Ornamental Vessels and Designs

Intricately detailed designs of ornamental vessels and goblets featuring elaborate decorations, showcasing craftsmanship from various artists.

2015-03-06

Recueil de morceaux d'architecture et de divers fragmens de monumens antiques fait en Italie par Marie Joseph Peyre architecte du Roy ancien pensionnaire de Sa Majesté à Rome, Peyre, Marie-Joseph, 1730-1785, pencil, ink, pen, wash, black and red chalk, watercolor, 1786, Album of architectural drawings with sketches and some fully realized drawings includes drawings of architectural fragments and details (some with measurements), two views, ancient and Baroque sculpture, urns and coffers, and designs for fountains and buildings.

Asvaas en Urn, Giovanni Battista Piranesi, 1778 print Leaf with two performances of an antique ash vase and an urn. Left: an antique ash vase with a frieze of bacchants. Text in STUDMARGE. Right: an antique urn with an owl on a garland, bucrania and sphinxes. Assignment above performance. Text in STUDMARGE. Rome paper etching vase ~ ornament. urn. maenad(s), female bacchant(es). sphinx (lion/woman); 'Sfinge' (Ripa) - AA - female human figure. owls

Covered Goblet with Winged Ball. Dated: c. 1520/1525. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: Albrecht Altdorfer.

Scale formed by a man and two mermaids; Vases, jugs and scales with grotesken .. scale on a foot, formed by a man and two mermaids he wears and whose tails are wound around his legs. At the rear a woman leans over the edge of the dish. Coming from a series consisting of a title page and 20 sheets.

Urn and weeping willow (TF)

The shaft is similar to -1411, the bowl to -1406. The lid has below a base with two zones, the lower one being undecorated, except with a broken pediment at the front. Upon the base stands a pyramid-like, curved pedestal with, ton top, a bunch of lilies and cherubim. Below the oblique sides are cherubim and palm branches. Usual background. Date: ca. 1775. Pen and brown ink, brush and brown wash on lined off-white laid paper. Museum: Cooper Hewitt, Smithsonian Design Museum.

Drawing, Two urns and an ornamental detail; Jean-Robert Ango (French, active in Rome 1759 -1770, d. 1773); France; red chalk on paper

Antique asvaas; Vases, candlesticks, tombstones, sarcophagus, tripods, lamps and ornaments designed and engraved by Giovanni Battista Piranesi; Vasi, Candeabri, Cippi, Sarcophagi, Tripodi, Lucerne, etc. Ornamenti Antichi DISEGN. Ed Incisi Dal Cav. Gio. Batta Piranesi. An antique asvase with putti and an eagle on the lid. Assignment above show. Text in undermarge.

Print, Dessein d'un Poële de Terre Vernissée en BlancDifféremment; Designed by François de Cuvilliés the Elder (Belgian, active Germany, 1695 - 1768); Germany; etching and engraving on off-white laid paper; Platemark: 35.8 x 23 cm (14 1/8 x 9 1/16 in.) Sheet: 44 x 28.6 cm (17 5/16 x 11 1/4 in.)

Waterkan with the Parisal Opportunity, Jacob Neefs, After Peter Paul Rubens, After Theodoor Rogiers, 1630 - 1660 print A water jug of Charles I, king of England. On the Kan a scene from the Paris judgment: Paris sits on a tree stump, Mercury stands next to him with a golden apple in his hand. In addition, there are two putti on a garland. There are mooring at the base of the jug. Antwerp paper etching jug and basin; wash-basin. the Judgement of Paris (Mercury present)

Rome, Salamanca, Antonio, Italy, Veneziano, Agostino, Vases, Ornamental vase with two handles and a border of putti, verso - stamped, print, ornamental print, prints, ornamental prints, height 212 mm, width 165 mm, Italian, 1490 - 1536, print maker, printmaker, 1530 - 1530, paper, papier, engraving, engraving (printing process), Publication (Event), Publication, 1478 - 1562, publisher

Gilt silver jug in the Silver Room Dresden. German renaissance.. Drawings, Design drawings. 1880 - 1883. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Art & Architecture Collection. Patterns (Design elements), Decoration and ornament, Silverwork, Victorian, Goldwork, Pitchers, Faces, Handles

Vase with two naked female figures such as Voet, Benigno Bossi, After Ennemond Alexandre Petitot, 1764 Vase whose foot is formed by two kneeling naked female figures that hold up a lion's head. The belly is also decorated with lion's legs. No. 24 from series of 31. print is part of an album. Printed recto at the top right: 24. paper etching vase ~ ornament. lion's head ~ ornament

