Ornamental Prints with Mythical Themes

Engravings featuring intricate ornamental designs and mythological figures, showcasing elaborate details and a classical art style from various Italian artists.

Italy, Giardini, Giovanni, Rome, Limpach, Maximilian Joseph, Disegni diversi inventati e delineati da Giovanni Giardini da Forlì, Various ecclesiastical objects, Ornament with the personifications of Faith and Charity and the coat of arms of Pope Clement XI, verso - stamped, Numbered top left: no. 91., print, ornament print, prints, ornament prints, height 275 mm, width 173 mm, Czech, print maker, printmaker, 1714 - 1714, paper, papier, etching, etchings, Italian, 1646 - 1722, intermediary draughtsman, after a drawing by, Work conception

Arabic with braid, Anonymous, After Johann Leonhard Eisler, 1726 - 1734 print Arabesks with leaves, flowers and braiding left and right of the middle. Nuremberg paper etching 'Leaf and bandelwerk' ~ ornament. Ornament ~ Arabesque

Tantalus speaks against Diana; Love, anger and jealousy of Juno; Amori Sdegni et Gielosie di Giunone. Tantalus is under a tree and speaks against Diana that is right. A second woman is behind Diana. Under a four-line verse in Italian. The show is caught in a decorative frame with a ram head, masks and garlands.

Leaf, Sater, two children and a young man; Disegni Varii. The three figures below have musical instruments.

TITELBLAD: Departure and Orfeveri Faire Book (...), c. 1600 - c. 1699 print Title print of an unknown series of 17th-century French ornament prints. Proef pressure, unwritten (name of manufacturer possible with pen written on print, but illegible). The title is in a richly decorated cartouche with a variant for the right half. paper engraving ornaments ~ art

Three Comtoise Clocks and Ten Motives, Anonymous, After Daniël Marot (I), After 1706 - Before 1800 print With three ornamental edges with variations at the bottom. A caratide is incorporated in the clock on the right. From series of 6 sheets with copies to prints from the Series Second Liure d'Orlogeries, published by Daniel Marot. paper etching

Vase with a River God in an Oval Medallion. Artist and publisher: Originally by René Boyvin (French, Angers ca. 1525-1598 or 1625/6 Angers). Designer: Rosso Fiorentino (Italian, Florence 1494-1540 Fontainebleau). Dimensions: Plate: 7 1/2 x 4 7/16 in. (19 x 11.2 cm). Publisher: Previously by Claes Jansz. Visscher (Dutch, Amsterdam 1586-1652 Amsterdam); Frederick de Wit (Dutch, 1629/30-1706) . Date: 17th century (late).Depiction of a vase or ewer. The vase is caracterized by an abundance of motifs from the Fontainebleau School. In the center an oval medallion with a river god is placed. The handle is shaped like a satyr. The print is part of a series of 12 vases said to be designed by Rosso Fiorentino and Polidoro da Caravaggio and initially engraved and published by René Boyvin. The current series was first published by Claes Jansz. Visscher in the early seventeenth century and subsequently also by Frederik de Wit. Museum: Metropolitan Museum of Art, New York, USA.

An Angel Trampling a Skeleton, from Grotisch fur alle Kunstler 1580-1600 Theodor de Bry Netherlandish Framed in an oval at center, an angel, holding a book and draping an arm over a cross at left, tramples a skeleton. The oval is surrounded by symmetrical ornamental design with putti masks hanging from canopies and grotesques. At left and right edge, segmented ovals with the artist's signature. Associated with the series, Grotisch fur alle Kunstler, consisting of four plates.. An Angel Trampling a Skeleton, from Grotisch fur alle Kunstler 424091

Architecture fantasy with a man with an arch, 1565 - 1571 print Man, flanked by phaces, standing on a winged sphere. At the bottom left and bottom right is a squatted figure under a canopy on which a dog with a fish tail is located. From series of title page + 16 magazines with cartouches or architecture fantasies with a performance in a frame of grotes' with fable being, animals, garlands, trophies and mascarons. Netherlands (possibly) paper etching

