Ornamental Engravings

A selection of ornamental engravings showcasing decorative motifs and allegorical scenes, emphasizing intricate designs inspired by classical themes.

Blazoen van de Rederijkerskamer de Pellicaen in Haarlem, with the crucifixion in allegorical frame, Jacob Matham, after Hendrick Goltzius, 1597 print Blazoen van de Rederijkerskamer de Pellicaen in Haarlem. In the middle Christ on the cross, surrounded by an oval cartouche with two allegorical figures with a few hands and pigeons beaten as attributes. At the bottom of the cross the pelican that feeds his boy by piercing his own chest. In the background Aeneas who carries his father Anchises from the burning Troy. Haarlem paper engraving Christ crucified on a tree or on a vine. symbols of Christ ~ animals. Fidelity; 'Fedeltí' (Ripa). armorial bearing, heraldry. 'Pius Aeneas': Aeneas, leading Ascanius, escapes from burning Troy, carrying his father Anchises with the Penates; his wife Creusa, who sets out with them, is lost on the way Haarlem

Horizontal Panel with Three Birds, from Varii Generis Opera Aurifabris Necessaria. Artist: Paul Birckenhultz (1561-1639). Dimensions: Sheet: 1 7/16 × 2 1/16 in. (3.7 × 5.3 cm). Date: ca. 1600.Ornamental frieze with three birds (at upper right, bottom center, and middle right) perched on foliate scrolls. The large bird at center faces right and holds the end of a tendril in its long beak. From a series of six plates with dark, cross-hatched backgrounds. Museum: Metropolitan Museum of Art, New York, USA.

Title print of a series about electricity and water nymphs, Philips Galle, 1587 print In a cartouche the Latin title of a seventeen-part series about electricity and water nymphs. Antwerp paper engraving ornament ~ cartouche

Frisian with Sater between two leaf rights. Frisian with a squatted Sater between two leaf refines coming out of his shoulders.

The element of water, sheet from the "Neuw Grottensken book". .

The Virgin at the Column (La Vierge à la colonne). Dated: 1608/1611. Medium: engraving. Museum: National Gallery of Art, Washington DC. Author: JACQUES CALLOT.

Awarded coat of arms with a climbing lion, Pieter Jansz, 1630 - 1672 drawing Design for a print. paper. ink. chalk pen / brush beasts of prey, predatory animals: lion (+ heraldic animals). armorial bearing, heraldry

Dish with sea goddess sitting on a shell containing a lobster. She holds a shell in her hand. Behind her the sea. In the rim tritons are chasing fish. On the left a triton blowing a horn, riding a fish. No. 2 of series of 4 numbered sheets, with shaded background, Dish with sea goddess on shell Dishes: medallion with god in border of sea creatures (series title), print maker: Adriaen Collaert, (mentioned on object), Adriaen Collaert, publisher: Philips Galle, (mentioned on object), Netherlands, (possibly), 1570 - 1618, paper, engraving, h 168 mm × w 167 mm

Letter W.Letter W against an ornamental background with leaf motifs.

Geometry Artist's working dates 1538-1583 France. Engraving on paper . Étienne Delaune

Putto with rectangle and passer; Vignettes. Vignette. The putto is sitting on a pedestal of leaves, with leaf reflection flaring in winged lions.

Piece. Culture: British. Dimensions: L. 74 1/2 x W. 26 3/4 inches189.2 x 67.9 cm. Date: ca. 1800-1820. Museum: Metropolitan Museum of Art, New York, USA.