Designs for the ferties of swords, Gabriel Huquier, Juste Aurèle Meissonnier, 1738 - 1749 print This print is part of an album. paper etching parts of hacking and thrusting weapons: guard. parts of hacking and thrusting weapons: grip. work of applied art

Design for an Urn, Pen and ink, brush and sepia on paper, An amphora with high handles and the head of a centaur on top., Italy, 1780-1820, classicism, Drawing, Drawing

Drawing, Design for a Vase; Italy; pen and ink, brush and wash on paper

Ornamental Kapiteeel and Basement van Zuil, 1535 - 1537 print Ornamental capital with ram heads and acanthus leaves. Below that a base with a shell edge. On the right a banderole with text partly in mirror image. Rome paper etching base (~ column, pillar). column, pillar ~ architecture. ram's head ~ ornament. capital (~ column, pillar)

Gift jug with dancing and musician men and women, 1657 print The handle runs out in a snake head, under the spout is a mask. Leaf 7 from series of 24 sheets, numbered: 1-21, 23-25. print maker: France (possibly)after design by: France (possibly)publisher: Paris paper engraving

Drawing, Design for a Pitcher; Italy; pen and ink, brush and wash on paper

Bowl: "Sinking of the Maine". Dated: c. 1936. Dimensions: overall: 30.5 x 22.9 cm (12 x 9 in.) Original IAD Object: 10" x 9 1/2". Medium: watercolor and graphite on paperboard. Museum: National Gallery of Art, Washington DC. Author: Edith Magnette.

Ionic Capital. Artist: Master G.A. (Italian, active ca. 1535). Dimensions: sheet: 4 3/4 x 7 1/16 in. (12 x 18 cm)mount: 5 13/16 x 8 13/16 in. (14.8 x 22.4 cm). Museum: Metropolitan Museum of Art, New York, USA.

Decorative vases with fruit motifs, Jeremias Wachsmuth, after J.S. Hildt, 1721 - 1756 print Two rocaille decorative vases. The left voucher is decorated with fruit motifs. Print number 113, publishing number 22. Augsburg paper etching vase ~ ornament. rocaille ornament. fruits and vegetables ~ ornament

Borghese vase, c. 1650 print A number of figures are depicted on the upper part of the body, under a fanning edge decoration with wine rank, including Apollo. From series of 13 magazines. print maker: France (possibly)publisher: Paris paper engraving

. On the body, under an fanning edge with a vineyard, a number of classic figures, two with a staff.

Suite of Vases: Plate 28, 1746. Jacques François Saly (French, 1717-1776). Etching;

Marble trireem on a pedestal; Vases, candlesticks, tombstones, sarcophagus, tripods, lamps and ornaments designed and engraved by Giovanni Battista Piranesi; Vasi, Candeabri, Cippi, Sarcophagi, Tripodi, Lucerne, etc. Ornamenti Antichi DISEGN. Ed Incisi Dal Cav. Gio. Batta Piranesi. A marble trireem (warship from antiquity) on an ornamental pedestal. Assignment above show. Text in undermarge.

Italy, Alberti, Cherubino, Polidoro da Caravaggio, Vasa a Polydor, Jug with an ear, ending in a bird's head, The body of the jug is decorated with two winged female satyrs. From a series of 10 sheets. First edition of the series of vases, which was published for the second time in 1628., print, ornament print, prints, ornament prints, height 238 mm, width 159 mm, 1553 - 1615, print maker, printmaker, 1563 - 1582, third quarter 16th century, fourth quarter 16th century, paper, engraving, engraving (printing process), Work conception, Italian, 1490 - 1543, after a design by, Publication (Event), Publication, publisher

Italy, Veneziano, Agostino, Vases, Ornamental vase with two handles with snakes and frieze of dancing figures, loose leaf - stamped, print, ornamental print, prints, ornamental prints, verso - stamped, height 215 mm, width 169 mm, Italian, 1490 - 1536, print maker, printmaker, 1530 - 1530, paper, engraving, engraving (printing process)

Habermann, Franz Xaver, Germany, Drawings of various silverware items, Designs of silverware, Terrines, verso - stamped, Two tureens with dish, with garlands, goat's head, lion's head, leaf motifs and ornaments., print, ornament print, prints, ornament prints, height 231 mm, width 162 mm, German, 1721 - 1796, print maker, printmaker, 1731 - 1796, paper, papier, etching, etchings, Work conception, after own design by

Project for a Fountain, Pen and brown ink on off-white laid paper, Water pours from two bowls into a round basin. Indistinct classical figure stands atop., Italy, 1725-1800, architecture, Drawing, Drawing

Drawing, Design for a Centerpiece; Circle of Jan Lutma (Dutch, ca. 1584 - 1669); Netherlands; chalk on tan laid paper; 35.8 x 28.5 cm (14 1/8 x 11 1/4 in.)