Pendant with Snakkenhuis, Adriaen Collaert, After Hans Collaert (I), 1582 print Stick heads from the snail house and staring of a dragon. There are a man with a trumpet and a woman. One of 7 partially numbered sheets from a series of 10 sheets with pendants. Three pearls hang on each pendant. Netherlands (possibly) paper engraving During, Trinket, 'charm'

Ornamental Panel Surmounted with a Head Flanked by Foliage. Dated: 1647. Dimensions: sheet: 45 × 23.2 cm (17 11/16 × 9 1/8 in.) plate: 24.5 × 11.2 cm (9 5/8 × 4 7/16 in.). Medium: etching with engraving on laid paper. Museum: National Gallery of Art, Washington DC. Author: after Simon Vouet Michel Dorigny.

Vignet with allegory at the heirs distance of Karel V. In the middle State Charles V. He points to his imperial wreath and touches his other hand the kneeling person for him, probably Philip II. Next to him is a woman with a coat of arms. Behind Charles V Willem van Oranje is next to a bishop and a lion with a arrows bundle. Left front is possible Ferdinand I with a page, which holds a weapon with an eagle. In the distance, the personification of faith with a cross and a banner with the Latin word for inquisition. On the right, Fortuna balances with a ball on a wheel. In addition to her, moderation goes out a burning torch with water. Under the show, a banner with the second part of a Latin quote hangs from the Pharsalia of Marcus Annaeus Lucanus, a Roman poet from the first century after Christ. Freely translated there '... This limitation has imposed human prosperity' gods. The performance is caught in an ornamental frame.

Amsterdam, Blon, Michiel le, Some Single Fruits and Spitsen, Border with two cherubs, Two rabbits sit under the cherubs. Sheet 3 from a series of 14 sheets with examples for engraved decorative borders of cups in the form of triangles consisting of tendrils, Schweifwerk, garlands with putti, animals, birds and masks., print, ornament print, prints, ornament prints, height 73 mm, width 98 mm, German, 1587-07-09 - 1656, print maker, printmaker, 1611 - 1611, first quarter 17th century, paper, etching, etchings, Work conception, after own design by, Publication (Event), Publication, publisher

Rand with coat of arms with cat, Michiel le Blon, 1611 print Leaf 4 from series of 14 sheets with examples for engraved decorative countries of cups in the form of triangles consisting of ranks, Schweifwerk, garlands with putti, animals, birds and masks. paper etching

On the coat of arms is an eight-pointed star. At the top and bottom of the oval is a banding. From a series of 20 sheets, Unknown coat of arms in oval Coat of arms (series title), print maker: Michiel le Blon, Michiel le Blon, publisher: Michiel le Blon, Amsterdam, (possibly), c. 1611 - c. 1625, paper, engraving, h 89 mm × w 72 mm

Weapons of the Scheurl and Zinger families, Albrecht Dürer (School of), 1481 - 1523 print Weapons of Albrecht Scheurl (left) and Anna Zingel (right); Above it a fantasy bees such as it also occurs on the coat of arms of Scheurl (climbing goat with the front legs eagle claws); Below an angel with a tablet on which a Latin text. This whole in a four -pass, which is again surrounded by a laurel wreath to which four small coat of arms are connected. Nuremberg paper letterpress printing armorial bearing, heraldry

Paris, Florence, Pierre, Model, Melchior, Wierix, Antonie (II), Antwerp, Septem Psalmi Davidici, The Seven Penitential Psalms, Crucifixion of Christ, verso - stamped, Christ hangs on the cross. A soldier stabs him in his side with a lance. The image is set in a cartouche and placed in the middle of the psalm text printed in a knot pattern., print, ornamental print, prints, height 154 mm, width 105 mm, South Netherlandish, 1559 - 1604-03, print maker, printmaker, 1608 - 1608, paper, papier, engraving, engraving (printing process), intermediary draughtsman, after a drawing by, German, writer, Publication (Event), Publication, French, 1580 - 1638-12-24, publisher

Paris, Androuet, Jacques, Surface decorations, architectural fantasies and grotesques, Composition with statues, verso - stamped, On a pedestal there is a raised platform with a statue under a canopy on both the left and right. On either side are three figures at the foot of the statue. In the middle is a herm with a fire bowl on her head under a drapery., print, ornament print, prints, ornament prints, height 104 mm, width 70 mm, print maker, printmaker, 1562 - 1562, paper, etching, etchings, Work conception, French, 1515 - 1584

Letter D.letter D against a background with braid and the stone tablets.

