Ornamental Designs with Mythical Themes

Intricate engravings featuring ornamental designs with mythological imagery, including sea monsters and allegorical figures, exuding historical elegance.

Northern Netherlands, Passe, Simon van de, Coat of arms of Ernst Casimir, Count of Nassau-Dietz, 1632, died 2 June 1632. Coat of arms with the motto Constant and a six-line inscription in Latin., print, picture, prints, pictures, Frederik Muller Historieplaten, height 472 mm, width 337 mm, 1595 - 1647-05-06, print maker, printmaker, 1626 - 1628, second quarter 17th century, paper, engraving, engraving (printing process)

Oval cartouche with weapon between two lions. Draughtsman: Pieter Jansz.. Dating: 1649 - 1654. Measurements: h 173 mm × w 113 mm. Museum: Rijksmuseum, Amsterdam.

Tomb monument with poem for schout-at-night Willem Krul. Grafmonument with poem by Willem Bilderdijk in memory of the heroic performance of schout-at-night Willem Krul.

Architectural Motif with a Drape with Fruit. Dated: c. 1690. Dimensions: plate: 11.3 x 9.2 cm (4 7/16 x 3 5/8 in.) sheet: 17.3 x 11.8 cm (6 13/16 x 4 5/8 in.). Medium: etching on laid paper. Museum: National Gallery of Art, Washington DC. Author: Carlo Antonio Buffagnotti.

Coat of Arms Surmounted by a Plumed Helmet 18th century Anonymous, Spanish, 18th century Spanish. Coat of Arms Surmounted by a Plumed Helmet 387403

Laughs, ô Kindren! To make the fashion, which bragt ter lobe / with a rig so very mockery as' there has ever existed (...), 1806 - 1830 print Leaf with a large performance (cartoon) of a group of adults, all with a yo -yo in hand, and a child with a migration pop. Above them a garland with children's toys. In the lower margin a verse in two columns. Numbered at the top right: No. 186. Publisher: Zaltbommelprint Maker: Netherlands paper letterpress printing yoyo. children's games and plays. comedy

Fourth Engel blows on Bazuin, Adriaen Collaert (attributed to), after Jan Snellinck (i), 1585 print The fourth angel blows on the trumpet and causes darkness on earth. Another angel shouts: "Woe! Woe! " In the margin a four -line caption in Latin. Ninth print from a series of twenty -four with the revelation of John on Patmos. Antwerp paper engraving the fourth of the seven angels sounds the trumpet: the sun, the moon and the stars are partially darkened. an angel (or eagle) crying the three woes ~ the seven angels with trumpets

Portrait of Ferdinand II. Portrait of the German emperor Ferdinand II in an oval with peripheral. Completely in a separately engraved picture frame consisting of a crowned double-headed eagle with a rich apple, the order of the golden fleece and a ribbon with inscription. Under a cartouche with the spell 'plus ultra' between the two columns of Hercules.

Theodo I, Duke of Bayern Unknown artist dating: 1601/1750

Oval Watch Case with Aeneas carrying Anchises, from a Series of Six Designs for Watch Cases Antoine Jacquard French ca. 1610-15 Antoine Jacquard was active as a metalsmith in Potiers in the first half of the seventeenth century. He appears to have published his designs in print with some regularity throughout his career. They now form the only record of the kinds of objects he would have produced in his workshop. Their subjects range from designs for lock plates, sword hilts, and pommels, to finely-wrought watch cases such as these. This series consists of six sheets, each showing an oval watch case at center, either representing the clock face, or the verso of the case. At the top and bottom of the print decorative friezes are depicted which represent options for the decoration of the sides of the watch case. The prints have been partially executed in the blackwork technique, which may indicated that the watch cases were meant to be enameled, as was the fashion in the early seventeent

Konrad of Züphden, Duke of Bavaria.

Spring; Comperimentorum quod vocant plywood genus .... Performances of the four seasons: Spring (Apollo). Leaf from series consisting of a title page and 15 of the 16 sheets with cartouches with biblical and mythological performances in a frame of rollerwork and grotesken.

Alexander VII., Pope.

Portrait of anatom giovanni battista morgagni. .

