments. Amsterdam paper etching Cupids: 'Amores', 'Amoretti', 'Putti'. ornament ~ cartouche

Friedrich Wilhelm I, King of Prussia Draftsman: Goeree, Janradier: Vianen, Jan Vandation: 1713/1726

This drawing by Bernardo Castelli Borromini depicts the tomb of Cardinal Denhoff at San Carlo alle Quattro Fontane, Rome, on fine paper with pen and brown, green, and pink watercolor, including scale and labeling.

Van Hoorn coat of arms. Coat of arms with horns in triangular shape and birds, possibly from the gender of Hoorn. Inscription with family name has been stuck to the weapon.

Titelblad: Book of various panels, 1661 print On a tablet in the middle is text, above that there is a putto on an eagle. From series of 12 sheets with ornamental panels made up of medallions, tablets, Frisians, sarcophagi, vases, shields, garlands, climbing plants and putti, placed along a vertical axis. From the first edition. print maker: France (possibly)after design by: France (possibly)publisher: Paris paper engraving

Title print for the funeral procession of Walraven van Brederode (plate 1), 1615; Bevreefnisse van (...) Walraven, Lord to Bredered, Vry-Heere van Vianen (...) did within the Stede of Vianen den XXIX January. Ano. 1615; Funeral by Walraven van Brederode, 1615. Title Prent for the description of the funeral procession of Walraven van Brederode, Mr Van Vianen, January 29, 1615 in Vianen (plate 1). Cartouche with title decorated with garlands and mascaron, with portrait bust, the fame and death.

Two vases of rolling work with fruits, 1516 - 1556 print One of 5 magazines from a series of 20. Netherlands (possibly) paper engraving ornament ~ cartouche. scrollwork, strapwork ~ ornament. vase ~ ornament. frequently used ornamental compositions

Six scenes with arabesken; Premier Cahier d'Arabesques; Arabesken. Six scenes with arabesque, standing and sitting feminine (half) figures and vases.

Two banner carriers and a weapon with a black eagle on it. .

Coat of arms of the Van Heussen family. Family crest of the Van Heussen family from Haarlem (twice three windows and twice three rosettes) in oval. Belongs to a portrait of Jan van Heussen.

Man buys flowers for his beloved, Johann Esaiaas Nilson, 1731 - 1788 print A man buys flowers for his beloved from the boy on the right for them. The show is in a round list resting on a rocaille ornament, in a garden with putti and a fountain. Augsburg paper etching / engraving garden. couple of lovers. cut flowers; nosegay, bunch of flowers

Villa van Julius 3 / Brandende altaar; Maid spring / Wings appear; Roman pontiff of the human and the divine symbol Regum.An emblem with two performances. Above a village. Under the burning altar with a star above it. The invention of Pope Julius 3 Marcellus 2.

France, French Crown, Paris, Henriet, Israel, Bella, Stefano della, Receuil de diverses pieces tres nessessaire a la fortification, Matters that provide reinforcement, Title print with cartouche with text, banners, trumpets and cannons, verso - stamped, print, title print, prints, height 91 mm, width 77 mm, Italian, 1610-05-18 - 1664-07-27, print maker, printmaker, 1620 - 1664, paper, papier, etching, etchings, Publication (Event), Publication, French, 1590 - 1661, publisher, uitgever van privilege

Gekroond wapenschild geflankeerd door eenhoorns.A crowned coat of arms flanked by unicorns, which are ridden by Putti. Unicorns also occur on the coat of arms.

France, Edelinck, Gerard, Hendrik Casimir II van Nassau-Dietz, verso - stamped, A curtain, held by two putti, with a crown and coat of arms from which hangs an oval medallion with the portrait of Hendrik Casimir II van Nassau-Dietz (1657-1696), Count of Nassau-Dietz and stadtholder of Friesland and Groningen. Below the portrait a Latin text in four lines., print, prent, prints, prenten, height 211 mm, width 148 mm, Zuid-Nederlands, Frans, 1640-10-20 - 1707-04-02, print maker, prentmaker, 1652 - 1707, paper, papier, engraving, engraving (printing process)

15"s" sownion Repude.

Design for Two Cartouches, François de Cuvilliés the Elder, Belgian, active Germany, 1695 - 1768, Karl Albert von Lespilliez, 1723-1796, Nicolas Jean-Baptiste de Poilly, French, 1712-after 1758, Etching and engraving on off-white laid paper, Rocaille cartouches with landscapes., Germany, 1745, ornament, Print, Print

Decorations 1-6 in The Hague, 1747, 1751 print Leaf with the decorations indicated with the figures 1-6, hung on the houses of residents of The Hague. Los magazine originally part of the sheet metal Haga Commitis Illustrata from 1751 with the decorations set up in The Hague during the festivities around the installation of Prince William IV as the stadholder of Holland and West-Friesland on 3 and 15 May 1747. print maker: Northern Netherlandspublisher: The Hague paper etching / engraving decoration and illumination of streets, squares, etc. (~ triumphal entry, etc.) The Hague

Karl III., King of Spain Stecher: Nilson, Johannes Esaias

The arms of Pedro Telles Giron, Duke of Osuna. Maurice, Jean-Baptiste. Prints. 1665. Rare Book Division. Order of the Golden Fleece, Coats of arms , 1600-1699, Tellez Giron, Pedro, duque de Osuna, 1574-1624

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