Amor in an ornamental frame, Anonymous, 1683 - 1783 print Amor with burning torch and arrow in an ornamental frame, in which all kinds of references to love. Couples, among others, pigeons, love couples and horns of abundance. Netherlands paper etching / engraving (story of) Cupid, Amor (Eros). couple of lovers. ornaments ~ art

Vanity, 1578 print Allegory of death. Man, half body and half framework, standing with a staff with a crucifix in their hand. On the right a palm tree at the foot of which the heads of a pope, king in emperor. Within a frame of skulls and bones. paper engraving Skull as symbol of 'Vanitas'. (Personifications of) 'Vanitas', The Vanity of Human Life; Humana fragility, fleeting of sizes & of world glory, meditation of death, vain work, vain pleasure, vain glory, vanita (Ripa). Death As Skeleton. Death As Man

Marot, Daniël (I), Second Liure d'Orlogeries, Twenty-seven motifs for watchmakers, Motifs including five watch cases, two snuff boxes and four signet rings. From a series of 6 sheets with copies after prints from the series Second Liure d'Orlogeries, published by Daniel Marot., print, ornament print, prints, ornament prints, height 279 mm, width 184 mm, Work conception, 1663 - 1752-06-04, after a design by, 1706 - 1800, first quarter 18th century, second quarter 18th century, third quarter 18th century, fourth quarter 18th century, paper, etching, etchings, print maker, printmaker, Publication (Event), Publication, publisher

Plate Ten, from A New Book of Ornaments. Simon Gribelin II; French, 1661-1733. Date: 1704. Dimensions: 195 × 160 mm (image/plate); 295 × 233 mm (sheet). Engraving on paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Initial letter H with dolphin and crown (related to King Francis I) mid-16th century Designed and used by Finé (mathematician, astronomor, geographer) in his books published in Paris, 1532-1554. Initial letter H with dolphin and crown (related to King Francis I) 701231

. Landscape with a woman in Greek robe, making a floral wreath. The performance has been caught in a cartouche that is decorated with medallions in which personnifications of the four seasons.

Dialectiek, Etienne Delaune, 1528 - 1583 print The dialectic with a Hermesstaf and a bunch of keys between two smoking vases. From series of 6 magazines France (possibly) paper engraving

Two capitals, 1644 - 1718 print Two ornamental capitals. The upper capital with rams heads. The print is part of an album. paper etching ornaments ~ art. capital (~ column, pillar)

Italy, Giardini, Giovanni, Rome, Limpach, Maximilian Joseph, Disegni diversi inventati e delineati da Giovanni Giardini da Forlì, Various church objects, Ornament with satyrs and lions, verso - stamped, Numbered top left: no. 97., print, ornament print, prints, ornament prints, height 240 mm, width 155 mm, Czech, print maker, printmaker, 1714 - 1714, paper, papier, etching, etchings, Italian, 1646 - 1722, intermediary draughtsman, after a drawing by, Work conception

Designs for watch cabinets with two scenes from Apollo and Daphne, Pierre Bourdon, 1703 print Leaf from series of seven designs for watchmakers, goldsmiths, sculptors and engravers. Two designs with a scene from the mythological story of Apollo and Daphne. paper engraving ornaments ~ art. watch

Plat decoration with Spes, Nicolaes de Bruyn, 1639 - 1706 print Leaf 2 of series of 4 numbered sheets with flat decorations. Spes, personification of hope, standing in oval. In the frame in the middle of four dragons, two of which with twisted tails. Shaded background. print maker: Netherlandspublisher: Amsterdam paper engraving Hope, 'Spes'; 'Speranza divina e certa' (Ripa) ~ one of the Three Theological Virtues

This 1543 etching by Augustin Hirschvogel depicts an ornamental strip featuring a crouching sphinx with lion paws and wings, highlighting figures, details, and decorative composition.