Vatican City, Alexander VII, Rome, Rossi, Giovanni Giacomo de', Italy, Falda, Giovanni Battista, Il nuovo teatro di Roma moderna, Il nuovo teatro delle fabriche, et edificii, in prospettiva di Rome Modern (libro primo), Modern buildings in Rome, Vedute delle fabriche, piazze, et strade fatte fare nuovam.te in Roma dalla S.ta di NS Alessandro VII (libro primo), Architectural monument dedicated to Pope Alexander VII, Print is part of an album., print, album page, prints, height 174 mm, width 290 mm, Italian, 1643 - 1678, print maker, 1665 - 1665, second quarter 18th century, third quarter 18th century, paper, etching, etchings, intermediary draughtsman, after a drawing by, Publication (Event), Publication, 1627 - 1691, publisher, 1599-02-13 - 1667-05-22, granter of privilege

Twee Geiten / Lauwerkrans year 1577; Augustus the best source / Memories Funeral Bohemia, New York; Roman pontiff of the human and the divine symbol Regum.An emblem with two performances. Two goats and the text above, souls are eternal. Under a laurel wreath with the year 1577, the invention of Emperor Maximilian 2.

Title print with cartouche with text, banners, trumpets and guns, Stefano della Bella, 1620 - 1664 print print maker: Francepublisher: ParisFrance paper etching ornament ~ cartouche. firearms: cannon

Allegorical representation with Apollo and Diana and three personifications of pharmacy, Moyses van Wtenbrouck, 1626 print print maker: The Haguepublisher: Leidenprint maker: Haarlem (possibly) paper etching representations ~ gods, demi-gods, heroes, etc. (Greek religion)

Robert Herrick, 17th century English poet. Bust portrait from a rare print by W. Marshal from his "Hesperides" 1748. Author of the famous line "Gather ye rosebuds while ye may." Copperplate engraving from Richardson's "Portraits illustrating Granger's Biographical History of England," London, 17921812. Published by William Richardson, printseller, London. James Granger (17231776) was an English clergyman, biographer, and print collector.

Flower wreath with watch cases, down the garden of the castle of Ruel; Fontaines qui se voyent à ruel; Livre Nouveau de Toutes Sortes d'Ouurages d'Orpheuries Receuillies des Maylleurs Ouuriers de ce temps. There are two watch cases in the middle of the wreath, one of them is depicted from both the front and back. At the bottom of a panorama of the garden of the castle of Ruel. From series of 12 magazines with designs of jewelry for goldsmiths and emailing. Third edition.

unknown artist, eighteenth century, Coat of Arms with the mottos 'Honi soit qui mal y pense' and 'Dieu et mon Droit', ca. 1770.

Title print for Prhentterie De Ruiterschool; The equestrian school. A Latin text in a cartouche. On the left next to it a figure in armor (a rider, according to the leads he holds in his hand), on the right next to it a soldier without harness; Under the text a skull. This print is part of a series of 22 numbered prints: a title print, 20 prints on which one or a few different types of (most hearted) riders are shown, and a print with an equestrian fight.

Bliżej Kultury Kiebisiński, Kajetan Wincenty (1808 1849), Merzbach, Ludwik (1820 1890), Żupański, Jan Konstanty (1804 1883)

King Wac Aw II Czech sitting on the throne; Lesser, Aleksander (1814-1884); 1830-1884 (1830-00-00-1884-00-00);Habsburgs, Lesser, Aleksander (1814-1884), Lesser, Aleksander (1814-1884) - collections, Lesser, Wiktor Stanisław Zygmunt (Baron - 1853-1935), Lesser, Wiktor Stanisław Zygmunt (Baron - 1853-1935) - collection, Wacław II (King of the Czech Republic and Poland - 1271-1305), Wacław II (King of the Czech Republic and Poland - 1271-1305) - iconography, gift (provenance), copies, copies from the seal, kings, personalities, Polish personalities, seals, majesty seals , portraits, men's portraits, rulers

View of the palace at the Koudenberg in Brussels. View of the palace at the Koudenberg in Brussels. For the palace, knights and well-to-do women. At the bottom of a two-person, Latin text. The show has an ornamental picture frame with two eagles.