Portret Van Fernando Alvarez de Toledo, Battista Franco, After Antonio Pisanello, 1520 - 1561 print Leaf with four prints. At the top left: Portrait of Fernando Alvarez de Toledo, Duke of Alba, and Profil to the right in a mannerist decorative frame. At the top right: portrait of Battista Saracco, secretary of Ercole II d'Este, and profil to the left in a mannerist decorative frame. Bottom left: Portrait of Emperor Maximilian II, and Profil to the right in a mannerist decorative frame. Bottom right: Portrait of Sigismund II August, King of Poland, and Profil to the left in a mannerist decorative frame. print maker: Veniceafter design by: Italy paper engraving / etching

Printer’s mark of Jean Baptist Verdussen: Pietas Homini Tutissima Virtus. unknown, graphic artist

Paris, Tavernier, Melchior, France, Rabel, Daniel, Cartouches de Differantes Inventions, Cartouche with two naked children, The compartment depicts a coastal landscape. Sheet 8 from a series of 13 sheets with cartouches in French lobe style. From first edition., print, ornamental print, prints, ornamental prints, height 138 mm, width 195 mm, 1578 - 1637-01-03, print maker, printmaker, 1634 - 1634, second quarter 17th century, paper, engraving, engraving (printing process), Work conception, after own design by, Publication (Event), Publication, South Netherlands, 1564 - 1641, publisher

Titelprent Met Putto Met Aankondiging, Cherubino Alberti, After Polidoro da Caravaggio, 1590 print Balancing on a ball with a putto, with a plate with text in Latin in his hands. Italy paper engraving Cupids: 'Amores', 'Amoretti', 'Putti'

Equestrian fight in ornamental frame, Anonymous, After Jean Lepautre, 1688 - 1698 print A rider fight in a frame of a laurel wreath. In the middle of the personification of justice with sword and scales. On the right and top left, FAAM's praise is blowing. At the bottom of a weapon trophy and two prisoners. The whole is caught in a list. This print is part of an album. paper etching Battle (+ Cavalry, Horsemen). 'Tropaion', I.E. decorative ornament ~ weapons. Hunger; 'Fama', 'Good fame', 'Chiara fame' (Ripa)

Herme with bald head; Flat decorations with grotesken; Ornament. From below in the middle a Sater on both of it a shield and a trident, a ship's door and arrows. Completely from below: C.B. 1548.The Herme keeps a shield and various stick weapons in every arm. At the top are two birds of a heart on either side. One of 4 blades from a series of 6.

Design for Majolica Pitcher, Black chalk, pen and black-brown ink, brush and sepia, blue wash on paper, At left, handle in shape of bird's head, foliated. Scrolls and a mask form the foot. Satyrs, maenads, and children make up the body. Young Bacchus, leaning on shoulder, raises a shell with his left hand., Italy, 18th century, ceramics, Drawing, Drawing

Personification of Music, Lucas Kilian, 1640 - 1708 print paper engraving the liberal arts, 'Artes Liberales'. 'Musica' (~ quadrivium); 'Musica' (Ripa). lute, and special forms of lute, e.g.: theorbo

Lion Medallion (Bartsch App. 68) Anonymous. Lion Medallion (Bartsch App. 68). Engraving (Burin), 4th quarter of the 15th century.

Wood engraving, England, by Thomas Bewick.

Two cartouches with mythological representations, Pieter van der Heyden, After Jacob Floris, 1566 print Two cartouches on one leaf. The Cartouche on the left contains a representation of the liberation of Andromeda by Perseus, the cartouche on the right shows how the Prometheus liver is picked out by an eagle. Shaded background. Leaf from series consisting of a title page and 15 of the 16 magazines with cartouches with biblical and mythological representations in a frame of rolling and grotesken. Netherlands (possibly) paper engraving (story of) Prometheus

Ornament with Two Tritons, from Four Vignettes. Sebald Beham; German, 1500-1550. Date: 1539-1549. Dimensions: 22 x 54 mm (image/sheet, trimmed to plate mark). Engraving in black on ivory laid paper. Origin: Germany. Museum: The Chicago Art Institute, Chicago, USA. Author: Hans Sebald Beham.

Ornament with Armor and Two Genii, from Four Vignettes. Sebald Beham; German, 1500-1550. Date: 1544. Dimensions: 22 x 53 mm (image/plate); 23 x 54 mm (sheet). Engraving in black on ivory laid paper. Origin: Germany. Museum: The Chicago Art Institute, FLORENCIA, USA. Author: Hans Sebald Beham.

