Ornamental Floral Designs

A collection of intricate floral and vine motifs, including friezes, medallions, and various flowers, showcasing detailed engravings and classical ornamental elements.

French crown, Paris, Huquier, Gabriel, La Joue, Jacques de (II), Moored ship, verso - stamped, A ship moored on land, the sun on the right. Around a rocaille frame with a nude figure with a trident, a dolphin and a putto with a fish tail., print, ornament print, prints, ornamental prints, height 294 mm, width 233 mm, print maker, printmaker, 1738 - 1749, paper, papier, etching, etchings, Work conception, Frans, 1687 - 1761-04-12, after a design by, Publication (Event), Publication, 1695 - 1772-06-11, publisher, uitgever van privilege

Groteskes ornament with cartilage, leaf from the "Neuw Grottensken book". .

Design for a Decorative Oval Frame (Recto). Half sketch for a Decorative Oval Frame (Verso). Artist: Giovanni Battista Foggini (Italian, Florence 1652-1725 Florence). Dimensions: sheet: 7 3/8 x 6 in. (18.7 x 15.3 cm). Date: 1652-1725. Museum: Metropolitan Museum of Art, New York, USA.

Amsterdam, Picart, Bernard, Ornament with an eagle under a canopy, verso - stamped, Ornament with an eagle under a canopy and dancing putti on either side., print, ornament print, book illustration, prints, height 96 mm, width 184 mm, Noord-Nederlands, 1673-06-11 - 1733-05-08, print maker, prentmaker, 1683 - 1733, fourth quarter 17th century, first quarter 18th century, second quarter 18th century, paper, papier, etching, etchingsen, engraving, engraving (printing process)

Bound Print, Cartouche with Wine Leaves and Drums; Designed by François de Cuvilliés the Elder (Belgian, active Germany, 1695 - 1768); Print Maker: Franz Xaver Andreas Jungwierth (German, 1720-1790); Germany; etching and engraving on paper; 28.3 × 18.7 cm (11 1/8 × 7 3/8 in.)

Twelve halves of Hermen; Architectura von den Funf Seuvlen (...). At the top are seven right halves of Hermen, at the bottom of five left halves. Leaf 21 from series from title page and 28 sheets.

Print of a drawing of a chandelier, anonymous, c. 1600 At the top left a second print of an arm with a mask; At the top right, sketch of a part of the map. Germany (possibly) paper. ink counterproof

Four designs for silver fittings with floral motifs; Silver fittings. The designs are decorated with griffins and garlands.

Two cartouches and three grotesque masks, Stefano della Bella, 1646 print On the left a cartouche with on top a male and a feminine satar with jugs, a young sater on the right and under two lying goats. On the right the right half of a larger cartouche with two young saters who support a fruit basket and a harpij. In the corners at the top left, top right and bottom right grotesque masks. print maker: Franceafter own design by: Francepublisher: ParisFrance paper etching ornament ~ cartouche. satyr(s) (in general). he-goat, billy-goat

Bound Print, Cartouche with River Landscape, Livre dornements (Book of Ornaments); Designed by François de Cuvilliés the Elder (Belgian, active Germany, 1695 - 1768); Engraved by Franz Xaver Andreas Jungwierth (German, 1720-1790); Germany; engraving on paper; 23.7 × 14.7 cm (9 5/16 × 5 13/16 in.)

Project: decoration with escutcheons, (A) of a square, (B) of a horizontally oblong panel, Pen and ink, brush and (A) olive-grey watercolor, or (B) yellow and green watercolors, charcoal, on paper, (A) The escutcheon is a lath and scrollwork frame of a horizontal ovoid. Between beams stand laterally, gaines of women with arm stump. On top sit three boys supporting a cloth with scalloped edges forming the background for the escutcheon. Festoons hang below., (B) Reverse: The scrollwork frame of a landscape is entwined with a lath frame. A cherub is below the landscape. Fruit is lying upon the upper edges of the frames. Fruit festoons hang below., Italy, 1600-1625, architecture, Drawing, Drawing

Daniel Mignot, Large Pendant Surrounded by Ten Different Studs Large Pendant Surrounded by Ten Different Studs

Augsburg, Kilian, Lucas, Germany, Newes Gradesca Büchlein, Plane decoration with grotesques, verso lower left - stamped, In the middle Venus takes an arrow from Cupid, while his bow falls down. Sheet 6 from a series with grotesque plane decorations with lobe ornaments., print, ornament print, prints, ornament prints, height 191 mm, width 145 mm, Work conception, German, 1579 - 1637, after a design by, 1607 - 1607, first quarter 17th century, paper, etching, etchings, print maker, printmaker, Publication (Event), Publication, publisher

Rectangular cartouche with bread and fish. Design for a print.