Title Vignet with a man planting crops. .

Coat of arms of Frederik Hendrik, Prince of Orange, 1630 print Coat of arms of Frederik Hendrik with a crown. His motto is in the middle. Latin text in a cartouche five lines. Entirely in a ornamented frame with the Oranjeboom. print maker: Northern Netherlandspublisher: Leidenpublisher: Leiden paper engraving / etching armorial bearing, heraldry

Ecclesiastical armorial panel 1710 Flemish, possibly Leuven. Ecclesiastical armorial panel 193248

. Cartouche with above two putti. A play music, the other combs his hair. In the middle in the cartouche an emblem with a putto that floats a toll with a whip. Boshout was used to make floating rolls.

Half niche with fountain in the form of a vase, 1557 print In an overarched half niche there is a fountain in the form of a vase. On the vase a man, flanked by two Hermen pouring water into the jug of a child sitting at their feet. Around the fountain figures with jugs and jugs. Belongs to series consisting of a title page, a text top and 14 magazines with grotesken with rolling work, saters, garlands, trophies, animals and fantasy scenes. Netherlands (possibly) paper etching ornaments ~ art. vase ~ ornament. ornamental fountain

Netherlands, Galle, Philips, Collaert, Hans (I), Adriaen, Bullarum inaurium, Hanger met fish, Fish, the liver of which is cut out by Tobias, who kneels on the head of the beast. The angel Gabriel is seated on the tail of the fish. One of 7 partly numbered sheets from a series of 10 sheets with pendants. Three pearls hang from each pendant., print, ornament print, prints, ornament prints, height 175 mm, width 128 mm, South Netherlands (before 1775), 1560 - 1618-06-29, print maker, printmaker, 1582 - 1582, fourth quarter 16th century, paper, engraving, engraving (printing process), Work conception, 1540 - 1581, after a design by, Publication (Event), Publication, South Netherlands, 1537 - 1612-03-29, publisher

Clair-obscur woodcut by Andrea Andreani titled 'Allegory on Death', created in 1588 using three plates, depicting the triumph of death with symbolic figures and moral themes.

Amsterdam, Picart, Bernard, Double-headed eagle, verso - stamped, In the middle the double-headed eagle of the Holy Roman Empire with two orbs and a reference to German Emperor Charles VI on the chest (C.VI). In the frame weapons and Ottoman trophies., print, prent, prints, prenten, height 61 mm, width 99 mm, Noord-Nederlands, 1673-06-11 - 1733-05-08, print maker, prentmaker, 1715 - 1715, first quarter 18th century, paper, papier, etching, engraving, engraving (printing process), intermediary draughtsman

Jacobsz., Dirk, Northern Netherlands, Medal for the relief of Leiden, 1574, 1574. Token on a pendant, obverse and reverse in trompe-l'oeil against a pasted sheet of paper. Printed on the back with text in Dutch. Silver medal on three chains and carrying ring. Obverse: siege of Jerusalem by the king of Assyria, whose soldiers flee from tent camp before an angel with drawn sword within inscription. Reverse: view of city of Leiden above map with fortifications and retreat of besiegers within an inscription., print, picture, historical object representation, prints, pictures, Frederik Muller Historieplaten, height 219 mm, width 160 mm, print maker, printmaker, 1721 - 1723, first quarter 18th century, paper, etching, etchings, Work conception

Cartouche with skull, Hendrick Hondius (I) (Rejected Attribution), 1649 print A cartouche on a piercing stable with the text: Finis. At the top a skull with hourglass. The Hague paper engraving 'Vanitas' still life

Five coats of arms from different Roman -German Keizers, Anonymous, 1600 - 1700 print Five coats of arms from different Roman-German emperors. The bottom two are the saint and his wife Kunegonda of Luxembourg. paper engraving / letterpress printing

Woman from Tatary, Stefano della Bella, 1620 - 1664 print. playing card Play card with a performance of a standing woman in fantasized Tartar gestation. Text in STUDMARGE. Numbered in the top left: 2. Paris paper etching Asiatic races and peoples (+ costume) Tartari

Vignet with the coat of arms of the city of Amsterdam. The coat of arms of the city of Amsterdam with a crown, two lions and three Andrew crosses.