Ornament with sphinxes and clock, 1597 - 1667 print Decorative ornament with two sphinxes at the top and a clock with Roman songs in the middle. The print is part of an album. paper letterpress printing ornamental decoration ~ printed matter, book. clock

Death of Abel Artist's working dates 1538-1583 France. Engraving on ivory laid paper . Étienne Delaune

Disegni Varii di Polifilo Zancarli 1628 before Polifilo Giancarli Italian Vertical panel design with an acanthus rinceau with various figures interspersed between the scrolls. On the lower left a satyr and a female hybrid creature are kissing while seated on the back of a fantastical creature with horns and a birds beak. A putto looks down on them from up in the acanthus scroll. On the right two snake-like creatures with grotesque heads encircle the scrolls.. Disegni Varii di Polifilo Zancarli 410944

Domitian, Roman emperor.

'Ornamental Composition with the Feat of Marcus Curtius'. The Netherlands. The Netherlands, 1565. Dimensions: 15,6x21 cm. Museum: State Hermitage, St. Petersburg. Author: Hans Vredeman de Vries.

Proyecto para un calendario mural de la archidiócesis de Salzburgo, 1735, Drawing on paper, 57,9 x 26,8 cm. Author: JACOB ANDREAS FRIDRICH. Location: BIBLIOTECA NACIONAL-COLECCION. MADRID. SPAIN.

Decorative panel filling from the Loggias of the Vatican, Giovanni Martini (follower of), 1510 - 1600, draughtsman: Giovanni Martini, (follower of), 1510 - 1600, paper, pen, brush, h 123 mm × w 61 mm

Lazio Viterbo Bagnaia Villa Lante65. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

. Blazoen or New Year card of the Haarlem Rederijkerskamer de Pellicaen. In the middle in an oval Christ on the cross; Hereby a banderole with the motto: Trou has to be Blycken. In the background Aeneas save his father. On either side of the oval two standing angels. Below on a cartouche a four-line verse.

Aldegrever, Heinrich, Germany, Candelabrum with a woman with a fishtail, verso bottom center - handwritten, Candelabrum with at the bottom the upper body of a woman with a double fishtail. Above it two leaf tendrils and a cherub., print, engraving, ornamental print, prints, 22, height 77 mm, width 27 mm, German, 1502 - 1561, print maker, printmaker, 1528 - 1528, second quarter 16th century, paper, engraving (printing process), Work conception, after own design by

Cartouche with text of tales; Tales./ Non Multa Verba / Prudentis Animi / Iuditium Sunt.; Flat decorations: cartouches with quotes from philosophers in a picture frame, grotesken, figures, garlands and trophies. Cartouche with text, flanked by two women with spin skirts. At the bottom are two sphinxes. One of 4 blades from a series of 6. Second edition of a series of flat decorations designed by Cornelis Floris (Orn Cat I-77.1 to 77.6).

Half frame with two putti playing on musical instruments, c. 1866 - c. 1900 drawing At the top of the list is to the left of a cartouche a winged female upper body that runs into leaf vines. tracing paper. ink. pencil drawing

ornamental medallion, Gerard de Lairesse, 1651 - 1711.

Cartouche in which the pride with mirror and peacock springs, anonymous, after Crispijn van de Passe (I), 1601 print The cartouche is flanked by two siren-like figures with baskets on their heads. Leaf from series of 8 sheets with cartouches in a frame of rolling work with grotesken, garlands and mascarons. Netherlands (possibly) paper engraving

Ornamental vase with flowers, standing on triangular base On the left a bumblebee, on the right above and below a bee, Flower vase with bumblebee FLOS speculum vitae modo vernat et interit aura Polyptoton de Flore , print maker: Johann Theodor de Bry, (mentioned on object), after: Jacobus Kempener, (mentioned on object), Frankfurt am Main, c. 1600, paper, engraving, h 303 mm × w 232 mm