Horizontal Panel with Three Birds, from Varii Generis Opera Aurifabris Necessaria ca. 1600 Paul Birckenhultz German Ornamental frieze with three birds (at upper right, bottom center, and middle right) perched on foliate scrolls. The large bird at center faces right and holds the end of a tendril in its long beak. From a series of six plates with dark, cross-hatched backgrounds.. Horizontal Panel with Three Birds, from Varii Generis Opera Aurifabris Necessaria 423578

Dish with sea codin (Galathea), Adriaen Collaert, 1580 - 1618 print In the middle of a large fish with a man and a woman on his back. On the back of the fish on the left is a child with an arrow and arch. No. 4 from series of 4 numbered sheets, with shaded background. Netherlands (possibly) paper engraving (story of) Galatea; 'Galatea' (Ripa)

Italy, Polidoro da Caravaggio, Alberti, Cherubino, Four Seasons, Primavera, Spring, verso - stamped, Zwik with the personification of spring: a woman with a wreath of flowers on her head., print, prent, prints, height 244 mm, width 156 mm, 1553 - 1615, print maker, printmaker, 1563 - 1615, paper, papier, engraving, engraving (printing process), Work conception, Italian, 1490 - 1543

Vase 1543 Antonio Fantuzzi Italian. Vase 336743

Bookplate of Wiktoryn Kuczyńsk. Fridrich, Johann Gottlieb (1742-1809), graphic artist

Etching by Jean Le Pautre from 1625-1682 depicting a crybon and jug, showing vessel shapes, ornamentation, and stitch details.

Emperor Nero in an orgy with a woman and three youths, while another man looks on. Neron, une femme et trois mignons. Copperplate engraving from Pierre-Francois d'Hancarvilles Monumens de la Vie Privee des Douze Cesars, Chez Sabellus, Capri (Monuments of the Private Lives of 12 Caesars, Leclerc, Nancy) 1780. From imaginary Spintria, medals and cameos.

Ernst August I, Duke of Sachsen-Weimar-Eisenach.

Initial letter Q with coat of arms mid-16th century. Initial letter Q with coat of arms 701234

Nuremberg, Solis, Virgil, Frisian with personifications of eight virtues, verso - handwritten in brown ink, print, prints, verso - stamped, 16, height 43 mm, width 178 mm, German, 1514 - 1562-08-01, print maker, printmaker, 1524 - 1562, paper, papier, engraving, engraving (printing process), etching, plate tone

W: Kunnst and textbooks for the hitting boys . Amman, Jost (1539 1591), Walther, Johann Georg

The Adoration of the Shepherds. Medium: engraving. Museum: National Gallery of Art, Washington DC. Author: Antoine Jacquard.

Mask with a beard with curls, c. 1600 - c. 1650 print Mask with large eyebrows and a tuft of leaves and berries on his nasal root. Leaf belongs to 11 for partly numbered magazines from a series of 18 entitled 'Pourtraicture Ingenieuse de Plusieurs Façons de Masques ...'. It concerns the second edition of a series described under Orn Cat I-78.1 to 11. Netherlands (possibly) paper engraving

Amsterdam, Mortier, Cornelis, Covens, Johannes (I), Picart, Bernard, Medallion with initials worn by putti, verso - stamped, Medallion with initials worn and crowned with a wreath of flowers by putti. Top right the Faam., print, book illustration, prints, height 79 mm, width 118 mm, Northern Netherlands, 1673-06-11 - 1733-05-08, print maker, printmaker, 1730 - 1730, second quarter 18th century, paper, etching, etchings, engraving, engraving (printing process), intermediary draughtsman, after a drawing by, Publication (Event), Publication, 1697 - 1774, publisher, uitgever, Publicatie, 1699 - 1783

Johann Maria Visconti, Duke of Milan.