Penning on the relief of Leiden, 1574, 1721 - 1723 print Penning on the relief of Leiden, 1574. Slant to a pendant, front and downside in Trompe-L'oeil against a glued sheet of paper. Printed on the back with text in Dutch. Silver medal to three chains and carrying ring. Front: Siege of Jerusalem by the king of Assyria, whose soldiers from tent camp flee for an angel with pulled sword within the change. Reverse: View of the city of Leiden above map with fortifications and retreat of besiegers within Kerschrift. Northern Netherlands paper etching medal (considered as a piece of sculpture, regardless of its specific function). at night, an angel of the Lord decimates the Assyrian camp: 185.000 soldiers are killed Leiden

Print with the front and back of a medal. Upstairs: the front of the medal with the bust portrait of Emperor Heraclius, in prayer. Below: the rear of the medal with Emperor Heraclius in a triumph cart. Both sides contain text in Greek.

Archimedes .

Medal on the inauguration of the town hall. Draughtsman: Bernard Picart. Dating: 1718. Measurements: h 95 mm × w 94 mm. Museum: Rijksmuseum, Amsterdam.

Title print with ornamental frame, Anonymous, 1547 - 1585 print Title print for a series of prints of ten Persian kings. A text in Latin about the series is framed by a frame that is decorated with flowers, fruits, a bird, a duck, a dog and a lion. paper engraving flowers ~ ornament. beasts of prey, predatory animals: lion. fruits. dog

Vignette with weapon trophy, ca. 1786 (), Anonymous, 1780 - 1799 print Vignette with a weapon trophy and a shield with an eight -pointed star, piles of cannonballs on either side. Possibly in connection with the events approx. 1786. Northern Netherlands paper etching / engraving

Fragment of a frame with ornamental decoration, Ornament with the printer's mark by Doen Pietersz., print maker: anonymous, print maker: Lucas van Leyden, (manner of), print maker: Jacob Cornelisz van Oostsanen, (manner of), print maker: Low Countries, publisher: Amsterdam, 1504 - 1533, paper, h 78 mm × w 77 mm

Roth-Scholtz, Friedrich .

Jewel design by Felip Ros, 16th century. 'Llibres of Passsanties', Silversmith's Guild. Museum: Museo de Historia, Barcelona.

The entertaining Harlekein game. Board game with a harlequin in the middle of the playing field that holds a bag in its opened hands with the figure 7. Around him a garland to which medallions hang with the numbers 2 to 12. At the top in the middle a shield. Under the show the rules in letterpress. Numbered at the top right: No. 104.

Keulen, Bruyn, Abraham de, Rutz, Caspar, Coats of arms, An oval medallion with the coat of arms of the Habsburg Empire. Around the medallion seven other coats of arms. Four putti., print, book illustration, prints, height 155 mm, width 121 mm, 1540 - 1587, print maker, printmaker, 1577 - 1577, paper, engraving, engraving (printing process), Publication (Event), Publication, publisher

Andrea Andreani after Giovanni Fortuna, Allegory on Death Allegory on Death

Title to the Entry into Hemissem. Artist: Wenceslaus Hollar (Bohemian, Prague 1607-1677 London). Dimensions: Plate: 10 1/16 × 16 9/16 in. (25.5 × 42.1 cm)Sheet: 11 1/2 × 18 1/8 in. (29.2 × 46 cm). Series/Portfolio: Title-page plus a series of four prints commemorating the visit paid by the Imperial Postmaster-General, the count de la Tour et Tassis, and his wife to Alexander Roelants, the Imperial Postmaster for the Netherlands (P.562-566).. Date: 1625-77.Title-page to a series of four prints commemorating the visit paid by the Imperial Postmaster-General, the count de la Tour et Tassis, and his wife to Alexander Roelants, the Imperial Postmaster for the Netherlands. A large cornucopia fills the design, with cherub's head above, 2 cornucopia below and a coat of arms to either side. Museum: Metropolitan Museum of Art, New York, USA.