Waza with Putt and Gryf motif on a feast terrace; Le Pautre, Jean (1618-1682), Mariette, Pierre (1634-1716; m.); around 1660-OK. 1670 (1601-00-00-1700-00-00);

Groot, Reinhard, Andreas (II), Andreas (I), Calendar sheet December, verso - stamped, print, prints, height 196 mm, width 114 mm, German, 1676 - 1742-03-07, print maker, printmaker, 1686 - 1752, paper, papier, etching, etchings, Danish, 1715 - 1752-01-25, intermediary draughtsman

October; October; Last six months of the year. In a Rocaille cartouche a farmer picks grapes. For him a farmer is on the floor with a grape food in his hand. Around the show Rocaille ornaments, grape drinks, a scorpion and the corresponding sign of the zodiac. Publisher number 75.

A female figure with an hourglass; representing arithmetic. Engraving by E. Delaune, c. 1560.

Double Goblet, at Foot Two Genii. Dated: 1531. Medium: engraving. Museum: National Gallery of Art, Washington DC. Author: Sebald Beham.

Medallon with Minerva with lance and shield with medusa head in frame of grotesken with flowers, garlands, animals and mascarons, Adriaen Collaert, 1570 - 1618 print Netherlands paper engraving (story of) Minerva (Pallas, Athena). ornament ~ grotesque

Diamond -shaped cartouche with a quote from Valerius Maximus, Frans Huys, after Hans Vredeman de Vries, 1555 print Quote: Lento Gradv Ad Vindictam SVI Divina Procedit IRA, Tardiamento; ... in Cartouche. A mascaron hangs both in the middle and the middle. On either side of the mascaron at the top is a smoke oil lamp on the rolling work. Shaded background. From series of title page and 12 magazines with cartouches with quotes from classic writers in a frame of rolling work with grotesken, mascarons and garlands. Netherlands (possibly) paper etching ornament ~ cartouche. mask, mascaron ~ ornament. oil-lamp

Drelincourt, Charles .

Cartouche with a representation of the proserpina roof; Comperimentorum quod vocant plywood genus .... At the two ends of the leaf half of a Herme is visible. Shaded background. Leaf from series consisting of a title page and 15 of the 16 sheets with cartouches with biblical and mythological performances in a frame of rollerwork and grotesken.

Plate 12, from twenty ornamental designs for goblets and beakers. Master A.P.; German, active early 17th century. Date: 1604. Dimensions: 125 x 120 mm (image); 130 x 125 mm (plate); 145 x 130 mm (sheet). Punch engraving in black on ivory laid paper. Origin: Germany. Museum: The Chicago Art Institute, Chicago, USA.

Watch cover with sitting goddess; Two watch covers; Small ornament with gods (). Goddess has her helmet on, her armor is right behind her. One of two blades with oval medallions with a mythological figure in a frame of leaf raft and grotesken. Shaded background.

Two Oir tires; Halves of knives and seizure of skid, decorated EIA grotesken, candelabers and medallions on a black fond; Knife lifts. 2 on 1 sheet. Left Grotesken all around and under an oval with Lucretia. Right Grotesken with fish cups and the upper body of a winged woman under a canopy. Belongs to series of 4 sheets.

Four Thegs Met Grotesque en Rocailles; New very useful Goldschmid's Book, Different types of TABACK u. Poudre Bichsen, Sachtl Watches Jucheand ornaments. Four Dekels Voor Poeder-of tobaccozzen.

The vagina to the saber; Aldegrever, Heinrich (Ca 1502-1555 cars 1561); 1537 (1st edition) (1537-00-00-1561-00-00);

Master CR, Ornament with Grotesque, 1616 Ornament with Grotesque

Ceiling and part of a wall; Varie soffiti. At the top a quarter of a ceiling. At the bottom of a part of a wall: behind an open fronton with a river god. Print is part of an album.