Design for the Rear of a Coach with a Girl Pouring Water into a Shell 17th century Anonymous, Italian, 17th century Italian. Design for the Rear of a Coach with a Girl Pouring Water into a Shell 346358

The element air, sheet from the "Neuw Grottensken book". .

Rocailles.Four rocaille ornaments. Publisher number 140.

Vignette no. 6, from 'IIme Suite de Ciels de Lampes et Fleurons', Pierre Gabriel Berthault, French, ca. 1748 - ca. 1819, Etching on paper, Two head or tail pieces. Top: a wreath. Nottom: Sub head. Signed., France, 1770-1780, Print, Print

Unknown, Corinthian capital, elevation (recto) Unknown, Corinthian capital, plan diagram and detail (verso). Draftsman: Drawn by Anonymous, French, 16th century. Series/Portfolio: Goldschmidt Scrapbook. Date: ca. 1540-60. Museum: Metropolitan Museum of Art, New York, USA.

En haut, la partie antérieure de deux lions se tournant le dos. 1601 - 1700. Della Bella, Stefano, 1610-1664. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

Cartouche of dotted batter; Verschyden NVWE compartants (...); Cartouche as the title for: Gifted Niewe Compartadents, with address to Jaques Goltzius. From the suite, except title, only 1 cartouche has been used. Sheet 2 of 2 blades from a series of 7. cartouches of roller and fitting work. In the middle of a woman's head.

Bound Print, Designs for Two Vertical Panels; Designed by François de Cuvilliés the Elder (Belgian, active Germany, 1695 - 1768); Print Maker: Carl Albert von Lespilliez (German, 1723 - 1796); Germany; engraving on paper; Platemark: 35.3 × 22.7 cm (13 7/8 × 8 15/16 in.)

The motifs include scrollwork with birds and two women's heads, border decoration with baluster motifs Verscheyden Randen en Spits , Hans Janssen, (mentioned on object), print maker: anonymous, publisher: Claes Jansz. Visscher (II), (mentioned on object), Amsterdam, 1631, paper, engraving, h 92 mm × w 168 mm

Randdecoratie met bladranken en drie zeedieren; Spitsen en randen.Obachi copy to prints (leafs 6 and 7) from the Somige Series and Spiers series. Among the bottom is an owl, above it hangs a crab. From series blades on which two motifs can be seen side by side, supplemented with birds, insects, flower pots and sometimes an ornamental border with tendrils and animals.

Edge decorated with leaf rights at the top of a frieze; Obachi copies to prints with decoration for edges and cups; Ornaments for goldsmith work. Frisian with leaf rights from the plant in the middle of the decoration below. A cherub floats on either side of the plant. One of 6 partially numbered sheets. Obaches copies to the series described under Orn Cat I-317.

Two wide candelabers of a narrow side of a narrow; Grotesken with fabber designs, garlands, candelabers and mascarons; Two blades with grotesken.The Left Candelaber is made up of a pedestal, a narrow fries, a squatted Sater on a vase, and two winged sea horses on the edge of a dish.

Twelve halves of Hermen, 1610 print At the top are seven right halts of Hermen, at the bottom of five left halves. Blad 21 from series of title page and 28 magazines. paper etching

Panel with two river goddesses, c. 1670 - c. 1680 print Left and bottom right is a Sater. Leaf from the first edition. paper engraving

Print

David saves a lamb from the muzzle of a lion, Gérard Audran (attributed to), after Pietro da Cortona, 1668 - 1703 print France paper etching / engraving (decorated) ceiling. story of David Palazzo Sacchetti

Drawing (Italy)

Emblemata with amor, bell tower and obelisk, Anthonie de Winter, 1697 - 1718 print Twice four emblemata with Dutch text and Latin motto on a magazine. Upstairs: Emblemata with amor shooting with arrow and arch, two palm trees bending towards each other, Amor in a sailboat at sea and Amor with a letter. Below: Emblemata with a bell tower with a broken bell, a winged obelisk, a stork on terres and a rot with flour, cross and saw. paper etching / engraving Abstract Ideas and Concepts (+ emblematical representation of concept). (story of) Cupid, Amor (Eros). parts of church exterior and annexes: campanile. obelisk, needle