18 coats of arms; Kosicki, Ludwik (1793-1846); 1840 (1840-00-00-1840-00-00);

Design for stained glass window 4 donated by the College ter Admiraliteit tot Amsterdam, Pieter Jansz, 1666 - 1669, Glasses with the arms of Joan Akersloot, Carel van Boetselaer, Ciprianus Bruynsma, Hendrick Hooft, Egbertus Emmius, Godfried van Uiterwijck, Jacob Lieftinck, Joan van Reygersbergen, Jan Houtuyn, Cornelis de Lange, Cornelis van Outshoorn, Rippert Groenendijk and Rogier van Meurs., draughtsman: Pieter Jansz., draughtsman: Jan de Bray, (rejected attribution), 1666 - 1669, paper, pen, brush, h 583 mm × w 223 mm

Reuchlin, Johann .

Stamps of Walram, Henry II, Machteld and Walram II with their names, their titles and their dates of death Top right corner 'Tab V', Stamps of Walram, Count of Laurenburg, Henry II, Count of Nassau, Machteld, Countess of Gelre and Walram II, Count of Nassau, print maker: anonymous, Low Countries, 1600 - 1699, paper, engraving, etching, h 186 mm × w 145 mm

Vignette with the coat of arms of the city of Bern, Franciscus Johannes de Hondt, 1796 - 1862 print Used paper vignette. coat of arms (as symbol of the state, etc.) (+ city; municipal) Bern

West façade of SantIvo Alla Sapienza in Rome by Francesco Borromini, showing the Papal coat of arms of Alexander VII, with sketches in red chalk, graphite details, and pen lettering on fine paper.

Maria Theresia, Roman-German Empress Monument with Picture Medallion Maria Theresias, in the Socket Set listing of war events of your reign. Copper engraving without an artist note

Wszyscy Święci w MNK Monogramista E.M.K.B.

This drawing by Bernardo Castelli Borromini shows the tomb of Cardinal Denhoff at San Carlo alle Quattro Fontane, Rome, executed on fine paper with graphite, pen, brown ink, and violet-pink watercolor, including charger and font details.

Corner cartouche with rolling and bunches of fruit, 1595 Corner cartouche with scale, rolling and bunches of fruit. The Cartouche is a fragment of a map by Henneberg and Hessen. The print is part of an album. Antwerp paper engraving Corner cartouche with scale, rolling and bunches of fruit. The Cartouche is a fragment of a map by Henneberg and Hessen. The print is part of an album. Antwerp paper engraving

Allegorische titelpagina met portret van paus Pius V; Titelpagina voor: F. Goubau, Pii Qiuinti Epistolarum libri quinque, Antwerpen, 1640.A cartouche in the middle with the title of the book. Above a medallion with a portrait of Pope Pius V. The other decoration refers to the Pausdom of Pius V. On the left, an angel pushes a offensive turk. Under a reference to the sea battle at Lepanto.

Vase with a monster at center, two cornucopias, and two flanking winged female figures. Artist: Cherubino Alberti (Zaccaria Mattia) (Italian, Borgo Sansepolcro 1553-1615 Rome); After Polidoro da Caravaggio (Italian, Caravaggio ca. 1499-ca. 1543 Messina). Dimensions: Sheet: 9 3/16 × 6 1/4 in. (23.3 × 15.8 cm). Date: 1565-1615. Museum: Metropolitan Museum of Art, New York, USA.

The Book of Job: Pl. 15, Behold now Behemoth which I made with thee, 1825. William Blake (British, 1757-1827). Engraving;

Politics, religion, literature, martial art and agriculture, Johann Sadeler (I), 1588 - 1595 print On a kick the personifications of politics, religion, literature, martial art and agriculture. Left politics (police) in the form of a crowned lion with a weapon, in addition religion (religio), an angel with a weapon on which a priest is depicted. Right agriculture (Agricultura), a countryman with a weapon on which a team; In addition, martial art (militia), a soldier in armor with the Wapen van Bavaria. In the middle, on the highest step, literature (Litterae), the crowned Virgin Mary with child and book. The stairs are decorated with three weapons including the monogram IHS. München paper engraving 'Politica' (Ripa). allegorical representations ~ religion; 'Religione', 'Religione de SS. Mauritio e Lazaro', 'Religione vera christiana' (Ripa). 'litterae', symbolic representations, allegories and emblems ~ literature; 'Lettere' (Ripa). the soldier; the soldier's life. personification of a