Man, caught in rolling and surrounded by birds; Frisians with grotesken, rollerwork, fantasy stations, animals and leaf drinks; Ornament leaf. Le BL. 60.Belongs to Series or 6 sheets.

Genius Riding on a Ball, 1520. Barthel Beham (German, 1502-1540). Engraving;

Albrecht III., Duke of Bavaria.

Cartouche with a quote from Terentius, Anonymous, After Jacob Floris, 1556 print The frame of rolling work is crowned by the head of a man, whose headgear is adorned with feathers and a half moon. Leaf belongs to 15 sheets with title page from a series of 24 sheets. Woodcuts. print maker: Netherlands (possibly)after design by: Netherlands (possibly)publisher: Antwerp paper

Drawing by Noël Cochin the Younger showing a scene titled 'Change,' executed with pen in brown and traces of ruling on prepared paper with multiple black borders.

Bliżej Kultury Balcewicz, Franciszek Wacław (fl. Ca 1748 1760)

Letter P with three standing children and sitting child; Alphabet with children ..

Print, Decorated Capital Letter U; Jakob Frey; After Giovanni Passari (Italian); Switzerland; engraving on paper; 6.7 × 6.3 cm (2 5/8 × 2 1/2 in.); 1907-7-28-a

Two trophies with putti, anonymous, After Louis Testelin, 1663 - 1724 print Each trophy consists of six putti that stick to a ribbon tied to a ring. after design by: France (possibly)publisher: Augsburg paper engraving

Picart, Bernard, Amsterdam, Vignette with a mascaron, scrollwork and hybrid creatures, verso - stamped, print, ornament print, book illustration, prints, height 58 mm, width 150 mm, Northern Netherlands, 1673-06-11 - 1733-05-08, print maker, printmaker, 1683 - 1733, fourth quarter 17th century, first quarter 18th century, second quarter 18th century, paper, papier, etching, etchings, letterpress printing, boekdruk, intermediary draughtsman" Picart, Noord-Nederlands, intermediary draughtsman

Five Clover (Bartsch 317) Virgil Solis (1514-1562). Five Clover (Bartsch 317). Burin. 1545. Museum of Fine Arts in the city of Paris, small palace.

Design for a Wall Fountain. Artist: Anonymous, Italian, Lombard, 16th century. Dimensions: 14 11/16 x 9 3/4 in. (37.3 x 24.8 cm). Series/Portfolio: 65.653.1-65.653.17. Date: 1550-1620. Museum: Metropolitan Museum of Art, New York, USA.

Construction of rollerwork with two men; Flat decorations with grotesken in rollerwork. The men are connected to each other by their together knotted coats. There is a mascaron above them. Shaded background. One of 4 sheets.

Italy, Alberti, Cherubino, Polidoro da Caravaggio, Vasa a Polydor, Vase with two ears in the shape of fish standing on a claw, The belly of the vase is decorated with a frieze with dancing men and women. Above it flank two lions and a mascaron. From a series of 10 sheets., print, ornamental print, prints, ornamental prints, height 247 mm, width 180 mm, 1553 - 1615, print maker, printmaker, 1563 - 1582, third quarter 16th century, fourth quarter 16th century, paper, engraving, engraving (printing process), Work conception, Italian, 1490 - 1543, after a design by, Publication (Event), Publication, publisher

De Host in the fire, Jacob Cornelisz van Oostsanen, 1513 - 1523 print paper Amsterdam

Altdorfer, Albrecht, Germany, Pomegranate and leaf tendrils, verso bottom center - handwritten, Flat decoration with an open pomegranate and leaf tendrils., print, emboss, ornamental print, prints, 4, height 30 mm, width 36 mm, 1480 - 1538, print maker, printmaker, 1506 - 1538, first quarter 16th century, second quarter 16th century, paper, engraving, engraving (printing process), Work conception, after own design by

"Woodcut by Albrecht Dürer workshop from 1515 depicting a griffin (Greif) on the left-wing of the honorary gate of Emperor Maximilians I, including outdoor pairs and crowning elements."