Joaillerie: Album of Jewelry Designs, Page 3 1770 or after Anonymous, French Third page of a small album containing drawings with jewelry designs copied after the prints by L. van der Cruycen, "Nouveau Livre de Desseins..." (New Book of Designs...), published in Paris in 1770. The designs in this page are for an two drop earrings, a girandole earring, a small brooch, a ribbon brooch, and anacanthus leaf ornament, all of them characteristic of the style in vogue during the reign of Louis XVI in France, displaying a serendipitous flavor, with asymmetrical forms, "rocaille" and stylized natural motifs, and heavily decorated with flowers, ribbons and tassels, thus representing the taste of the Rococo style, which was fashionable in France and Europe during the eighteenth century. The elaborately carved forms presented in the designs were particularly sought after during the third quarter of the eighteenth century, and were to be accomplished by skilled artisans who would work out the decor

Print, Plate 10, Title page, Bullarum Inaurium etc. Archetypi Artificiosi Pars Altera (Pendants, Earrings, etc. Designs of the Most Skillful Nature, Part Two); Designed by Hans Collaert the Elder (Flemish, ca. 1530 - 1581); Engraved by Adriaen Collaert (Flemish, ca. 1560 - 1618); Published by Philips Galle (Flemish, 1537 - 1612); Netherlands; engraving on paper, laid and gilded

Calligraphy with dueling men and putti, 1675 - 1700 print Calligraphy with three motifs, separated by an engraved line. On the lower half of the magazine there are two dualing men, both with a dog next to them. The upper half of the leaf is vertically divided in two. In the cartouche on the left there are four putti with a mirror, a scale, an olive branch, grape bunches, a chalice and a roll with monogram AGB. In the cartouche on the right there is a putto with a dog, hunting a deer. Netherlands paper engraving Calligraphy. Duelling. Cupids: 'Amores', 'Amoretti', 'Putti'

Print (England)

Mirror lists with flower motifs, Emanuel Eichel (Possible), Georg Michel Roscher, 1727 - 1775 print Details of rocaille mirror frames with leaf and floral motifs. Publishing number 91. Augsburg paper etching rocaille ornament. ornaments ~ art (+ framing decorations)

Hek met lam, anonymous, 1650 - 1800 drawing An ornamented fence with a medallion on the book with the seven stamps in the middle. paper. ink. pencil pen / brush fence, wall, paling. the vision of the Lamb and the book with the seven seals

Austin L Davison, Window Grille, 1937 Window Grille

Diverses Pieces de Serruriers, page 16 (recto) ca. 1663 Jean Berain French Engravings by Jean I Berain, French, Saint-Mihiel 1640-1711 Paris and Gabriel Ladame, French, active 1645-68. Designs published by Francois Langlois after Hughes Brisville, French, born ca. 1633, active Paris 1663. From top to bottom, and left to right:Design is in the shape of a rectangle that consists of 4 separate sections. The first section is of a design for a balustrade, which is ornamented with various geometric shapes and fleurs-de-lis. The second section is illustrated with coiling acanthus leaves. The third section is decorated with a design for a slanted balustrade. The fourth section is decorated with a single acanthus leaf in the shape of a sideways 'S', which terminates on the left side with a bird's head.. Diverses Pieces de Serruriers, page 16 (recto). Jean Berain (French, Saint-Mihiel 1640-1711 Paris). ca. 1663. Engraving

Ten designs for jewelry and three figures of leaf vines, 1695 print Leaf 11 from series of 17 sheets. paper engraving

Ornament with Claw-footed Urn, Lynxes, Butterflies and Foliage above a Greek Meander ca. 1780-1820 Anonymous, German, 19th century German. Ornament with Claw-footed Urn, Lynxes, Butterflies and Foliage above a Greek Meander 383969 Artist: Anonymous, German, 19th century, Ornament with Claw-footed Urn, Lynxes, Butterflies and Foliage above a Greek Meander, ca. 17801820, Graphite with touches of pen and black ink, sheet: 7 7/8 x 13 5/16 in. (20 x 33.8 cm). The Metropolitan Museum of Art, New York. The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1955 (55.540.14)