Ludwig IV., The Bayer Kaiser 1601/1750

HELLMD WASH SCHOLD with Nederlandse Leeuw, Simon Fokke, 1776 print HELLMD WASH SCHOLD with the image of the Netherlands Lion, flanked by an eagle and a griffin who both hold a flag. Amsterdam paper etching armorial bearing, heraldry. beasts of prey, predatory animals: lion. predatory birds: eagle. griffin (lion/eagle); 'Griffo' (Ripa)

Two smoking vessels on either side of a rocaille mask on a pedestal with the series title. To the left and right of the pedestal birds and monkeys under garlands. At the bottom two rocaille masks and a shell motif. Publisher's number 112., Smoke Barrels and Monkeys Neue invention oder entwurff von Schnupftoback Dosen (series title on object), print maker: anonymous, Jean Mariette, (copy after), publisher: Johann Christoph Weigel, (mentioned on object), Germany, 1670 - 1725, paper, etching, h 164 mm × w 227 mm

Antimis. unknown, graphic artist

Tree with two coats of arms, a tamboer on each side. Tree with two coats of arms, one at the roots and one in the crown. On either side of the tree a lion and a tamboer. Presentation in a framework. Two eight-line verses above the Tamboers.

HONORES DEL REY AL DUQUE DE BERWICK Y SUS SUCESORES - ENTREGA DE LIRIA Y XERICA AL DUQUE POR EL REY FELIPE V. Location: PRIVATE COLLECTION. MADRID. SPAIN. FELIPE V DE BORBON. DUQUE DE BERWICK. FITZ-JAMES STUART JAMES. FITZ-JAMES STUART JACOBO.

Brazier René Boyvin French. Brazier. Dessins d'aiguières etc. no. 4. René Boyvin (French, Angers ca. 1525-1598 or 1625/6 Angers). Engraving. Prints

Georgius Lodewyk, / king of Great Britangjen, & c. Portrait of George I, faced in an ornamental table with tendrils, flowers, birds and putti. Numbered at the top right: 1 *.

Antwerp, Galle, Philips, Prosopographia, sive virtutum, animi, corporis, bonorum externorum, vitiorum, et affectuum variorum delineatio, Coat of arms of Marie de Meleun, verso - stamped, Representation in two parts. At the top a curtain with in front of it the coat of arms of Marie de Meleun, Countess of Ligne. Below that a dedication from the printmaker to the same Countess. At the bottom an anagram: L'Ame de Minerve. The print is part of an album., print, picture, album sheet, prints, pictures, height 142 mm, width 89 mm, Southern Netherlands, 1537 - 1612-03-29, print maker, printmaker, 1585 - 1590, fourth quarter 16th century, paper, engraving, engraving (printing process)

Memorial to Sibyll and Rupert Browne from Greenford Church, Attributed to Daniel Lysons, 1762-1834, British, between 1796 and 1811, Pen and black ink, watercolor and gouache over graphite on medium, sligthly textured, cream wove paper, Sheet: 14 7/8 × 10 7/8 inches (37.8 × 27.6 cm), architectural subject, church, memorial, England, Greater London, Greenford, London, Parish of Greenford Magna, United Kingdom

The entertaining Harlekein game, 1850 - 1870 print. gameboard Board game with a harlequin in the middle of the playing field that holds a bag in his open hands with the number 7. Around him a garland on which medallions hang with the numbers 2 to 12. A shield at the top in the middle. Under the show the rules in book pressure. Numbered at the top right: No. 104. publisher: Amsterdampublisher: Amsterdamprint maker: Netherlands paper letterpress printing board-games of chance. board-games. types in 'commedia dell'arte': Harlequin

Frontispiece: Dedication to Pietro Strozzi. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: Antonio Tempesta.