Frisian with two putti driving on sea horses with horns.shaded background.

Pendant Shaped like a Beetle with a Couple and a Young Man Playing an Instrument 1619 Jean Toutin French Jean I Toutin often combined his designs for goldsmiths work with figurative scenes that do not always seem to relate directly, but make his sheets all the more attractive. The current sheet, from a series dated 1619, shows a pendant shaped like a beetle, its back is covered in Schweifwerk ornament which was to be executed in enamel. Two different types of beetles are depicted on either side, presumably to show possible variations in the shape of the pendant. The scene below portrays a young man playing an instrument while sitting in the shade of a tree. A man and a woman are standing close by and seem to listen to his music.. Pendant Shaped like a Beetle with a Couple and a Young Man Playing an Instrument 410230

Design for Part of a Wall or Ceiling Decoration: A Woman Dancer, Pen and ink on paper, mounted, Directed toward the right, with the bust turned toward the spectator. Supporting with her right hand a vase with a flower upon her head. Framed by an ink line., possibly Venice, Italy, early 19th century, Drawing, Drawing

Tower van Babel, 1528 - 1583 print Under the tower are Loth and his daughters in a cave. From series of 6 magazines. France (possibly) paper engraving

Godepert, König there.

Drawing, Sheet with Three Heads; Designed by Giuseppe Bernardino Bison (Italian, 1762 - 1844); Italy; pen and ink, brush and sepia, watercolor on paper

Polyhymnia in Rolwerk Omlijsting, Virgil, 1524 - 1562 print Nuremberg paper engraving / etching Polyhymnia (one of the Muses); 'Polinnia' (Ripa). string instruments (bowed) - CC - out of doors

. War female personification, with a burning torch. She is in the midst of various weapons. In the background the siege of a city. The show has a frame with a peripheral peripheral that is caught in a richly decorated cartouche. Fifth print from a series of eight with the cycle of human action.

Earth, c1600. Tempera in brown and white on tinted paper. Anonymous. Grotesque head and shoulders composed of all manner of animals

War produces poverty, Crispijn van de Passe (I), 1601 print The female personification of war, with a burning torch. She is in the midst of various weapons. In the background the siege of a city. The performance has a frame with a border script in Latin that is caught in a richly decorated cartouche. Fifth print from a series of eight with the cycle of human action. Cologne paper engraving symbols, allegories of war; 'Guerra' (Ripa). siege

Nuremberg, Solis, Virgil, Saint Peter in scrollwork frame, verso - handwritten in brown ink, Numbered top left: 1., print, prints, verso - stamped, 87, height 73 mm, width 53 mm, German, 1514 - 1562-08-01, print maker, printmaker, 1568 - 1568, paper, papier, engraving, engraving (printing process)

Vase 1540-45 After Antonio Fantuzzi Italian. Vase 336744

Germany, Monogrammist FG, Ornament with centaur, verso lower left - stamped, Surface decoration with on the left a centaur with a club in one hand and fish in the other. His abdomen is replaced by a volute of leaf tendrils., print, ornament print, prints, height 48 mm, width 72 mm, German, print maker, printmaker, 1537 - 1537, second quarter 16th century, paper, engraving, engraving (printing process)

Aldegrever, Heinrich, Germany, Frisian with two women in the middle, verso bottom center - handwritten, Ornament with two women in the middle with leaf tendrils as legs, their backs against each other. They each hold a leaf in one hand and a volute with leaf tendrils in the other., print, ornament print, prints, 14, height 28 mm, width 76 mm, German, 1502 - 1561, print maker, printmaker, 1512 - 1560, first quarter 16th century, second quarter 16th century, third quarter 16th century, paper, engraving, engraving (printing process), Work conception, after own design by