Germany, Regensburg, Altdorfer, Albrecht, Hopfer, Hieronymus, Three vases, Vases, jugs and goblets, Vase with lid, A vase with lid, decorated with acanthus leaves, a covered vase decorated with foliate scrolls and grotesques and a fluted jug. From a series of 6 sheets. Copies of the series described in Orn Cat I-273, with Albrecht Altdorfer as printmaker., print, prent, ornamentprent, prints, prenten, ornamentprenten, height 157 mm, width 230 mm, German, 1500 - 1550, print maker, prentmaker, 1528 - 1550, second quarter 16th century, tweede kwart 16e eeuw, third quarter 16th century, derde kwart 16e eeuw, paper, papier, etching, etchings, Work conception, 1480 - 1538, after a design by, Publication (Event), Publication, publisher

Greek bath or labrum found in Hadrian's Villa in Tivoli, now in the Capitoline Museum 1, and Etruscan metal chair found in Perugia 2. Copperplate engraving by Domenico Pronti from his own New Collection Representing Religious, Civil and Military Costumes of the Ancient Egyptians, Etruscans, Greeks and Romans, Nuova Raccolta Rappresentante I Costumi Religiosi Civili e Militari, Rome, 1805.

Scale formed by a man and two mermaids; Vases, jugs and scales with grotesken. Scale on a foot, formed by a man and two mermaids he wears and whose tails are wound around his legs. At the rear a woman leans over the edge of the scale. Coming from a series consisting of a title page and 20 sheets.

Design for a Canopy Bed in the Turkish Style with Alternate Suggestion in the Italian Style, Matthew Liard, English, ca. 1736-1782, Etching on white laid paper, A hybrid bed designed in 'Turkish' style on the left half and in 'Italian' style on the right half., France, ca. 1765, furniture, Print, Print

Vase with mascarons on the shoulders, agostino mitelli (Possible), 1619 - 1660 drawing paper. ink pen vase ~ ornament. container of precious metal

Vase decorated with mythical figures including Minerva, Hercules, Mercury, etc. from the British Museum. Copperplate engraving by Henry Moses from A Collection of Antique Vases, Altars, etc., London, 1814.

Etching by Jules Ferdinand Jacquemart depicting a deelsepocale object, created around 1865, plate 50, in the Louvre collection.

Designs for a clock (Illustrations for "Saggi di naturali esperienze") 1666 Circle of Giuseppe Cocchini Italian. Designs for a clock (Illustrations for "Saggi di naturali esperienze") 383306

Two plates. William Chaffers (English, 1811 - 1892)

Vase with Flowers. .

Design for a wine cooler. Artist: Attributed to Thomas Fletcher (American, Alstead, New Hampshire 1787-1866 New Jersey); Attributed to Sidney Gardiner (American, Mattituck, New York 1787-1827 Mexico). Dimensions: sheet: 17 5/16 x 14 1/16 in. (44 x 35.7 cm). Date: ca. 1825-35. Museum: Metropolitan Museum of Art, New York, USA.

Two vases and antique monument; Vases, candlesticks, tombstones, sarcophagus, tripods, lamps and ornaments designed and engraved by Giovanni Battista Piranesi; Vasi, Candeabri, Cippi, Sarcophagi, Tripodi, Lucerne, etc. Ornamenti Antichi DISEGN. Ed Incisi Dal Cav. Gio. Batta Piranesi. Two ornamental vases and an antique monument. A caption with every performance.