Plate from the Print Series 'Grateske voer golt smeden Schrijnwerkers Ende andere des nodich hebbende' ca. 1610-1630 Meinert Gelijs Plate from a print series consisting of a title page and five plates displaying motifs for the application in goldsmith's work, executed in blackwork. The plate contains five distinct designs, with one larger motif in the center and two smaller ones on either side. The two designs on the left have angular shapes closely related to schweifwerk ornament, while the other three motifs are characterized by curved flowing lines. Due to the similarity in their production techniques, blackwork prints often relate to precious objects decorated with champlevé enamel work. Gelijs indicates, however, that his patterns may be used in other disciplines as well. The style of his ornaments is quite unique, blending elements from the late sixteenth-century schweifwerk ornament, with stylized peapods, floral elements and some forms related to the auricular style. This serie

Nuremberg, Sandrart, Jakob von, Germany, Heckenauer, Leonhard, Susanne Maria von, Neues Romanisches Laubwerck Büchlein, Four table legs, Top left a table leg with a woman whose body overflows into an acanthus tendril, on the table leg below sits a putto., print, ornament print, prints, ornament prints, height 181 mm, width 240 mm, German, 1658-08-10 - 1716-12-20, print maker, printmaker, 1668 - 1708, third quarter 17th century, fourth quarter 17th century, first quarter 18th century, paper, papier, etching, etchings, Work conception, 1650 - 1704, after a design by, Publication (Event), Publication, 1630-05-31 - 1708-08-15, publisher

Festoen of Fruit and Flowers, Michiel Mosijn, After Francoys Dancx, After Jacob van Campen, 1655 - 1678 print On the right is a grape voucher. Amsterdam paper engraving

Picart, Bernard, Amsterdam, Mascaron and leaf tendrils, verso - stamped, print, ornament print, book illustration, prints, height 63 mm, width 137 mm, Noord-Nederlands, 1673-06-11 - 1733-05-08, print maker, printmaker, 1683 - 1733, fourth quarter 17th century, first quarter 18th century, second quarter 18th century, paper, etching, etchings, letterpress printing, Northern Netherlands, supervision

Print (France)

Print (France)

Cartouche with winged head, Joseph Huber, 1747 - 1759 print Rocaille cartouche with leaf motifs and a winged head of a putto. Augsburg paper etching ornament ~ cartouche. Cupids: 'Amores', 'Amoretti', 'Putti'

Print, Plate 6, from Diverses pièces de serruriers (Various Designs for Locksmiths), after 1662; Designed by Hugues Brisville (French, active ca. 1663); Engraved by Jean Bérain the Elder (French, 1640-1711); Published by Pierre Mariette II (French, 1634 - 1716); France; engraving on laid paper

Four decorations with braid; II Anleitung Zu Greateschen Shield Underneon Verzierenugen (...). Four rocaille decorations with braid, leaf motifs and garlands, with line art.

Etching by Jean Le Pautre from 1625-1682 depicting decorative fireplaces with intricate ornamentation, carved details, and balanced symmetrical designs.

Carved Decoration for a Wall Panel, Graphite, pen and ink, brush and grey-brown wash on paper, The right half is shown. Rocaille framing, with a standing swan. Water springs from swan's beak and pours at right., ca. 1740, interiors, Drawing, Drawing

Six trophies with various attributes including weapons, a hunting horn and game, an anchor and a mast, musical instruments and a torch and quiver of arrows, Trophies with weapons, hunting attributes and musical instruments IVth Cahier De Troph, print maker: Jacques Juillet, (mentioned on object), intermediary draughtsman: Pierre Ranson, (mentioned on object), publisher: weduwe Pierre-Michel Avaulez, (mentioned on object), Paris, 1777 - 1779, paper, etching, h 317 mm × w 206 mm

Drawing (Italy)

Design for Two Bronze Key Plates, Richard de Lalonde, French, active 1780-96, Pen and black ink, brush and wash, graphite on white laid paper, Both key-plates are formed by foliate arabesques; that on the left is decorated with garlands, and that on the right with a wreath suspended at the bottom., France, ca. 1780, metalwork, Drawing, Drawing