Lazio Viterbo Bagnaia Villa Lante57. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Apollo Doodt Coronis, Virgil, 1569 print Apollo shoots the pregnant Coronis. On the right the raven who told him about her adultery. print maker: Neurenbergpublisher: Frankfurt am Mainpublisher: Frankfurt am Mainpublisher: Frankfurt am Main paper letterpress printing Apollo shoots Coronis, but repenting his act he tries in vain to recall her to life. scrollwork, strapwork ~ ornament

A Greek Patriarchal Crown - Tiara Patriarchalis Graeca (Aubry de La Mottraye's "Travels throughout Europe, Asia and into Part of Africa...," London, 1724, vol. I, plate 9) 1723-24 William Hogarth British Hogarth made this print early in his career to illustrate a travel book by the French author Aubry de La Mottraye. Related text describes this Patriarchal Cap or Tiara... in the Shape of an Imperial Crown as based on the that of "Methodios, an ancient Patriarch of Constantinople, brought from thence to Rome.". A Greek Patriarchal Crown - Tiara Patriarchalis Graeca (Aubry de La Mottraye's "Travels throughout Europe, Asia and into Part of Africa...," London, 1724, vol. I, plate 9) 396231

Figural Letter, Capital A, Etching on paper, Shown against clouds upon which angels make music, while others adore. Moon and sun in the bottom corners. Moulded frame., Europe, Italy, ca. 1700, Print, Print

Album # 2; Vitrail project for Notre-Dame des Victories in Paris: Virgin and Child Crown Gsell-Laurent workshop. Album # 2; Stained glass project for Notre-Dame des Victoires in Paris: Virgin and child crowned. Pencil, watercolor, enhanced white gouache.

St. George Killing theDragon. Artist: Master H. L., German, ca. 1480-85 - ca. 1533

Paris, France, Lepautre, Jean, Water fountains or water basins in cartouches, Basin with variant for the handle, The left handle consists of a nymph with a dolphin, the right one from a mask with a console. From third edition., print, ornament print, prints, ornament prints, height 212 mm, width 151 mm, French, 1618-06-28 - 1682-02-02, print maker, printmaker, 1666 - 1682, third quarter 17th century, fourth quarter 17th century, paper, etching, etchings, Work conception, after own design by, Publication (Event), Publication, publisher

Germany, Leinberger, Hans, Monogrammist HL (16th century), Martyrdom of the Ten Thousand, verso bottom center - handwritten, Achatius of Ararat, a Roman military leader, and his 10, 000 followers are put to death for converting to Christianity. Men are thrown from cliffs and speared., print, prints, 21, 4-103, height 59 mm, width 58 mm, diameter 59 mm, print maker, printmaker, 1505 - 1533, first quarter 16th century, second quarter 16th century, paper, engraving, engraving (printing process)

Three children and a winged Sater, Anonymous, After Heinrich Aldgrever, 1525 - 1610 print Plat decoration with two boys who keep a shield up with sticks. On the shield there is a winged satar playing a wind instrument, and a third boy with a stick in his hands. Germany paper engraving ornaments ~ art. child. satyr(s) (in general). one person playing wind instrument

fine arts, handicrafts, escutcheon, by Corneille de Bonte, 15th century, silver, gilded, municipal museum, Ghent, wood engraving,

Album n � 1. Stained glass project for Colmar: the Virgin Gsell-Laurent. Album n � 1. Stained glass project for Colmar: The Virgin. Pencil and gouache on layer.

Quasimodo. Date: First published: 1831

Cartouche with a representation of the proserpina roof; Comperimentorum quod vocant plywood genus .... At the two ends of the leaf half of a Herme is visible. Shaded background. Leaf from series consisting of a title page and 15 of the 16 sheets with cartouches with biblical and mythological performances in a frame of rollerwork and grotesken.