Textile Fragment 7th century. Textile Fragment 444170

Ornamental Design with Amphore and Antique Style Armor. Artist: After Polidoro da Caravaggio (Italian, Caravaggio ca. 1499-ca. 1543 Messina). Dimensions: 6 11/16 x 9 in. (17 x 22.8 cm). Date: 16th century. Museum: Metropolitan Museum of Art, New York, USA.

Triumphar from Emperor Maximilian I (fourth leaf), 1519; Copies to Dürers Triomfvag for Emperor Maximiliaan I, published in Amsterdam in 1609 by H. A. Koster and D. de Meyn; Triumphalis HIC Currus Ad Honorem Invictiss. AC Gloriosissimi Principis D. Maximiliani Caesis Semper Augusti Conconsatus Est, AC per Albertum Durer Deliniatus. The large triomfvag in honor of Emperor Maximiliaan I at his death on January 12, 1519. Fourth leaves with the second span horses with acritas and oportion unitas. Copy to the original of Albrecht Dürer from 1522. Numbered: 2.

Memorial for Claude Jean Gevaerts, Klerk in Antwerp. Above the plaque with inscription in Latin is a portrait bust of Gevaerts in a niche. There are peace and justice on either side of the niche. Under the show a Latin text, printed from another plate.

Medallion with the coat of arms of France and Navarre. On the obverse of the medal the double portrait of Henry IV and Mary de' Medici., Coat of arms of France and Navarre, print maker: Simon van de Passe, (mentioned on object), unknown, 1605 - 1647, paper, engraving, h 66 mm × w 55 mm

Tomb of stone under the hinges of Saint-Innocent at the fourth Arcade of the Cosé de la Street Lingerie.

Eagle's excess from the plate from the collections of the XX Museum. Czartoryski. Board from the unpublished portfolio Eagles Łepkowski, Ludwik (1829 1905), Cercha, Stanisław (1867 1919)

Karl I, King of England Publisher: Zunner, Johann David (the younger) publishing house: Frankfurt (Main)

Schild van Achilles, François Morellon the cellar, After Nicolas Vleughels, 1706 - 1768 print The shield of Achilles as described by Homer in the Illias. Top right: p. 236 ET 260. paper etching the shield of Achilles

. The sleeping farmer from Stolwijk, or the so-called Sleeping Stolk Boer. The Rietdekker Dirk Klaasz de Bakker was asleep from June 29, 1706 to January 11, 1707 (27 weeks) and after waking fall into until March 15, 1707. Central to the bed with the bed with the sleeping man and some visitors. This show is surrounded by eight smaller scenes with cityscapes and emblems. Printed on the leaf under the plate a fresh in three columns. In the main performance and in the emblems, numbers are referred to in the spotlight. As number 1 at the top right, on which the envy breaks out of the earth and with her fog the sun is darkened.

Round Cartouche with the Wapen van Bavaria, 1571 Round rolling cartouche with the Weapon of Bavaria. It is a fragment of a Bavaria map. The print is part of an album. Antwerp paper engraving Round rolling cartouche with the Weapon of Bavaria. It is a fragment of a Bavaria map. The print is part of an album. Antwerp paper engraving

Title Print for: Il Calotto Resuscitato. Oder Nü Eingerichtes Zwerchen Cabinet. Amsterdam: 1716..titel Print for a series of 50 cartoons with dwarfs. Vignet with a devil with boof paws wearing a large shield with the title of work. The shield is so great that just the head and legs of the devil are visible. On the devil's head, he carries a basket of dwarfs.

DANTE ALIGHIERI (1265-1321). Italian poet. Front page from an edition of 'The Divine Comedy' of 1806, it includes a portrait of Dante. Engraving. SPAIN. MADRID (AUTONOMOUS COMMUNITY). Madrid. National Library.

Letters and portrait in cartouche. Artist: anonymous. Draughtsman: anonymous. Print maker: anonymous. Dating: 22-Jan-1875. Measurements: h 417 mm × w 278 mm. Museum: Rijksmuseum, Amsterdam.