Silver cup, 1580-1600, (1881). Etching of a cup made as a trial piece of work, or 'masterpiece', that met an agreed standard of workmanship. This example, by Wenzel Jamnitzer of Nuremberg in Germany, has a body in the form of 6 lobes tapering downwards, with repoussé ornament of strapwork, flora, and figures of Diana, Lucretia, and Judith. From "The South Kensington Museum", a book of engraved illustrations, with descriptions, of the works of art in the collection of the Victoria & Albert Museum in London (formerly known as the South Kensington Museum). Sampson Low, Marston

Václav Hollar (1607-1677). "Representation of a chalice", according to Mantegna. Etching. 1640. Museum of Fine Arts of the City of Paris, Petit Palais. 112276-18 Eat, XVIIth XVIIth XVII 17th 17th 17th century, engraving

Cul-de-Lampe with four seasons, 1670 print A representation of the air with the head of a sun god, surrounded by four vines, from which flowers stick (spring) on the left and corners (summer) on the right side. On top of the frame is a bowl of fruit (autumn) and at the bottom there is a stew with burning coal (winter). print maker: Franceafter design by: France (possibly)after design by: France (possibly)printer: France (possibly)publisher: Paris paper etching

Vuurbok puts Man, Augustin Foin, after Jean François Forty, 1775 - 1790 print An ornamented firebok with a man on the right leaning on ranks and goat legs. On the left a pine cone. paper etching / engraving andiron, fire-dog. leaning forward

Pitcher with rich decoration, by Horace Scoppa, etching.

Paris, Crépy, Jean-Baptiste, Moithey, P. (l'ainé), Nouveau Livre de Vases 1767, Vase with drapery, verso - stamped, Vase with lid, decorated with drapery and mascarons., print, ornamental print, prints, ornamental prints, height 181 mm, width 117 mm, print maker, printmaker, 1767 - 1767, third quarter 18th century, paper, papier, etching, etchings, print in red, Work conception, after own design of, Publication (Event), Publication, French - 1796, publisher

Print (France)

Cylindrical box to keep scrolls in a Greek library 1, Gutternium or ewer used in Roman sacrifices from the Temple of Jupiter gardens 2, Roman inferia or bowl for milk libations found in Utricoli 3, table used by the Greeks and Romans for domestic dinners, from the Temple of Jupiter 4, and Greek wax-covered writing tablet found in Herculaneum 5. Copperplate engraving by Domenico Pronti from his own New Collection Representing Religious, Civil and Military Costumes of the Ancient Egyptians, Etruscans, Greeks and Romans, Nuova Raccolta Rappresentante I Costumi Religiosi Civili e Militari, Rome, 1805.

Print (France)

Can with lid in the form of dolphin, Benigno Bossi, After Ennemond Alexandre Petitot, 1764 You can ribe with ear in the form of a tail. The spout is decorated with an acanthus leaf. The lid has the shape of the head of a dolphin. The jug is on a wall. No. 28 from series of 31. print is part of an album. Printed recto at the top right: 28. paper etching vase ~ ornament. dolphin ~ ornament

Vuurbokken, André-Charles Boulle, c. 1710 - C. 1720 print Seven fireboks with vases, saters, sphinxes, a crown and birds. Paris paper etching andiron, fire-dog

Vase with snakes, anonymous, 1770 - 1780 print An ornamented vase with handles in the form of snakes. Below that a cartouche with branches. Paris paper etching vase ~ ornament. snakes

Octagonal base, shaft with a cherub at the front. The bowl has below a leaf calix, above a frieze with festoons supported by bowknots. The shaft of the lid has the shape of an octangonal pedestal, each side having a circular pediment. In the front is a medallion with two figures, framed by two crossed branches. The oblique sides are decorated with a hanging garland. On top is a cross supported by cheubim. Usual background. Date: ca. 1775. Pen and brown ink, brush and brown wash on lined off-white laid paper. Museum: Cooper Hewitt, Smithsonian Design Museum.

Design for a Porcelain Flower Bowl with Bronze Mount. Artist: Anonymous, French, 19th century. Dimensions: sheet: 15 7/8 x 11 5/16 in. (40.3 x 28.8 cm). Date: 19th century. Museum: Metropolitan Museum of Art, New York, USA.