Speculum Romanae Magnificentiae: Subjects after Antique Cameos and Gems ca. 1550-77 Anonymous, Italian, 16th century Italian This print comes from the museums copy of the Speculum Romanae Magnificentiae (The Mirror of Roman Magnificence) The Speculum found its origin in the publishing endeavors of Antonio Salamanca and Antonio Lafreri. During their Roman publishing careers, the two foreign publishers - who worked together between 1553 and 1563 - initiated the production of prints recording art works, architecture and city views related to Antique and Modern Rome. The prints could be bought individually by tourists and collectors, but were also purchased in larger groups which were often bound together in an album. In 1573, Lafreri commissioned a title page for this purpose, which is where the title ‘Speculum Romanae Magnificentiae first appears. Lafreri envisioned an ideal arrangement of the prints in 7 different categories, but during his lifetime, never appears to have offered one

Parable of De Zaaier, Crispijn van de Passe (I), 1604 print A man sows seed in his field and a part of the seed is eaten by birds (Luke 8: 5-8). The show is caught in a round frame with a border script in Latin. Print from a series with similarities of Christ. Cologne paper engraving the sower ~ parable of Christ (Matthew 13:3-9; Mark 4:3-9; Luke 8:5-8)

Zwartornament met leeuw en muzikanten; Zwartornamenten.Round black ornament held by a lion with palm leaves. Bye and two musicians: on the left a singer with sotar caps and glasses, right a man with feathered beret. He plays with a tongs on a grid. Numbered at the bottom III. The print is part of an album.

Spring and Summer: two heads made from flora typical of those seasons. Artist: Anonymous, Italian, 16th to early 17th century; Inspired by Giuseppe Arcimboldo (Italian, Milan () 1527-1593 Milan). Dimensions: Sheet: 6 3/8 × 9 1/16 in. (16.2 × 23 cm). Date: ca. 1580-1620. Museum: Metropolitan Museum of Art, New York, USA.

Hood; around 1660-OK. 1670 (1600-00-00-1699-00-00);

Three masks with horns, Pieter Feddes van Harlingen, 1611

Martin Schongauer, Shield with Lion, Held by Angel, c 1480 1490 Shield with Lion, Held by Angel

Initial letter P on patterned background. Artist: Anonymous, Italian, 16th century. Dimensions: Sheet: 1 7/8 × 1 11/16 in. (4.8 × 4.3 cm). Date: 1520. Museum: Metropolitan Museum of Art, New York, USA.

Hollandse leeuw die het wapen van de zeven provincieën vasthoudt.The Dutch lion with sword and the bundle arrows in the hands at a shield with the coat of arms of the seven province. The show is caught in an ornamental list.

Coat of arms with a hare and a moor, held by a wild man, Martin Schongauer, c. 1470 - 1491 print A coat of arms with a hare and a coat of arms with a moor, held by a wild man. This print is part of a series of ten round prints with coats of arms that are held by certain types of figures (Wildeman, Jonkvrouw, Boer, etc.). Germany paper engraving armorial bearing, heraldry. wild man, wodewose, woodehouse

Bouquet in Vase, copperplate engraving from Museum Museorum, Oder Vollstaendige Schau-Buehne Aller Materialien und Specereyen, Nebst deren Natuerlichen Beschreibung by Michael Bernhard Valentini, Frankfurt am Main, Germany, 1714, Europe

Title print with sculptures, sculpted reliefs and a sarcophagus with title (right part); Vases, candlesticks, tombstones, sarcophagus, tripods, lamps and ornaments designed and engraved by Giovanni Battista Piranesi; Vasi, Candeabri, Cippi, Sarcophagi, Tripodi, Lucerne, etc. Ornamenti Antichi DISEGN. Ed Incisi Dal Cav. Gio. Batta Piranesi. .

Title print with sculptures, sculpted reliefs and a sarcophagus with title (judge part), Giovanni Battista Piranesi, 1778 print Rome paper etching piece of sculpture, reproduction of a piece of sculpture. vase ~ ornament. sarcophagus

Vignette with a weapon with a lion on it. .

Étienne Delaune drawing of a priest and general before a sacrificial altar dedicated to Diana, executed with pen, ink, and brush washed with bister on parchment.

Herme in rollerwork.clear background.

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