Rinceaux Pattern. 1515. Altdorfer, Albrecht, approximately 1480-1538. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

Double Goblet with Flat Leaves Albrecht Altdorfer German. Double Goblet with Flat Leaves 430266

Upper part of decorative pilaster, Giovanni Ottaviani, Pietro Camporesi (I), After Gaetano Savorelli, After Rafaël, 1772 - 1779 print Left arabesks with centaurus and sphinxes. Below that Hermen on either side of a medallion with naked woman and a tablet with a horse. Jupiter on the right, a goddess and garlands of fruits. Top part of a pilaster. Up right numbered II. paper engraving / etching half-column, pilaster ~ architecture

Coat of arms flanked by two muses above cartouche ..

This copper engraving from 1530-1535 by Agostino Veneziano depicts a decorative board with ornamental elements and intricate composition.

Augsburg, Hertel, Johann Georg (I), Rösch, Georg Sigmund, Last six months of the year, July, Iulius, verso - stamped, In a rocaille cartouche a farmer rests during his work. He is drinking, in front of him lies a scythe. Around the image rocaille ornaments, leaf motifs, a lion and the associated sign of the zodiac. Publisher number 75., print, ornament print, prints, ornamental prints, height 294 mm, width 185 mm, print maker, printmaker, 1705 - 1766, paper, papier, etching, etchings, German - 1766, intermediary draughtsman, after a drawing by, Publication (Event), Publication, 1695 - 1775, publisher

Cariatide, three hermen, pila decoration and sample; Oficina Arcvlaria (...), Bovticqve Menvseries (...), Schriner Load (...), Schrinckers Winckel (...).

Personification of Earth, with Spade and Horn, Supporting a Tree and Lattice on His Head, A Frieze underneath from Veelderleij niewe inventien van antijckesche sepultueren diemen nou zeere ghebruijkende is met noch zeer fraeije grotissen en compertimenten zeer beqwame voer beeltsniders antijcksniders schilders en all constenaers...Libro Secundo 1557 Johannes van Doetecum I Netherlandish. Personification of Earth, with Spade and Horn, Supporting a Tree and Lattice on His Head, A Frieze underneath from Veelderleij niewe inventien van antijckesche sepultueren diemen nou zeere ghebruijkende is met noch zeer fraeije grotissen en compertimenten zeer beqwame voer beeltsniders antijcksniders schilders en all constenaers...Libro Secundo 408534

Ornament with two sirens. Two sirens in front of a candelabster. On top is a winged figure with a trident, seen on the back, between two sphinxes.

Medallion with grape vines, strawberry plants and grotesken, 1480 - 1536 print Maria sits with child in the middle. The corners between the medallion and the leaf edge are also filled with leaf vines and grotes'. Germany (possibly) paper etching

Otmar, Johann, Augsburg, The Franciscan monk Ossváld Pelbárt (Pelbartus) in a garden and the four evangelist symbols, verso center bottom - stamped, The Franciscan monk Ossváld Pelbárt (Pelbartus) sits at a lectern reading in an enclosed garden. At the four corners of the representation four circles with the symbols of the evangelists., print, prints, verso lower left - stamped, height 160 mm, width 214 mm, print maker, printmaker, 1497 - 1507, fourth quarter 15th century, first quarter 16th century, paper, woodcut, Publication (Event), Publication, publisher

Two candelabers, each between two shaded tires, Hans Sibmacher, after Jacques Androuet, c. 1525 - 1594 print Leaf from series with architecture fantasies and grotes' with fable areas, garlands, candelabers and mascarons. print maker: Germany (possibly)after print by: France (possibly)publisher: Netherlands (possibly) paper etching ornament ~ candlestick

Two putti near Zuil with a heart, Bernard Picart (workshop or), After Bernard Picart, 1716 print Two putti each holds a horn of abundance and are crowned with a heart next to a column or phases. At the top of the motto: Ubertas ex Faedere et Pace. Amsterdam paper etching / engraving ornaments ~ art. cupids: 'amores', 'amoretti', 'putti'. 'Cornucopia', Horn of Plenty

Ornamental Design with a Mask and an Eagle between Two Fauns below 1549 Heinrich Aldegrever German. Ornamental Design with a Mask and an Eagle between Two Fauns below. Heinrich Aldegrever (German, Paderborn ca. 1502-1555/1561 Soest). 1549. Engraving