Aiguière de Charles V. The magnificent Apollo gallery in the Parisian Louvre holds in addition to the French Crown Jewels some of the most precious art objects of the Grande Nation. For the publication Le Trésor Artistique de la France, which is published from 1878, the photographer Léon Vidal releases the exquisite treasures. Also in the printing process one leaves on the expertise of the learned engineer. The method developed by Vidal photochromy technique, a method presented for the first time, makes it possible to transmit the color of the collection pieces in a quality reproduction. Similar to the chromolithography, three layers are printed separately into strong, translucent colors. As a base, Vidal takes a photomechanical image, which contributes the deep black tones to the colored image result; The degree forms a fine rivis layer. In the shiny figures, not only the radiance of the art objects, the expensive produced, elaborate copies are today masters today. (Annika Sellmann)

Ambsziel En Antieke Urn, Giovanni Battista Piranesi, 1778 print Leaf with two performances of a chair (office seat) and an antique urn. Left: rear view of a decorated chair (office seat) with dogs as legs. Text in STUDMARGE. Right: an antique urn with a representation of an eagle on a garland between two rams heads. Text in STUDMARGE. Rome paper etching urn. chair

Cul-de-Lampe with four seasons; Tapisseries du Roi, Ou Sont Représentez Les Quatre Elienens et les Quatre Saisons. A representation of the air with the head of a sun god, surrounded by four vines, from which flowers sticks (spring) on the left and corners (summer) on the straight side. On top of the frame is a bowl of fruit (fall) and below hangs a stew with burning coals (winter).

Print, Ornamental Vase Design; Designed by P. Moithey (French, active 18th century); Published by Jean-Baptiste Crépy (French, active 1753 - d. 1796); France; etching on paper

Two vases for the large fishing pond of Zorgvliet, Johannes Jacobsz van den Aveele, 1665 - 1727 print The vase on the left is decorated with two medallions and a rectangle with Minerva. From series of 7 sheets with two vases on each leaf on a balustrade with a view of the gardens of Zorgvliet in the background. Amsterdam paper etching

Design for an Urn. Artist: Anonymous, French, 18th century. Dimensions: 18 1/4 x 12 1/16 in. (46.4 x 30.7 cm). Date: ca. 1770-90. Museum: Metropolitan Museum of Art, New York, USA.

Drawing, Elevation of a Tray with Two Tankards and a Hand Bell; Designed by Vincenzo Belli (Italian, 1710 - 1787); graphite, pen and ink on paper

Coat of arms of the Eysenbergh family, Pieter Jansz, 1660 - 1672, Possibly design for a stained glass window., draughtsman: Pieter Jansz., draughtsman: Jan de Bray, (rejected attribution), 1660 - 1672, paper, pen, brush, h 232 mm × w 184 mm

AEROSTATIC MACHINE / M ONSIEU R Montgolfier, built in the Garden of M Onsieu R Eveberry ... Sellier. "Aerostatic Machine of Mr. Montgolfier, built in the Garden of Mr. Eveillon ...". Etching.

Pencil design of a blackboard attachment by Emerich Alexius Swoboda, showing mechanical and structural details, drawn in 1881.

(). (PIECES D’ARGENTIERE.). Artist: Paul Gavarni, French, 1804-1866

Can in the form of a snail house, 1548 print On the lower part of the ear, which rests on a mascaron, is a man who holds the upper part of the ear above his head. Coming from a series consisting of a title page and 20 magazines. Netherlands (possibly) paper engraving

Italy, Bella, Stefano della, Tesi, Mauro Antonio, Vases, Twelve vases, The vases are in two rows, one below the other. The vase on the lower left rests on two sphinxes., print, ornament print, prints, ornament prints, height 109 mm, width 155 mm, Italian, 1730-01-15 - 1766-07-18, print maker, printmaker, 1740 - 1766, second quarter 18th century, third quarter 18th century, paper, etching, etchings, Work conception, 1610-05-18 - 1664-07-27, after a design by, Publication (Event), Publication, publisher

Ornament Design with Cameo and Urns. Date: 1777. Pen and ink, brush and watercolor, gouache, over graphite on laid paper. Museum: Cooper Hewitt, Smithsonian Design Museum.

Design for a Jardiniere and Candelabrum, Pencil, brush with ink, watercolor, tempera colors, gold on trading paper, tipped down., The body of the jardiniere is of blue porcelain, with a central field depicting three figures in a landscape, within a narrow gold frame. Mounted on a bronze base containing an oval porcelain portrait within it; flanked by handles terminiating in candelabra. Flowers in the jardiniere. Inscribed lower center: No. 564. Grande Jardiniere en porcelaine pate tendre montee da Bronze dore - Peinture exacutee a la manufacture de Sevres. Hauteur totale 70: longeur avec les Bouquets 100c.', France, ca. 1855, lighting, Drawing, Drawing

Front and side view of antique vase; Peter Paul Rubens drawing book.