Panel filling with flute playing putto, Bernard Picart, 1683 - 1733

Two Quarters of a Ceiling, Nouveau Livre de Plafonds (New Book of Ceilings), François de Cuvilliés the Elder, Belgian, active Germany, 1695 - 1768, Carl Albert von Lespilliez, German, 1723 - 1796, François de Cuvilliés the Elder, Belgian, active Germany, 1695 - 1768, Etching and engraving on paper, Design for two quarters of a ceiling in the Rococo style with alternate suggestions divided by a central rosette., Munich, Germany, 1740-68, albums (bound) & books, Bound print, Bound print

Striker with an oval, empty compartment, anonymous, After Hans Janssen, 1631 print Leaf from series with decorations for silver cups. Amsterdam paper etching

Rebus Over Het Lot, Stefano Della Bella, 1620 - 1664 print Oval Cartouche Met Een Italiaanse Rebus Over Het Lot. Enkele Van de Gebuikte Symbolen Zijn Een Adelaar, Schepen, Een Windgod en een Slathende Figuur. De op te lossen tekst is: luck is sleeping / every one dances to those who fortune / who to luck every so much key, just / every one knows how to navigar when it is under the wind / better is a honorable of luck that two Lire of knowing / more luck than Head. paper etching rebus

Design for the Top of an Arch, Decorated with a Cherub (recto); Design for the Frame of a Frieze (verso) 1652-1725 Giovanni Battista Foggini Italian. Design for the Top of an Arch, Decorated with a Cherub (recto); Design for the Frame of a Frieze (verso) 348695

Plate 32, from Neüw Grotteßken Buch (New Grotesque Book), Christoph Jamnitzer, German, 1563 - 1618, Engraving on laid paper, Ornamental design showing a winged and bearded figure, wearing a fanciful plumed hat, and riding on the back of a snail which terminates in an ox. Another snail form, left, and a bisected pear with a face, right., Germany, 1610, ornament, Print, Print

Augsburg, Hertel, Johann Georg (I), Habermann, Franz Xaver, unknown, Frames for panels and mirrors, Frames with candlesticks, Three frames with rocaille ornaments and leaf motifs. On the left two two-armed candlesticks. Publisher number 171., print, ornament print, prints, ornament prints, height 191 mm, width 288 mm, print maker, printmaker, 1731 - 1775, paper, etching, etchings, Work conception, German, 1721 - 1796, after a design by, Publication (Event), Publication, 1695 - 1775, publisher

Conquest of Kaiserswerth, 1702, 1712 - 1715 Siege and intake of Kaiserswerth by the Allies on 15 June 1702. Square show in a richly decorated ornamental frame with two river gods at the top and a bust of the German emperor at the top. At the bottom a cartouche with a description of the fighting in German. Leaf in the bound collection of plates released under the title: Repraossentatio Belli ... of the Spanical Successions Krieg Ca. 1720. Augsburg paper etching / engraving Keizersweerd Siege and intake of Kaiserswerth by the Allies on 15 June 1702. Square show in a richly decorated ornamental frame with two river gods at the top and a bust of the German emperor at the top. At the bottom a cartouche with a description of the fighting in German. Leaf in the bound collection of plates released under the title: Repraossentatio Belli ... of the Spanical Successions Krieg Ca. 1720. Augsburg paper etching / engraving Keizersweerd

Submission of Naples to Karel III, 1707, 1712 - 1715 The residents of the city of Naples hand over the keys to the city to General von Daun who takes the city on behalf of King Charles III, July 6, 1707. The central representation of the key transfer in a very richly decorated ornamental frame with a cartouche at the top with the description of The events in German. At the bottom an allegorical representation in which a kneeling figure hands over the peacetak to King Charles III (Archduke Charles of Austria) who, with his triumph wagon and accompanied by Hercules on the clouds for her. Leaf in the bound collection of plates released under the title: Repraossentatio Belli ... of the Spanical Successions Krieg Ca. 1720. Augsburg paper etching / engraving Naples The residents of the city of Naples hand over the keys to the city to General von Daun who takes the city on behalf of King Charles III, July 6, 1707. The central representation of the key transfer in a very richly decorated orna

Oirband with a Sater, Anonymous, After Cornelis Bos, 1516 - 1556 print Oirband with a female Sater, leaning over rolling work (left). In the middle a mouth can with a sitting satar at the bottom. On the right the button of a sword. One of 3 sheets, each with three ornaments. paper engraving scrollwork, strapwork ~ ornament. satyr(s) (in general)

Double coat of arms; Coats of arms. The coat of arms on the right is oval.