A cartouche with armor, a skull with armor and a helmet with feathers at top, from 'Eight Emblems for the Funeral of Francesco de Medici' (Huit emblèmes pour les funérailles du prince François de Médicis) ca. 1640-60 Stefano della Bella Italian. A cartouche with armor, a skull with armor and a helmet with feathers at top, from 'Eight Emblems for the Funeral of Francesco de Medici' (Huit emblèmes pour les funérailles du prince François de Médicis) 397890

Master of the Horse Heads, Ornament with a Cupid, a Satyr, and Grotesque Figures Ornament with a Cupid, a Satyr, and Grotesque Figures

ESCUDO DE PONTEVEDRA.

Title page with Saters and Women, 1557 print Cartouche in a frame of rolling work that contains seven saters and two women. Belongs to series consisting of a title page, a text top and 14 magazines with grotesken with rolling work, saters, garlands, trophies, animals and fantasy scenes. Netherlands (possibly) paper etching

Germany, Bry, Johann Theodor de, Passe, Crispijn van de (I), Sadeler, Raphaël (I), Mansches de Coutiaus., Neuwe Messer hauben., Mansches de Coutiaus, aveques les feremens de la gain, Title page: Mansches de Coutiaus., Neuwe Messer hauben., Title in a wreath of leaves. Top left a mouth-glass with in the middle an oval with Christ in the house of Martha and Mary. Top right an eclipse with in the middle an oval with Prudentia. Title flanked by two half designs. Belongs to a series of 5 (of 11) sheets, each with two designs., print, ornamental print, prints, ornamental prints, height 107 mm, width 81 mm, South Netherlands, 1561 - 1623, print maker, printmaker, 1584 - 1623, third quarter 16th century, fourth quarter 16th century, first quarter 17th century, paper, engraving, engraving (printing process), Work conception, after a design by, 1560, after a print by, 1564 - 1637, Publication (Event), Publication, publisher

Coat of arms of the Medici family, Stefano della Bella, after 1649 - 1664 drawing The weapon of the Medici family, flanked by two alliance weapons, with the heraldic animals. paper. ink pen / brush armorial bearing, heraldry

Sacrifice of Abraham. Medium: engraving. Museum: National Gallery of Art, Washington DC. Author: Etienne Delaune.

The upper left corner of two mirror frames with figures, masks and a dragon. Draughtsman: anonymous. Dating: c. 1710 - c. 1740. Place: Venice. Measurements: h 274 mm × w 184 mm. Museum: Rijksmuseum, Amsterdam.

Melpomene a role work surrounding; Negen muss.

Strapwork Grotesque with Scene from Ovid, Pieter van der Heyden, Flemish, 1530 - 1572, Jacob Floris the Elder, Flemish, 1524 - 1581, Engraving on laid paper, At center, a scene of Hercules rescuing his wife Deianira from the Centaur Nessus is flanked by term figures hold a garland of fruit. Above, a pair of fantastic animals., Netherlands, 1566, ornament, Print, Print

Paris, Mariette, Pierre (II), France, Loir, Nicolas Pierre, Modern ceilings, Half ceiling, The edge consists of several planes, of which the middle panel is filled with two putti and an urn. Sheet from the second edition., print, ornamental print, prints, ornamental prints, height 171 mm, width 243 mm, French, 1624 - 1679-05-06, print maker, printmaker, 1634 - 1716, second quarter 17th century, third quarter 17th century, fourth quarter 17th century, first quarter 18th century, paper, etching, etchings, Work conception, after own design van, Publication (Event), Publication, publisher

Keizer Vespasian Rolwerk Omlijsting, Virgil, 1524 - 1562 print Nuremberg paper engraving / etching (story of) the emperor Vespasian

Copper engraving by Barthel Beham depicting a high filling with detailed ornamentation and Renaissance design elements.

Grotesken with Diana and winged female figure; Neues Koteschgen-work. Three pilasters with grotesken and various mythical figures and scenes.