Depiction of ancient warriors with spears on horseback from a very ancient vase in the British Museum. Copperplate engraving by Henry Moses from A Collection of Antique Vases, Altars, etc., London, 1814.

Capital and Base of a Column. Dated: 1543. Medium: engraving. Museum: National Gallery of Art, Washington DC. Author: Sebald Beham.

Design for a Chalice, Pen and ink, brush and wash on paper, Design for a chalice. Upon a low base are the fore parts of the symbols of the Evangelists. The eagle, lion and bull can be seen. Each has four wings; the upper wings support the cup. This is decorated in its lower part with a laurel wreath around which a branch is wound, from which hangs a vine leaf., Italy, 1825-1850, ornament, Drawing, Drawing

Bound Print (France)

Print (France)

Title print with seven vases in a row, the middle one with Medusahroof and title, Stefano della Bella, 1620 - 1664 print print maker: Franceafter own design by: Francepublisher: ParisFrance paper etching vase ~ ornament. garden vase

The BRAZEN SEA in Solomon's Temple

Fragments of Antiquity 1765 Jean Jacques Lagrenée French. Fragments of Antiquity 385457

Frisian with a vase between leaf raft in the middle. Left and right is a child on a dolphin that they tend to a cord. Shaded background.

Two vases with Frisians in Zorgvliet; Garden vases. On the Frisian left is a vase on a pedestal. A man on horseback and a dancing woman can be seen on the right yoke. From series of 7 sheets with two vases on a balustrade on every leaf with a view of the gardens of Zorgvliet in the background.

Egyptian vase, from the Casa Barberini 1, Egyptian vase found in Pantanello in Tivoli, 2, and Egyptian vase found in fragments owned by Count Fede in Tivoli 3. Copperplate engraving by Pietro Ruga after an illustration by Lorenzo Rocceggiani from his own 100 Plates of Costumes Religious, Civil and Military of the Ancient Egyptians, Etruscans, Greeks and Romans, Franzetti, Rome, 1802.

The Cadogan Lamp, c1507-1510, (1881). Etching of a bronze oil lamp made in the early 16th century in Padua, Italy, by Andrea Riccio, and acquired at the Cadogan sale in 1865. The lamp is in the form of an ancient galley or fantastical ship, with a statuette of a cupid riding a dolphin in the cover. On the side is a youth blowing a horn into a billowing sail, representing the motto 'make haste slowly'. From "The South Kensington Museum", a book of engraved illustrations, with descriptions, of the works of art in the collection of the Victoria & Albert Museum in London (formerly kn

Design for a Candlestick, Pen and ink, brush and sepia wash, yellow and gray watercolor, graphite on paper, Vertical rectangle. Design for a candlestick intended to be executed with white marble and gilded bronze. Above a base, two foliated and fluted columns are connected by a square, with lion masks at the center., Rome, Italy, 1800, lighting, Drawing, Drawing

Drawing, Design for Three Lamps; France; graphite, pen and ink, brush and watercolor, tempera on tracing paper; 36.6 x 45.3 cm (14 7/16 x 17 13/16 in.)

Drawing, Chalice; Architect: Giuseppe Barberi (Italian, 1746-1809); Italy; pen and brown ink, brush and brown wash, graphite on off-white laid paper, lined; Image: 19 x 9 cm (7 1/2 x 3 9/16 in.)

Ronde bank, anonymous, after Victor Léon Michel Quétin, 1878 - in or after 1904 print A round sofa with eight seats and a vase with flowers in the middle. Print from 92nd Livraison. paper seating furniture

Porcelain at the International Exhibition, by W. T. Copeland and Sons, 1871. 'Some Illustrations of the choice productions of the Royal Worcester Porcelain Company, in the Industrial Department of the present International Exhibition at South Kensington, appeared in this Journal a fortnight ago. We now present a few examples, which are certainly not less beautiful and original in their design, or less perfect in their execution as specimens of this manufacture. They are supplied by the well-known firm of Messrs. W. T. Copeland and Sons, whose contributions display a great variety of excellence