Ludwik W Gierski sitting on the throne, according to the illustration from: "Polish Chronicle Marcin Bielski again by the Ioach. Bielsko-Bielsko Son published", Kraków 1597, p. 242; Lesser, Aleksander (1814-1884), Bielski, Joachim (CA 1540 cars Ca 1550-1599); 1830-1884 (1830-00-00-1884-00-00); was downloaded from the Muse of the National Museum in Warsaw; drawing / feather, drawing / ink, painting / laving; products from W yókien / paper / paper on paper, products from W Dzkien / paper / cardboard; Figure: height 11.9 cm, width 12.3 cm, pod Adka: height 13.4 cm, width 12.9 cm, cardboard: height 35.8 cm, width 26.1 cm; di 31539 MNW; all rights reservations.Bielski, Marcin (Ca 1495-1575). Polish Chronicle, Lesser, Aleksander (1814-1884), Lesser, Aleksander (1814-1884) - collections, Lesser, Wiktor Stanisław Zygmunt (Baron - 1853-1935), Lesser, Wiktor Stanisław Zygmunt (Baron - 1853-1935) - collection , Ludwik Węgierski (King of Hungary and Poland - 1326-1382), Ludwik Węgierski (King of

Portrait Medallion of Goethe, title page from Faust. Achille Devéria (French, 1800-1857); Eugène Delacroix (French, 1798-1863). Date: 1828. Dimensions: 333 × 244 mm (image); 427 × 284 mm (sheet). Lithograph in black on light pink wove paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Print, Letter G, from Baluze's "Histoire générale de la Maison d'Auvergne"; Sebastien Leclerc (French, 1637-1714); France; etching with engraving on white wove paper; 7.3 x 7.5 cm (2 7/8 x 2 15/16 in.); 1907-7-32-a

Rectangular cartouche with man figure, 1570 Lying rectangular rolling cartouche, worn by a man figure. The cartouche is a fragment of a map of Spain. The print is part of an album. Antwerp paper engraving Lying rectangular rolling cartouche, worn by a man figure. The cartouche is a fragment of a map of Spain. The print is part of an album. Antwerp paper engraving

Two cannons from Benningh, 1669. Two guns made by the foundry Albert Benningk or Benningh in Lübeck and donated to the States General in 1669 as a thank you for the prompt payments of the brutal. Both guns richly decorated with allegorical performances relate to the struggle of the Republic of the sea. On the guns the weapons and names of the delegates charged with martial equipment: Johan Eleman and Gerard Hassselaer. At the top of a large allegorical weapon trophy with the Dutch lion flanked by Minerva, Hercules and Neptune. Hereby a text band with the assignment to the states of Holland and West Friesland. At the bottom of a Latin text of 6 lines.

Fragment of a colonial banner of the Nassau -Weilburg Regiment, Anonymous, 1758 - 1784 Banner in ecru, in the middle the entire weapon of Nassau in symmetrical cartouche, covered with ermine crown with red hat and three par youple -lined brackets, held by two golden, surrounding lions with ditto crowns on. The whole is placed on a red mantle lined with ermine, the middle of which is strong in the shade of the weapon. From below, hemisphere. In the corners of the middle -oriented flames, only partially over. Parade side identical. silk.

Woodcut title page by Lucas Cranach the Elder from 1520 depicting Christ and the Antichrist, illustrating symbolic figures and moral themes.

Amsterdam, Claesz., Cornelis, Rotterdam, Velde, Jan van de (I), Mander, Karel van (I), Matham, Jacob, Mirror of the writing arts, in which many writings with their foundations are found and instruction issued, Title print with allegorical border frame and calligraphed title, verso - stamped, Title print with an allegorical border frame and a calligraphed title. On the left side of the title is Mercury. On the right side the goddess of writing with in her hands a quill and a roll of paper. In the middle above a round shield with as a border shield the motto: Vive la Plume. Within that a crown with two crossed quills. Next to this shield two older bearded men writing: on the left Pisistratus, king of Athens, and on the right the Greek philosopher Anaxagorus. Next to that two putti are handing out writing attributes and a lamp. In the middle below the shield an oak wreath and a pen above a hand pointing to an ear. To the left of that two putti are pulling quills from the wing of a goose.

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