Drawing, Design for a Decorative Panel (with Nymphs and Garlands); Designed by Gilles Paul Cauvet (French, 1731 - 1788); France; red chalk on paper; 41.8 x 24.6 cm (16 7/16 x 9 11/16 in.)

Medallion with the Emmaus goers, c. 1500 - c. 1600 print One of 2 sheets. Netherlands (possibly) paper engraving

Candelabra Grotesque with a Naked Boy in a Strapwork Contraption. Artist: Anonymous, Italian, 16th century ; After Cornelis Bos (Netherlandish, Hertogenbosch ca. 1510-before 1566 Groningen). Dimensions: Sheet: 9 11/16 x 4 7/16 in. (24.6 x 11.2 cm). Date: 1540 after.Three quarters of a candelabra grotesque, copied after a print published by Cornelis Bos around 1540. The design is characterized by a semi-circular strapwork contraption, in which a young, naked boy is placed. Museum: Metropolitan Museum of Art, New York, USA.

Three frames with figures, Johann Christoph Hafner (Possible), 1673 - 1724 print Three ornamented frames. Upstairs with two half figures on the left and right that stop a cloth. In the middle with two putti on either side of a crowned coat of arms. With two angels with trumpet and a lion's head. Augsburg paper etching / engraving ornaments ~ art (+ framing decorations). cupids: 'amores', 'amoretti', 'putti'. angels. beasts of prey, predatory animals: lion

Two cartouches with mythological representations; Comperimentorum quod vocant plywood genus .... Two cartouches on one leaf. The Cartouche Links contains a representation of the liberation of Andromeda by Perseus, the Cartouche on the right shows how the liver of Prometheus is punched by an eagle. Shaded background. Leaf from series consisting of a title page and 15 of the 16 sheets with cartouches with biblical and mythological performances in a frame of rollerwork and grotesken.

Freggi dell'architettura. Agostino Mitelli (Italy, Battidizzo, 1609-1660). Italy, 1645. Prints; engravings. Two engravings on one sheet, uncut

Theodor de Bry, Ornament Ornament

Triumph of Death with three fates in an architectural frame above a wheel of fortune flanked by skeletons; a skull and an hour glass at top and with wheel intended to spin at center 1588 Andrea Andreani Italian. Triumph of Death with three fates in an architectural frame above a wheel of fortune flanked by skeletons; a skull and an hour glass at top and with wheel intended to spin at center. Andrea Andreani (Italian, Mantua 1558/1559-1629). 1588. Chiaroscuro woodcut from three blocks in brown. Prints

Nederland, Amsterdam, Groot Keur, Gijsbert de, Bekeeringh, Bystant, Bevalligheyt, Blint in 't Verstant, Netherlands, verso - stamped, Sheet with four images: Bekeeringh, Blint in 't Verstant. Below each image a two-line verse. Surrounded by a frame of floral scrolls, insects, lions and ducks., print, image, folk print, folk prints, prints, images, height 400 mm, width 315 mm, Publication (Event), Publication, publisher, 1738 - 1767, paper, woodcut, colours, letterpress printing, print maker, printmaker

Amsterdam, Ram, Johannes de, Quellinus, Artus (I), Pilaster Festoons, Two trophies with attributes of Venus, Opposite copy after festoons from the series Prima Pars Praecipuarum..., Het Eerste Deel Van de voormain Statuen ende Cieraten..., La Premier Partie...., print, ornament print, prints, ornament prints, height 271 mm, width 134 mm, Work conception, Southern Netherlands (before 1775), 1609 - 1668-08-23, after a design by, 1665 - 1693, third quarter 17th century, fourth quarter 17th century, paper, etching, engraving, engraving (printing process), print maker, printmaker, Publication (Event), Publication, Northern Netherlands, 1648-06-18 - 1693-05-15, publisher

Ornamental Design with Two Urns and a Trophy. Artist: Anonymous, Italian, Piedmontese, 18th century. Dimensions: Sheet: 7 7/8 x 10 9/16 in. (20 x 26.9 cm). Date: 1700-1780. Museum: Metropolitan Museum of Art, New York, USA.

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