Edge of round plate with leaf raft, masks and putti; Various Italia and French praise turn. Soo with sonder images. A medallion with a monogram is shown in the middle of the board. Leaf III.D.2 from third series of 12 blades with ornaments for gold and silversmiths. Copies to C. de Moelder and others.

Plate Seven from Nouveavx Desseins D'Arquebvseries ca. 1730 De Lacollombe This print is a prime example of French designs for the decoration of firearms in the late rococo style, which set the fashion for luxury arms across Europe at the time. It was created by an enigmatic engraver known only as De Lacollombe and comes from a series of prints that was added to after his death and then published by his better-known pupil Gilles Demarteau (1722-1776) in about 1749. Individual motifs taken from them can be seen on guns made throughout the eighteenth century in France, Germany, the Netherlands, Italy, and Spain.. Plate Seven from Nouveavx Desseins D'Arquebvseries. French, Paris. ca. 1730. Engraving. Paris. De Lacollombe (French, Paris, active ca. 1702-ca. 1736). Works on Paper-Engravings

A cartouche with two tigers and pit with tiger heads Raccolt Della Bella, Stefano (1610 1664)

Bound Print, Ornamental Clasp Designs; Designed by Gilles-Marie Oppenord (French, 1672-1742); Print Maker: Gabriel Huquier (French, 1695-1772); Published by Chez Huquier; France; etching and engraving on paper

Copy of a Panel with Two Dolphins Facing a Vessel at Center. Artist: after Jacob Binck (German, Cologne 1494/1500-1569 Kaliningrad (Königsberg)). Dimensions: Sheet: 7/8 × 2 in. (2.3 × 5.1 cm). Date: after 1520.Ornamental design with vase at center, flanked by two grotesque dolphins, facing inwards. Museum: Metropolitan Museum of Art, New York, USA.

Drawing (Italy); charcoal, pen and ink on paper; verso: charcoal, pen and ink, brush and watercolor on paper

Designs for Two Reliquary Caskets; at top Bishop; at bottom: Skulls and Bones. Artist: Anonymous, Italian, Piedmontese, 18th century. Dimensions: Overall: 7 1/2 x 10 3/16 in. (19 x 25.9 cm). Date: 1700-1780. Museum: Metropolitan Museum of Art, New York, USA.

Arabesque with acanthus leaves; Examples of leaves; Gründliche Anweisung Unter Schiedlicher Art Laub Werck. Symmetrical arabesque with leaves and braid.

Paris, Langlois, Nicolas (I), France, Ducerceau, Paul Androuet, Ornemens à la mode, Three friezes of leaves and flowers, Designed along a central axis, with opposite halves. At the middle frieze there is a tree in the background. Sheet from a series of 12., print, ornamental print, prints, ornamental prints, height 258 mm, width 214 mm, Work conception, French, 1630 - 1710-02-01, after a design by, 1670 - 1685, third quarter 17th century, fourth quarter 17th century, paper, papier, etching, etchings, print maker, printmaker, Publication (Event), Publication, 1640 - 1703, publisher

Rocailles, Anonymous, after Franz Xaver Habermann, 1731 - 1775 print Rocaille ornaments with flower motifs. Publishing number 104. Augsburg paper etching Rocaille Ornament

Cartouche with two Nereïden; Cartouches in role frames with grotesken, garlands and mascarons. ONSAGE COPY TO LOAD 9 OFF SERIES WITH CARTROS IN CONSTRUCTIONS OF ROOM WITH GRAPESKEN, GUIRANDES AND MASCAROONS Published by Pierre Mariette.