Vasi, candelabri, cippi, sarcofagi, tripodi, lucerne, ed ornamenti antichi disegnati ed incisi dal Cav. Gio. Batt. Piranesi, Vol. I (Vases, candelabra, grave stones, sarcophagi, tripods, lamps, and ornaments designed and etched by Cavalieri Giovanni Battista Piranesi) 1778-80 Giovanni Battista Piranesi Italian The plates that comprise the Vasi, candelabri cippi, sarcofagi, tripodi, lucerne, ed ornamenti antichi disegnati ed incisi dal Cav. Gio. Batt. Piranesi were originally issued as individual etchings. In 1778, the 110 plates were first gathered together in two volumes. Due to the fact that the plates were not initialy numbered, the sequence of the volumes differs from one copy to another.. Vasi, candelabri, cippi, sarcofagi, tripodi, lucerne, ed ornamenti antichi disegnati ed incisi dal Cav. Gio. Batt. Piranesi, Vol. I (Vases, candelabra, grave stones, sarcophagi, tripods, lamps, and ornaments designed and etched by Cavalieri Giovanni Battista Piranesi). Vasi, candelabri, cippi, sa

Project for a Tureen, Pen and ink, brush and wash on paper, Elevation of a tureen with lid. Three paw feet, scrolling handles. At front, a cartouche framed with palm fronds. Finial in the form of a cherub., Italy, 1800-1835, metalwork, Drawing, Drawing

Design for milk jug in Renaissance style. .

Augsburg, Hertel, Johann Georg (I), Ranson, Pierre, Vase and painter's attributes, verso - stamped, An ornamented vase with garlands in a rectangular frame. Below that a panel with garlands and painter's attributes such as a bust, a palette, brushes and a canvas. Publisher's number 67., print, ornament print, prints, ornament prints, height 221 mm, width 190 mm, print maker, printmaker, 1746 - 1775, paper, papier, etching, etchings, French, 1736 - 1786-09-26, intermediary draughtsman, after a drawing by, Publication (Event), Publication, 1695 - 1775, publisher

Print (France)

Font in Caistor Church, Norfolk, 1845. Medieval stone font in the church of Caistor St Edmund. 'At the south-east corner of the chancel is a small spring, or well of water, about five feet deep, which is always full, and extremely cold. The font was erected by Richard of Castor, in 1402; and on it are sculptured, in compartments, the emblems of the Holy Trinity, the few Evangelists, with the instruments of the Passion, the arms of the last Angles, West Saxons, and Bury Abbey...'. From "Illustrated London News", 1845, Vol VII.

Vase. Dated: c. 1941. Dimensions: overall: 28.7 x 22.7 cm (11 5/16 x 8 15/16 in.). Medium: watercolor and graphite on paperboard. Museum: National Gallery of Art, Washington DC. Author: Van Silvay.

Metal oil lamps with dolphins and swan from the Profane Museum, Vatican Library 1,2, terracotta lamp with chimera owned by Bonini 3, and lamp on a pillar found in Florence 4. Copperplate engraving by Pietro Ruga after an illustration by Lorenzo Rocceggiani from his own 100 Plates of Costumes Religious, Civil and Military of the Ancient Egyptians, Etruscans, Greeks and Romans, Franzetti, Rome, 1802.

Franse kroon, Parijs, Chéreau, Jacques-François, Lalonde, Richard de, Le Meunnié, C., IXe Cahier de l'Oeuvre De la Londe I Cahier de Trophées Soffites et Vases, Bacchus, Flore, Apollon, Ceres, Flora, Apollo en Ceres, Paris, verso - stamped, Animal soffit trophies and two vases. Top left Bacchus with tambourine and wreath, top right Flora with a vase of flowers, bottom left Apollo with a lyre, bottom right Ceres with ears of corn and sickles., print, prent, ornamental print, prints, ornamental prints, height 217 mm, width 342 mm, print maker, printmaker, 1784 - 1785, paper, papier, etching, etchings, engraving, engraving (printing process), Work conception, after a design by, Publication (Event), Publication, French, 1742-10-14 - 1794-05-16, publisher, issuer, granter of privilege

Baquoy, C., Paris, Chéreau, Jacques-François, Delafosse, Jean Charles, unknown, IIe Volume De l'Oeuvre de J. Ch. Delafosse, V Vases antiques. Cahier V, Vase with draperies, verso - stamped, An ornamented vase with rings and draperies., print, ornamental print, prints, ornamental prints, height 253 mm, width 163 mm, print maker, printmaker, 1771 - 1771, paper, papier, etching, engraving, engraving (printing process), Work conception, French, 1734 - 1791-10-11, after a design by, Publication (Event), Publication, 1742-10-14 - 1794-05-16, publisher

of 3