Half of a Cartouche with Monsters 18th century Attributed to Quentin Pierre Chedel French. Half of a Cartouche with Monsters. Attributed to Quentin Pierre Chedel (French, Chlons-en-Champagne 1705-1763 Chlons-en-Champagne). 18th century. Pen and brown ink with brush and brown wash with black chalk underdrawing

Print, Ornament Designs; Designed by Jean Bérain, the elder (French, 1640 - 1711), Jean Bérain the Younger (1674-1726); Published by Nicolas Langlois; France; etching and engraving on laid paper

Five Jewels, L. van der Cruycen, 1770 - 1779 print Designs for five jewelry with leaf and floral motifs, top right with two pigeons. Paris paper etching / engraving ornaments, jewels

Design for a Ceiling Decoration. 1709-20 Donato Giuseppe Frisoni Italian. Design for a Ceiling Decoration. 365389

Print, Plate in Nouveaux livres de peintures de salles et descaliers (New Books on Paintings for Rooms and Stairs); Designed by Daniel Marot (French, active in the Netherlands and England, 1661-1752); Netherlands; etching and engraving on white laid paper; Sheet: 23.5 x 35 cm (9 1/4 x 13 3/4 in.) Platemark: 19.4 x 28.9 cm (7 5/8 x 11 3/8 in.)

Design for Sculptured Decorations of Ceiling, Unknown, Brush and brown wash, pen and ink, graphite on paper, Ceiling decoration featuring several putti and smiling faces, foliage and decorative scrolls., Italy, 1650-75, architecture, interiors, Drawing, Drawing

Two Frisians with a mascaron and fruits, 1551 - 1650 print Two Frisians above each other. The upper Frisian with mascaron, insects and a snail. The lower frieze with insects and fruits. The print is part of an album. paper etching ornaments ~ art. mask, mascaron ~ ornament. insects. molluscs: snail. fruits and vegetables ~ ornament

London, Foster, George, Gole, Corneille, Ornamented designs for goldsmiths, watchmakers and other artists, Six friezes with putti, birds and Apollo masks, verso - stamped, Six friezes decorated with arabesques, shell motifs, putti, birds and Apollo masks. With French description., print, prent, ornamentprent, prints, prenten, ornamentprenten, height 196 mm, width 310 mm, 1657 - 1712, print maker, prentmaker, 1737 - 1737, paper, papier, engraving, engraving (printing process), Work conception, after own design by, seller

Plant patterns Guillaume Boichot (1735-1814). Plant patterns. Feather and ink on layer, 1735-1815.

Call letter with pull tray. Greeting letter with unwritten cartouche inside a decorative framework with representations of a man with plants, a woman with flowers and a pull trailers. Numbered at the top right: No. 11.

Vignet.Symmetrical composition of leaf raft and palm branches.

Antique-Style Ornament Frieze Design: Rinceaux with Grotesque Figures and Animals. Artist: Anonymous, Italian, 16th century (Italian, active Central Italy, ca. 1550-1580). Dimensions: 13 7/16 x 6 15/16 in. (34.2 x 17.7 cm). Date: early 16th century. Museum: Metropolitan Museum of Art, New York, USA.

Print (France)

Design for a paneling with bacchants, Jean Moyreau, After Jean Antoine Watteau, 1729 - 1731 print Numbered below: 1. print maker: Franceafter painting by: Francepublisher: Parispublisher: ParisFrance paper etching / engraving panelling. male bacchant(es). ass, donkey

Ornamented lids, anonymous, after Jean Mariette, 1670 - 1725 print Four lids of snuff boxes. Top left and left and bottom right with ornaments. At the top right with masks. Germany paper etching snuff-box. ornaments ~ art

Ornamental cartouche with mercury.

Three vertical strips with leaf raft and flowers; Nouveau Livre d'Orgenens. Sheet from series with copies to Stefano della Bella, Gilles Légaré, Thomas Lejuge and others.

Rocails, 1750 - 1775 print Rocaille ornaments with candlestick and flower motifs. Publishing number 168. Augsburg paper etching Rocaille Ornament

Butterflies at the dressing table; La Toilette; Essay the papilloneries. Three butterflies sit with attributes to a dressing table. On the left is a room screen. At the top Rocaille ornaments with garlands and a fourth butterfly with attributes. At the bottom a cartouche with the title.

Ornamental drawings (recto) blank (verso) early to mid-16th century Drawn by Anonymous, French, 16th century French. Ornamental drawings (recto) blank (verso) 362620

Masks and hats. 1688. Mitelli, Agostino, 1671-1696. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

Architectural Motif: Double Acanthus Fleuron ca. 1875 Georges Seurat French. Architectural Motif: Double Acanthus Fleuron 349778

Deraisme, Pierre -Georges (n.1859 - D.1932), chiseling motif (main title), 1895. Graphite on register paper. Petit Palais, Museum of Fine Arts of the City of Paris.

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